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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DCBCCE it is the complementary color #0C2343CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DCBCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DCBCCE shade: #F8DCB7CE, #FFEECACE, #FFFFDDCE, #FFFFF0CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DCBCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DCBCCE shade: #F3DCBCCE, #E2CAA9CE, #D1B896CE, #C0A683CE and #AF9470CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DCBCCE shade: #F4DDBE, #F4CFBE, #F4C0BE and #F4BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DCBCCE shade: #F4DDBE, #F4ECBE, #EDF4BE, #DFF4BE and #D0F4BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DCBCCE shade matches the following richer shades: #F4DDBE and #FADEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DCBCCE shade: #F4DDBE, #EDDCC4, #E7DBCA, #E1DAD1 and #DBD9D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DCBCCE shade: #F4C0BE, #F4CEBE, #F4DCBE, #F4EBBE and #EEF4BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DCBCCE shade: #E7B978, #EDCB9B, #F4DDBE, #FAEFE1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DCBCCE shade: #F3DCBC, #CAF4BE and #C7BEF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DCBCCE shade: #F3DCBC, #BEF4DC and #DCBEF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DCBCCE shade: #F3DCBC, #CAF4BE, #BED5F4 and #E7BEF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DCBCCE shade: #F3DCBC, #BEF4C2, #BED5F4 and #F4BEF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 18 / 4

HEX #F3DCBCCE

RGBA 243 220 188 0.81

HSLA 34.91, 0.7%, 0.85%, 0.81

LABA 88.86, 3.03, 18.61, 0.81

 

Complementary color

CMYK 66 / 39 / 0 / 60

HEX #0C2343CE

RGBA 12 35 67 0.81

HSLA 214.91, 0.7%, 0.15%, 0.81

LABA 13.74, 4.23, -22.84, 0.81

 

CMYK 0 / 9 / 21 / 2

HEX #F8DCB7CE

RGBA 248 220 183 0.81

HSLA 34.15, 0.82%, 0.85%, 0.81

LABA 89.19, 4.19, 21.74, 0.81

 

CMYK 0 / 5 / 17 / 0

HEX #FFEECACE

RGBA 255 238 202 0.81

HSLA 40.75, 1%, 0.9%, 0.81

LABA 94.6, 0.18, 19.52, 0.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFDDCE

RGBA 255 255 221 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.22, -5.56, 16.27, 0.81

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF0CE

RGBA 255 255 240 0.81

HSLA 60, 1%, 0.97%, 0.81

LABA 99.64, -2.55, 7.15, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 8 / 18 / 4

HEX #F3DCBCCE

RGBA 243 220 188 0.81

HSLA 34.91, 0.7%, 0.85%, 0.81

LABA 88.86, 3.03, 18.61, 0.81

 

CMYK 0 / 9 / 20 / 9

HEX #E2CAA9CE

RGBA 226 202 169 0.81

HSLA 34.74, 0.5%, 0.77%, 0.81

LABA 82.53, 3.39, 19.56, 0.81

 

CMYK 0 / 10 / 23 / 15

HEX #D1B896CE

RGBA 209 184 150 0.81

HSLA 34.58, 0.39%, 0.7%, 0.81

LABA 76.09, 3.8, 20.57, 0.81

 

CMYK 0 / 11 / 26 / 20

HEX #C0A683CE

RGBA 192 166 131 0.81

HSLA 34.43, 0.33%, 0.63%, 0.81

LABA 69.55, 4.27, 21.64, 0.81

 

CMYK 0 / 12 / 29 / 25

HEX #AF9470CE

RGBA 175 148 112 0.81

HSLA 34.29, 0.28%, 0.56%, 0.81

LABA 62.9, 4.82, 22.8, 0.81

 

CMYK 0 / 9 / 22 / 4

HEX #F4DDBE

RGB 244 221 190

HSL 34.44, 0.71%, 0.85%

LAB 89.24, 3.16, 18.1

 

CMYK 0 / 15 / 22 / 4

HEX #F4CFBE

RGB 244 207 190

HSL 18.89, 0.71%, 0.85%

LAB 85.79, 10.42, 13.26

 

CMYK 0 / 21 / 22 / 4

HEX #F4C0BE

RGB 244 192 190

HSL 2.22, 0.71%, 0.85%

LAB 82.19, 18.3, 8.13

 

