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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F42D3F it is the complementary color #0BD2C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F42D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F42D3F shade: #F92D3A, #FF3F4D, #FF5160, #FF6373 and #FF7586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F42D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F42D3F shade: #F42D3F, #E31B2C, #D20919, #C10006 and #B00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F42D3F shade: #F42F41 and #F42F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F42D3F shade: #F42F41, #F42F76, #F42FAB, #F42FE0 and #D32FF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F42D3F shade matches the following richer shades: #F42F41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F42D3F shade: #F42F41, #E2404F, #D1525E, #BF646C and #AD767B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F42D3F shade: #F42FAC, #F42F77, #F42F42, #F4502F and #F4842F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F42D3F shade: #C60A1B, #ED0C21, #F42F41, #F65664 and #F87D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F42D3F shade: #F42D3F, #E0F42F and #2F91F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F42D3F shade: #F42D3F, #42F42F and #2F42F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F42D3F shade: #F42D3F, #E0F42F, #2FF4E0 and #422FF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F42D3F shade: #F42D3F, #A5F42F, #2FF4E0 and #7E2FF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

Complementary color

CMYK 95 / 0 / 9 / 18

HEX #0BD2C0

RGB 11 210 192

HSL 174.57, 0.9%, 0.43%

LAB 76.05, -46.42, -3.22

 

CMYK 0 / 82 / 77 / 2

HEX #F92D3A

RGB 249 45 58

HSL 356.18, 0.94%, 0.58%

LAB 54.37, 73.77, 44.53

 

CMYK 0 / 75 / 70 / 0

HEX #FF3F4D

RGB 255 63 77

HSL 355.63, 1%, 0.62%

LAB 57.42, 71.39, 37.64

 

CMYK 0 / 68 / 62 / 0

HEX #FF5160

RGB 255 81 96

HSL 354.83, 1%, 0.66%

LAB 59.88, 66.33, 29.81

 

CMYK 0 / 61 / 55 / 0

HEX #FF6373

RGB 255 99 115

HSL 353.85, 1%, 0.69%

LAB 62.86, 60.44, 22.83

 

CMYK 0 / 54 / 47 / 0

HEX #FF7586

RGB 255 117 134

HSL 352.61, 1%, 0.73%

LAB 66.29, 53.98, 16.69

 

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

CMYK 0 / 88 / 81 / 11

HEX #E31B2C

RGB 227 27 44

HSL 354.9, 0.79%, 0.5%

LAB 48.63, 71.14, 44.91

 

CMYK 0 / 96 / 88 / 18

HEX #D20919

RGB 210 9 25

HSL 355.22, 0.92%, 0.43%

LAB 44.19, 68.66, 49.29

 

CMYK 0 / 100 / 97 / 24

HEX #C10006

RGB 193 0 6

HSL 358.13, 1%, 0.38%

LAB 40.16, 65.02, 52.3

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 81 / 73 / 4

HEX #F42F41

RGB 244 47 65

HSL 354.52, 0.9%, 0.57%

LAB 53.65, 72.21, 39.55

 

CMYK 0 / 81 / 81 / 4

HEX #F42F2F

RGB 244 47 47

HSL 0, 0.9%, 0.57%

LAB 53.46, 71.63, 49.17

 

CMYK 0 / 81 / 73 / 4

HEX #F42F41

RGB 244 47 65

HSL 354.52, 0.9%, 0.57%

LAB 53.65, 72.21, 39.55

 

CMYK 0 / 81 / 52 / 4

HEX #F42F76

RGB 244 47 118

HSL 338.38, 0.9%, 0.57%

LAB 54.63, 75.17, 9.42

 

CMYK 0 / 81 / 30 / 4

HEX #F42FAB

RGB 244 47 171

HSL 322.23, 0.9%, 0.57%

LAB 56.29, 80.03, -19.54

 

CMYK 0 / 81 / 8 / 4

HEX #F42FE0

RGB 244 47 224

HSL 306.09, 0.9%, 0.57%

LAB 58.65, 86.6, -46.29

 

CMYK 14 / 81 / 0 / 4

HEX #D32FF4

RGB 211 47 244

HSL 289.95, 0.9%, 0.57%

LAB 54.46, 83.68, -64.51

 

CMYK 0 / 81 / 73 / 4

HEX #F42F41

RGB 244 47 65

HSL 354.52, 0.9%, 0.57%

LAB 53.65, 72.21, 39.55

 

CMYK 0 / 81 / 73 / 4

HEX #F42F41

RGB 244 47 65

HSL 354.52, 0.9%, 0.57%

LAB 53.65, 72.21, 39.55

 

CMYK 0 / 72 / 65 / 11

HEX #E2404F

RGB 226 64 79

HSL 354.44, 0.74%, 0.57%

LAB 52.29, 62.7, 29

 

