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Color name
HEX #F42ACE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F42ACE it is the complementary color #0BD531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F42ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F42ACE shade: #F92AC9, #FF3CDC, #FF4EEF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F42ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F42ACE shade: #F42ACE, #E318BB, #D206A8, #C10095 and #B00082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F42ACE shade: #F42ACE, #F42A97, #F42A61 and #F42A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F42ACE shade: #F42ACE, #E32AF4, #AD2AF4, #762AF4 and #402AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F42ACE shade matches the following richer shades: #F42ACE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F42ACE shade: #F42ACE, #E23CC2, #CF4EB7, #BD60AC and #AB72A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F42ACE shade: #AD2AF4, #E32AF4, #F42ACF, #F42A99 and #F42A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F42ACE shade: #C10A9F, #E80CBF, #F42ACE, #F651D7 and #F878E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F42ACE shade: #F42ACE, #F4772A and #2AF4C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F42ACE shade: #F42ACE, #CFF42A and #2ACFF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F42ACE shade: #F42ACE, #F4772A, #2AF44F and #2AA6F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F42ACE shade: #F42ACE, #F4B42A, #2AF44F and #2A6AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

Complementary color

CMYK 95 / 0 / 77 / 16

HEX #0BD531

RGB 11 213 49

HSL 131.29, 0.9%, 0.44%

LAB 74.75, -73.01, 63.72

 

CMYK 0 / 83 / 19 / 2

HEX #F92AC9

RGB 249 42 201

HSL 313.91, 0.95%, 0.57%

LAB 58.05, 85.62, -34.1

 

CMYK 0 / 76 / 14 / 0

HEX #FF3CDC

RGB 255 60 220

HSL 310.77, 1%, 0.62%

LAB 61.36, 85.16, -39.64

 

CMYK 0 / 69 / 6 / 0

HEX #FF4EEF

RGB 255 78 239

HSL 305.42, 1%, 0.65%

LAB 64.11, 82.52, -45.94

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 89 / 18 / 11

HEX #E318BB

RGB 227 24 187

HSL 311.82, 0.81%, 0.49%

LAB 52.48, 82.55, -35.02

 

CMYK 0 / 97 / 20 / 18

HEX #D206A8

RGB 210 6 168

HSL 312.35, 0.94%, 0.42%

LAB 47.83, 78.81, -31.36

 

CMYK 0 / 100 / 23 / 24

HEX #C10095

RGB 193 0 149

HSL 313.68, 1%, 0.38%

LAB 43.52, 73.82, -26.94

 

CMYK 0 / 100 / 26 / 31

HEX #B00082

RGB 176 0 130

HSL 315.68, 1%, 0.35%

LAB 39.31, 68.27, -22.09

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 83 / 38 / 4

HEX #F42A97

RGB 244 42 151

HSL 327.62, 0.9%, 0.56%

LAB 55.2, 79.08, -9.43

 

CMYK 0 / 83 / 60 / 4

HEX #F42A61

RGB 244 42 97

HSL 343.66, 0.9%, 0.56%

LAB 53.76, 74.91, 20.84

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 7 / 83 / 0 / 4

HEX #E32AF4

RGB 227 42 244

HSL 294.95, 0.9%, 0.56%

LAB 56.6, 87.52, -60.94

 

CMYK 29 / 83 / 0 / 4

HEX #AD2AF4

RGB 173 42 244

HSL 278.91, 0.9%, 0.56%

LAB 48.35, 78.92, -74.69

 

CMYK 52 / 83 / 0 / 4

HEX #762AF4

RGB 118 42 244

HSL 262.57, 0.9%, 0.56%

LAB 41.28, 71.87, -86.56

 

CMYK 74 / 83 / 0 / 4

HEX #402AF4

RGB 64 42 244

HSL 246.53, 0.9%, 0.56%

LAB 36.51, 67.39, -94.59

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 73 / 14 / 11

HEX #E23CC2

RGB 226 60 194

HSL 311.57, 0.74%, 0.56%

LAB 55.38, 75.34, -34.55

 

CMYK 0 / 62 / 12 / 19

HEX #CF4EB7

RGB 207 78 183

HSL 311.16, 0.57%, 0.56%

LAB 54.17, 62.65, -30.3

 

CMYK 0 / 49 / 9 / 26

HEX #BD60AC

RGB 189 96 172

HSL 310.97, 0.41%, 0.56%

LAB 54.2, 47.47, -24.08

 

