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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F45A7ACE it is the complementary color #0BA585CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F45A7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F45A7ACE shade: #F95A75CE, #FF6C88CE, #FF7E9BCE, #FF90AECE and #FFA2C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F45A7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F45A7ACE shade: #F45A7ACE, #E34867CE, #D23654CE, #C12441CE and #B0122ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F45A7ACE shade: #F45778 and #F45757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F45A7ACE shade: #F45778, #F457A2, #F457CD, #F257F4 and #C757F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F45A7ACE shade matches the following richer shades: #F45778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F45A7ACE shade: #F45778, #E66680, #D77489, #C98391 and #BB919A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F45A7ACE shade: #F457CD, #F457A3, #F45779, #F45F57 and #F48957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F45A7ACE shade: #EA0F3C, #F23059, #F45778, #F77E97 and #F9A5B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F45A7ACE shade: #F45A7A, #F4F257 and #57B8F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F45A7ACE shade: #F45A7A, #79F457 and #5779F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F45A7ACE shade: #F45A7A, #F4F257, #57F4D2 and #575AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F45A7ACE shade: #F45A7A, #C8F457, #57F4D2 and #8457F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 41 / 3

HEX #F45A7ACE

RGBA 244 90 122 0.81

HSLA 347.53, 0.88%, 0.65%, 0.81

LABA 59.84, 61.27, 14.37, 0.81

 

Complementary color

CMYK 76 / 0 / 16 / 29

HEX #0BA585CE

RGBA 11 165 133 0.81

HSLA 167.53, 0.88%, 0.35%, 0.81

LABA 60.49, -43.51, 6.57, 0.81

 

CMYK 0 / 52 / 43 / 2

HEX #F95A75CE

RGBA 249 90 117 0.81

HSLA 349.81, 0.93%, 0.66%, 0.81

LABA 60.55, 62.43, 18.38, 0.81

 

CMYK 0 / 47 / 38 / 0

HEX #FF6C88CE

RGBA 255 108 136 0.81

HSLA 348.57, 1%, 0.71%, 0.81

LABA 64.77, 58.26, 13.43, 0.81

 

CMYK 0 / 41 / 32 / 0

HEX #FF7E9BCE

RGBA 255 126 155 0.81

HSLA 346.51, 1%, 0.75%, 0.81

LABA 68.42, 51.8, 7.81, 0.81

 

CMYK 0 / 35 / 26 / 0

HEX #FF90AECE

RGBA 255 144 174 0.81

HSLA 343.78, 1%, 0.78%, 0.81

LABA 72.4, 45.12, 2.91, 0.81

 

CMYK 0 / 30 / 20 / 0

HEX #FFA2C1CE

RGBA 255 162 193 0.81

HSLA 340, 1%, 0.82%, 0.81

LABA 76.65, 38.41, -1.38, 0.81

 

CMYK 0 / 51 / 41 / 3

HEX #F45A7ACE

RGBA 244 90 122 0.81

HSLA 347.53, 0.88%, 0.65%, 0.81

LABA 59.84, 61.27, 14.37, 0.81

 

CMYK 0 / 55 / 44 / 9

HEX #E34867CE

RGBA 227 72 103 0.81

HSLA 348, 0.73%, 0.59%, 0.81

LABA 53.97, 61.66, 17.01, 0.81

 

CMYK 0 / 60 / 49 / 14

HEX #D23654CE

RGBA 210 54 84 0.81

HSLA 348.46, 0.63%, 0.52%, 0.81

LABA 48.23, 61.65, 20.18, 0.81

 

CMYK 0 / 66 / 54 / 20

HEX #C12441CE

RGBA 193 36 65 0.81

HSLA 348.92, 0.69%, 0.45%, 0.81

LABA 42.73, 61, 24.06, 0.81

 

CMYK 0 / 73 / 60 / 25

HEX #B0122ECE

RGBA 176 18 46 0.81

HSLA 349.37, 0.81%, 0.38%, 0.81

LABA 37.59, 59.37, 28.76, 0.81

 

CMYK 0 / 64 / 51 / 4

HEX #F45778

RGB 244 87 120

HSL 347.39, 0.88%, 0.65%

LAB 59.35, 62.33, 14.85

 

CMYK 0 / 64 / 64 / 4

HEX #F45757

RGB 244 87 87

HSL 0, 0.88%, 0.65%

LAB 58.73, 60.04, 33.11

 

CMYK 0 / 64 / 51 / 4

HEX #F45778

RGB 244 87 120

HSL 347.39, 0.88%, 0.65%

LAB 59.35, 62.33, 14.85

 

CMYK 0 / 64 / 34 / 4

HEX #F457A2

RGB 244 87 162

HSL 331.34, 0.88%, 0.65%

LAB 60.48, 66.4, -7.99

 

CMYK 0 / 64 / 16 / 4

HEX #F457CD

RGB 244 87 205

HSL 314.9, 0.88%, 0.65%

LAB 62.05, 71.84, -30.23

 

CMYK 1 / 64 / 0 / 4

HEX #F257F4

RGB 242 87 244

HSL 299.24, 0.88%, 0.65%

LAB 63.53, 77.26, -49.77

 

CMYK 18 / 64 / 0 / 4

HEX #C757F4

RGB 199 87 244

HSL 282.8, 0.88%, 0.65%

LAB 57.55, 67.67, -59.65

 

CMYK 0 / 64 / 51 / 4

HEX #F45778

RGB 244 87 120

HSL 347.39, 0.88%, 0.65%

LAB 59.35, 62.33, 14.85

 

CMYK 0 / 64 / 51 / 4

HEX #F45778

RGB 244 87 120

HSL 347.39, 0.88%, 0.65%

LAB 59.35, 62.33, 14.85

 

