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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F402DF it is the complementary color #0BFD20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F402DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F402DF shade: #F902DA, #FF14ED, #FF26FF, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F402DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F402DF shade: #F402DF, #E300CC, #D200B9, #C100A6 and #B00093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F402DF shade: #F202DE, #F2029D, #F2025C, #F2021B and #F20202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F402DF shade: #F202DE, #C602F2, #8602F2, #4502F2 and #0402F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F402DF shade matches the following richer shades: #F202DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F402DF shade: #F202DE, #DF16CD, #CB2ABD, #B73EAC and #A3529C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F402DF shade: #8602F2, #C602F2, #F202DE, #F2029E and #F2025E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F402DF shade: #A10293, #CA02B8, #F202DE, #FD21EA and #FD4AEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F402DF shade: #F402DF, #F24602 and #02F2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F402DF shade: #F402DF, #DEF202 and #02DEF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F402DF shade: #F402DF, #F24602, #02F216 and #02AEF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F402DF shade: #F402DF, #F28E02, #02F216 and #0266F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

Complementary color

CMYK 96 / 0 / 87 / 1

HEX #0BFD20

RGB 11 253 32

HSL 125.21, 0.98%, 0.52%

LAB 87.21, -84.69, 79.24

 

CMYK 0 / 99 / 12 / 2

HEX #F902DA

RGB 249 2 218

HSL 307.53, 0.98%, 0.49%

LAB 57.31, 92.26, -44.95

 

CMYK 0 / 92 / 7 / 0

HEX #FF14ED

RGB 255 20 237

HSL 304.6, 1%, 0.54%

LAB 59.78, 94.48, -51.69

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FF

RGB 255 38 255

HSL 300, 1%, 0.57%

LAB 61.54, 94.66, -58.89

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

CMYK 0 / 100 / 10 / 11

HEX #E300CC

RGB 227 0 204

HSL 306.08, 1%, 0.45%

LAB 52.61, 86.85, -44.65

 

CMYK 0 / 100 / 12 / 18

HEX #D200B9

RGB 210 0 185

HSL 307.14, 1%, 0.41%

LAB 48.52, 81.43, -40.3

 

CMYK 0 / 100 / 14 / 24

HEX #C100A6

RGB 193 0 166

HSL 308.39, 1%, 0.38%

LAB 44.36, 75.94, -35.84

 

CMYK 0 / 100 / 16 / 31

HEX #B00093

RGB 176 0 147

HSL 309.89, 1%, 0.35%

LAB 40.14, 70.36, -31.25

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 0 / 99 / 35 / 5

HEX #F2029D

RGB 242 2 157

HSL 321.25, 0.98%, 0.48%

LAB 53.34, 84.16, -15.83

 

CMYK 0 / 99 / 62 / 5

HEX #F2025C

RGB 242 2 92

HSL 337.5, 0.98%, 0.48%

LAB 51.49, 79.28, 20.76

 

CMYK 0 / 99 / 89 / 5

HEX #F2021B

RGB 242 2 27

HSL 353.75, 0.98%, 0.48%

LAB 50.69, 77.1, 56.21

 

CMYK 0 / 99 / 99 / 5

HEX #F20202

RGB 242 2 2

HSL 0, 0.98%, 0.48%

LAB 50.6, 76.86, 64.08

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 18 / 99 / 0 / 5

HEX #C602F2

RGB 198 2 242

HSL 289, 0.98%, 0.48%

LAB 50.05, 87.92, -70.63

 

CMYK 45 / 99 / 0 / 5

HEX #8602F2

RGB 134 2 242

HSL 273, 0.98%, 0.48%

LAB 40.45, 80.77, -86.73

 

CMYK 71 / 99 / 0 / 5

HEX #4502F2

RGB 69 2 242

HSL 256.75, 0.98%, 0.48%

LAB 33.39, 76.89, -98.65

 

CMYK 98 / 99 / 0 / 5

HEX #0402F2

RGB 4 2 242

HSL 240.5, 0.98%, 0.48%

LAB 30.59, 75.81, -103.39

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 0 / 90 / 8 / 13

HEX #DF16CD

RGB 223 22 205

HSL 305.37, 0.82%, 0.48%

LAB 52.59, 84.41, -45.3

 

CMYK 0 / 79 / 7 / 20

HEX #CB2ABD

RGB 203 42 189

HSL 305.22, 0.66%, 0.48%

LAB 49.53, 74.71, -41.11

 

