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Color name
HEX #F42BF2

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F42BF2 it is the complementary color #0BD40D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F42BF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F42BF2 shade: #F92BED, #FF3DFF, #FF4FFF, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F42BF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F42BF2 shade: #F42BF2, #E319DF, #D207CC, #C100B9 and #B000A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F42BF2 shade: #F42AF2, #F42ABB, #F42A85, #F42A4E and #F42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F42BF2 shade: #F42AF2, #BF2AF4, #892AF4, #522AF4 and #2A2AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F42BF2 shade matches the following richer shades: #F42AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F42BF2 shade: #F42AF2, #E23CE0, #CF4ECE, #BD60BC and #AB72AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F42BF2 shade: #882AF4, #BE2AF4, #F42AF4, #F42ABE and #F42A88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F42BF2 shade: #C10ABF, #E80CE6, #F42AF2, #F651F4 and #F878F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F42BF2 shade: #F42BF2, #F4522A and #2AF4A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F42BF2 shade: #F42BF2, #F4F42A and #2AF4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F42BF2 shade: #F42BF2, #F4522A, #2AF42A and #2ACBF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F42BF2 shade: #F42BF2, #F48F2A, #2AF42A and #2A8FF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

Complementary color

CMYK 95 / 0 / 94 / 17

HEX #0BD40D

RGB 11 212 13

HSL 120.6, 0.9%, 0.44%

LAB 74.31, -74.32, 71.12

 

CMYK 0 / 83 / 5 / 2

HEX #F92BED

RGB 249 43 237

HSL 303.5, 0.94%, 0.57%

LAB 59.87, 90.17, -51.6

 

CMYK 0 / 76 / 0 / 0

HEX #FF3DFF

RGB 255 61 255

HSL 300, 1%, 0.62%

LAB 63.19, 89.85, -56.26

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

CMYK 0 / 89 / 2 / 11

HEX #E319DF

RGB 227 25 223

HSL 301.19, 0.8%, 0.49%

LAB 54.4, 87.24, -52.65

 

CMYK 0 / 97 / 3 / 18

HEX #D207CC

RGB 210 7 204

HSL 301.77, 0.94%, 0.43%

LAB 49.75, 83.47, -49.37

 

CMYK 0 / 100 / 4 / 24

HEX #C100B9

RGB 193 0 185

HSL 302.49, 1%, 0.38%

LAB 45.41, 78.53, -45.42

 

CMYK 0 / 100 / 6 / 31

HEX #B000A6

RGB 176 0 166

HSL 303.41, 1%, 0.35%

LAB 41.19, 72.94, -41.07

 

CMYK 0 / 83 / 1 / 4

HEX #F42AF2

RGB 244 42 242

HSL 300.59, 0.9%, 0.56%

LAB 59.25, 90.18, -55.43

 

CMYK 0 / 83 / 23 / 4

HEX #F42ABB

RGB 244 42 187

HSL 316.93, 0.9%, 0.56%

LAB 56.56, 82.92, -28.42

 

CMYK 0 / 83 / 45 / 4

HEX #F42A85

RGB 244 42 133

HSL 332.97, 0.9%, 0.56%

LAB 54.64, 77.47, 0.45

 

CMYK 0 / 83 / 68 / 4

HEX #F42A4E

RGB 244 42 78

HSL 349.31, 0.9%, 0.56%

LAB 53.43, 73.91, 31.74

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 0 / 83 / 1 / 4

HEX #F42AF2

RGB 244 42 242

HSL 300.59, 0.9%, 0.56%

LAB 59.25, 90.18, -55.43

 

CMYK 22 / 83 / 0 / 4

HEX #BF2AF4

RGB 191 42 244

HSL 284.26, 0.9%, 0.56%

LAB 50.99, 81.64, -70.27

 

CMYK 44 / 83 / 0 / 4

HEX #892AF4

RGB 137 42 244

HSL 268.22, 0.9%, 0.56%

LAB 43.52, 74.06, -82.79

 

CMYK 66 / 83 / 0 / 4

HEX #522AF4

RGB 82 42 244

HSL 251.88, 0.9%, 0.56%

LAB 37.81, 68.58, -92.41

 

CMYK 83 / 83 / 0 / 4

HEX #2A2AF4

RGB 42 42 244

HSL 240, 0.9%, 0.56%

LAB 35.36, 66.34, -96.54

 

CMYK 0 / 83 / 1 / 4

HEX #F42AF2

RGB 244 42 242

HSL 300.59, 0.9%, 0.56%

LAB 59.25, 90.18, -55.43

 

CMYK 0 / 83 / 1 / 4

HEX #F42AF2

RGB 244 42 242

HSL 300.59, 0.9%, 0.56%

LAB 59.25, 90.18, -55.43

 

CMYK 0 / 73 / 1 / 11

HEX #E23CE0

RGB 226 60 224

HSL 300.72, 0.74%, 0.56%

LAB 56.86, 79.73, -49.31

 

