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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F474D5 it is the complementary color #0B8B2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F474D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F474D5 shade: #F974D0, #FF86E3, #FF98F6, #FFAAFF and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F474D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F474D5 shade: #F474D5, #E362C2, #D250AF, #C13E9C and #B02C89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F474D5 shade: #F476D5, #F476B4, #F47692 and #F47676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F474D5 shade: #F476D5, #F076F4, #CF76F4, #AD76F4 and #8B76F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F474D5 shade matches the following richer shades: #F476D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F474D5 shade: #F476D5, #E882CF, #DC8EC9, #D09AC3 and #C4A6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F474D5 shade: #CE76F4, #F076F4, #F476D7, #F476B5 and #F47694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F474D5 shade: #EE2ABE, #F150CA, #F476D5, #F79CE1 and #FAC3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F474D5 shade: #F474D5, #F4AD76 and #76F4DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F474D5 shade: #F474D5, #D7F476 and #76D7F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F474D5 shade: #F474D5, #F4AD76, #76F494 and #76BDF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F474D5 shade: #F474D5, #F4D276, #76F494 and #7698F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

Complementary color

CMYK 92 / 0 / 70 / 45

HEX #0B8B2A

RGB 11 139 42

HSL 134.53, 0.85%, 0.29%

LAB 50.34, -51.57, 41.42

 

CMYK 0 / 53 / 16 / 2

HEX #F974D0

RGB 249 116 208

HSL 318.5, 0.92%, 0.72%

LAB 67.42, 61.35, -23.6

 

CMYK 0 / 47 / 11 / 0

HEX #FF86E3

RGB 255 134 227

HSL 313.88, 1%, 0.76%

LAB 72.13, 57.52, -26.84

 

CMYK 0 / 40 / 4 / 0

HEX #FF98F6

RGB 255 152 246

HSL 305.24, 1%, 0.8%

LAB 76.3, 51.77, -30.81

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

CMYK 0 / 57 / 15 / 11

HEX #E362C2

RGB 227 98 194

HSL 315.35, 0.7%, 0.64%

LAB 60.75, 61.14, -26.2

 

CMYK 0 / 62 / 17 / 18

HEX #D250AF

RGB 210 80 175

HSL 316.15, 0.59%, 0.57%

LAB 54.59, 61.43, -24.97

 

CMYK 0 / 68 / 19 / 24

HEX #C13E9C

RGB 193 62 156

HSL 316.95, 0.51%, 0.5%

LAB 48.49, 61.38, -23.43

 

CMYK 0 / 75 / 22 / 31

HEX #B02C89

RGB 176 44 137

HSL 317.73, 0.6%, 0.43%

LAB 42.52, 60.79, -21.44

 

CMYK 0 / 52 / 13 / 4

HEX #F476D5

RGB 244 118 213

HSL 314.76, 0.85%, 0.71%

LAB 67.27, 59.73, -26.67

 

CMYK 0 / 52 / 26 / 4

HEX #F476B4

RGB 244 118 180

HSL 330.48, 0.85%, 0.71%

LAB 66.12, 55.02, -9.86

 

CMYK 0 / 52 / 40 / 4

HEX #F47692

RGB 244 118 146

HSL 346.67, 0.85%, 0.71%

LAB 65.17, 50.97, 8.06

 

CMYK 0 / 52 / 52 / 4

HEX #F47676

RGB 244 118 118

HSL 0, 0.85%, 0.71%

LAB 64.56, 48.3, 23.12

 

CMYK 0 / 52 / 13 / 4

HEX #F476D5

RGB 244 118 213

HSL 314.76, 0.85%, 0.71%

LAB 67.27, 59.73, -26.67

 

CMYK 2 / 52 / 0 / 4

HEX #F076F4

RGB 240 118 244

HSL 298.1, 0.85%, 0.71%

LAB 68.03, 63.7, -42.7

 

CMYK 15 / 52 / 0 / 4

HEX #CF76F4

RGB 207 118 244

HSL 282.38, 0.85%, 0.71%

LAB 63.96, 55, -49.38

 

CMYK 29 / 52 / 0 / 4

HEX #AD76F4

RGB 173 118 244

HSL 266.19, 0.85%, 0.71%

LAB 60.22, 46.27, -55.55

 

CMYK 43 / 52 / 0 / 4

HEX #8B76F4

RGB 139 118 244

HSL 250, 0.85%, 0.71%

LAB 57.05, 38.14, -60.8

 

CMYK 0 / 52 / 13 / 4

HEX #F476D5

RGB 244 118 213

HSL 314.76, 0.85%, 0.71%

LAB 67.27, 59.73, -26.67

 

CMYK 0 / 52 / 13 / 4

HEX #F476D5

RGB 244 118 213

HSL 314.76, 0.85%, 0.71%

LAB 67.27, 59.73, -26.67

 

CMYK 0 / 44 / 11 / 9

HEX #E882CF

RGB 232 130 207

HSL 314.71, 0.69%, 0.71%

LAB 67.74, 49.34, -22.73

 

