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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DF5E it is the complementary color #0C20A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DF5E shade: #F8DF59, #FFF16C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DF5E shade: #F3DF5E, #E2CD4B, #D1BB38, #C0A925 and #AF9712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DF5E shade: #F3DF5E, #F3B75E, #F38E5E, #F3665E and #F35E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DF5E shade: #F3DF5E, #DFF35E, #B6F35E, #8EF35E and #66F35E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DF5E shade matches the following richer shades: #F3DF5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DF5E shade: #F3DF5E, #E5D56C, #D7CA7A, #C9C088 and #BBB696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DF5E shade: #F38D5E, #F3B55E, #F3DC5E, #E1F35E and #BAF35E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DF5E shade: #ECCF12, #F0D737, #F3DF5E, #F6E784 and #F9EEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DF5E shade: #F3DF5E, #5EF365 and #A15EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DF5E shade: #F3DF5E, #5EF3DC and #DC5EF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DF5E shade: #F3DF5E, #5EF365, #5E74F3 and #F35EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DF5E shade: #F3DF5E, #5EF392, #5E74F3 and #F35EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

Complementary color

CMYK 93 / 80 / 0 / 37

HEX #0C20A1

RGB 12 32 161

HSL 231.95, 0.86%, 0.34%

LAB 22.6, 44.21, -69.21

 

CMYK 0 / 10 / 64 / 3

HEX #F8DF59

RGB 248 223 89

HSL 50.57, 0.92%, 0.66%

LAB 88.66, -6.36, 66.57

 

CMYK 0 / 5 / 58 / 0

HEX #FFF16C

RGB 255 241 108

HSL 54.29, 1%, 0.71%

LAB 93.99, -11.24, 64.51

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 0 / 9 / 67 / 11

HEX #E2CD4B

RGB 226 205 75

HSL 51.66, 0.72%, 0.59%

LAB 82.02, -7.21, 64.73

 

CMYK 0 / 11 / 73 / 18

HEX #D1BB38

RGB 209 187 56

HSL 51.37, 0.62%, 0.52%

LAB 75.69, -6.15, 65.18

 

CMYK 0 / 12 / 81 / 25

HEX #C0A925

RGB 192 169 37

HSL 51.1, 0.68%, 0.45%

LAB 69.27, -4.9, 65.01

 

CMYK 0 / 14 / 90 / 31

HEX #AF9712

RGB 175 151 18

HSL 50.83, 0.81%, 0.38%

LAB 62.75, -3.4, 63.73

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 0 / 25 / 61 / 5

HEX #F3B75E

RGB 243 183 94

HSL 35.84, 0.86%, 0.66%

LAB 78.3, 12.47, 52.8

 

CMYK 0 / 42 / 61 / 5

HEX #F38E5E

RGB 243 142 94

HSL 19.33, 0.86%, 0.66%

LAB 68.9, 34.02, 41.75

 

CMYK 0 / 58 / 61 / 5

HEX #F3665E

RGB 243 102 94

HSL 3.22, 0.86%, 0.66%

LAB 61.1, 53.67, 32.1

 

CMYK 0 / 61 / 61 / 5

HEX #F35E5E

RGB 243 94 94

HSL 0, 0.86%, 0.66%

LAB 59.77, 57.2, 30.41

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 8 / 0 / 61 / 5

HEX #DFF35E

RGB 223 243 94

HSL 68.05, 0.86%, 0.66%

LAB 91.95, -25.92, 67.45

 

CMYK 25 / 0 / 61 / 5

HEX #B6F35E

RGB 182 243 94

HSL 84.56, 0.86%, 0.66%

LAB 89.32, -41.51, 63.84

 

CMYK 42 / 0 / 61 / 5

HEX #8EF35E

RGB 142 243 94

HSL 100.67, 0.86%, 0.66%

LAB 87.32, -54.99, 61.05

 

CMYK 58 / 0 / 61 / 5

HEX #66F35E

RGB 102 243 94

HSL 116.78, 0.86%, 0.66%

LAB 85.87, -65.82, 59.04

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 0 / 7 / 53 / 10

HEX #E5D56C

RGB 229 213 108

HSL 52.07, 0.7%, 0.66%

LAB 84.65, -7.78, 53.24

 

CMYK 0 / 6 / 43 / 16

HEX #D7CA7A

RGB 215 202 122

HSL 51.61, 0.54%, 0.66%

LAB 80.79, -6.55, 41.46

 

