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Color name
HEX #F47A39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F47A39 it is the complementary color #0B85C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F47A39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F47A39 shade: #F97A34, #FF8C47, #FF9E5A, #FFB06D and #FFC280

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F47A39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F47A39 shade: #F47A39, #E36826, #D25613, #C14400 and #B03200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F47A39 shade: #F37A39, #F34839 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F47A39 shade: #F37A39, #F3AC39, #F3DE39, #D6F339 and #A4F339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F47A39 shade matches the following richer shades: #F37A39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F47A39 shade: #F37A39, #E37F4A, #D2845B, #C18A6C and #B08F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F47A39 shade: #F3395F, #F34639, #F37739, #F3A939 and #F3DB39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F47A39 shade: #CE500C, #F16012, #F37A39, #F69460 and #F8AF87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F47A39 shade: #F47A39, #90F339 and #3946F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F47A39 shade: #F47A39, #39F377 and #7739F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F47A39 shade: #F47A39, #90F339, #39B5F3 and #9D39F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F47A39 shade: #F47A39, #58F339, #39B5F3 and #D439F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

Complementary color

CMYK 94 / 33 / 0 / 22

HEX #0B85C6

RGB 11 133 198

HSL 200.86, 0.89%, 0.41%

LAB 52.87, -5.93, -41.96

 

CMYK 0 / 51 / 79 / 2

HEX #F97A34

RGB 249 122 52

HSL 21.32, 0.94%, 0.59%

LAB 65.21, 44.37, 58.35

 

CMYK 0 / 45 / 72 / 0

HEX #FF8C47

RGB 255 140 71

HSL 22.5, 1%, 0.64%

LAB 69.8, 38.45, 54.66

 

CMYK 0 / 38 / 65 / 0

HEX #FF9E5A

RGB 255 158 90

HSL 24.73, 1%, 0.68%

LAB 73.84, 30.21, 49.96

 

CMYK 0 / 31 / 57 / 0

HEX #FFB06D

RGB 255 176 109

HSL 27.53, 1%, 0.71%

LAB 78.12, 22.1, 45.56

 

CMYK 0 / 24 / 50 / 0

HEX #FFC280

RGB 255 194 128

HSL 31.18, 1%, 0.75%

LAB 82.59, 14.24, 41.49

 

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

CMYK 0 / 54 / 83 / 11

HEX #E36826

RGB 227 104 38

HSL 20.95, 0.77%, 0.52%

LAB 58.39, 44.37, 56.76

 

CMYK 0 / 59 / 91 / 18

HEX #D25613

RGB 210 86 19

HSL 21.05, 0.83%, 0.45%

LAB 52.29, 46.16, 57.52

 

CMYK 0 / 65 / 100 / 24

HEX #C14400

RGB 193 68 0

HSL 21.14, 1%, 0.38%

LAB 46.27, 47.87, 57.2

 

CMYK 0 / 72 / 100 / 31

HEX #B03200

RGB 176 50 0

HSL 17.05, 1%, 0.35%

LAB 40.43, 49.36, 52.56

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 70 / 77 / 5

HEX #F34839

RGB 243 72 57

HSL 4.84, 0.89%, 0.59%

LAB 56.07, 64.09, 46.54

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DE39

RGB 243 222 57

HSL 53.23, 0.89%, 0.59%

LAB 87.77, -9.46, 77.19

 

CMYK 12 / 0 / 77 / 5

HEX #D6F339

RGB 214 243 57

HSL 69.35, 0.89%, 0.59%

LAB 91.1, -31.46, 79.39

 

CMYK 33 / 0 / 77 / 5

HEX #A4F339

RGB 164 243 57

HSL 85.48, 0.89%, 0.59%

LAB 88.11, -50.29, 75.54

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 44 / 67 / 11

HEX #E37F4A

RGB 227 127 74

HSL 20.78, 0.73%, 0.59%

LAB 63.35, 34.25, 45.03

 

CMYK 0 / 37 / 57 / 18

HEX #D2845B

RGB 210 132 91

HSL 20.67, 0.57%, 0.59%

LAB 62.47, 25.9, 34.5

 