CMYK 0 / 66 / 6 / 28

HEX #B73EAC

RGB 183 62 172

HSL 305.45, 0.49%, 0.48%

LAB 47.61, 61.24, -34.39

 

CMYK 0 / 50 / 4 / 36

HEX #A3529C

RGB 163 82 156

HSL 305.19, 0.33%, 0.48%

LAB 47.26, 43.88, -25.69

 

CMYK 45 / 99 / 0 / 5

HEX #8602F2

RGB 134 2 242

HSL 273, 0.98%, 0.48%

LAB 40.45, 80.77, -86.73

 

CMYK 18 / 99 / 0 / 5

HEX #C602F2

RGB 198 2 242

HSL 289, 0.98%, 0.48%

LAB 50.05, 87.92, -70.63

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 0 / 99 / 35 / 5

HEX #F2029E

RGB 242 2 158

HSL 321, 0.98%, 0.48%

LAB 53.37, 84.25, -16.37

 

CMYK 0 / 99 / 61 / 5

HEX #F2025E

RGB 242 2 94

HSL 337, 0.98%, 0.48%

LAB 51.53, 79.39, 19.59

 

CMYK 0 / 99 / 9 / 37

HEX #A10293

RGB 161 2 147

HSL 305.28, 0.98%, 0.32%

LAB 37.35, 67.38, -35.85

 

CMYK 0 / 99 / 9 / 21

HEX #CA02B8

RGB 202 2 184

HSL 305.4, 0.98%, 0.4%

LAB 47.05, 79.75, -42.12

 

CMYK 0 / 99 / 8 / 5

HEX #F202DE

RGB 242 2 222

HSL 305, 0.98%, 0.48%

LAB 56.28, 91.59, -48.93

 

CMYK 0 / 87 / 8 / 1

HEX #FD21EA

RGB 253 33 234

HSL 305.18, 0.98%, 0.56%

LAB 59.81, 92.17, -49.98

 

CMYK 0 / 71 / 6 / 1

HEX #FD4AEE

RGB 253 74 238

HSL 305.03, 0.98%, 0.64%

LAB 63.3, 83.22, -46.68

 

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

CMYK 0 / 71 / 99 / 5

HEX #F24602

RGB 242 70 2

HSL 17, 0.98%, 0.48%

LAB 55.34, 63.47, 66.15

 

CMYK 99 / 0 / 31 / 5

HEX #02F2A6

RGB 2 242 166

HSL 161, 0.98%, 0.48%

LAB 85.13, -65.46, 23.4

 

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

CMYK 8 / 0 / 99 / 5

HEX #DEF202

RGB 222 242 2

HSL 65, 0.98%, 0.48%

LAB 91.25, -28.92, 88.89

 

CMYK 99 / 8 / 0 / 5

HEX #02DEF2

RGB 2 222 242

HSL 185, 0.98%, 0.48%

LAB 81.11, -37.21, -22.4

 

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

CMYK 0 / 71 / 99 / 5

HEX #F24602

RGB 242 70 2

HSL 17, 0.98%, 0.48%

LAB 55.34, 63.47, 66.15

 

CMYK 99 / 0 / 91 / 5

HEX #02F216

RGB 2 242 22

HSL 125, 0.98%, 0.48%

LAB 83.74, -82.38, 77.85

 

CMYK 99 / 28 / 0 / 5

HEX #02AEF2

RGB 2 174 242

HSL 197, 0.98%, 0.48%

LAB 67.05, -13.1, -44.12

 

CMYK 0 / 99 / 9 / 4

HEX #F402DF

RGB 244 2 223

HSL 305.21, 0.98%, 0.48%

LAB 56.69, 92.06, -48.83

 

CMYK 0 / 41 / 99 / 5

HEX #F28E02

RGB 242 142 2

HSL 35, 0.98%, 0.48%

LAB 68.19, 30.54, 73.55

 

CMYK 99 / 0 / 91 / 5

HEX #02F216

RGB 2 242 22

HSL 125, 0.98%, 0.48%

LAB 83.74, -82.38, 77.85

 

CMYK 99 / 58 / 0 / 5

HEX #0266F2

RGB 2 102 242

HSL 215, 0.98%, 0.48%

LAB 46.88, 30.3, -76.45

 

Description

Color code: HEX #F402DF | qconv.com Color code: HEX #F402DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 2 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 2 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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