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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F47DAACE it is the complementary color #0B8255CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F47DAACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F47DAACE shade: #F97DA5CE, #FF8FB8CE, #FFA1CBCE, #FFB3DECE and #FFC5F1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F47DAACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F47DAACE shade: #F47DAACE, #E36B97CE, #D25984CE, #C14771CE and #B0355ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F47DAACE shade: #F47CA9, #F47C89 and #F47C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F47DAACE shade: #F47CA9, #F47CC9, #F47CEA, #DD7CF4 and #BD7CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F47DAACE shade matches the following richer shades: #F47CA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F47DAACE shade: #F47CA9, #E887AC, #DC93AF, #D19EB1 and #C5AAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F47DAACE shade: #F47CEA, #F47CCA, #F47CAA, #F47C8A and #F48E7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F47DAACE shade: #ED3077, #F05690, #F47CA9, #F7A2C2 and #FAC8DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F47DAACE shade: #F47DAA, #F4DE7C and #7CDAF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F47DAACE shade: #F47DAA, #AAF47C and #7CAAF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F47DAACE shade: #F47DAA, #F4DE7C, #7CF4C6 and #7C92F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F47DAACE shade: #F47DAA, #E6F47C, #7CF4C6 and #8A7CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 25 / 3

HEX #F47DAACE

RGBA 244 125 170 0.81

HSLA 337.31, 0.84%, 0.72%, 0.81

LABA 67.13, 50.36, -2.72, 0.81

 

Complementary color

CMYK 74 / 0 / 28 / 40

HEX #0B8255CE

RGBA 11 130 85 0.81

HSLA 157.31, 0.84%, 0.28%, 0.81

LABA 47.87, -41.16, 16.13, 0.81

 

CMYK 0 / 40 / 27 / 2

HEX #F97DA5CE

RGBA 249 125 165 0.81

HSLA 340.65, 0.91%, 0.73%, 0.81

LABA 67.67, 51.4, 0.97, 0.81

 

CMYK 0 / 36 / 23 / 0

HEX #FF8FB8CE

RGBA 255 143 184 0.81

HSLA 338.04, 1%, 0.78%, 0.81

LABA 72.47, 46.89, -2.54, 0.81

 

CMYK 0 / 30 / 17 / 0

HEX #FFA1CBCE

RGBA 255 161 203 0.81

HSLA 333.19, 1%, 0.82%, 0.81

LABA 76.72, 40.34, -6.75, 0.81

 

CMYK 0 / 24 / 10 / 0

HEX #FFB3DECE

RGBA 255 179 222 0.81

HSLA 326.05, 1%, 0.85%, 0.81

LABA 81.17, 33.88, -10.45, 0.81

 

CMYK 0 / 18 / 4 / 0

HEX #FFC5F1CE

RGBA 255 197 241 0.81

HSLA 314.48, 1%, 0.89%, 0.81

LABA 85.78, 27.58, -13.73, 0.81

 

CMYK 0 / 40 / 25 / 3

HEX #F47DAACE

RGBA 244 125 170 0.81

HSLA 337.31, 0.84%, 0.72%, 0.81

LABA 67.13, 50.36, -2.72, 0.81

 

CMYK 0 / 43 / 27 / 9

HEX #E36B97CE

RGBA 227 107 151 0.81

HSLA 338, 0.68%, 0.65%, 0.81

LABA 60.85, 51.15, -1.36, 0.81

 

CMYK 0 / 47 / 30 / 14

HEX #D25984CE

RGBA 210 89 132 0.81

HSLA 338.68, 0.57%, 0.59%, 0.81

LABA 54.57, 51.87, 0.24, 0.81

 

CMYK 0 / 51 / 34 / 20

HEX #C14771CE

RGBA 193 71 113 0.81

HSLA 339.34, 0.5%, 0.52%, 0.81

LABA 48.31, 52.42, 2.18, 0.81

 

