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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46F44CE it is the complementary color #0B90BBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46F44CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46F44CE shade: #F96F3FCE, #FF8152CE, #FF9365CE, #FFA578CE and #FFB78BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46F44CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46F44CE shade: #F46F44CE, #E35D31CE, #D24B1ECE, #C1390BCE and #B02700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46F44CE shade: #F46E43 and #F44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46F44CE shade: #F46E43, #F49E43, #F4CE43, #EBF443 and #BBF443

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46F44CE shade matches the following richer shades: #F46E43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46F44CE shade: #F46E43, #E47753, #D47F63, #C48773 and #B48F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46F44CE shade: #F44378, #F44349, #F46C43, #F49C43 and #F4CB43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46F44CE shade: #D83E0D, #F2501C, #F46E43, #F68C6A and #F9AA91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46F44CE shade: #F46F44, #A7F443 and #4361F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46F44CE shade: #F46F44, #43F46C and #6C43F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46F44CE shade: #F46F44, #A7F443, #43CBF4 and #9043F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46F44CE shade: #F46F44, #72F443, #43CBF4 and #C543F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 3

HEX #F46F44CE

RGBA 244 111 68 0.81

HSLA 14.66, 0.89%, 0.61%, 0.81

LABA 62.52, 48.43, 47.83, 0.81

 

Complementary color

CMYK 76 / 19 / 0 / 22

HEX #0B90BBCE

RGBA 11 144 187 0.81

HSLA 194.66, 0.89%, 0.39%, 0.81

LABA 55.69, -16.24, -31.27, 0.81

 

CMYK 0 / 45 / 61 / 2

HEX #F96F3FCE

RGBA 249 111 63 0.81

HSLA 15.48, 0.94%, 0.61%, 0.81

LABA 63.23, 50.04, 51.31, 0.81

 

CMYK 0 / 40 / 55 / 0

HEX #FF8152CE

RGBA 255 129 82 0.81

HSLA 16.3, 1%, 0.66%, 0.81

LABA 67.7, 44.49, 46.94, 0.81

 

CMYK 0 / 34 / 49 / 0

HEX #FF9365CE

RGBA 255 147 101 0.81

HSLA 17.92, 1%, 0.7%, 0.81

LABA 71.6, 36.59, 41.72, 0.81

 

CMYK 0 / 29 / 43 / 0

HEX #FFA578CE

RGBA 255 165 120 0.81

HSLA 20, 1%, 0.74%, 0.81

LABA 75.78, 28.71, 36.98, 0.81

 

CMYK 0 / 23 / 37 / 0

HEX #FFB78BCE

RGBA 255 183 139 0.81

HSLA 22.76, 1%, 0.77%, 0.81

LABA 80.17, 21.02, 32.69, 0.81

 

CMYK 0 / 44 / 58 / 3

HEX #F46F44CE

RGBA 244 111 68 0.81

HSLA 14.66, 0.89%, 0.61%, 0.81

LABA 62.52, 48.43, 47.83, 0.81

 

CMYK 0 / 48 / 64 / 9

HEX #E35D31CE

RGBA 227 93 49 0.81

HSLA 14.83, 0.76%, 0.54%, 0.81

LABA 56.47, 49.9, 50.1, 0.81

 

CMYK 0 / 52 / 69 / 14

HEX #D24B1ECE

RGBA 210 75 30 0.81

HSLA 15, 0.75%, 0.47%, 0.81

LABA 50.48, 51.3, 52.17, 0.81

 

CMYK 0 / 57 / 76 / 20

HEX #C1390BCE

RGBA 193 57 11 0.81

HSLA 15.16, 0.89%, 0.4%, 0.81

LABA 44.64, 52.5, 53.28, 0.81

 

CMYK 0 / 63 / 81 / 25

HEX #B02700CE

RGBA 176 39 0 0.81

HSLA 13.3, 1%, 0.35%, 0.81

LABA 39.04, 53.21, 51.92, 0.81

 

CMYK 0 / 55 / 73 / 4

HEX #F46E43

RGB 244 110 67

HSL 14.58, 0.89%, 0.61%

LAB 62.33, 48.86, 48.13

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 0 / 55 / 73 / 4

HEX #F46E43

RGB 244 110 67

HSL 14.58, 0.89%, 0.61%

LAB 62.33, 48.86, 48.13

 

CMYK 0 / 35 / 73 / 4

HEX #F49E43

RGB 244 158 67

HSL 30.85, 0.89%, 0.61%

LAB 72.29, 24.54, 58.64

 

CMYK 0 / 16 / 73 / 4

HEX #F4CE43

RGB 244 206 67

HSL 47.12, 0.89%, 0.61%

LAB 83.85, -0.54, 70.17

 

CMYK 4 / 0 / 73 / 4

HEX #EBF443

RGB 235 244 67

HSL 63.05, 0.89%, 0.61%

LAB 92.91, -23.09, 78.58

 

CMYK 23 / 0 / 73 / 4

HEX #BBF443

RGB 187 244 67

HSL 79.32, 0.89%, 0.61%

LAB 89.71, -41.88, 74.39

 

CMYK 0 / 55 / 73 / 4

HEX #F46E43

RGB 244 110 67

HSL 14.58, 0.89%, 0.61%

LAB 62.33, 48.86, 48.13

 

CMYK 0 / 55 / 73 / 4

HEX #F46E43

RGB 244 110 67

HSL 14.58, 0.89%, 0.61%

LAB 62.33, 48.86, 48.13

 