CMYK 0 / 28 / 44 / 24

HEX #C18A6C

RGB 193 138 108

HSL 21.18, 0.41%, 0.59%

LAB 62.17, 17.27, 24.37

 

CMYK 0 / 19 / 29 / 31

HEX #B08F7D

RGB 176 143 125

HSL 21.18, 0.24%, 0.59%

LAB 61.96, 9.72, 14.27

 

CMYK 0 / 77 / 61 / 5

HEX #F3395F

RGB 243 57 95

HSL 347.74, 0.89%, 0.59%

LAB 54.87, 70.73, 23.47

 

CMYK 0 / 71 / 77 / 5

HEX #F34639

RGB 243 70 57

HSL 4.19, 0.89%, 0.59%

LAB 55.82, 64.8, 46.27

 

CMYK 0 / 51 / 77 / 5

HEX #F37739

RGB 243 119 57

HSL 20, 0.89%, 0.59%

LAB 63.79, 43.74, 54.44

 

CMYK 0 / 30 / 77 / 5

HEX #F3A939

RGB 243 169 57

HSL 36.13, 0.89%, 0.59%

LAB 74.65, 17.91, 65.03

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 61 / 94 / 19

HEX #CE500C

RGB 206 80 12

HSL 21.03, 0.89%, 0.43%

LAB 50.55, 47.36, 57.93

 

CMYK 0 / 60 / 93 / 5

HEX #F16012

RGB 241 96 18

HSL 20.99, 0.89%, 0.51%

LAB 59.08, 52.85, 64.85

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 40 / 61 / 4

HEX #F69460

RGB 246 148 96

HSL 20.8, 0.89%, 0.67%

LAB 70.61, 32.22, 42.85

 

CMYK 0 / 29 / 46 / 3

HEX #F8AF87

RGB 248 175 135

HSL 21.24, 0.89%, 0.75%

LAB 77.5, 22.09, 31.13

 

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

CMYK 41 / 0 / 77 / 5

HEX #90F339

RGB 144 243 57

HSL 91.94, 0.89%, 0.59%

LAB 87.16, -57, 74.31

 

CMYK 77 / 71 / 0 / 5

HEX #3946F3

RGB 57 70 243

HSL 235.81, 0.89%, 0.59%

LAB 40.77, 52.97, -87

 

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

CMYK 77 / 0 / 51 / 5

HEX #39F377

RGB 57 243 119

HSL 140, 0.89%, 0.59%

LAB 85.15, -70.69, 46.77

 

CMYK 51 / 77 / 0 / 5

HEX #7739F3

RGB 119 57 243

HSL 260, 0.89%, 0.59%

LAB 43.24, 66.07, -82.76

 

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

CMYK 41 / 0 / 77 / 5

HEX #90F339

RGB 144 243 57

HSL 91.94, 0.89%, 0.59%

LAB 87.16, -57, 74.31

 

CMYK 77 / 26 / 0 / 5

HEX #39B5F3

RGB 57 181 243

HSL 200, 0.89%, 0.59%

LAB 69.75, -13.31, -40.4

 

CMYK 35 / 77 / 0 / 5

HEX #9D39F3

RGB 157 57 243

HSL 272.26, 0.89%, 0.59%

LAB 47.71, 71.58, -75.27

 

CMYK 0 / 50 / 77 / 4

HEX #F47A39

RGB 244 122 57

HSL 20.86, 0.89%, 0.59%

LAB 64.52, 42.64, 55.22

 

CMYK 64 / 0 / 77 / 5

HEX #58F339

RGB 88 243 57

HSL 110, 0.89%, 0.59%

LAB 85.24, -71.89, 71.8

 

CMYK 77 / 26 / 0 / 5

HEX #39B5F3

RGB 57 181 243

HSL 200, 0.89%, 0.59%

LAB 69.75, -13.31, -40.4

 

CMYK 13 / 77 / 0 / 5

HEX #D439F3

RGB 212 57 243

HSL 290, 0.89%, 0.59%

LAB 55.48, 81.01, -62.32

 

Description

Color code: HEX #F47A39 | qconv.com Color code: HEX #F47A39 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 122 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 122 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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