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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46B6ACE it is the complementary color #0B9495CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46B6ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46B6ACE shade: #F96B65CE, #FF7D78CE, #FF8F8BCE, #FFA19ECE and #FFB3B1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46B6ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46B6ACE shade: #F46B6ACE, #E35957CE, #D24744CE, #C13531CE and #B0231ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46B6ACE shade: #F46D6C and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46B6ACE shade: #F46D6C, #F4926C, #F4B66C, #F4DB6C and #E8F46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46B6ACE shade matches the following richer shades: #F46D6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46B6ACE shade: #F46D6C, #E77A79, #DA8686, #CE9392 and #C19F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46B6ACE shade: #F46CB4, #F46C90, #F46C6C, #F4906C and #F4B46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46B6ACE shade: #EE211F, #F14746, #F46D6C, #F79392 and #FAB9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46B6ACE shade: #F46B6A, #D9F46C and #6CA2F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46B6ACE shade: #F46B6A, #6CF46C and #6C6CF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46B6ACE shade: #F46B6A, #D9F46C, #6CF4F4 and #876CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46B6ACE shade: #F46B6A, #B0F46C, #6CF4F4 and #B06CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 46 / 3

HEX #F46B6ACE

RGBA 244 107 106 0.81

HSLA 0.43, 0.86%, 0.69%, 0.81

LABA 62.33, 52.55, 26.94, 0.81

 

Complementary color

CMYK 75 / 1 / 0 / 34

HEX #0B9495CE

RGBA 11 148 149 0.81

HSLA 180.43, 0.86%, 0.31%, 0.81

LABA 55.5, -31.25, -9.83, 0.81

 

CMYK 0 / 46 / 48 / 2

HEX #F96B65CE

RGBA 249 107 101 0.81

HSLA 2.43, 0.93%, 0.69%, 0.81

LABA 63.01, 53.93, 30.79, 0.81

 

CMYK 0 / 41 / 43 / 0

HEX #FF7D78CE

RGBA 255 125 120 0.81

HSLA 2.22, 1%, 0.74%, 0.81

LABA 67.49, 48.98, 26.19, 0.81

 

CMYK 0 / 36 / 37 / 0

HEX #FF8F8BCE

RGBA 255 143 139 0.81

HSLA 2.07, 1%, 0.77%, 0.81

LABA 71.4, 41.76, 20.91, 0.81

 

CMYK 0 / 30 / 31 / 0

HEX #FFA19ECE

RGBA 255 161 158 0.81

HSLA 1.86, 1%, 0.81%, 0.81

LABA 75.59, 34.52, 16.27, 0.81

 

CMYK 0 / 24 / 25 / 0

HEX #FFB3B1CE

RGBA 255 179 177 0.81

HSLA 1.54, 1%, 0.85%, 0.81

LABA 80, 27.41, 12.15, 0.81

 

CMYK 0 / 45 / 46 / 3

HEX #F46B6ACE

RGBA 244 107 106 0.81

HSLA 0.43, 0.86%, 0.69%, 0.81

LABA 62.33, 52.55, 26.94, 0.81

 

CMYK 0 / 49 / 50 / 9

HEX #E35957CE

RGBA 227 89 87 0.81

HSLA 0.86, 0.71%, 0.62%, 0.81

LABA 56.25, 53.56, 29.4, 0.81

 

CMYK 0 / 54 / 55 / 14

HEX #D24744CE

RGBA 210 71 68 0.81

HSLA 1.27, 0.61%, 0.55%, 0.81

LABA 50.25, 54.42, 32.27, 0.81

 

CMYK 0 / 59 / 60 / 20

HEX #C13531CE

RGBA 193 53 49 0.81

HSLA 1.67, 0.6%, 0.47%, 0.81

LABA 44.38, 54.96, 35.62, 0.81

 

CMYK 0 / 65 / 67 / 25

HEX #B0231ECE

RGBA 176 35 30 0.81

HSLA 2.05, 0.71%, 0.4%, 0.81

LABA 38.77, 54.93, 39.37, 0.81

 

CMYK 0 / 55 / 56 / 4

HEX #F46D6C

RGB 244 109 108

HSL 0.44, 0.86%, 0.69%

LAB 62.72, 51.78, 26.32

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 55 / 56 / 4

HEX #F46D6C

RGB 244 109 108

HSL 0.44, 0.86%, 0.69%

LAB 62.72, 51.78, 26.32

 

CMYK 0 / 40 / 56 / 4

HEX #F4926C

RGB 244 146 108

HSL 16.76, 0.86%, 0.69%

LAB 70.09, 33.35, 35.84

 

CMYK 0 / 25 / 56 / 4

HEX #F4B66C

RGB 244 182 108

HSL 32.65, 0.86%, 0.69%

LAB 78.33, 14.42, 46.04

 

CMYK 0 / 10 / 56 / 4

HEX #F4DB6C

RGB 244 219 108

HSL 48.97, 0.86%, 0.69%

LAB 87.47, -4.71, 56.85

 

CMYK 5 / 0 / 56 / 4

HEX #E8F46C

RGB 232 244 108

HSL 65.29, 0.86%, 0.69%

LAB 92.99, -21.85, 62.89

 

CMYK 0 / 55 / 56 / 4

HEX #F46D6C

RGB 244 109 108

HSL 0.44, 0.86%, 0.69%

LAB 62.72, 51.78, 26.32

 

CMYK 0 / 55 / 56 / 4

HEX #F46D6C

RGB 244 109 108

HSL 0.44, 0.86%, 0.69%

LAB 62.72, 51.78, 26.32

 

