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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F41502 it is the complementary color #0BEAFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F41502. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F41502 shade: #F91500, #FF2710, #FF3923, #FF4B36 and #FF5D49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F41502. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F41502 shade: #F41502, #E30300, #D20000, #C10000 and #B00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F41502 shade: #F21502 and #F20202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F41502 shade: #F21502, #F25602, #F29702, #F2D702 and #CDF202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F41502 shade matches the following richer shades: #F21502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F41502 shade: #F21502, #DF2616, #CB372A, #B7473E and #A35852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F41502 shade: #F20272, #F20232, #F21202, #F25202 and #F29202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F41502 shade: #A10E02, #CA1202, #F21502, #FD3321 and #FD584A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F41502 shade: #F41502, #B2F202 and #0252F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F41502 shade: #F41502, #02F212 and #1202F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F41502 shade: #F41502, #B2F202, #02E2F2 and #4202F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F41502 shade: #F41502, #6AF202, #02E2F2 and #8A02F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

Complementary color

CMYK 96 / 8 / 0 / 1

HEX #0BEAFD

RGB 11 234 253

HSL 184.71, 0.98%, 0.52%

LAB 85, -39.15, -22.3

 

CMYK 0 / 92 / 100 / 2

HEX #F91500

RGB 249 21 0

HSL 5.06, 1%, 0.49%

LAB 52.59, 76.95, 66.23

 

CMYK 0 / 85 / 94 / 0

HEX #FF2710

RGB 255 39 16

HSL 5.77, 1%, 0.53%

LAB 54.81, 75.79, 64.03

 

CMYK 0 / 78 / 86 / 0

HEX #FF3923

RGB 255 57 35

HSL 6, 1%, 0.57%

LAB 56.39, 71.81, 58.25

 

CMYK 0 / 71 / 79 / 0

HEX #FF4B36

RGB 255 75 54

HSL 6.27, 1%, 0.61%

LAB 58.56, 66.63, 51.3

 

CMYK 0 / 64 / 71 / 0

HEX #FF5D49

RGB 255 93 73

HSL 6.59, 1%, 0.64%

LAB 61.28, 60.47, 44.33

 

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

CMYK 0 / 99 / 100 / 11

HEX #E30300

RGB 227 3 0

HSL 0.79, 1%, 0.45%

LAB 47.49, 73.12, 61.59

 

CMYK 0 / 100 / 100 / 18

HEX #D20000

RGB 210 0 0

HSL 0, 1%, 0.41%

LAB 43.8, 69.2, 58.06

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 91 / 99 / 5

HEX #F21502

RGB 242 21 2

HSL 4.75, 0.98%, 0.48%

LAB 51.17, 75.21, 64.3

 

CMYK 0 / 99 / 99 / 5

HEX #F20202

RGB 242 2 2

HSL 0, 0.98%, 0.48%

LAB 50.6, 76.86, 64.08

 

CMYK 0 / 91 / 99 / 5

HEX #F21502

RGB 242 21 2

HSL 4.75, 0.98%, 0.48%

LAB 51.17, 75.21, 64.3

 

CMYK 0 / 64 / 99 / 5

HEX #F25602

RGB 242 86 2

HSL 21, 0.98%, 0.48%

LAB 57.6, 57.34, 67.29

 

CMYK 0 / 38 / 99 / 5

HEX #F29702

RGB 242 151 2

HSL 37.25, 0.98%, 0.48%

LAB 70.19, 25.84, 74.84

 

CMYK 0 / 11 / 99 / 5

HEX #F2D702

RGB 242 215 2

HSL 53.25, 0.98%, 0.48%

LAB 85.75, -7.44, 85.58

 

CMYK 15 / 0 / 99 / 5

HEX #CDF202

RGB 205 242 2

HSL 69.25, 0.98%, 0.48%

LAB 90.09, -35.77, 87.5

 

CMYK 0 / 91 / 99 / 5

HEX #F21502

RGB 242 21 2

HSL 4.75, 0.98%, 0.48%

LAB 51.17, 75.21, 64.3

 

CMYK 0 / 91 / 99 / 5

HEX #F21502

RGB 242 21 2

HSL 4.75, 0.98%, 0.48%

LAB 51.17, 75.21, 64.3

 

CMYK 0 / 83 / 90 / 13

HEX #DF2616

RGB 223 38 22

HSL 4.78, 0.82%, 0.48%

LAB 48.43, 67.47, 54.86

 

CMYK 0 / 73 / 79 / 20

HEX #CB372A

RGB 203 55 42

HSL 4.84, 0.66%, 0.48%

LAB 46.44, 57.15, 42.25

 

