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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F45853 it is the complementary color #0BA7AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F45853. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F45853 shade: #F9584E, #FF6A61, #FF7C74, #FF8E87 and #FFA09A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F45853. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F45853 shade: #F45853, #E34640, #D2342D, #C1221A and #B01007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F45853 shade: #F45752 and #F45252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F45853 shade: #F45752, #F48352, #F4AF52, #F4DA52 and #E2F452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F45853 shade matches the following richer shades: #F45752

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F45853 shade: #F45752, #E56561, #D67370, #C7817F and #B98F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F45853 shade: #F452A6, #F4527B, #F45552, #F48052 and #F4AB52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F45853 shade: #E5150F, #F2322C, #F45752, #F67D79 and #F9A3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F45853 shade: #F45853, #D1F452 and #5290F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F45853 shade: #F45853, #52F455 and #5552F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F45853 shade: #F45853, #D1F452, #52F1F4 and #7552F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F45853 shade: #F45853, #A1F452, #52F1F4 and #A652F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

Complementary color

CMYK 94 / 3 / 0 / 33

HEX #0BA7AC

RGB 11 167 172

HSL 181.86, 0.88%, 0.36%

LAB 62.24, -33.06, -12.77

 

CMYK 0 / 65 / 69 / 2

HEX #F9584E

RGB 249 88 78

HSL 3.51, 0.93%, 0.64%

LAB 59.59, 60.78, 39.39

 

CMYK 0 / 58 / 62 / 0

HEX #FF6A61

RGB 255 106 97

HSL 3.42, 1%, 0.69%

LAB 63.7, 56.17, 34.09

 

CMYK 0 / 51 / 55 / 0

HEX #FF7C74

RGB 255 124 116

HSL 3.45, 1%, 0.73%

LAB 67.23, 49.14, 28.07

 

CMYK 0 / 44 / 47 / 0

HEX #FF8E87

RGB 255 142 135

HSL 3.5, 1%, 0.76%

LAB 71.12, 41.88, 22.74

 

CMYK 0 / 37 / 40 / 0

HEX #FFA09A

RGB 255 160 154

HSL 3.56, 1%, 0.8%

LAB 75.29, 34.59, 18.03

 

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

CMYK 0 / 69 / 72 / 11

HEX #E34640

RGB 227 70 64

HSL 2.21, 0.74%, 0.57%

LAB 53.04, 60.1, 38.59

 

CMYK 0 / 75 / 79 / 18

HEX #D2342D

RGB 210 52 45

HSL 2.55, 0.65%, 0.5%

LAB 47.43, 60.41, 42.06

 

CMYK 0 / 82 / 87 / 24

HEX #C1221A

RGB 193 34 26

HSL 2.87, 0.76%, 0.43%

LAB 42.09, 60.08, 45.66

 

CMYK 0 / 91 / 96 / 31

HEX #B01007

RGB 176 16 7

HSL 3.2, 0.92%, 0.36%

LAB 37.14, 58.74, 48.37

 

CMYK 0 / 64 / 66 / 4

HEX #F45752

RGB 244 87 82

HSL 1.85, 0.88%, 0.64%

LAB 58.66, 59.76, 35.85

 

CMYK 0 / 66 / 66 / 4

HEX #F45252

RGB 244 82 82

HSL 0, 0.88%, 0.64%

LAB 57.92, 61.76, 34.95

 

CMYK 0 / 64 / 66 / 4

HEX #F45752

RGB 244 87 82

HSL 1.85, 0.88%, 0.64%

LAB 58.66, 59.76, 35.85

 

CMYK 0 / 46 / 66 / 4

HEX #F48352

RGB 244 131 82

HSL 18.15, 0.88%, 0.64%

LAB 66.58, 39.3, 45.25

 

CMYK 0 / 28 / 66 / 4

HEX #F4AF52

RGB 244 175 82

HSL 34.44, 0.88%, 0.64%

LAB 76.38, 16.35, 56.26

 

CMYK 0 / 11 / 66 / 4

HEX #F4DA52

RGB 244 218 82

HSL 50.37, 0.88%, 0.64%

LAB 86.99, -5.9, 67.55

 

CMYK 7 / 0 / 66 / 4

HEX #E2F452

RGB 226 244 82

HSL 66.67, 0.88%, 0.64%

LAB 92.34, -25.95, 72.6

 

CMYK 0 / 64 / 66 / 4

HEX #F45752

RGB 244 87 82

HSL 1.85, 0.88%, 0.64%

LAB 58.66, 59.76, 35.85

 

CMYK 0 / 64 / 66 / 4

HEX #F45752

RGB 244 87 82

HSL 1.85, 0.88%, 0.64%

LAB 58.66, 59.76, 35.85

 

CMYK 0 / 56 / 58 / 10

HEX #E56561

RGB 229 101 97

HSL 1.82, 0.72%, 0.64%

LAB 58.82, 49.46, 27.03

 