CMYK 0 / 62 / 0 / 19

HEX #CF4ECE

RGB 207 78 206

HSL 300.47, 0.57%, 0.56%

LAB 55.25, 66.33, -41.83

 

CMYK 0 / 49 / 1 / 26

HEX #BD60BC

RGB 189 96 188

HSL 300.65, 0.41%, 0.56%

LAB 54.88, 50.27, -32.27

 

CMYK 0 / 33 / 0 / 33

HEX #AB72AB

RGB 171 114 171

HSL 300, 0.25%, 0.56%

LAB 55.72, 31.92, -21.36

 

CMYK 44 / 83 / 0 / 4

HEX #882AF4

RGB 136 42 244

HSL 267.92, 0.9%, 0.56%

LAB 43.39, 73.94, -83

 

CMYK 22 / 83 / 0 / 4

HEX #BE2AF4

RGB 190 42 244

HSL 283.96, 0.9%, 0.56%

LAB 50.84, 81.48, -70.52

 

CMYK 0 / 83 / 0 / 4

HEX #F42AF4

RGB 244 42 244

HSL 300, 0.9%, 0.56%

LAB 59.36, 90.47, -56.37

 

CMYK 0 / 83 / 22 / 4

HEX #F42ABE

RGB 244 42 190

HSL 316.04, 0.9%, 0.56%

LAB 56.69, 83.27, -29.96

 

CMYK 0 / 83 / 44 / 4

HEX #F42A88

RGB 244 42 136

HSL 332.08, 0.9%, 0.56%

LAB 54.73, 77.72, -1.21

 

CMYK 0 / 95 / 1 / 24

HEX #C10ABF

RGB 193 10 191

HSL 300.66, 0.9%, 0.4%

LAB 46.06, 78.51, -47.89

 

CMYK 0 / 95 / 1 / 9

HEX #E80CE6

RGB 232 12 230

HSL 300.55, 0.9%, 0.48%

LAB 55.21, 90.39, -55.27

 

CMYK 0 / 83 / 1 / 4

HEX #F42AF2

RGB 244 42 242

HSL 300.59, 0.9%, 0.56%

LAB 59.25, 90.18, -55.43

 

CMYK 0 / 67 / 1 / 4

HEX #F651F4

RGB 246 81 244

HSL 300.73, 0.9%, 0.64%

LAB 63.35, 80.3, -50.01

 

CMYK 0 / 52 / 0 / 3

HEX #F878F7

RGB 248 120 247

HSL 300.47, 0.9%, 0.72%

LAB 69.54, 65.41, -41.9

 

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

CMYK 0 / 66 / 83 / 4

HEX #F4522A

RGB 244 82 42

HSL 11.88, 0.9%, 0.56%

LAB 57.5, 60.21, 55.33

 

CMYK 83 / 0 / 33 / 4

HEX #2AF4A3

RGB 42 244 163

HSL 155.94, 0.9%, 0.56%

LAB 85.93, -64.9, 26.05

 

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

CMYK 0 / 0 / 83 / 4

HEX #F4F42A

RGB 244 244 42

HSL 60, 0.9%, 0.56%

LAB 93.49, -20.26, 86.11

 

CMYK 83 / 0 / 0 / 4

HEX #2AF4F4

RGB 42 244 244

HSL 180, 0.9%, 0.56%

LAB 87.84, -44.93, -13.29

 

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

CMYK 0 / 66 / 83 / 4

HEX #F4522A

RGB 244 82 42

HSL 11.88, 0.9%, 0.56%

LAB 57.5, 60.21, 55.33

 

CMYK 83 / 0 / 83 / 4

HEX #2AF42A

RGB 42 244 42

HSL 120, 0.9%, 0.56%

LAB 84.67, -79.95, 75.01

 

CMYK 83 / 17 / 0 / 4

HEX #2ACBF4

RGB 42 203 244

HSL 192.18, 0.9%, 0.56%

LAB 75.91, -25.75, -31.4

 

CMYK 0 / 82 / 1 / 4

HEX #F42BF2

RGB 244 43 242

HSL 300.6, 0.9%, 0.56%

LAB 59.32, 89.98, -55.33

 

CMYK 0 / 41 / 83 / 4

HEX #F48F2A

RGB 244 143 42

HSL 30, 0.9%, 0.56%

LAB 68.78, 31.47, 65.22

 

CMYK 83 / 0 / 83 / 4

HEX #2AF42A

RGB 42 244 42

HSL 120, 0.9%, 0.56%

LAB 84.67, -79.95, 75.01

 

CMYK 83 / 41 / 0 / 4

HEX #2A8FF4

RGB 42 143 244

HSL 210, 0.9%, 0.56%

LAB 58.67, 7.28, -58.48

 

Description

Color code: HEX #F42BF2 | qconv.com Color code: HEX #F42BF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 43 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 43 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 1% 4% C M Y K

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Provide designers and agencies with accurate color values.

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