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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F433DF it is the complementary color #0BCC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F433DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F433DF shade: #F933DA, #FF45ED, #FF57FF, #FF69FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F433DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F433DF shade: #F433DF, #E321CC, #D20FB9, #C100A6 and #B00093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F433DF shade: #F434DF, #F434AB, #F43477, #F43443 and #F43434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F433DF shade: #F434DF, #D534F4, #A134F4, #6D34F4 and #3934F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F433DF shade matches the following richer shades: #F434DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F433DF shade: #F434DF, #E345D2, #D256C4, #C067B7 and #AF79A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F433DF shade: #A134F4, #D434F4, #F434E1, #F434AE and #F4347A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F433DF shade: #CB0BB6, #F20DD9, #F434DF, #F65BE5 and #F882EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F433DF shade: #F433DF, #F46D34 and #34F4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F433DF shade: #F433DF, #E1F434 and #34E1F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F433DF shade: #F433DF, #F46D34, #34F447 and #34BAF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F433DF shade: #F433DF, #F4A734, #34F447 and #3481F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

Complementary color

CMYK 95 / 0 / 84 / 20

HEX #0BCC20

RGB 11 204 32

HSL 126.53, 0.9%, 0.42%

LAB 71.8, -71.49, 65.64

 

CMYK 0 / 80 / 12 / 2

HEX #F933DA

RGB 249 51 218

HSL 309.39, 0.94%, 0.59%

LAB 59.5, 85.88, -41.51

 

CMYK 0 / 73 / 7 / 0

HEX #FF45ED

RGB 255 69 237

HSL 305.81, 1%, 0.64%

LAB 63.04, 85.01, -46.53

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

CMYK 0 / 85 / 10 / 11

HEX #E321CC

RGB 227 33 204

HSL 307.11, 0.78%, 0.51%

LAB 53.79, 83.38, -42.78

 

CMYK 0 / 93 / 12 / 18

HEX #D20FB9

RGB 210 15 185

HSL 307.69, 0.87%, 0.44%

LAB 48.94, 80.18, -39.63

 

CMYK 0 / 100 / 14 / 24

HEX #C100A6

RGB 193 0 166

HSL 308.39, 1%, 0.38%

LAB 44.36, 75.94, -35.84

 

CMYK 0 / 100 / 16 / 31

HEX #B00093

RGB 176 0 147

HSL 309.89, 1%, 0.35%

LAB 40.14, 70.36, -31.25

 

CMYK 0 / 79 / 9 / 4

HEX #F434DF

RGB 244 52 223

HSL 306.56, 0.9%, 0.58%

LAB 58.99, 85.33, -45.19

 

CMYK 0 / 79 / 30 / 4

HEX #F434AB

RGB 244 52 171

HSL 322.81, 0.9%, 0.58%

LAB 56.71, 78.83, -18.9

 

CMYK 0 / 79 / 51 / 4

HEX #F43477

RGB 244 52 119

HSL 339.06, 0.9%, 0.58%

LAB 55.09, 73.99, 9.48

 

CMYK 0 / 79 / 73 / 4

HEX #F43443

RGB 244 52 67

HSL 355.31, 0.9%, 0.58%

LAB 54.13, 71.01, 38.96

 

CMYK 0 / 79 / 79 / 4

HEX #F43434

RGB 244 52 52

HSL 0, 0.9%, 0.58%

LAB 53.96, 70.49, 47.05

 

CMYK 0 / 79 / 9 / 4

HEX #F434DF

RGB 244 52 223

HSL 306.56, 0.9%, 0.58%

LAB 58.99, 85.33, -45.19

 

CMYK 13 / 79 / 0 / 4

HEX #D534F4

RGB 213 52 244

HSL 290.31, 0.9%, 0.58%

LAB 55.21, 82.75, -63.3

 

CMYK 34 / 79 / 0 / 4

HEX #A134F4

RGB 161 52 244

HSL 274.06, 0.9%, 0.58%

LAB 47.71, 74.16, -75.81

 

CMYK 55 / 79 / 0 / 4

HEX #6D34F4

RGB 109 52 244

HSL 257.81, 0.9%, 0.58%

LAB 41.59, 67.18, -86.07

 

CMYK 77 / 79 / 0 / 4

HEX #3934F4

RGB 57 52 244

HSL 241.56, 0.9%, 0.58%

LAB 37.59, 62.63, -92.83

 

CMYK 0 / 79 / 9 / 4

HEX #F434DF

RGB 244 52 223

HSL 306.56, 0.9%, 0.58%

LAB 58.99, 85.33, -45.19

 

CMYK 0 / 79 / 9 / 4

HEX #F434DF

RGB 244 52 223

HSL 306.56, 0.9%, 0.58%

LAB 58.99, 85.33, -45.19

 

CMYK 0 / 70 / 7 / 11

HEX #E345D2

RGB 227 69 210

HSL 306.46, 0.74%, 0.58%

LAB 57.31, 74.98, -40.66

 