CMYK 0 / 61 / 55 / 18

HEX #D1525E

RGB 209 82 94

HSL 354.33, 0.58%, 0.57%

LAB 52.28, 51.07, 19.56

 

CMYK 0 / 48 / 43 / 25

HEX #BF646C

RGB 191 100 108

HSL 354.73, 0.42%, 0.57%

LAB 53.25, 37.16, 12.17

 

CMYK 0 / 32 / 29 / 32

HEX #AD767B

RGB 173 118 123

HSL 354.55, 0.25%, 0.57%

LAB 55.35, 22.3, 6.03

 

CMYK 0 / 81 / 30 / 4

HEX #F42FAC

RGB 244 47 172

HSL 321.93, 0.9%, 0.57%

LAB 56.33, 80.14, -20.06

 

CMYK 0 / 81 / 51 / 4

HEX #F42F77

RGB 244 47 119

HSL 338.07, 0.9%, 0.57%

LAB 54.66, 75.24, 8.86

 

CMYK 0 / 81 / 73 / 4

HEX #F42F42

RGB 244 47 66

HSL 354.21, 0.9%, 0.57%

LAB 53.66, 72.25, 39

 

CMYK 0 / 67 / 81 / 4

HEX #F4502F

RGB 244 80 47

HSL 10.05, 0.9%, 0.57%

LAB 57.25, 61.12, 52.79

 

CMYK 0 / 46 / 81 / 4

HEX #F4842F

RGB 244 132 47

HSL 25.89, 0.9%, 0.57%

LAB 66.47, 37.28, 61.33

 

CMYK 0 / 95 / 86 / 22

HEX #C60A1B

RGB 198 10 27

HSL 354.57, 0.9%, 0.41%

LAB 41.69, 65.57, 45.26

 

CMYK 0 / 95 / 86 / 7

HEX #ED0C21

RGB 237 12 33

HSL 354.4, 0.9%, 0.49%

LAB 49.95, 75.24, 52.48

 

CMYK 0 / 81 / 73 / 4

HEX #F42F41

RGB 244 47 65

HSL 354.52, 0.9%, 0.57%

LAB 53.65, 72.21, 39.55

 

CMYK 0 / 65 / 59 / 4

HEX #F65664

RGB 246 86 100

HSL 354.75, 0.9%, 0.65%

LAB 59.13, 61.88, 26.24

 

CMYK 0 / 50 / 45 / 3

HEX #F87D88

RGB 248 125 136

HSL 354.63, 0.9%, 0.73%

LAB 66.83, 47.93, 16.14

 

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

CMYK 8 / 0 / 81 / 4

HEX #E0F42F

RGB 224 244 47

HSL 66.09, 0.9%, 0.57%

LAB 92.02, -28.27, 83.13

 

CMYK 81 / 41 / 0 / 4

HEX #2F91F4

RGB 47 145 244

HSL 210.15, 0.9%, 0.57%

LAB 59.33, 6.51, -57.41

 

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

CMYK 73 / 0 / 81 / 4

HEX #42F42F

RGB 66 244 47

HSL 114.21, 0.9%, 0.57%

LAB 85.03, -76.71, 74.24

 

CMYK 81 / 73 / 0 / 4

HEX #2F42F4

RGB 47 66 244

HSL 234.21, 0.9%, 0.57%

LAB 39.64, 54.84, -89.45

 

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

CMYK 8 / 0 / 81 / 4

HEX #E0F42F

RGB 224 244 47

HSL 66.09, 0.9%, 0.57%

LAB 92.02, -28.27, 83.13

 

CMYK 81 / 0 / 8 / 4

HEX #2FF4E0

RGB 47 244 224

HSL 173.91, 0.9%, 0.57%

LAB 87.33, -50.08, -3.57

 

CMYK 73 / 81 / 0 / 4

HEX #422FF4

RGB 66 47 244

HSL 245.79, 0.9%, 0.57%

LAB 37.34, 65.45, -93.22

 

CMYK 0 / 82 / 74 / 4

HEX #F42D3F

RGB 244 45 63

HSL 354.57, 0.9%, 0.57%

LAB 53.46, 72.61, 40.47

 

CMYK 32 / 0 / 81 / 4

HEX #A5F42F

RGB 165 244 47

HSL 84.06, 0.9%, 0.57%

LAB 88.4, -50.79, 78.55

 

CMYK 81 / 0 / 8 / 4

HEX #2FF4E0

RGB 47 244 224

HSL 173.91, 0.9%, 0.57%

LAB 87.33, -50.08, -3.57

 

CMYK 48 / 81 / 0 / 4

HEX #7E2FF4

RGB 126 47 244

HSL 264.06, 0.9%, 0.57%

LAB 42.76, 71.07, -84.08

 

Description

Color code: HEX #F42D3F | qconv.com Color code: HEX #F42D3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 45 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 45 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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