CMYK 0 / 57 / 38 / 25

HEX #B0355ECE

RGBA 176 53 94 0.81

HSLA 340, 0.54%, 0.45%, 0.81

LABA 42.13, 52.66, 4.6, 0.81

 

CMYK 0 / 49 / 31 / 4

HEX #F47CA9

RGB 244 124 169

HSL 337.5, 0.85%, 0.72%

LAB 66.91, 50.72, -2.48

 

CMYK 0 / 49 / 44 / 4

HEX #F47C89

RGB 244 124 137

HSL 353.5, 0.85%, 0.72%

LAB 66.1, 47.12, 14.48

 

CMYK 0 / 49 / 49 / 4

HEX #F47C7C

RGB 244 124 124

HSL 0, 0.85%, 0.72%

LAB 65.83, 45.89, 21.45

 

CMYK 0 / 49 / 31 / 4

HEX #F47CA9

RGB 244 124 169

HSL 337.5, 0.85%, 0.72%

LAB 66.91, 50.72, -2.48

 

CMYK 0 / 49 / 18 / 4

HEX #F47CC9

RGB 244 124 201

HSL 321.5, 0.85%, 0.72%

LAB 67.92, 55.07, -18.97

 

CMYK 0 / 49 / 4 / 4

HEX #F47CEA

RGB 244 124 234

HSL 305, 0.85%, 0.72%

LAB 69.18, 60.27, -35.37

 

CMYK 9 / 49 / 0 / 4

HEX #DD7CF4

RGB 221 124 244

HSL 288.5, 0.85%, 0.72%

LAB 66.76, 55.72, -44.85

 

CMYK 23 / 49 / 0 / 4

HEX #BD7CF4

RGB 189 124 244

HSL 272.5, 0.85%, 0.72%

LAB 63.15, 47.16, -50.8

 

CMYK 0 / 49 / 31 / 4

HEX #F47CA9

RGB 244 124 169

HSL 337.5, 0.85%, 0.72%

LAB 66.91, 50.72, -2.48

 

CMYK 0 / 49 / 31 / 4

HEX #F47CA9

RGB 244 124 169

HSL 337.5, 0.85%, 0.72%

LAB 66.91, 50.72, -2.48

 

CMYK 0 / 42 / 26 / 9

HEX #E887AC

RGB 232 135 172

HSL 337.11, 0.68%, 0.72%

LAB 67.62, 41.54, -3.3

 

CMYK 0 / 33 / 20 / 14

HEX #DC93AF

RGB 220 147 175

HSL 336.99, 0.51%, 0.72%

LAB 68.88, 31.44, -3.3

 

CMYK 0 / 24 / 15 / 18

HEX #D19EB1

RGB 209 158 177

HSL 337.65, 0.36%, 0.72%

LAB 70.3, 21.86, -2.45

 

CMYK 0 / 14 / 9 / 23

HEX #C5AAB4

RGB 197 170 180

HSL 337.78, 0.19%, 0.72%

LAB 72.17, 11.48, -1.51

 

CMYK 0 / 49 / 4 / 4

HEX #F47CEA

RGB 244 124 234

HSL 305, 0.85%, 0.72%

LAB 69.18, 60.27, -35.37

 

CMYK 0 / 49 / 17 / 4

HEX #F47CCA

RGB 244 124 202

HSL 321, 0.85%, 0.72%

LAB 67.96, 55.22, -19.48

 

CMYK 0 / 49 / 30 / 4

HEX #F47CAA

RGB 244 124 170

HSL 337, 0.85%, 0.72%

LAB 66.94, 50.85, -3

 

CMYK 0 / 49 / 43 / 4

HEX #F47C8A

RGB 244 124 138

HSL 353, 0.85%, 0.72%

LAB 66.12, 47.22, 13.95

 

CMYK 0 / 42 / 49 / 4

HEX #F48E7C

RGB 244 142 124

HSL 9, 0.85%, 0.72%

LAB 69.49, 36.78, 26.38

 