CMYK 0 / 59 / 7 / 18

HEX #D256C4

RGB 210 86 196

HSL 306.77, 0.58%, 0.58%

LAB 56.43, 62.09, -34.23

 

CMYK 0 / 46 / 5 / 25

HEX #C067B7

RGB 192 103 183

HSL 306.07, 0.41%, 0.58%

LAB 56.41, 46.72, -26.99

 

CMYK 0 / 31 / 3 / 31

HEX #AF79A9

RGB 175 121 169

HSL 306.67, 0.25%, 0.58%

LAB 57.71, 28.96, -17.13

 

CMYK 34 / 79 / 0 / 4

HEX #A134F4

RGB 161 52 244

HSL 274.06, 0.9%, 0.58%

LAB 47.71, 74.16, -75.81

 

CMYK 13 / 79 / 0 / 4

HEX #D434F4

RGB 212 52 244

HSL 290, 0.9%, 0.58%

LAB 55.06, 82.58, -63.55

 

CMYK 0 / 79 / 8 / 4

HEX #F434E1

RGB 244 52 225

HSL 305.94, 0.9%, 0.58%

LAB 59.09, 85.61, -46.16

 

CMYK 0 / 79 / 29 / 4

HEX #F434AE

RGB 244 52 174

HSL 321.88, 0.9%, 0.58%

LAB 56.83, 79.16, -20.47

 

CMYK 0 / 79 / 50 / 4

HEX #F4347A

RGB 244 52 122

HSL 338.13, 0.9%, 0.58%

LAB 55.17, 74.22, 7.79

 

CMYK 0 / 95 / 10 / 20

HEX #CB0BB6

RGB 203 11 182

HSL 306.56, 0.9%, 0.42%

LAB 47.38, 78.9, -40.41

 

CMYK 0 / 95 / 10 / 5

HEX #F20DD9

RGB 242 13 217

HSL 306.55, 0.9%, 0.5%

LAB 56.26, 90.22, -46.12

 

CMYK 0 / 79 / 9 / 4

HEX #F434DF

RGB 244 52 223

HSL 306.56, 0.9%, 0.58%

LAB 58.99, 85.33, -45.19

 

CMYK 0 / 63 / 7 / 4

HEX #F65BE5

RGB 246 91 229

HSL 306.58, 0.9%, 0.66%

LAB 63.94, 74.31, -40.74

 

CMYK 0 / 48 / 5 / 3

HEX #F882EC

RGB 248 130 236

HSL 306.1, 0.89%, 0.74%

LAB 70.86, 58.87, -33.82

 

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

CMYK 0 / 55 / 79 / 4

HEX #F46D34

RGB 244 109 52

HSL 17.81, 0.9%, 0.58%

LAB 62.01, 48.75, 55.03

 

CMYK 79 / 0 / 24 / 4

HEX #34F4BA

RGB 52 244 186

HSL 161.88, 0.9%, 0.58%

LAB 86.49, -59.05, 15.03

 

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

CMYK 8 / 0 / 79 / 4

HEX #E1F434

RGB 225 244 52

HSL 65.94, 0.9%, 0.58%

LAB 92.11, -27.71, 81.97

 

CMYK 79 / 8 / 0 / 4

HEX #34E1F4

RGB 52 225 244

HSL 185.94, 0.9%, 0.58%

LAB 82.44, -35.56, -21.41

 

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

CMYK 0 / 55 / 79 / 4

HEX #F46D34

RGB 244 109 52

HSL 17.81, 0.9%, 0.58%

LAB 62.01, 48.75, 55.03

 

CMYK 79 / 0 / 71 / 4

HEX #34F447

RGB 52 244 71

HSL 125.94, 0.9%, 0.58%

LAB 84.94, -77.02, 66.68

 

CMYK 79 / 24 / 0 / 4

HEX #34BAF4

RGB 52 186 244

HSL 198.13, 0.9%, 0.58%

LAB 71.13, -16.15, -38.79

 

CMYK 0 / 79 / 9 / 4

HEX #F433DF

RGB 244 51 223

HSL 306.53, 0.9%, 0.58%

LAB 58.91, 85.56, -45.32

 

CMYK 0 / 32 / 79 / 4

HEX #F4A734

RGB 244 167 52

HSL 35.94, 0.9%, 0.58%

LAB 74.27, 19.2, 66.56

 

CMYK 79 / 0 / 71 / 4

HEX #34F447

RGB 52 244 71

HSL 125.94, 0.9%, 0.58%

LAB 84.94, -77.02, 66.68

 

CMYK 79 / 47 / 0 / 4

HEX #3481F4

RGB 52 129 244

HSL 215.94, 0.9%, 0.58%

LAB 55.03, 16.7, -64.3

 

Description

Color code: HEX #F433DF | qconv.com Color code: HEX #F433DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 51 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 51 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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