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Color name
HEX #F46E6F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46E6F it is the complementary color #0B9190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46E6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46E6F shade: #F96E6A, #FF807D, #FF9290, #FFA4A3 and #FFB6B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46E6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46E6F shade: #F46E6F, #E35C5C, #D24A49, #C13836 and #B02623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46E6F shade: #F46C6D and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46E6F shade: #F46C6D, #F46C92, #F46CB6, #F46CDB and #E86CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46E6F shade matches the following richer shades: #F46C6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46E6F shade: #F46C6D, #E7797A, #DA8686, #CE9293 and #C19F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46E6F shade: #F46CB7, #F46C92, #F46C6E, #F48E6C and #F4B26C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46E6F shade: #EE1F21, #F14647, #F46C6D, #F79293 and #FAB9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46E6F shade: #F46E6F, #DBF46C and #6CA5F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46E6F shade: #F46E6F, #6EF46C and #6C6EF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46E6F shade: #F46E6F, #DBF46C, #6CF4F2 and #856CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46E6F shade: #F46E6F, #B2F46C, #6CF4F2 and #AE6CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

Complementary color

CMYK 92 / 0 / 1 / 43

HEX #0B9190

RGB 11 145 144

HSL 179.55, 0.86%, 0.31%

LAB 54.38, -31.39, -8.64

 

CMYK 0 / 56 / 57 / 2

HEX #F96E6A

RGB 249 110 106

HSL 1.68, 0.92%, 0.7%

LAB 63.62, 52.9, 28.77

 

CMYK 0 / 50 / 51 / 0

HEX #FF807D

RGB 255 128 125

HSL 1.38, 1%, 0.75%

LAB 68.15, 47.94, 24.28

 

CMYK 0 / 43 / 44 / 0

HEX #FF9290

RGB 255 146 144

HSL 1.08, 1%, 0.78%

LAB 72.12, 40.73, 19.14

 

CMYK 0 / 36 / 36 / 0

HEX #FFA4A3

RGB 255 164 163

HSL 0.65, 1%, 0.82%

LAB 76.35, 33.53, 14.6

 

CMYK 0 / 29 / 29 / 0

HEX #FFB6B6

RGB 255 182 182

HSL 0, 1%, 0.86%

LAB 80.79, 26.48, 10.58

 

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

CMYK 0 / 59 / 59 / 11

HEX #E35C5C

RGB 227 92 92

HSL 0, 0.71%, 0.63%

LAB 56.84, 52.56, 27.28

 

CMYK 0 / 65 / 65 / 18

HEX #D24A49

RGB 210 74 73

HSL 0.44, 0.6%, 0.55%

LAB 50.78, 53.45, 30.02

 

CMYK 0 / 71 / 72 / 24

HEX #C13836

RGB 193 56 54

HSL 0.86, 0.56%, 0.48%

LAB 44.85, 54.08, 33.25

 

CMYK 0 / 78 / 80 / 31

HEX #B02623

RGB 176 38 35

HSL 1.28, 0.67%, 0.41%

LAB 39.14, 54.19, 36.98

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6D

RGB 244 108 109

HSL 359.56, 0.86%, 0.69%

LAB 62.56, 52.32, 25.54

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6D

RGB 244 108 109

HSL 359.56, 0.86%, 0.69%

LAB 62.56, 52.32, 25.54

 

CMYK 0 / 56 / 40 / 4

HEX #F46C92

RGB 244 108 146

HSL 343.24, 0.86%, 0.69%

LAB 63.37, 55.67, 5.48

 

CMYK 0 / 56 / 25 / 4

HEX #F46CB6

RGB 244 108 182

HSL 327.35, 0.86%, 0.69%

LAB 64.43, 59.92, -13.54

 

CMYK 0 / 56 / 10 / 4

HEX #F46CDB

RGB 244 108 219

HSL 311.03, 0.86%, 0.69%

LAB 65.81, 65.2, -32.28

 

CMYK 5 / 56 / 0 / 4

HEX #E86CF4

RGB 232 108 244

HSL 294.71, 0.86%, 0.69%

LAB 65.29, 66.2, -47.08

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6D

RGB 244 108 109

HSL 359.56, 0.86%, 0.69%

LAB 62.56, 52.32, 25.54

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6D

RGB 244 108 109

HSL 359.56, 0.86%, 0.69%

LAB 62.56, 52.32, 25.54

 

CMYK 0 / 48 / 47 / 9

HEX #E7797A

RGB 231 121 122

HSL 359.45, 0.7%, 0.69%

LAB 63.4, 42.5, 18.97

 