CMYK 0 / 80 / 50 / 7

HEX #ED3077

RGB 237 48 119

HSL 337.46, 0.84%, 0.56%

LAB 53.44, 73.23, 6.95

 

CMYK 0 / 64 / 40 / 6

HEX #F05690

RGB 240 86 144

HSL 337.4, 0.84%, 0.64%

LAB 59.15, 63.72, 0.45

 

CMYK 0 / 49 / 31 / 4

HEX #F47CA9

RGB 244 124 169

HSL 337.5, 0.85%, 0.72%

LAB 66.91, 50.72, -2.48

 

CMYK 0 / 34 / 21 / 3

HEX #F7A2C2

RGB 247 162 194

HSL 337.41, 0.84%, 0.8%

LAB 75.77, 35.78, -3.33

 

CMYK 0 / 20 / 12 / 2

HEX #FAC8DB

RGB 250 200 219

HSL 337.2, 0.83%, 0.88%

LAB 85.38, 20.65, -2.67

 

CMYK 0 / 49 / 30 / 4

HEX #F47DAA

RGB 244 125 170

HSL 337.31, 0.84%, 0.72%

LAB 67.13, 50.36, -2.72

 

CMYK 0 / 9 / 49 / 4

HEX #F4DE7C

RGB 244 222 124

HSL 49, 0.85%, 0.72%

LAB 88.41, -4.93, 50.45

 

CMYK 49 / 11 / 0 / 4

HEX #7CDAF4

RGB 124 218 244

HSL 193, 0.85%, 0.72%

LAB 82.36, -21.1, -21.35

 

CMYK 0 / 49 / 30 / 4

HEX #F47DAA

RGB 244 125 170

HSL 337.31, 0.84%, 0.72%

LAB 67.13, 50.36, -2.72

 

CMYK 30 / 0 / 49 / 4

HEX #AAF47C

RGB 170 244 124

HSL 97, 0.85%, 0.72%

LAB 89.25, -43.26, 50.3

 

CMYK 49 / 30 / 0 / 4

HEX #7CAAF4

RGB 124 170 244

HSL 217, 0.85%, 0.72%

LAB 69.16, 4.53, -41.68

 

CMYK 0 / 49 / 30 / 4

HEX #F47DAA

RGB 244 125 170

HSL 337.31, 0.84%, 0.72%

LAB 67.13, 50.36, -2.72

 

CMYK 0 / 9 / 49 / 4

HEX #F4DE7C

RGB 244 222 124

HSL 49, 0.85%, 0.72%

LAB 88.41, -4.93, 50.45

 

CMYK 49 / 0 / 19 / 4

HEX #7CF4C6

RGB 124 244 198

HSL 157, 0.85%, 0.72%

LAB 88.48, -44.42, 11.86

 

CMYK 49 / 40 / 0 / 4

HEX #7C92F4

RGB 124 146 244

HSL 229, 0.85%, 0.72%

LAB 62.82, 18.36, -51.66

 

CMYK 0 / 49 / 30 / 4

HEX #F47DAA

RGB 244 125 170

HSL 337.31, 0.84%, 0.72%

LAB 67.13, 50.36, -2.72

 

CMYK 6 / 0 / 49 / 4

HEX #E6F47C

RGB 230 244 124

HSL 67, 0.85%, 0.72%

LAB 93.01, -21.3, 55.71

 

CMYK 49 / 0 / 19 / 4

HEX #7CF4C6

RGB 124 244 198

HSL 157, 0.85%, 0.72%

LAB 88.48, -44.42, 11.86

 

CMYK 43 / 49 / 0 / 4

HEX #8A7CF4

RGB 138 124 244

HSL 247, 0.85%, 0.72%

LAB 58.37, 34.45, -58.7

 

Description

Color code: HEX #F47DAACE | qconv.com Color code: HEX #F47DAACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 125 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 125 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 25 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 25% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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