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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46BAE it is the complementary color #0B9451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46BAE shade: #F96BA9, #FF7DBC, #FF8FCF, #FFA1E2 and #FFB3F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46BAE shade: #F46BAE, #E3599B, #D24788, #C13575 and #B02362

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46BAE shade: #F46CAE, #F46C8A and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46BAE shade: #F46CAE, #F46CD3, #F06CF4, #CB6CF4 and #A76CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46BAE shade matches the following richer shades: #F46CAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46BAE shade: #F46CAE, #E779AF, #DA86AF, #CE92AF and #C19FB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46BAE shade: #EF6CF4, #F46CD4, #F46CB0, #F46C8C and #F4706C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46BAE shade: #EE1F84, #F14699, #F46CAE, #F792C3 and #FAB9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46BAE shade: #F46BAE, #F4CB6C and #6CE6F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46BAE shade: #F46BAE, #B0F46C and #6CB0F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46BAE shade: #F46BAE, #F4CB6C, #6CF4B0 and #6C95F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46BAE shade: #F46BAE, #F4F46C, #6CF4B0 and #6C6CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

Complementary color

CMYK 93 / 0 / 45 / 42

HEX #0B9451

RGB 11 148 81

HSL 150.66, 0.86%, 0.31%

LAB 53.86, -48.82, 26.31

 

CMYK 0 / 57 / 32 / 2

HEX #F96BA9

RGB 249 107 169

HSL 333.8, 0.92%, 0.7%

LAB 64.58, 60.26, -5.84

 

CMYK 0 / 51 / 26 / 0

HEX #FF7DBC

RGB 255 125 188

HSL 330.92, 1%, 0.75%

LAB 69.15, 56.2, -9.69

 

CMYK 0 / 44 / 19 / 0

HEX #FF8FCF

RGB 255 143 207

HSL 325.71, 1%, 0.78%

LAB 73.16, 50.07, -14.25

 

CMYK 0 / 37 / 11 / 0

HEX #FFA1E2

RGB 255 161 226

HSL 318.51, 1%, 0.82%

LAB 77.42, 43.87, -18.23

 

CMYK 0 / 30 / 4 / 0

HEX #FFB3F5

RGB 255 179 245

HSL 307.89, 1%, 0.85%

LAB 81.89, 37.71, -21.73

 

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

CMYK 0 / 61 / 32 / 11

HEX #E3599B

RGB 227 89 155

HSL 331.3, 0.71%, 0.62%

LAB 57.89, 59.83, -8.07

 

CMYK 0 / 66 / 35 / 18

HEX #D24788

RGB 210 71 136

HSL 331.94, 0.61%, 0.55%

LAB 51.82, 60.06, -6.18

 

CMYK 0 / 73 / 39 / 24

HEX #C13575

RGB 193 53 117

HSL 332.57, 0.57%, 0.48%

LAB 45.86, 59.89, -3.84

 

CMYK 0 / 80 / 44 / 31

HEX #B02362

RGB 176 35 98

HSL 333.19, 0.67%, 0.41%

LAB 40.1, 59.04, -0.85

 

CMYK 0 / 56 / 29 / 4

HEX #F46CAE

RGB 244 108 174

HSL 330.88, 0.86%, 0.69%

LAB 64.17, 58.89, -9.37

 

CMYK 0 / 56 / 43 / 4

HEX #F46C8A

RGB 244 108 138

HSL 346.76, 0.86%, 0.69%

LAB 63.17, 54.85, 9.79

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 56 / 29 / 4

HEX #F46CAE

RGB 244 108 174

HSL 330.88, 0.86%, 0.69%

LAB 64.17, 58.89, -9.37

 

CMYK 0 / 56 / 14 / 4

HEX #F46CD3

RGB 244 108 211

HSL 314.56, 0.86%, 0.69%

LAB 65.48, 63.98, -28.3

 

CMYK 2 / 56 / 0 / 4

HEX #F06CF4

RGB 240 108 244

HSL 298.24, 0.86%, 0.69%

LAB 66.35, 68.22, -45.33

 

CMYK 17 / 56 / 0 / 4

HEX #CB6CF4

RGB 203 108 244

HSL 281.91, 0.86%, 0.69%

LAB 61.61, 58.93, -53.13

 

CMYK 32 / 56 / 0 / 4

HEX #A76CF4

RGB 167 108 244

HSL 266.03, 0.86%, 0.69%

LAB 57.53, 50.19, -59.88

 

CMYK 0 / 56 / 29 / 4

HEX #F46CAE

RGB 244 108 174

HSL 330.88, 0.86%, 0.69%

LAB 64.17, 58.89, -9.37

 

CMYK 0 / 56 / 29 / 4

HEX #F46CAE

RGB 244 108 174

HSL 330.88, 0.86%, 0.69%

LAB 64.17, 58.89, -9.37

 

CMYK 0 / 48 / 24 / 9

HEX #E779AF

RGB 231 121 175

HSL 330.55, 0.7%, 0.69%

LAB 64.77, 48.72, -9.24

 

