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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3E12B it is the complementary color #0C1ED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3E12B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3E12B shade: #F8E126, #FFF339, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3E12B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3E12B shade: #F3E12B, #E2CF18, #D1BD05, #C0AB00 and #AF9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3E12B shade: #F3E12B, #F3AB2B, #F3752B, #F33F2B and #F32B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3E12B shade: #F3E12B, #CFF32B, #99F32B, #63F32B and #2DF32B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3E12B shade matches the following richer shades: #F3E12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3E12B shade: #F3E12B, #E1D23D, #CEC34F, #BCB461 and #AAA574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3E12B shade: #F3742B, #F3A92B, #F3DF2B, #D1F32B and #9CF32B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3E12B shade: #C0B00B, #E7D30D, #F3E12B, #F5E652 and #F7EC79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3E12B shade: #F3E12B, #2BF33F and #8F2BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3E12B shade: #F3E12B, #2BF3DF and #DF2BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3E12B shade: #F3E12B, #2BF33F, #2B3FF3 and #F32BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3E12B shade: #F3E12B, #2BF37B, #2B3FF3 and #F32BA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

Complementary color

CMYK 94 / 86 / 0 / 17

HEX #0C1ED4

RGB 12 30 212

HSL 234.6, 0.89%, 0.44%

LAB 28.8, 61.17, -89.19

 

CMYK 0 / 9 / 85 / 3

HEX #F8E126

RGB 248 225 38

HSL 53.43, 0.94%, 0.56%

LAB 88.9, -9.41, 83.32

 

CMYK 0 / 5 / 78 / 0

HEX #FFF339

RGB 255 243 57

HSL 56.36, 1%, 0.61%

LAB 94.17, -14.82, 83.31

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 0 / 8 / 89 / 11

HEX #E2CF18

RGB 226 207 24

HSL 54.36, 0.81%, 0.49%

LAB 82.3, -10.01, 79.94

 

CMYK 0 / 10 / 98 / 18

HEX #D1BD05

RGB 209 189 5

HSL 54.12, 0.95%, 0.42%

LAB 76.05, -8.44, 76.93

 

CMYK 0 / 11 / 100 / 25

HEX #C0AB00

RGB 192 171 0

HSL 53.44, 1%, 0.38%

LAB 69.71, -6.65, 72.21

 

CMYK 0 / 13 / 100 / 31

HEX #AF9900

RGB 175 153 0

HSL 52.46, 1%, 0.34%

LAB 63.26, -4.75, 66.87

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 0 / 30 / 82 / 5

HEX #F3AB2B

RGB 243 171 43

HSL 38.4, 0.89%, 0.56%

LAB 75.05, 16.39, 70.25

 

CMYK 0 / 52 / 82 / 5

HEX #F3752B

RGB 243 117 43

HSL 22.2, 0.89%, 0.56%

LAB 63.3, 44.26, 60.01

 

CMYK 0 / 74 / 82 / 5

HEX #F33F2B

RGB 243 63 43

HSL 6, 0.89%, 0.56%

LAB 54.85, 66.72, 52.4

 

CMYK 0 / 82 / 82 / 5

HEX #F32B2B

RGB 243 43 43

HSL 0, 0.89%, 0.56%

LAB 52.9, 72.19, 50.62

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 15 / 0 / 82 / 5

HEX #CFF32B

RGB 207 243 43

HSL 70.8, 0.89%, 0.56%

LAB 90.57, -34.72, 82.36

 

CMYK 37 / 0 / 82 / 5

HEX #99F32B

RGB 153 243 43

HSL 87, 0.89%, 0.56%

LAB 87.51, -54.67, 78.5

 

CMYK 59 / 0 / 82 / 5

HEX #63F32B

RGB 99 243 43

HSL 103.2, 0.89%, 0.56%

LAB 85.47, -70.21, 75.91

 

CMYK 81 / 0 / 82 / 5

HEX #2DF32B

RGB 45 243 43

HSL 119.4, 0.89%, 0.56%

LAB 84.4, -79.32, 74.54

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 0 / 7 / 73 / 12

HEX #E1D23D

RGB 225 210 61

HSL 54.51, 0.73%, 0.56%

LAB 83.15, -10.85, 71.04

 

CMYK 0 / 5 / 62 / 19

HEX #CEC34F

RGB 206 195 79

HSL 54.8, 0.56%, 0.56%

LAB 77.71, -10.27, 57.98

 