CMYK 0 / 48 / 64 / 11

HEX #E47753

RGB 228 119 83

HSL 14.9, 0.73%, 0.61%

LAB 61.92, 39.3, 38.68

 

CMYK 0 / 40 / 53 / 17

HEX #D47F63

RGB 212 127 99

HSL 14.87, 0.57%, 0.61%

LAB 61.72, 30.06, 29.21

 

CMYK 0 / 31 / 41 / 23

HEX #C48773

RGB 196 135 115

HSL 14.81, 0.41%, 0.61%

LAB 61.91, 20.91, 20.17

 

CMYK 0 / 21 / 27 / 29

HEX #B48F83

RGB 180 143 131

HSL 14.69, 0.25%, 0.61%

LAB 62.5, 12.15, 11.69

 

CMYK 0 / 73 / 51 / 4

HEX #F44378

RGB 244 67 120

HSL 342.03, 0.89%, 0.61%

LAB 56.69, 69.65, 11.13

 

CMYK 0 / 73 / 70 / 4

HEX #F44349

RGB 244 67 73

HSL 357.97, 0.89%, 0.61%

LAB 55.81, 66.76, 37.52

 

CMYK 0 / 56 / 73 / 4

HEX #F46C43

RGB 244 108 67

HSL 13.9, 0.89%, 0.61%

LAB 61.97, 49.8, 47.73

 

CMYK 0 / 36 / 73 / 4

HEX #F49C43

RGB 244 156 67

HSL 30.17, 0.89%, 0.61%

LAB 71.84, 25.59, 58.17

 

CMYK 0 / 17 / 73 / 4

HEX #F4CB43

RGB 244 203 67

HSL 46.1, 0.89%, 0.61%

LAB 83.1, 1, 69.44

 

CMYK 0 / 71 / 94 / 15

HEX #D83E0D

RGB 216 62 13

HSL 14.48, 0.89%, 0.45%

LAB 49.58, 58.17, 57.93

 

CMYK 0 / 67 / 88 / 5

HEX #F2501C

RGB 242 80 28

HSL 14.58, 0.89%, 0.53%

LAB 56.78, 60.03, 60.28

 

CMYK 0 / 55 / 73 / 4

HEX #F46E43

RGB 244 110 67

HSL 14.58, 0.89%, 0.61%

LAB 62.33, 48.86, 48.13

 

CMYK 0 / 43 / 57 / 4

HEX #F68C6A

RGB 246 140 106

HSL 14.57, 0.89%, 0.69%

LAB 69.03, 37.07, 35.63

 

CMYK 0 / 32 / 42 / 2

HEX #F9AA91

RGB 249 170 145

HSL 14.42, 0.9%, 0.77%

LAB 76.64, 26.14, 24.66

 

CMYK 0 / 55 / 72 / 4

HEX #F46F44

RGB 244 111 68

HSL 14.66, 0.89%, 0.61%

LAB 62.52, 48.43, 47.83

 

CMYK 32 / 0 / 73 / 4

HEX #A7F443

RGB 167 244 67

HSL 86.1, 0.89%, 0.61%

LAB 88.6, -49.13, 72.94

 

CMYK 73 / 60 / 0 / 4

HEX #4361F4

RGB 67 97 244

HSL 229.83, 0.89%, 0.61%

LAB 47.33, 38.23, -76.76

 

CMYK 0 / 55 / 72 / 4

HEX #F46F44

RGB 244 111 68

HSL 14.66, 0.89%, 0.61%

LAB 62.52, 48.43, 47.83

 

CMYK 73 / 0 / 56 / 4

HEX #43F46C

RGB 67 244 108

HSL 133.9, 0.89%, 0.61%

LAB 85.49, -71.17, 52.28

 

CMYK 56 / 73 / 0 / 4

HEX #6C43F4

RGB 108 67 244

HSL 253.9, 0.89%, 0.61%

LAB 43.85, 60.33, -82.36

 

CMYK 0 / 55 / 72 / 4

HEX #F46F44

RGB 244 111 68

HSL 14.66, 0.89%, 0.61%

LAB 62.52, 48.43, 47.83

 

CMYK 32 / 0 / 73 / 4

HEX #A7F443

RGB 167 244 67

HSL 86.1, 0.89%, 0.61%

LAB 88.6, -49.13, 72.94

 

CMYK 73 / 17 / 0 / 4

HEX #43CBF4

RGB 67 203 244

HSL 193.9, 0.89%, 0.61%

LAB 76.34, -23.31, -30.7

 

CMYK 41 / 73 / 0 / 4

HEX #9043F4

RGB 144 67 244

HSL 266.1, 0.89%, 0.61%

LAB 47.59, 65.71, -76.09

 

CMYK 0 / 55 / 72 / 4

HEX #F46F44

RGB 244 111 68

HSL 14.66, 0.89%, 0.61%

LAB 62.52, 48.43, 47.83

 

CMYK 53 / 0 / 73 / 4

HEX #72F443

RGB 114 244 67

HSL 104.07, 0.89%, 0.61%

LAB 86.35, -65.51, 69.96

 

CMYK 73 / 17 / 0 / 4

HEX #43CBF4

RGB 67 203 244

HSL 193.9, 0.89%, 0.61%

LAB 76.34, -23.31, -30.7

 

CMYK 19 / 73 / 0 / 4

HEX #C543F4

RGB 197 67 244

HSL 284.07, 0.89%, 0.61%

LAB 54.47, 75.17, -64.62

 

Description

Color code: HEX #F46F44CE | qconv.com Color code: HEX #F46F44CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 111 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 111 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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