CMYK 0 / 56 / 44 / 10

HEX #E66680

RGB 230 102 128

HSL 347.81, 0.72%, 0.65%

LAB 59.78, 52, 10.48

 

CMYK 0 / 46 / 36 / 16

HEX #D77489

RGB 215 116 137

HSL 347.27, 0.55%, 0.65%

LAB 60.56, 40.88, 6.08

 

CMYK 0 / 35 / 28 / 21

HEX #C98391

RGB 201 131 145

HSL 348, 0.39%, 0.65%

LAB 62.25, 28.83, 3.7

 

CMYK 0 / 22 / 18 / 27

HEX #BB919A

RGB 187 145 154

HSL 347.14, 0.24%, 0.65%

LAB 64.28, 17.23, 1.35

 

CMYK 0 / 64 / 16 / 4

HEX #F457CD

RGB 244 87 205

HSL 314.9, 0.88%, 0.65%

LAB 62.05, 71.84, -30.23

 

CMYK 0 / 64 / 33 / 4

HEX #F457A3

RGB 244 87 163

HSL 330.96, 0.88%, 0.65%

LAB 60.51, 66.52, -8.52

 

CMYK 0 / 64 / 50 / 4

HEX #F45779

RGB 244 87 121

HSL 347.01, 0.88%, 0.65%

LAB 59.37, 62.41, 14.29

 

CMYK 0 / 61 / 64 / 4

HEX #F45F57

RGB 244 95 87

HSL 3.06, 0.88%, 0.65%

LAB 59.98, 56.68, 34.67

 

CMYK 0 / 44 / 64 / 4

HEX #F48957

RGB 244 137 87

HSL 19.11, 0.88%, 0.65%

LAB 67.88, 36.54, 44.19

 

CMYK 0 / 94 / 74 / 8

HEX #EA0F3C

RGB 234 15 60

HSL 347.67, 0.88%, 0.49%

LAB 49.69, 74.96, 37.41

 

CMYK 0 / 80 / 63 / 5

HEX #F23059

RGB 242 48 89

HSL 347.32, 0.88%, 0.57%

LAB 53.72, 72.54, 25.5

 

CMYK 0 / 64 / 51 / 4

HEX #F45778

RGB 244 87 120

HSL 347.39, 0.88%, 0.65%

LAB 59.35, 62.33, 14.85

 

CMYK 0 / 49 / 39 / 3

HEX #F77E97

RGB 247 126 151

HSL 347.6, 0.88%, 0.73%

LAB 67.22, 48.64, 8.21

 

CMYK 0 / 34 / 27 / 2

HEX #F9A5B6

RGB 249 165 182

HSL 347.86, 0.88%, 0.81%

LAB 76.33, 33.23, 4.1

 

CMYK 0 / 63 / 50 / 4

HEX #F45A7A

RGB 244 90 122

HSL 347.53, 0.88%, 0.65%

LAB 59.84, 61.27, 14.37

 

CMYK 0 / 1 / 64 / 4

HEX #F4F257

RGB 244 242 87

HSL 59.24, 0.88%, 0.65%

LAB 93.2, -17.49, 72.01

 

CMYK 64 / 25 / 0 / 4

HEX #57B8F4

RGB 87 184 244

HSL 202.93, 0.88%, 0.65%

LAB 71.45, -10.53, -38.23

 

CMYK 0 / 63 / 50 / 4

HEX #F45A7A

RGB 244 90 122

HSL 347.53, 0.88%, 0.65%

LAB 59.84, 61.27, 14.37

 

CMYK 50 / 0 / 64 / 4

HEX #79F457

RGB 121 244 87

HSL 107.01, 0.88%, 0.65%

LAB 86.73, -62.09, 63.03

 

CMYK 64 / 50 / 0 / 4

HEX #5779F4

RGB 87 121 244

HSL 227.01, 0.88%, 0.65%

LAB 54.27, 26.18, -65.45

 

CMYK 0 / 63 / 50 / 4

HEX #F45A7A

RGB 244 90 122

HSL 347.53, 0.88%, 0.65%

LAB 59.84, 61.27, 14.37

 

CMYK 0 / 1 / 64 / 4

HEX #F4F257

RGB 244 242 87

HSL 59.24, 0.88%, 0.65%

LAB 93.2, -17.49, 72.01

 

CMYK 64 / 0 / 14 / 4

HEX #57F4D2

RGB 87 244 210

HSL 167.01, 0.88%, 0.65%

LAB 87.67, -48.92, 4.32

 

CMYK 64 / 63 / 0 / 4

HEX #575AF4

RGB 87 90 244

HSL 238.85, 0.88%, 0.65%

LAB 46.8, 44.95, -77.58

 

CMYK 0 / 63 / 50 / 4

HEX #F45A7A

RGB 244 90 122

HSL 347.53, 0.88%, 0.65%

LAB 59.84, 61.27, 14.37

 

CMYK 18 / 0 / 64 / 4

HEX #C8F457

RGB 200 244 87

HSL 76.82, 0.88%, 0.65%

LAB 90.63, -35.77, 68.37

 

CMYK 64 / 0 / 14 / 4

HEX #57F4D2

RGB 87 244 210

HSL 167.01, 0.88%, 0.65%

LAB 87.67, -48.92, 4.32

 

CMYK 46 / 64 / 0 / 4

HEX #8457F4

RGB 132 87 244

HSL 257.2, 0.88%, 0.65%

LAB 49.8, 53.95, -72.54

 

Description

Color code: HEX #F45A7ACE | qconv.com Color code: HEX #F45A7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 90 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 90 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 41 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 41% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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