CMYK 0 / 4 / 48 / 26

HEX #BCB461

RGB 188 180 97

HSL 54.73, 0.4%, 0.56%

LAB 72.36, -8.63, 43.04

 

CMYK 0 / 3 / 32 / 33

HEX #AAA574

RGB 170 165 116

HSL 54.44, 0.24%, 0.56%

LAB 67.06, -5.96, 26.1

 

CMYK 0 / 52 / 82 / 5

HEX #F3742B

RGB 243 116 43

HSL 21.9, 0.89%, 0.56%

LAB 63.11, 44.75, 59.84

 

CMYK 0 / 30 / 82 / 5

HEX #F3A92B

RGB 243 169 43

HSL 37.8, 0.89%, 0.56%

LAB 74.58, 17.44, 69.84

 

CMYK 0 / 8 / 82 / 5

HEX #F3DF2B

RGB 243 223 43

HSL 54, 0.89%, 0.56%

LAB 87.97, -10.39, 81.23

 

CMYK 14 / 0 / 82 / 5

HEX #D1F32B

RGB 209 243 43

HSL 70.2, 0.89%, 0.56%

LAB 90.7, -33.93, 82.52

 

CMYK 36 / 0 / 82 / 5

HEX #9CF32B

RGB 156 243 43

HSL 86.1, 0.89%, 0.56%

LAB 87.65, -53.65, 78.68

 

CMYK 0 / 8 / 94 / 25

HEX #C0B00B

RGB 192 176 11

HSL 54.7, 0.89%, 0.4%

LAB 71.06, -9.13, 71.9

 

CMYK 0 / 9 / 94 / 9

HEX #E7D30D

RGB 231 211 13

HSL 54.5, 0.89%, 0.48%

LAB 83.76, -10.03, 82.71

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 0 / 6 / 67 / 4

HEX #F5E652

RGB 245 230 82

HSL 54.48, 0.89%, 0.64%

LAB 90.14, -11.48, 70.83

 

CMYK 0 / 4 / 51 / 3

HEX #F7EC79

RGB 247 236 121

HSL 54.76, 0.89%, 0.72%

LAB 92.2, -10.98, 56.45

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 82 / 0 / 74 / 5

HEX #2BF33F

RGB 43 243 63

HSL 126, 0.89%, 0.56%

LAB 84.47, -78.32, 68.9

 

CMYK 41 / 82 / 0 / 5

HEX #8F2BF3

RGB 143 43 243

HSL 270, 0.89%, 0.56%

LAB 44.29, 74.29, -80.94

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 82 / 0 / 8 / 5

HEX #2BF3DF

RGB 43 243 223

HSL 174, 0.89%, 0.56%

LAB 86.97, -50.23, -3.59

 

CMYK 8 / 82 / 0 / 5

HEX #DF2BF3

RGB 223 43 243

HSL 294, 0.89%, 0.56%

LAB 55.97, 86.48, -61.43

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 82 / 0 / 74 / 5

HEX #2BF33F

RGB 43 243 63

HSL 126, 0.89%, 0.56%

LAB 84.47, -78.32, 68.9

 

CMYK 82 / 74 / 0 / 5

HEX #2B3FF3

RGB 43 63 243

HSL 234, 0.89%, 0.56%

LAB 38.79, 55.92, -90.28

 

CMYK 0 / 82 / 8 / 5

HEX #F32BDF

RGB 243 43 223

HSL 306, 0.89%, 0.56%

LAB 58.14, 87.11, -46.54

 

CMYK 0 / 7 / 82 / 5

HEX #F3E12B

RGB 243 225 43

HSL 54.6, 0.89%, 0.56%

LAB 88.49, -11.39, 81.66

 

CMYK 82 / 0 / 49 / 5

HEX #2BF37B

RGB 43 243 123

HSL 144, 0.89%, 0.56%

LAB 85.02, -71.59, 44.67

 

CMYK 82 / 74 / 0 / 5

HEX #2B3FF3

RGB 43 63 243

HSL 234, 0.89%, 0.56%

LAB 38.79, 55.92, -90.28

 

CMYK 0 / 82 / 33 / 5

HEX #F32BA3

RGB 243 43 163

HSL 324, 0.89%, 0.56%

LAB 55.51, 79.84, -16.06

 

Description

Color code: HEX #F3E12B | qconv.com Color code: HEX #F3E12B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 225 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 225 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 82% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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