CMYK 0 / 46 / 48 / 16

HEX #D67370

RGB 214 115 112

HSL 1.76, 0.55%, 0.64%

LAB 59.64, 38.34, 19.16

 

CMYK 0 / 35 / 36 / 22

HEX #C7817F

RGB 199 129 127

HSL 1.67, 0.39%, 0.64%

LAB 61.11, 26.8, 12.32

 

CMYK 0 / 23 / 23 / 27

HEX #B98F8E

RGB 185 143 142

HSL 1.4, 0.23%, 0.64%

LAB 63.27, 15.72, 6.64

 

CMYK 0 / 66 / 32 / 4

HEX #F452A6

RGB 244 82 166

HSL 328.89, 0.88%, 0.64%

LAB 59.91, 68.78, -11.16

 

CMYK 0 / 66 / 50 / 4

HEX #F4527B

RGB 244 82 123

HSL 344.81, 0.88%, 0.64%

LAB 58.69, 64.54, 12.18

 

CMYK 0 / 65 / 66 / 4

HEX #F45552

RGB 244 85 82

HSL 1.11, 0.88%, 0.64%

LAB 58.36, 60.57, 35.48

 

CMYK 0 / 48 / 66 / 4

HEX #F48052

RGB 244 128 82

HSL 17.04, 0.88%, 0.64%

LAB 65.97, 40.82, 44.54

 

CMYK 0 / 30 / 66 / 4

HEX #F4AB52

RGB 244 171 82

HSL 32.96, 0.88%, 0.64%

LAB 75.43, 18.46, 55.23

 

CMYK 0 / 91 / 93 / 10

HEX #E5150F

RGB 229 21 15

HSL 1.68, 0.88%, 0.48%

LAB 48.55, 72.02, 58.03

 

CMYK 0 / 79 / 82 / 5

HEX #F2322C

RGB 242 50 44

HSL 1.82, 0.88%, 0.56%

LAB 53.32, 70.24, 50.43

 

CMYK 0 / 64 / 66 / 4

HEX #F45752

RGB 244 87 82

HSL 1.85, 0.88%, 0.64%

LAB 58.66, 59.76, 35.85

 

CMYK 0 / 49 / 51 / 4

HEX #F67D79

RGB 246 125 121

HSL 1.92, 0.87%, 0.72%

LAB 66.24, 45.85, 23.74

 

CMYK 0 / 35 / 36 / 2

HEX #F9A3A0

RGB 249 163 160

HSL 2.02, 0.88%, 0.8%

LAB 75.37, 31.49, 14.77

 

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

CMYK 14 / 0 / 66 / 4

HEX #D1F452

RGB 209 244 82

HSL 72.96, 0.88%, 0.64%

LAB 91.17, -32.64, 71.03

 

CMYK 66 / 41 / 0 / 4

HEX #5290F4

RGB 82 144 244

HSL 217.04, 0.88%, 0.64%

LAB 60.13, 11.44, -56.07

 

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

CMYK 66 / 0 / 65 / 4

HEX #52F455

RGB 82 244 85

HSL 121.11, 0.88%, 0.64%

LAB 85.58, -71.22, 62.25

 

CMYK 65 / 66 / 0 / 4

HEX #5552F4

RGB 85 82 244

HSL 241.11, 0.88%, 0.64%

LAB 44.94, 49.33, -80.64

 

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

CMYK 14 / 0 / 66 / 4

HEX #D1F452

RGB 209 244 82

HSL 72.96, 0.88%, 0.64%

LAB 91.17, -32.64, 71.03

 

CMYK 66 / 1 / 0 / 4

HEX #52F1F4

RGB 82 241 244

HSL 181.11, 0.88%, 0.64%

LAB 87.6, -39.55, -13.58

 

CMYK 52 / 66 / 0 / 4

HEX #7552F4

RGB 117 82 244

HSL 252.96, 0.88%, 0.64%

LAB 47.43, 53.99, -76.47

 

CMYK 0 / 64 / 66 / 4

HEX #F45853

RGB 244 88 83

HSL 1.86, 0.88%, 0.64%

LAB 58.82, 59.41, 35.49

 

CMYK 34 / 0 / 66 / 4

HEX #A1F452

RGB 161 244 82

HSL 90.74, 0.88%, 0.64%

LAB 88.39, -50.23, 67.27

 

CMYK 66 / 1 / 0 / 4

HEX #52F1F4

RGB 82 241 244

HSL 181.11, 0.88%, 0.64%

LAB 87.6, -39.55, -13.58

 

CMYK 32 / 66 / 0 / 4

HEX #A652F4

RGB 166 82 244

HSL 271.11, 0.88%, 0.64%

LAB 52.59, 62.98, -67.85

 

Description

Color code: HEX #F45853 | qconv.com Color code: HEX #F45853 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 88 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 88 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 66% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - 素人でもプロ並みの配色ができるデザインパ...
Link: http://blog.codecamp.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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