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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F47432 it is the complementary color #0B8BCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F47432. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F47432 shade: #F9742D, #FF8640, #FF9853, #FFAA66 and #FFBC79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F47432. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F47432 shade: #F47432, #E3621F, #D2500C, #C13E00 and #B02C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F47432 shade: #F47534, #F44134 and #F43434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F47432 shade: #F47534, #F4A934, #F4DD34, #D8F434 and #A4F434

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F47432 shade matches the following richer shades: #F47534

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F47432 shade: #F47534, #E37B45, #D28056, #C08667 and #AF8B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F47432 shade: #F4345A, #F44034, #F47434, #F4A734 and #F4DB34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F47432 shade: #CB4C0B, #F25B0D, #F47534, #F6905B and #F8AA82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F47432 shade: #F47432, #8DF434 and #3440F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F47432 shade: #F47432, #34F474 and #7434F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F47432 shade: #F47432, #8DF434, #34B4F4 and #9A34F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F47432 shade: #F47432, #54F434, #34B4F4 and #D434F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

Complementary color

CMYK 95 / 32 / 0 / 20

HEX #0B8BCD

RGB 11 139 205

HSL 200.41, 0.9%, 0.42%

LAB 55.01, -6.78, -42.54

 

CMYK 0 / 53 / 82 / 2

HEX #F9742D

RGB 249 116 45

HSL 20.88, 0.94%, 0.58%

LAB 64.01, 47.06, 60.18

 

CMYK 0 / 47 / 75 / 0

HEX #FF8640

RGB 255 134 64

HSL 21.99, 1%, 0.63%

LAB 68.52, 41.17, 56.57

 

CMYK 0 / 40 / 67 / 0

HEX #FF9853

RGB 255 152 83

HSL 24.07, 1%, 0.66%

LAB 72.46, 32.92, 51.82

 

CMYK 0 / 33 / 60 / 0

HEX #FFAA66

RGB 255 170 102

HSL 26.67, 1%, 0.7%

LAB 76.66, 24.73, 47.31

 

CMYK 0 / 26 / 53 / 0

HEX #FFBC79

RGB 255 188 121

HSL 30, 1%, 0.74%

LAB 81.08, 16.77, 43.14

 

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

CMYK 0 / 57 / 86 / 11

HEX #E3621F

RGB 227 98 31

HSL 20.51, 0.78%, 0.51%

LAB 57.24, 47.07, 58.47

 

CMYK 0 / 62 / 94 / 18

HEX #D2500C

RGB 210 80 12

HSL 20.61, 0.89%, 0.44%

LAB 51.23, 48.81, 58.69

 

CMYK 0 / 68 / 100 / 24

HEX #C13E00

RGB 193 62 0

HSL 19.27, 1%, 0.38%

LAB 45.34, 50.4, 56.73

 

CMYK 0 / 75 / 100 / 31

HEX #B02C00

RGB 176 44 0

HSL 15, 1%, 0.35%

LAB 39.63, 51.55, 52.19

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 73 / 79 / 4

HEX #F44134

RGB 244 65 52

HSL 4.06, 0.9%, 0.58%

LAB 55.34, 66.62, 48.45

 

CMYK 0 / 79 / 79 / 4

HEX #F43434

RGB 244 52 52

HSL 0, 0.9%, 0.58%

LAB 53.96, 70.49, 47.05

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 31 / 79 / 4

HEX #F4A934

RGB 244 169 52

HSL 36.56, 0.9%, 0.58%

LAB 74.73, 18.15, 66.99

 

CMYK 0 / 9 / 79 / 4

HEX #F4DD34

RGB 244 221 52

HSL 52.81, 0.9%, 0.58%

LAB 87.58, -8.71, 78.54

 

CMYK 11 / 0 / 79 / 4

HEX #D8F434

RGB 216 244 52

HSL 68.75, 0.9%, 0.58%

LAB 91.48, -31.31, 81.17

 

CMYK 33 / 0 / 79 / 4

HEX #A4F434

RGB 164 244 52

HSL 85, 0.9%, 0.58%

LAB 88.37, -50.93, 77.2

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 46 / 70 / 11

HEX #E37B45

RGB 227 123 69

HSL 20.51, 0.74%, 0.58%

LAB 62.45, 36.05, 46.55

 

CMYK 0 / 39 / 59 / 18

HEX #D28056

RGB 210 128 86

HSL 20.32, 0.58%, 0.58%

LAB 61.49, 27.67, 35.98

 

CMYK 0 / 30 / 46 / 25

HEX #C08667

RGB 192 134 103

HSL 20.9, 0.41%, 0.58%

LAB 60.99, 18.54, 25.57

 

