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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F43ADE it is the complementary color #0BC521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F43ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F43ADE shade: #F93AD9, #FF4CEC, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F43ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F43ADE shade: #F43ADE, #E328CB, #D216B8, #C104A5 and #B00092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F43ADE shade: #F339DD, #F339AB, #F33979, #F33947 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F43ADE shade: #F339DD, #D739F3, #A539F3, #7339F3 and #4139F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F43ADE shade matches the following richer shades: #F339DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F43ADE shade: #F339DD, #E34AD1, #D25BC4, #C16CB7 and #B07DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F43ADE shade: #A639F3, #D839F3, #F339DE, #F339AC and #F3397B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F43ADE shade: #CE0CB7, #F112D7, #F339DD, #F660E4 and #F887EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F43ADE shade: #F43ADE, #F37439 and #39F3BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F43ADE shade: #F43ADE, #DEF339 and #39DEF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F43ADE shade: #F43ADE, #F37439, #39F34F and #39B9F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F43ADE shade: #F43ADE, #F3AC39, #39F34F and #3981F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

Complementary color

CMYK 94 / 0 / 83 / 23

HEX #0BC521

RGB 11 197 33

HSL 127.1, 0.89%, 0.41%

LAB 69.55, -69.49, 63.36

 

CMYK 0 / 77 / 13 / 2

HEX #F93AD9

RGB 249 58 217

HSL 310.05, 0.94%, 0.6%

LAB 60.05, 84.02, -40.08

 

CMYK 0 / 70 / 7 / 0

HEX #FF4CEC

RGB 255 76 236

HSL 306.37, 1%, 0.65%

LAB 63.74, 82.72, -44.86

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

CMYK 0 / 82 / 11 / 11

HEX #E328CB

RGB 227 40 203

HSL 307.7, 0.77%, 0.52%

LAB 54.2, 81.91, -41.56

 

CMYK 0 / 90 / 12 / 18

HEX #D216B8

RGB 210 22 184

HSL 308.3, 0.81%, 0.45%

LAB 49.17, 79.21, -38.67

 

CMYK 0 / 98 / 15 / 24

HEX #C104A5

RGB 193 4 165

HSL 308.89, 0.96%, 0.39%

LAB 44.43, 75.44, -35.13

 

CMYK 0 / 100 / 17 / 31

HEX #B00092

RGB 176 0 146

HSL 310.23, 1%, 0.35%

LAB 40.09, 70.23, -30.72

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 77 / 50 / 5

HEX #F33979

RGB 243 57 121

HSL 339.35, 0.89%, 0.59%

LAB 55.44, 72.52, 8.75

 

CMYK 0 / 77 / 71 / 5

HEX #F33947

RGB 243 57 71

HSL 355.48, 0.89%, 0.59%

LAB 54.49, 69.5, 37.05

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 12 / 77 / 0 / 5

HEX #D739F3

RGB 215 57 243

HSL 290.97, 0.89%, 0.59%

LAB 55.93, 81.56, -61.56

 

CMYK 32 / 77 / 0 / 5

HEX #A539F3

RGB 165 57 243

HSL 274.84, 0.89%, 0.59%

LAB 48.76, 72.86, -73.52

 

CMYK 53 / 77 / 0 / 5

HEX #7339F3

RGB 115 57 243

HSL 258.71, 0.89%, 0.59%

LAB 42.83, 65.56, -83.46

 

CMYK 73 / 77 / 0 / 5

HEX #4139F3

RGB 65 57 243

HSL 242.58, 0.89%, 0.59%

LAB 38.76, 60.46, -90.3

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 0 / 67 / 8 / 11

HEX #E34AD1

RGB 227 74 209

HSL 307.06, 0.73%, 0.59%

LAB 57.88, 73.09, -39.2

 

CMYK 0 / 57 / 7 / 18

HEX #D25BC4

RGB 210 91 196

HSL 307.06, 0.57%, 0.59%

LAB 57.24, 59.89, -32.97

 

CMYK 0 / 44 / 5 / 24

HEX #C16CB7

RGB 193 108 183

HSL 307.06, 0.41%, 0.59%

LAB 57.54, 44.45, -25.23

 