CMYK 0 / 33 / 6 / 33

HEX #AB72A0

RGB 171 114 160

HSL 311.58, 0.25%, 0.56%

LAB 55.31, 29.85, -15.61

 

CMYK 29 / 83 / 0 / 4

HEX #AD2AF4

RGB 173 42 244

HSL 278.91, 0.9%, 0.56%

LAB 48.35, 78.92, -74.69

 

CMYK 7 / 83 / 0 / 4

HEX #E32AF4

RGB 227 42 244

HSL 294.95, 0.9%, 0.56%

LAB 56.6, 87.52, -60.94

 

CMYK 0 / 83 / 15 / 4

HEX #F42ACF

RGB 244 42 207

HSL 310.99, 0.9%, 0.56%

LAB 57.46, 85.38, -38.52

 

CMYK 0 / 83 / 37 / 4

HEX #F42A99

RGB 244 42 153

HSL 327.03, 0.9%, 0.56%

LAB 55.27, 79.27, -10.51

 

CMYK 0 / 83 / 59 / 4

HEX #F42A63

RGB 244 42 99

HSL 343.07, 0.9%, 0.56%

LAB 53.8, 75.03, 19.69

 

CMYK 0 / 95 / 18 / 24

HEX #C10A9F

RGB 193 10 159

HSL 311.15, 0.9%, 0.4%

LAB 44.32, 74.13, -31.72

 

CMYK 0 / 95 / 18 / 9

HEX #E80CBF

RGB 232 12 191

HSL 311.18, 0.9%, 0.48%

LAB 53.15, 85.24, -36.23

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 67 / 13 / 4

HEX #F651D7

RGB 246 81 215

HSL 311.27, 0.9%, 0.64%

LAB 61.98, 75.96, -35.95

 

CMYK 0 / 52 / 10 / 3

HEX #F878E0

RGB 248 120 224

HSL 311.25, 0.9%, 0.72%

LAB 68.59, 61.65, -30.72

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 51 / 83 / 4

HEX #F4772A

RGB 244 119 42

HSL 22.87, 0.9%, 0.56%

LAB 63.83, 43.64, 60.92

 

CMYK 83 / 0 / 18 / 4

HEX #2AF4C8

RGB 42 244 200

HSL 166.93, 0.9%, 0.56%

LAB 86.68, -56.6, 8.01

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 15 / 0 / 83 / 4

HEX #CFF42A

RGB 207 244 42

HSL 70.99, 0.9%, 0.56%

LAB 90.84, -35.21, 82.81

 

CMYK 83 / 15 / 0 / 4

HEX #2ACFF4

RGB 42 207 244

HSL 190.99, 0.9%, 0.56%

LAB 77.07, -27.74, -29.61

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 51 / 83 / 4

HEX #F4772A

RGB 244 119 42

HSL 22.87, 0.9%, 0.56%

LAB 63.83, 43.64, 60.92

 

CMYK 83 / 0 / 68 / 4

HEX #2AF44F

RGB 42 244 79

HSL 130.99, 0.9%, 0.56%

LAB 84.87, -77.38, 63.63

 

CMYK 83 / 32 / 0 / 4

HEX #2AA6F4

RGB 42 166 244

HSL 203.17, 0.9%, 0.56%

LAB 65.2, -6.11, -48.1

 

CMYK 0 / 83 / 16 / 4

HEX #F42ACE

RGB 244 42 206

HSL 311.29, 0.9%, 0.56%

LAB 57.41, 85.25, -38.02

 

CMYK 0 / 26 / 83 / 4

HEX #F4B42A

RGB 244 180 42

HSL 40.99, 0.9%, 0.56%

LAB 77.31, 12.05, 72.52

 

CMYK 83 / 0 / 68 / 4

HEX #2AF44F

RGB 42 244 79

HSL 130.99, 0.9%, 0.56%

LAB 84.87, -77.38, 63.63

 

CMYK 83 / 57 / 0 / 4

HEX #2A6AF4

RGB 42 106 244

HSL 220.99, 0.9%, 0.56%

LAB 48.68, 30.24, -74.61

 

Description

Color code: HEX #F42ACE | qconv.com Color code: HEX #F42ACE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 42 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 42 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 16% 4% C M Y K

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Provide designers and agencies with accurate color values.

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