CMYK 0 / 47 / 48 / 9

HEX #E77A79

RGB 231 122 121

HSL 0.55, 0.7%, 0.69%

LAB 63.58, 41.9, 19.78

 

CMYK 0 / 39 / 39 / 15

HEX #DA8686

RGB 218 134 134

HSL 0, 0.53%, 0.69%

LAB 64.71, 32.19, 13.72

 

CMYK 0 / 29 / 29 / 19

HEX #CE9392

RGB 206 147 146

HSL 1, 0.38%, 0.69%

LAB 66.57, 22.12, 9.4

 

CMYK 0 / 18 / 18 / 24

HEX #C19F9F

RGB 193 159 159

HSL 0, 0.22%, 0.69%

LAB 68.49, 12.54, 4.71

 

CMYK 0 / 56 / 26 / 4

HEX #F46CB4

RGB 244 108 180

HSL 328.24, 0.86%, 0.69%

LAB 64.37, 59.65, -12.5

 

CMYK 0 / 56 / 41 / 4

HEX #F46C90

RGB 244 108 144

HSL 344.12, 0.86%, 0.69%

LAB 63.32, 55.46, 6.55

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 41 / 56 / 4

HEX #F4906C

RGB 244 144 108

HSL 15.88, 0.86%, 0.69%

LAB 69.66, 34.39, 35.29

 

CMYK 0 / 26 / 56 / 4

HEX #F4B46C

RGB 244 180 108

HSL 31.76, 0.86%, 0.69%

LAB 77.85, 15.48, 45.46

 

CMYK 0 / 86 / 87 / 7

HEX #EE211F

RGB 238 33 31

HSL 0.58, 0.86%, 0.53%

LAB 51.11, 72.67, 54.42

 

CMYK 0 / 71 / 71 / 5

HEX #F14746

RGB 241 71 70

HSL 0.35, 0.86%, 0.61%

LAB 55.74, 64.35, 38.98

 

CMYK 0 / 55 / 56 / 4

HEX #F46D6C

RGB 244 109 108

HSL 0.44, 0.86%, 0.69%

LAB 62.72, 51.78, 26.32

 

CMYK 0 / 40 / 41 / 3

HEX #F79392

RGB 247 147 146

HSL 0.59, 0.86%, 0.77%

LAB 71.36, 37.5, 16.83

 

CMYK 0 / 26 / 26 / 2

HEX #FAB9B9

RGB 250 185 185

HSL 0, 0.87%, 0.85%

LAB 81.03, 23.48, 9.24

 

CMYK 0 / 56 / 57 / 4

HEX #F46B6A

RGB 244 107 106

HSL 0.43, 0.86%, 0.69%

LAB 62.33, 52.55, 26.94

 

CMYK 11 / 0 / 56 / 4

HEX #D9F46C

RGB 217 244 108

HSL 71.91, 0.86%, 0.69%

LAB 91.92, -27.7, 61.4

 

CMYK 56 / 34 / 0 / 4

HEX #6CA2F4

RGB 108 162 244

HSL 216.18, 0.86%, 0.69%

LAB 66.18, 5.62, -46.41

 

CMYK 0 / 56 / 57 / 4

HEX #F46B6A

RGB 244 107 106

HSL 0.43, 0.86%, 0.69%

LAB 62.33, 52.55, 26.94

 

CMYK 56 / 0 / 56 / 4

HEX #6CF46C

RGB 108 244 108

HSL 120, 0.86%, 0.69%

LAB 86.49, -63.24, 53.71

 

CMYK 56 / 56 / 0 / 4

HEX #6C6CF4

RGB 108 108 244

HSL 240, 0.86%, 0.69%

LAB 52.34, 37.65, -68.52

 

CMYK 0 / 56 / 57 / 4

HEX #F46B6A

RGB 244 107 106

HSL 0.43, 0.86%, 0.69%

LAB 62.33, 52.55, 26.94

 

CMYK 11 / 0 / 56 / 4

HEX #D9F46C

RGB 217 244 108

HSL 71.91, 0.86%, 0.69%

LAB 91.92, -27.7, 61.4

 

CMYK 56 / 0 / 0 / 4

HEX #6CF4F4

RGB 108 244 244

HSL 180, 0.86%, 0.69%

LAB 89.12, -36.8, -11.24

 

CMYK 45 / 56 / 0 / 4

HEX #876CF4

RGB 135 108 244

HSL 251.91, 0.86%, 0.69%

LAB 54.46, 42.99, -64.99

 

CMYK 0 / 56 / 57 / 4

HEX #F46B6A

RGB 244 107 106

HSL 0.43, 0.86%, 0.69%

LAB 62.33, 52.55, 26.94

 

CMYK 28 / 0 / 56 / 4

HEX #B0F46C

RGB 176 244 108

HSL 90, 0.86%, 0.69%

LAB 89.4, -42.86, 57.84

 

CMYK 56 / 0 / 0 / 4

HEX #6CF4F4

RGB 108 244 244

HSL 180, 0.86%, 0.69%

LAB 89.12, -36.8, -11.24

 

CMYK 28 / 56 / 0 / 4

HEX #B06CF4

RGB 176 108 244

HSL 270, 0.86%, 0.69%

LAB 58.5, 52.32, -58.29

 

Description

Color code: HEX #F46B6ACE | qconv.com Color code: HEX #F46B6ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 107 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 107 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 46 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 46% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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