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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F47C0B it is the complementary color #0B83F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F47C0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F47C0B shade: #F97C06, #FF8E19, #FFA02C, #FFB23F and #FFC452

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F47C0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F47C0B shade: #F47C0B, #E36A00, #D25800, #C14600 and #B03400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F47C0B shade: #F47C0B, #F43D0B and #F40B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F47C0B shade: #F47C0B, #F4BB0B, #EEF40B, #AFF40B and #71F40B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F47C0B shade matches the following richer shades: #F47C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F47C0B shade: #F47C0B, #DF7D20, #CA7D35, #B67E49 and #A17E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F47C0B shade: #F40B17, #F43E0B, #F47C0B, #F4BA0B and #F0F40B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F47C0B shade: #A55408, #CC680A, #F47C0B, #F59133 and #F7A65A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F47C0B shade: #F47C0B, #55F40B and #1F0BF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F47C0B shade: #F47C0B, #0BF47C and #7C0BF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F47C0B shade: #F47C0B, #55F40B, #0B83F4 and #AA0BF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F47C0B shade: #F47C0B, #0FF40B, #0B83F4 and #F00BF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

Complementary color

CMYK 95 / 46 / 0 / 4

HEX #0B83F4

RGB 11 131 244

HSL 209.1, 0.91%, 0.5%

LAB 54.9, 12.96, -64.54

 

CMYK 0 / 50 / 98 / 2

HEX #F97C06

RGB 249 124 6

HSL 29.14, 0.95%, 0.5%

LAB 65.41, 42.53, 71.71

 

CMYK 0 / 44 / 90 / 0

HEX #FF8E19

RGB 255 142 25

HSL 30.52, 1%, 0.55%

LAB 69.95, 36.07, 71.75

 

CMYK 0 / 37 / 83 / 0

HEX #FFA02C

RGB 255 160 44

HSL 32.99, 1%, 0.59%

LAB 73.92, 27.2, 69.51

 

CMYK 0 / 30 / 75 / 0

HEX #FFB23F

RGB 255 178 63

HSL 35.94, 1%, 0.62%

LAB 78.15, 18.44, 66.53

 

CMYK 0 / 23 / 68 / 0

HEX #FFC452

RGB 255 196 82

HSL 39.54, 1%, 0.66%

LAB 82.57, 9.95, 63.25

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 53 / 100 / 11

HEX #E36A00

RGB 227 106 0

HSL 28.02, 1%, 0.45%

LAB 58.64, 42.81, 66.96

 

CMYK 0 / 58 / 100 / 18

HEX #D25800

RGB 210 88 0

HSL 25.14, 1%, 0.41%

LAB 52.6, 45.01, 62.14

 

CMYK 0 / 64 / 100 / 24

HEX #C14600

RGB 193 70 0

HSL 21.76, 1%, 0.38%

LAB 46.6, 46.99, 57.37

 

CMYK 0 / 70 / 100 / 31

HEX #B03400

RGB 176 52 0

HSL 17.73, 1%, 0.35%

LAB 40.71, 48.58, 52.7

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 75 / 95 / 4

HEX #F43D0B

RGB 244 61 11

HSL 12.88, 0.91%, 0.5%

LAB 54.65, 67.13, 64.07

 

CMYK 0 / 95 / 95 / 4

HEX #F40B0B

RGB 244 11 11

HSL 0, 0.91%, 0.5%

LAB 51.26, 76.75, 62.3

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 23 / 95 / 4

HEX #F4BB0B

RGB 244 187 11

HSL 45.32, 0.91%, 0.5%

LAB 78.92, 7.85, 79.94

 

CMYK 2 / 0 / 95 / 4

HEX #EEF40B

RGB 238 244 11

HSL 61.55, 0.91%, 0.5%

LAB 92.97, -23.24, 90.03

 

CMYK 28 / 0 / 95 / 4

HEX #AFF40B

RGB 175 244 11

HSL 77.77, 0.91%, 0.5%

LAB 88.85, -48.05, 85.07

 

CMYK 54 / 0 / 95 / 4

HEX #71F40B

RGB 113 244 11

HSL 93.73, 0.91%, 0.5%

LAB 86.12, -67.95, 81.76

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 44 / 86 / 13

HEX #DF7D20

RGB 223 125 32

HSL 29.21, 0.75%, 0.5%

LAB 62.05, 32.01, 61.81

 