CMYK 0 / 61 / 66 / 28

HEX #B7473E

RGB 183 71 62

HSL 4.46, 0.49%, 0.48%

LAB 45.53, 44.79, 28.96

 

CMYK 0 / 46 / 50 / 36

HEX #A35852

RGB 163 88 82

HSL 4.44, 0.33%, 0.48%

LAB 46.14, 30.11, 17.24

 

CMYK 0 / 99 / 53 / 5

HEX #F20272

RGB 242 2 114

HSL 332, 0.98%, 0.48%

LAB 51.99, 80.62, 8.04

 

CMYK 0 / 99 / 79 / 5

HEX #F20232

RGB 242 2 50

HSL 348, 0.98%, 0.48%

LAB 50.86, 77.59, 44.86

 

CMYK 0 / 93 / 99 / 5

HEX #F21202

RGB 242 18 2

HSL 4, 0.98%, 0.48%

LAB 51.05, 75.55, 64.25

 

CMYK 0 / 66 / 99 / 5

HEX #F25202

RGB 242 82 2

HSL 20, 0.98%, 0.48%

LAB 56.99, 58.96, 66.98

 

CMYK 0 / 40 / 99 / 5

HEX #F29202

RGB 242 146 2

HSL 36, 0.98%, 0.48%

LAB 69.07, 28.45, 74.12

 

CMYK 0 / 91 / 99 / 37

HEX #A10E02

RGB 161 14 2

HSL 4.53, 0.98%, 0.32%

LAB 33.76, 54.89, 46.8

 

CMYK 0 / 91 / 99 / 21

HEX #CA1202

RGB 202 18 2

HSL 4.8, 0.98%, 0.4%

LAB 42.75, 65.33, 55.95

 

CMYK 0 / 91 / 99 / 5

HEX #F21502

RGB 242 21 2

HSL 4.75, 0.98%, 0.48%

LAB 51.17, 75.21, 64.3

 

CMYK 0 / 80 / 87 / 1

HEX #FD3321

RGB 253 51 33

HSL 4.91, 0.98%, 0.56%

LAB 55.44, 72.8, 58.19

 

CMYK 0 / 65 / 71 / 1

HEX #FD584A

RGB 253 88 74

HSL 4.69, 0.98%, 0.64%

LAB 60.21, 61.88, 42.48

 

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

CMYK 26 / 0 / 99 / 5

HEX #B2F202

RGB 178 242 2

HSL 76, 0.98%, 0.48%

LAB 88.44, -46.19, 85.52

 

CMYK 99 / 66 / 0 / 5

HEX #0252F2

RGB 2 82 242

HSL 220, 0.98%, 0.48%

LAB 41.94, 42.99, -84.56

 

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

CMYK 99 / 0 / 93 / 5

HEX #02F212

RGB 2 242 18

HSL 124, 0.98%, 0.48%

LAB 83.74, -82.48, 78.36

 

CMYK 93 / 99 / 0 / 5

HEX #1202F2

RGB 18 2 242

HSL 244, 0.98%, 0.48%

LAB 30.84, 75.9, -102.98

 

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

CMYK 26 / 0 / 99 / 5

HEX #B2F202

RGB 178 242 2

HSL 76, 0.98%, 0.48%

LAB 88.44, -46.19, 85.52

 

CMYK 99 / 7 / 0 / 5

HEX #02E2F2

RGB 2 226 242

HSL 184, 0.98%, 0.48%

LAB 82.28, -39.05, -20.63

 

CMYK 73 / 99 / 0 / 5

HEX #4202F2

RGB 66 2 242

HSL 256, 0.98%, 0.48%

LAB 33.16, 76.79, -99.04

 

CMYK 0 / 91 / 99 / 4

HEX #F41502

RGB 244 21 2

HSL 4.71, 0.98%, 0.48%

LAB 51.58, 75.71, 64.71

 

CMYK 56 / 0 / 99 / 5

HEX #6AF202

RGB 106 242 2

HSL 94, 0.98%, 0.48%

LAB 85.29, -69.19, 81.71

 

CMYK 99 / 7 / 0 / 5

HEX #02E2F2

RGB 2 226 242

HSL 184, 0.98%, 0.48%

LAB 82.28, -39.05, -20.63

 

CMYK 43 / 99 / 0 / 5

HEX #8A02F2

RGB 138 2 242

HSL 274, 0.98%, 0.48%

LAB 40.99, 81.12, -85.82

 

Description

Color code: HEX #F41502 | qconv.com Color code: HEX #F41502 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 21 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 21 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 99 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 99% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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