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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DF04 it is the complementary color #0C20FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DF04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DF04 shade: #F8DF00, #FFF112, #FFFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DF04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DF04 shade: #F3DF04, #E2CD00, #D1BB00, #C0A900 and #AF9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DF04 shade: #F1DD04, #F19D04, #F15D04, #F11D04 and #F10404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DF04 shade: #F1DD04, #C5F104, #85F104, #45F104 and #05F104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DF04 shade matches the following richer shades: #F1DD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DF04 shade: #F1DD04, #DDCD17, #CABC2B, #B6AC3F and #A29B53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DF04 shade: #F15B04, #F19A04, #F1D904, #CAF104 and #8AF104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DF04 shade: #A09302, #C8B803, #F1DD04, #FCE922 and #FCED4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DF04 shade: #F3DF04, #04F11B and #7A04F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DF04 shade: #F3DF04, #04F1D9 and #D904F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DF04 shade: #F3DF04, #04F11B, #041BF1 and #F104D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DF04 shade: #F3DF04, #04F163, #041BF1 and #F10492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

Complementary color

CMYK 95 / 87 / 0 / 2

HEX #0C20FB

RGB 12 32 251

HSL 234.98, 0.97%, 0.52%

LAB 34.14, 71.43, -102.54

 

CMYK 0 / 10 / 100 / 3

HEX #F8DF00

RGB 248 223 0

HSL 53.95, 1%, 0.49%

LAB 88.32, -8.91, 87.83

 

CMYK 0 / 5 / 93 / 0

HEX #FFF112

RGB 255 241 18

HSL 56.46, 1%, 0.54%

LAB 93.54, -14.69, 90.41

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

CMYK 0 / 9 / 100 / 11

HEX #E2CD00

RGB 226 205 0

HSL 54.42, 1%, 0.44%

LAB 81.75, -9.27, 82.24

 

CMYK 0 / 11 / 100 / 18

HEX #D1BB00

RGB 209 187 0

HSL 53.68, 1%, 0.41%

LAB 75.51, -7.46, 77.07

 

CMYK 0 / 12 / 100 / 25

HEX #C0A900

RGB 192 169 0

HSL 52.81, 1%, 0.38%

LAB 69.17, -5.6, 71.83

 

CMYK 0 / 14 / 100 / 31

HEX #AF9700

RGB 175 151 0

HSL 51.77, 1%, 0.34%

LAB 62.72, -3.67, 66.49

 

CMYK 0 / 8 / 98 / 5

HEX #F1DD04

RGB 241 221 4

HSL 54.94, 0.97%, 0.48%

LAB 87.2, -10.85, 86.42

 

CMYK 0 / 35 / 98 / 5

HEX #F19D04

RGB 241 157 4

HSL 38.73, 0.97%, 0.48%

LAB 71.43, 22.28, 75.36

 

CMYK 0 / 61 / 98 / 5

HEX #F15D04

RGB 241 93 4

HSL 22.53, 0.97%, 0.48%

LAB 58.54, 54.04, 67.34

 

CMYK 0 / 88 / 98 / 5

HEX #F11D04

RGB 241 29 4

HSL 6.33, 0.97%, 0.48%

LAB 51.37, 73.83, 63.74

 

CMYK 0 / 98 / 98 / 5

HEX #F10404

RGB 241 4 4

HSL 0, 0.97%, 0.48%

LAB 50.45, 76.49, 63.36

 

CMYK 0 / 8 / 98 / 5

HEX #F1DD04

RGB 241 221 4

HSL 54.94, 0.97%, 0.48%

LAB 87.2, -10.85, 86.42

 

CMYK 18 / 0 / 98 / 5

HEX #C5F104

RGB 197 241 4

HSL 71.14, 0.97%, 0.48%

LAB 89.29, -38.46, 86.52

 

CMYK 45 / 0 / 98 / 5

HEX #85F104

RGB 133 241 4

HSL 87.34, 0.97%, 0.48%

LAB 85.96, -61.23, 82.49

 

CMYK 71 / 0 / 98 / 5

HEX #45F104

RGB 69 241 4

HSL 103.54, 0.97%, 0.48%

LAB 84.06, -76.6, 80.18

 

CMYK 98 / 0 / 98 / 5

HEX #05F104

RGB 5 241 4

HSL 119.75, 0.97%, 0.48%

LAB 83.42, -82.36, 79.39

 

CMYK 0 / 8 / 98 / 5

HEX #F1DD04

RGB 241 221 4

HSL 54.94, 0.97%, 0.48%

LAB 87.2, -10.85, 86.42

 

CMYK 0 / 8 / 98 / 5

HEX #F1DD04

RGB 241 221 4

HSL 54.94, 0.97%, 0.48%

LAB 87.2, -10.85, 86.42

 

CMYK 0 / 7 / 90 / 13

HEX #DDCD17

RGB 221 205 23

HSL 55.15, 0.81%, 0.48%

LAB 81.34, -11.16, 79.17

 