CMYK 0 / 38 / 74 / 21

HEX #CA7D35

RGB 202 125 53

HSL 28.99, 0.58%, 0.5%

LAB 59.42, 23.97, 50.03

 

CMYK 0 / 31 / 60 / 29

HEX #B67E49

RGB 182 126 73

HSL 29.17, 0.43%, 0.5%

LAB 57.41, 16.08, 37.18

 

CMYK 0 / 22 / 42 / 37

HEX #A17E5E

RGB 161 126 94

HSL 28.66, 0.26%, 0.5%

LAB 55.39, 9.11, 22.58

 

CMYK 0 / 95 / 91 / 4

HEX #F40B17

RGB 244 11 23

HSL 356.91, 0.91%, 0.5%

LAB 51.31, 76.87, 58.45

 

CMYK 0 / 75 / 95 / 4

HEX #F43E0B

RGB 244 62 11

HSL 13.13, 0.91%, 0.5%

LAB 54.76, 66.82, 64.13

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 24 / 95 / 4

HEX #F4BA0B

RGB 244 186 11

HSL 45.06, 0.91%, 0.5%

LAB 78.68, 8.37, 79.76

 

CMYK 2 / 0 / 95 / 4

HEX #F0F40B

RGB 240 244 11

HSL 61.03, 0.91%, 0.5%

LAB 93.12, -22.41, 90.21

 

CMYK 0 / 49 / 95 / 35

HEX #A55408

RGB 165 84 8

HSL 29.04, 0.91%, 0.34%

LAB 44.74, 29.15, 51.84

 

CMYK 0 / 49 / 95 / 20

HEX #CC680A

RGB 204 104 10

HSL 29.07, 0.91%, 0.42%

LAB 54.82, 34.8, 61.01

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 0 / 41 / 79 / 4

HEX #F59133

RGB 245 145 51

HSL 29.07, 0.91%, 0.58%

LAB 69.4, 31.11, 62.49

 

CMYK 0 / 33 / 64 / 3

HEX #F7A65A

RGB 247 166 90

HSL 29.04, 0.91%, 0.66%

LAB 74.69, 22.8, 50.69

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 65 / 0 / 95 / 4

HEX #55F40B

RGB 85 244 11

HSL 100.94, 0.91%, 0.5%

LAB 85.33, -74.48, 80.78

 

CMYK 87 / 95 / 0 / 4

HEX #1F0BF4

RGB 31 11 244

HSL 245.15, 0.91%, 0.5%

LAB 31.95, 75.12, -102.24

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 95 / 0 / 49 / 4

HEX #0BF47C

RGB 11 244 124

HSL 149.1, 0.91%, 0.5%

LAB 85.11, -73.64, 44.27

 

CMYK 49 / 95 / 0 / 4

HEX #7C0BF4

RGB 124 11 244

HSL 269.1, 0.91%, 0.5%

LAB 39.67, 79.36, -89.18

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 65 / 0 / 95 / 4

HEX #55F40B

RGB 85 244 11

HSL 100.94, 0.91%, 0.5%

LAB 85.33, -74.48, 80.78

 

CMYK 95 / 46 / 0 / 4

HEX #0B83F4

RGB 11 131 244

HSL 209.1, 0.91%, 0.5%

LAB 54.9, 12.96, -64.54

 

CMYK 30 / 95 / 0 / 4

HEX #AA0BF4

RGB 170 11 244

HSL 280.94, 0.91%, 0.5%

LAB 46.07, 83.99, -78.44

 

CMYK 0 / 49 / 95 / 4

HEX #F47C0B

RGB 244 124 11

HSL 29.1, 0.91%, 0.5%

LAB 64.7, 40.62, 70.16

 

CMYK 94 / 0 / 95 / 4

HEX #0FF40B

RGB 15 244 11

HSL 118.97, 0.91%, 0.5%

LAB 84.39, -82.71, 79.63

 

CMYK 95 / 46 / 0 / 4

HEX #0B83F4

RGB 11 131 244

HSL 209.1, 0.91%, 0.5%

LAB 54.9, 12.96, -64.54

 

CMYK 2 / 95 / 0 / 4

HEX #F00BF4

RGB 240 11 244

HSL 298.97, 0.91%, 0.5%

LAB 57.36, 93.72, -59.6

 

Description

Color code: HEX #F47C0B | qconv.com Color code: HEX #F47C0B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 124 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 124 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 95 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 95% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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