CMYK 0 / 39 / 39 / 15

HEX #DA8686

RGB 218 134 134

HSL 0, 0.53%, 0.69%

LAB 64.71, 32.19, 13.72

 

CMYK 0 / 29 / 29 / 19

HEX #CE9293

RGB 206 146 147

HSL 359, 0.38%, 0.69%

LAB 66.36, 22.8, 8.54

 

CMYK 0 / 18 / 18 / 24

HEX #C19F9F

RGB 193 159 159

HSL 0, 0.22%, 0.69%

LAB 68.49, 12.54, 4.71

 

CMYK 0 / 56 / 25 / 4

HEX #F46CB7

RGB 244 108 183

HSL 326.91, 0.86%, 0.69%

LAB 64.47, 60.05, -14.05

 

CMYK 0 / 56 / 40 / 4

HEX #F46C92

RGB 244 108 146

HSL 343.24, 0.86%, 0.69%

LAB 63.37, 55.67, 5.48

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6E

RGB 244 108 110

HSL 359.12, 0.86%, 0.69%

LAB 62.58, 52.39, 25

 

CMYK 0 / 42 / 56 / 4

HEX #F48E6C

RGB 244 142 108

HSL 15, 0.86%, 0.69%

LAB 69.23, 35.42, 34.75

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 87 / 86 / 7

HEX #EE1F21

RGB 238 31 33

HSL 359.42, 0.86%, 0.53%

LAB 51, 73.06, 53.42

 

CMYK 0 / 71 / 71 / 5

HEX #F14647

RGB 241 70 71

HSL 359.65, 0.86%, 0.61%

LAB 55.62, 64.74, 38.29

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6D

RGB 244 108 109

HSL 359.56, 0.86%, 0.69%

LAB 62.56, 52.32, 25.54

 

CMYK 0 / 41 / 40 / 3

HEX #F79293

RGB 247 146 147

HSL 359.41, 0.86%, 0.77%

LAB 71.17, 38.13, 16.02

 

CMYK 0 / 26 / 26 / 2

HEX #FAB9B9

RGB 250 185 185

HSL 0, 0.87%, 0.85%

LAB 81.03, 23.48, 9.24

 

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

CMYK 10 / 0 / 56 / 4

HEX #DBF46C

RGB 219 244 108

HSL 71.03, 0.86%, 0.69%

LAB 92.06, -26.92, 61.59

 

CMYK 56 / 32 / 0 / 4

HEX #6CA5F4

RGB 108 165 244

HSL 214.85, 0.86%, 0.69%

LAB 67, 3.91, -45.12

 

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

CMYK 55 / 0 / 56 / 4

HEX #6EF46C

RGB 110 244 108

HSL 119.12, 0.86%, 0.69%

LAB 86.55, -62.76, 53.8

 

CMYK 56 / 55 / 0 / 4

HEX #6C6EF4

RGB 108 110 244

HSL 239.12, 0.86%, 0.69%

LAB 52.81, 36.46, -67.76

 

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

CMYK 10 / 0 / 56 / 4

HEX #DBF46C

RGB 219 244 108

HSL 71.03, 0.86%, 0.69%

LAB 92.06, -26.92, 61.59

 

CMYK 56 / 0 / 1 / 4

HEX #6CF4F2

RGB 108 244 242

HSL 179.12, 0.86%, 0.69%

LAB 89.06, -37.32, -10.28

 

CMYK 45 / 56 / 0 / 4

HEX #856CF4

RGB 133 108 244

HSL 251.03, 0.86%, 0.69%

LAB 54.28, 42.57, -65.28

 

CMYK 0 / 55 / 55 / 4

HEX #F46E6F

RGB 244 110 111

HSL 359.55, 0.86%, 0.69%

LAB 62.95, 51.54, 24.93

 

CMYK 27 / 0 / 56 / 4

HEX #B2F46C

RGB 178 244 108

HSL 89.12, 0.86%, 0.69%

LAB 89.51, -42.16, 58

 

CMYK 56 / 0 / 1 / 4

HEX #6CF4F2

RGB 108 244 242

HSL 179.12, 0.86%, 0.69%

LAB 89.06, -37.32, -10.28

 

CMYK 29 / 56 / 0 / 4

HEX #AE6CF4

RGB 174 108 244

HSL 269.12, 0.86%, 0.69%

LAB 58.28, 51.85, -58.65

 

Description

Color code: HEX #F46E6F | qconv.com Color code: HEX #F46E6F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 110 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 110 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 55% 4% C M Y K

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Provide designers and agencies with accurate color values.

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