CMYK 0 / 7 / 79 / 21

HEX #CABC2B

RGB 202 188 43

HSL 54.72, 0.65%, 0.48%

LAB 75.26, -10.2, 68.86

 

CMYK 0 / 5 / 65 / 29

HEX #B6AC3F

RGB 182 172 63

HSL 54.96, 0.49%, 0.48%

LAB 69.33, -9.63, 55.28

 

CMYK 0 / 4 / 49 / 36

HEX #A29B53

RGB 162 155 83

HSL 54.68, 0.32%, 0.48%

LAB 63.13, -7.68, 38.4

 

CMYK 0 / 62 / 98 / 5

HEX #F15B04

RGB 241 91 4

HSL 22.03, 0.97%, 0.48%

LAB 58.22, 54.91, 67.16

 

CMYK 0 / 36 / 98 / 5

HEX #F19A04

RGB 241 154 4

HSL 37.97, 0.97%, 0.48%

LAB 70.75, 23.86, 74.9

 

CMYK 0 / 10 / 98 / 5

HEX #F1D904

RGB 241 217 4

HSL 53.92, 0.97%, 0.48%

LAB 86.17, -8.86, 85.67

 

CMYK 16 / 0 / 98 / 5

HEX #CAF104

RGB 202 241 4

HSL 69.87, 0.97%, 0.48%

LAB 89.62, -36.49, 86.9

 

CMYK 43 / 0 / 98 / 5

HEX #8AF104

RGB 138 241 4

HSL 86.08, 0.97%, 0.48%

LAB 86.17, -59.66, 82.75

 

CMYK 0 / 8 / 99 / 37

HEX #A09302

RGB 160 147 2

HSL 55.06, 0.98%, 0.32%

LAB 60.2, -8.34, 63.73

 

CMYK 0 / 8 / 99 / 22

HEX #C8B803

RGB 200 184 3

HSL 55.13, 0.97%, 0.4%

LAB 73.91, -9.83, 75.23

 

CMYK 0 / 8 / 98 / 5

HEX #F1DD04

RGB 241 221 4

HSL 54.94, 0.97%, 0.48%

LAB 87.2, -10.85, 86.42

 

CMYK 0 / 8 / 87 / 1

HEX #FCE922

RGB 252 233 34

HSL 54.77, 0.97%, 0.56%

LAB 91.27, -11.78, 86.19

 

CMYK 0 / 6 / 70 / 1

HEX #FCED4B

RGB 252 237 75

HSL 54.92, 0.97%, 0.64%

LAB 92.47, -12.4, 75.93

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

CMYK 98 / 0 / 89 / 5

HEX #04F11B

RGB 4 241 27

HSL 125.82, 0.97%, 0.48%

LAB 83.45, -81.91, 76.85

 

CMYK 49 / 98 / 0 / 5

HEX #7A04F1

RGB 122 4 241

HSL 269.87, 0.97%, 0.48%

LAB 38.86, 79.35, -88.85

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

CMYK 98 / 0 / 10 / 5

HEX #04F1D9

RGB 4 241 217

HSL 173.92, 0.97%, 0.48%

LAB 85.98, -52.69, -1.93

 

CMYK 10 / 98 / 0 / 5

HEX #D904F1

RGB 217 4 241

HSL 293.92, 0.97%, 0.48%

LAB 53.16, 90.27, -64.89

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

CMYK 98 / 0 / 89 / 5

HEX #04F11B

RGB 4 241 27

HSL 125.82, 0.97%, 0.48%

LAB 83.45, -81.91, 76.85

 

CMYK 98 / 89 / 0 / 5

HEX #041BF1

RGB 4 27 241

HSL 234.18, 0.97%, 0.48%

LAB 32.17, 70.27, -100.19

 

CMYK 0 / 98 / 10 / 5

HEX #F104D9

RGB 241 4 217

HSL 306.08, 0.97%, 0.48%

LAB 55.88, 90.64, -46.73

 

CMYK 0 / 8 / 98 / 5

HEX #F3DF04

RGB 243 223 4

HSL 54.98, 0.97%, 0.48%

LAB 87.89, -11, 87

 

CMYK 98 / 0 / 59 / 5

HEX #04F163

RGB 4 241 99

HSL 144.05, 0.97%, 0.48%

LAB 83.88, -76.43, 54.24

 

CMYK 98 / 89 / 0 / 5

HEX #041BF1

RGB 4 27 241

HSL 234.18, 0.97%, 0.48%

LAB 32.17, 70.27, -100.19

 

CMYK 0 / 98 / 39 / 5

HEX #F10492

RGB 241 4 146

HSL 324.05, 0.97%, 0.48%

LAB 52.8, 82.8, -10.11

 

Description

Color code: HEX #F3DF04 | qconv.com Color code: HEX #F3DF04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 223 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 223 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 98 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 98% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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