CMYK 0 / 4 / 32 / 21

HEX #C9C088

RGB 201 192 136

HSL 51.69, 0.38%, 0.66%

LAB 77.22, -5.35, 29.41

 

CMYK 0 / 3 / 20 / 27

HEX #BBB696

RGB 187 182 150

HSL 51.89, 0.21%, 0.66%

LAB 73.69, -3.57, 16.95

 

CMYK 0 / 42 / 61 / 5

HEX #F38D5E

RGB 243 141 94

HSL 18.93, 0.86%, 0.66%

LAB 68.69, 34.54, 41.49

 

CMYK 0 / 26 / 61 / 5

HEX #F3B55E

RGB 243 181 94

HSL 35.03, 0.86%, 0.66%

LAB 77.82, 13.53, 52.25

 

CMYK 0 / 9 / 61 / 5

HEX #F3DC5E

RGB 243 220 94

HSL 50.74, 0.86%, 0.66%

LAB 87.51, -6.6, 63.09

 

CMYK 7 / 0 / 61 / 5

HEX #E1F35E

RGB 225 243 94

HSL 67.25, 0.86%, 0.66%

LAB 92.09, -25.13, 67.65

 

CMYK 23 / 0 / 61 / 5

HEX #BAF35E

RGB 186 243 94

HSL 82.95, 0.86%, 0.66%

LAB 89.56, -40.05, 64.15

 

CMYK 0 / 12 / 92 / 7

HEX #ECCF12

RGB 236 207 18

HSL 52.02, 0.86%, 0.5%

LAB 83.18, -5.82, 81.89

 

CMYK 0 / 10 / 77 / 6

HEX #F0D737

RGB 240 215 55

HSL 51.89, 0.86%, 0.58%

LAB 85.71, -7.28, 75.84

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 0 / 6 / 46 / 4

HEX #F6E784

RGB 246 231 132

HSL 52.11, 0.86%, 0.74%

LAB 90.97, -7.93, 49.76

 

CMYK 0 / 4 / 32 / 2

HEX #F9EEAA

RGB 249 238 170

HSL 51.65, 0.87%, 0.82%

LAB 93.53, -6.23, 34.32

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 61 / 0 / 58 / 5

HEX #5EF365

RGB 94 243 101

HSL 122.82, 0.86%, 0.66%

LAB 85.72, -66.84, 55.8

 

CMYK 34 / 61 / 0 / 5

HEX #A15EF3

RGB 161 94 243

HSL 266.98, 0.86%, 0.66%

LAB 54.08, 55.88, -64.9

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 61 / 0 / 9 / 5

HEX #5EF3DC

RGB 94 243 220

HSL 170.74, 0.86%, 0.66%

LAB 87.8, -44.9, -0.7

 

CMYK 9 / 61 / 0 / 5

HEX #DC5EF3

RGB 220 94 243

HSL 290.74, 0.86%, 0.66%

LAB 61.39, 69.24, -52.8

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 61 / 0 / 58 / 5

HEX #5EF365

RGB 94 243 101

HSL 122.82, 0.86%, 0.66%

LAB 85.72, -66.84, 55.8

 

CMYK 61 / 52 / 0 / 5

HEX #5E74F3

RGB 94 116 243

HSL 231.14, 0.86%, 0.66%

LAB 53.32, 30.04, -66.42

 

CMYK 0 / 61 / 3 / 5

HEX #F35EEB

RGB 243 94 235

HSL 303.22, 0.86%, 0.66%

LAB 64.21, 73.34, -43.69

 

CMYK 0 / 8 / 61 / 5

HEX #F3DF5E

RGB 243 223 94

HSL 51.95, 0.86%, 0.66%

LAB 88.27, -8.11, 63.93

 

CMYK 61 / 0 / 40 / 5

HEX #5EF392

RGB 94 243 146

HSL 140.94, 0.86%, 0.66%

LAB 86.28, -60.48, 35.27

 

CMYK 61 / 52 / 0 / 5

HEX #5E74F3

RGB 94 116 243

HSL 231.14, 0.86%, 0.66%

LAB 53.32, 30.04, -66.42

 

CMYK 0 / 61 / 21 / 5

HEX #F35EBF

RGB 243 94 191

HSL 320.94, 0.86%, 0.66%

LAB 62.36, 66.87, -21.82

 

Description

Color code: HEX #F3DF5E | qconv.com Color code: HEX #F3DF5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 223 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 223 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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