CMYK 0 / 39 / 20 / 15

HEX #DA86AF

RGB 218 134 175

HSL 330.71, 0.53%, 0.69%

LAB 65.79, 37.67, -7.9

 

CMYK 0 / 29 / 15 / 19

HEX #CE92AF

RGB 206 146 175

HSL 331, 0.38%, 0.69%

LAB 67.11, 27.01, -6.09

 

CMYK 0 / 18 / 9 / 24

HEX #C19FB0

RGB 193 159 176

HSL 330, 0.22%, 0.69%

LAB 68.95, 15.38, -4.08

 

CMYK 2 / 56 / 0 / 4

HEX #EF6CF4

RGB 239 108 244

HSL 297.79, 0.86%, 0.69%

LAB 66.22, 67.96, -45.55

 

CMYK 0 / 56 / 13 / 4

HEX #F46CD4

RGB 244 108 212

HSL 314.12, 0.86%, 0.69%

LAB 65.52, 64.13, -28.8

 

CMYK 0 / 56 / 28 / 4

HEX #F46CB0

RGB 244 108 176

HSL 330, 0.86%, 0.69%

LAB 64.24, 59.14, -10.42

 

CMYK 0 / 56 / 43 / 4

HEX #F46C8C

RGB 244 108 140

HSL 345.88, 0.86%, 0.69%

LAB 63.22, 55.05, 8.71

 

CMYK 0 / 54 / 56 / 4

HEX #F4706C

RGB 244 112 108

HSL 1.76, 0.86%, 0.69%

LAB 63.26, 50.37, 27.04

 

CMYK 0 / 87 / 45 / 7

HEX #EE1F84

RGB 238 31 132

HSL 330.72, 0.86%, 0.53%

LAB 52.76, 78.07, -1.84

 

CMYK 0 / 71 / 37 / 5

HEX #F14699

RGB 241 70 153

HSL 330.88, 0.86%, 0.61%

LAB 57.44, 70.85, -7.31

 

CMYK 0 / 56 / 29 / 4

HEX #F46CAE

RGB 244 108 174

HSL 330.88, 0.86%, 0.69%

LAB 64.17, 58.89, -9.37

 

CMYK 0 / 41 / 21 / 3

HEX #F792C3

RGB 247 146 195

HSL 330.89, 0.86%, 0.77%

LAB 72.41, 44.2, -8.85

 

CMYK 0 / 26 / 14 / 2

HEX #FAB9D8

RGB 250 185 216

HSL 331.38, 0.87%, 0.85%

LAB 81.83, 28.07, -6.3

 

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

CMYK 0 / 17 / 56 / 4

HEX #F4CB6C

RGB 244 203 108

HSL 41.91, 0.86%, 0.69%

LAB 83.46, 3.47, 52.16

 

CMYK 56 / 6 / 0 / 4

HEX #6CE6F4

RGB 108 230 244

HSL 186.18, 0.86%, 0.69%

LAB 85.16, -30.22, -17.18

 

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

CMYK 28 / 0 / 56 / 4

HEX #B0F46C

RGB 176 244 108

HSL 90, 0.86%, 0.69%

LAB 89.4, -42.86, 57.84

 

CMYK 56 / 28 / 0 / 4

HEX #6CB0F4

RGB 108 176 244

HSL 210, 0.86%, 0.69%

LAB 70.01, -2.29, -40.4

 

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

CMYK 0 / 17 / 56 / 4

HEX #F4CB6C

RGB 244 203 108

HSL 41.91, 0.86%, 0.69%

LAB 83.46, 3.47, 52.16

 

CMYK 56 / 0 / 28 / 4

HEX #6CF4B0

RGB 108 244 176

HSL 150, 0.86%, 0.69%

LAB 87.5, -52.49, 21.77

 

CMYK 56 / 39 / 0 / 4

HEX #6C95F4

RGB 108 149 244

HSL 221.91, 0.86%, 0.69%

LAB 62.69, 13.17, -51.93

 

CMYK 0 / 56 / 29 / 4

HEX #F46BAE

RGB 244 107 174

HSL 330.66, 0.86%, 0.69%

LAB 64, 59.34, -9.63

 

CMYK 0 / 0 / 56 / 4

HEX #F4F46C

RGB 244 244 108

HSL 60, 0.86%, 0.69%

LAB 93.89, -17.1, 64.15

 

CMYK 56 / 0 / 28 / 4

HEX #6CF4B0

RGB 108 244 176

HSL 150, 0.86%, 0.69%

LAB 87.5, -52.49, 21.77

 

CMYK 56 / 56 / 0 / 4

HEX #6C6CF4

RGB 108 108 244

HSL 240, 0.86%, 0.69%

LAB 52.34, 37.65, -68.52

 

Description

Color code: HEX #F46BAE | qconv.com Color code: HEX #F46BAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 107 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 107 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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