CMYK 0 / 21 / 31 / 31

HEX #AF8B79

RGB 175 139 121

HSL 20, 0.25%, 0.58%

LAB 60.75, 11, 14.82

 

CMYK 0 / 79 / 63 / 4

HEX #F4345A

RGB 244 52 90

HSL 348.13, 0.9%, 0.58%

LAB 54.48, 72.1, 25.96

 

CMYK 0 / 74 / 79 / 4

HEX #F44034

RGB 244 64 52

HSL 3.75, 0.9%, 0.58%

LAB 55.22, 66.95, 48.33

 

CMYK 0 / 52 / 79 / 4

HEX #F47434

RGB 244 116 52

HSL 20, 0.9%, 0.58%

LAB 63.32, 45.4, 56.29

 

CMYK 0 / 32 / 79 / 4

HEX #F4A734

RGB 244 167 52

HSL 35.94, 0.9%, 0.58%

LAB 74.27, 19.2, 66.56

 

CMYK 0 / 10 / 79 / 4

HEX #F4DB34

RGB 244 219 52

HSL 52.19, 0.9%, 0.58%

LAB 87.07, -7.71, 78.09

 

CMYK 0 / 63 / 95 / 20

HEX #CB4C0B

RGB 203 76 11

HSL 20.31, 0.9%, 0.42%

LAB 49.36, 48.06, 57.15

 

CMYK 0 / 62 / 95 / 5

HEX #F25B0D

RGB 242 91 13

HSL 20.44, 0.9%, 0.5%

LAB 58.4, 55.33, 65.65

 

CMYK 0 / 52 / 79 / 4

HEX #F47534

RGB 244 117 52

HSL 20.31, 0.9%, 0.58%

LAB 63.51, 44.92, 56.47

 

CMYK 0 / 41 / 63 / 4

HEX #F6905B

RGB 246 144 91

HSL 20.52, 0.9%, 0.66%

LAB 69.68, 33.97, 44.32

 

CMYK 0 / 31 / 48 / 3

HEX #F8AA82

RGB 248 170 130

HSL 20.34, 0.89%, 0.74%

LAB 76.26, 24.24, 32.16

 

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

CMYK 42 / 0 / 79 / 4

HEX #8DF434

RGB 141 244 52

HSL 92.19, 0.9%, 0.58%

LAB 87.3, -58.58, 75.82

 

CMYK 79 / 74 / 0 / 4

HEX #3440F4

RGB 52 64 244

HSL 236.25, 0.9%, 0.58%

LAB 39.46, 56.24, -89.73

 

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

CMYK 79 / 0 / 52 / 4

HEX #34F474

RGB 52 244 116

HSL 140, 0.9%, 0.58%

LAB 85.35, -72.03, 48.39

 

CMYK 52 / 79 / 0 / 4

HEX #7434F4

RGB 116 52 244

HSL 260, 0.9%, 0.58%

LAB 42.31, 68, -84.87

 

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

CMYK 42 / 0 / 79 / 4

HEX #8DF434

RGB 141 244 52

HSL 92.19, 0.9%, 0.58%

LAB 87.3, -58.58, 75.82

 

CMYK 79 / 26 / 0 / 4

HEX #34B4F4

RGB 52 180 244

HSL 200, 0.9%, 0.58%

LAB 69.4, -12.94, -41.49

 

CMYK 37 / 79 / 0 / 4

HEX #9A34F4

RGB 154 52 244

HSL 271.88, 0.9%, 0.58%

LAB 46.79, 73.11, -77.35

 

CMYK 0 / 52 / 80 / 4

HEX #F47432

RGB 244 116 50

HSL 20.41, 0.9%, 0.58%

LAB 63.3, 45.34, 57.15

 

CMYK 66 / 0 / 79 / 4

HEX #54F434

RGB 84 244 52

HSL 110, 0.9%, 0.58%

LAB 85.42, -73.31, 73.39

 

CMYK 79 / 26 / 0 / 4

HEX #34B4F4

RGB 52 180 244

HSL 200, 0.9%, 0.58%

LAB 69.4, -12.94, -41.49

 

CMYK 13 / 79 / 0 / 4

HEX #D434F4

RGB 212 52 244

HSL 290, 0.9%, 0.58%

LAB 55.06, 82.58, -63.55

 

Description

Color code: HEX #F47432 | qconv.com Color code: HEX #F47432 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 116 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 116 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 80 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 80% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Soflo Muslims – Wher...
Link: http://www.soflomuslims.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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