CMYK 0 / 29 / 3 / 31

HEX #B07DAA

RGB 176 125 170

HSL 307.06, 0.24%, 0.59%

LAB 58.79, 27.25, -16.05

 

CMYK 32 / 77 / 0 / 5

HEX #A639F3

RGB 166 57 243

HSL 275.16, 0.89%, 0.59%

LAB 48.89, 73.02, -73.29

 

CMYK 11 / 77 / 0 / 5

HEX #D839F3

RGB 216 57 243

HSL 291.29, 0.89%, 0.59%

LAB 56.08, 81.74, -61.31

 

CMYK 0 / 77 / 9 / 5

HEX #F339DE

RGB 243 57 222

HSL 306.77, 0.89%, 0.59%

LAB 59.21, 83.74, -44.29

 

CMYK 0 / 77 / 29 / 5

HEX #F339AC

RGB 243 57 172

HSL 322.9, 0.89%, 0.59%

LAB 57.04, 77.39, -19

 

CMYK 0 / 77 / 49 / 5

HEX #F3397B

RGB 243 57 123

HSL 338.71, 0.89%, 0.59%

LAB 55.49, 72.68, 7.63

 

CMYK 0 / 94 / 11 / 19

HEX #CE0CB7

RGB 206 12 183

HSL 307.11, 0.89%, 0.43%

LAB 48.01, 79.48, -39.97

 

CMYK 0 / 93 / 11 / 5

HEX #F112D7

RGB 241 18 215

HSL 307, 0.89%, 0.51%

LAB 56.13, 89.36, -45.21

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 0 / 61 / 7 / 4

HEX #F660E4

RGB 246 96 228

HSL 307.2, 0.89%, 0.67%

LAB 64.61, 72.18, -39.13

 

CMYK 0 / 46 / 5 / 3

HEX #F887EB

RGB 248 135 235

HSL 306.9, 0.89%, 0.75%

LAB 71.75, 56.28, -31.9

 

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

CMYK 0 / 52 / 77 / 5

HEX #F37439

RGB 243 116 57

HSL 19.03, 0.89%, 0.59%

LAB 63.21, 45.2, 53.86

 

CMYK 77 / 0 / 21 / 5

HEX #39F3BF

RGB 57 243 191

HSL 163.23, 0.89%, 0.59%

LAB 86.37, -57, 12.28

 

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

CMYK 9 / 0 / 77 / 5

HEX #DEF339

RGB 222 243 57

HSL 66.77, 0.89%, 0.59%

LAB 91.65, -28.27, 80.11

 

CMYK 77 / 9 / 0 / 5

HEX #39DEF3

RGB 57 222 243

HSL 186.77, 0.89%, 0.59%

LAB 81.61, -33.99, -22.13

 

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

CMYK 0 / 52 / 77 / 5

HEX #F37439

RGB 243 116 57

HSL 19.03, 0.89%, 0.59%

LAB 63.21, 45.2, 53.86

 

CMYK 77 / 0 / 67 / 5

HEX #39F34F

RGB 57 243 79

HSL 127.1, 0.89%, 0.59%

LAB 84.76, -75.41, 63.56

 

CMYK 77 / 24 / 0 / 5

HEX #39B9F3

RGB 57 185 243

HSL 198.71, 0.89%, 0.59%

LAB 70.9, -15.45, -38.6

 

CMYK 0 / 76 / 9 / 4

HEX #F43ADE

RGB 244 58 222

HSL 307.1, 0.89%, 0.59%

LAB 59.46, 83.68, -43.87

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 77 / 0 / 67 / 5

HEX #39F34F

RGB 57 243 79

HSL 127.1, 0.89%, 0.59%

LAB 84.76, -75.41, 63.56

 

CMYK 77 / 47 / 0 / 5

HEX #3981F3

RGB 57 129 243

HSL 216.77, 0.89%, 0.59%

LAB 55.11, 16.86, -63.6

 

Description

Color code: HEX #F43ADE | qconv.com Color code: HEX #F43ADE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 58 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 58 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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