CMYK 0 / 35 / 9 / 14

HEX #DC8EC9

RGB 220 142 201

HSL 314.62, 0.53%, 0.71%

LAB 68.59, 38.29, -18.23

 

CMYK 0 / 26 / 6 / 18

HEX #D09AC3

RGB 208 154 195

HSL 314.44, 0.36%, 0.71%

LAB 69.8, 26.74, -13.21

 

CMYK 0 / 15 / 4 / 23

HEX #C4A6BD

RGB 196 166 189

HSL 314, 0.2%, 0.71%

LAB 71.34, 14.92, -7.71

 

CMYK 16 / 52 / 0 / 4

HEX #CE76F4

RGB 206 118 244

HSL 281.9, 0.85%, 0.71%

LAB 63.84, 54.74, -49.57

 

CMYK 2 / 52 / 0 / 4

HEX #F076F4

RGB 240 118 244

HSL 298.1, 0.85%, 0.71%

LAB 68.03, 63.7, -42.7

 

CMYK 0 / 52 / 12 / 4

HEX #F476D7

RGB 244 118 215

HSL 313.81, 0.85%, 0.71%

LAB 67.35, 60.03, -27.66

 

CMYK 0 / 52 / 26 / 4

HEX #F476B5

RGB 244 118 181

HSL 330, 0.85%, 0.71%

LAB 66.16, 55.15, -10.38

 

CMYK 0 / 52 / 39 / 4

HEX #F47694

RGB 244 118 148

HSL 345.71, 0.85%, 0.71%

LAB 65.22, 51.18, 6.99

 

CMYK 0 / 82 / 20 / 7

HEX #EE2ABE

RGB 238 42 190

HSL 314.69, 0.85%, 0.55%

LAB 55.64, 82.03, -31.68

 

CMYK 0 / 67 / 16 / 5

HEX #F150CA

RGB 241 80 202

HSL 314.53, 0.85%, 0.63%

LAB 60.52, 73.28, -30.93

 

CMYK 0 / 52 / 13 / 4

HEX #F476D5

RGB 244 118 213

HSL 314.76, 0.85%, 0.71%

LAB 67.27, 59.73, -26.67

 

CMYK 0 / 37 / 9 / 3

HEX #F79CE1

RGB 247 156 225

HSL 314.51, 0.85%, 0.79%

LAB 75.44, 43.72, -20.78

 

CMYK 0 / 22 / 5 / 2

HEX #FAC3ED

RGB 250 195 237

HSL 314.18, 0.85%, 0.87%

LAB 84.72, 26.28, -13.23

 

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

CMYK 0 / 29 / 52 / 4

HEX #F4AD76

RGB 244 173 118

HSL 26.19, 0.85%, 0.71%

LAB 76.33, 19.99, 38.47

 

CMYK 52 / 0 / 9 / 4

HEX #76F4DF

RGB 118 244 223

HSL 170, 0.85%, 0.71%

LAB 88.87, -40.1, -0.62

 

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

CMYK 12 / 0 / 52 / 4

HEX #D7F476

RGB 215 244 118

HSL 73.81, 0.85%, 0.71%

LAB 91.89, -27.61, 56.87

 

CMYK 52 / 12 / 0 / 4

HEX #76D7F4

RGB 118 215 244

HSL 193.81, 0.85%, 0.71%

LAB 81.28, -20.87, -23

 

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

CMYK 0 / 29 / 52 / 4

HEX #F4AD76

RGB 244 173 118

HSL 26.19, 0.85%, 0.71%

LAB 76.33, 19.99, 38.47

 

CMYK 52 / 0 / 39 / 4

HEX #76F494

RGB 118 244 148

HSL 134.29, 0.85%, 0.71%

LAB 87.33, -55.23, 35.79

 

CMYK 52 / 23 / 0 / 4

HEX #76BDF4

RGB 118 189 244

HSL 206.19, 0.85%, 0.71%

LAB 74.05, -7.31, -34.1

 

CMYK 0 / 52 / 13 / 4

HEX #F474D5

RGB 244 116 213

HSL 314.53, 0.85%, 0.71%

LAB 66.92, 60.66, -27.21

 

CMYK 0 / 14 / 52 / 4

HEX #F4D276

RGB 244 210 118

HSL 43.81, 0.85%, 0.71%

LAB 85.32, 0.67, 49.59

 

CMYK 52 / 0 / 39 / 4

HEX #76F494

RGB 118 244 148

HSL 134.29, 0.85%, 0.71%

LAB 87.33, -55.23, 35.79

 

CMYK 52 / 38 / 0 / 4

HEX #7698F4

RGB 118 152 244

HSL 223.81, 0.85%, 0.71%

LAB 64.03, 13.52, -49.77

 

Description

Color code: HEX #F474D5 | qconv.com Color code: HEX #F474D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 116 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 116 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 13 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 13% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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