CMYK 0 / 22 / 22 / 4

HEX #F4BEBE

RGB 244 190 190

HSL 0, 0.71%, 0.85%

LAB 81.72, 19.36, 7.45

 

CMYK 0 / 9 / 22 / 4

HEX #F4DDBE

RGB 244 221 190

HSL 34.44, 0.71%, 0.85%

LAB 89.24, 3.16, 18.1

 

CMYK 0 / 3 / 22 / 4

HEX #F4ECBE

RGB 244 236 190

HSL 51.11, 0.71%, 0.85%

LAB 92.99, -4.48, 23.32

 

CMYK 3 / 0 / 22 / 4

HEX #EDF4BE

RGB 237 244 190

HSL 67.78, 0.71%, 0.85%

LAB 94.49, -11.02, 25.31

 

CMYK 9 / 0 / 22 / 4

HEX #DFF4BE

RGB 223 244 190

HSL 83.33, 0.71%, 0.85%

LAB 93.5, -16.02, 23.78

 

CMYK 15 / 0 / 22 / 4

HEX #D0F4BE

RGB 208 244 190

HSL 100, 0.71%, 0.85%

LAB 92.5, -21.23, 22.24

 

CMYK 0 / 9 / 22 / 4

HEX #F4DDBE

RGB 244 221 190

HSL 34.44, 0.71%, 0.85%

LAB 89.24, 3.16, 18.1

 

CMYK 0 / 11 / 26 / 2

HEX #FADEB8

RGB 250 222 184

HSL 34.55, 0.87%, 0.85%

LAB 89.87, 4.04, 22.19

 

CMYK 0 / 9 / 22 / 4

HEX #F4DDBE

RGB 244 221 190

HSL 34.44, 0.71%, 0.85%

LAB 89.24, 3.16, 18.1

 

CMYK 0 / 7 / 17 / 7

HEX #EDDCC4

RGB 237 220 196

HSL 35.12, 0.53%, 0.85%

LAB 88.53, 2, 13.89

 

CMYK 0 / 5 / 13 / 9

HEX #E7DBCA

RGB 231 219 202

HSL 35.17, 0.38%, 0.85%

LAB 87.93, 1.29, 9.82

 

CMYK 0 / 3 / 7 / 12

HEX #E1DAD1

RGB 225 218 209

HSL 33.75, 0.21%, 0.85%

LAB 87.37, 0.84, 5.26

 

CMYK 0 / 1 / 2 / 14

HEX #DBD9D7

RGB 219 217 215

HSL 30, 0.05%, 0.85%

LAB 86.8, 0.33, 1.21

 

CMYK 0 / 21 / 22 / 4

HEX #F4C0BE

RGB 244 192 190

HSL 2.22, 0.71%, 0.85%

LAB 82.19, 18.3, 8.13

 

CMYK 0 / 16 / 22 / 4

HEX #F4CEBE

RGB 244 206 190

HSL 17.78, 0.71%, 0.85%

LAB 85.55, 10.94, 12.92

 

CMYK 0 / 10 / 22 / 4

HEX #F4DCBE

RGB 244 220 190

HSL 33.33, 0.71%, 0.85%

LAB 88.99, 3.67, 17.76

 

CMYK 0 / 4 / 22 / 4

HEX #F4EBBE

RGB 244 235 190

HSL 50, 0.71%, 0.85%

LAB 92.74, -3.98, 22.97

 

CMYK 2 / 0 / 22 / 4

HEX #EEF4BE

RGB 238 244 190

HSL 66.67, 0.71%, 0.85%

LAB 94.57, -10.66, 25.42

 

CMYK 0 / 20 / 48 / 9

HEX #E7B978

RGB 231 185 120

HSL 35.14, 0.7%, 0.69%

LAB 77.9, 8.59, 39.14

 

CMYK 0 / 14 / 35 / 7

HEX #EDCB9B

RGB 237 203 155

HSL 35.12, 0.69%, 0.77%

LAB 83.49, 5.27, 28.4

 

CMYK 0 / 9 / 22 / 4

HEX #F4DDBE

RGB 244 221 190

HSL 34.44, 0.71%, 0.85%

LAB 89.24, 3.16, 18.1

 

CMYK 0 / 4 / 10 / 2

HEX #FAEFE1

RGB 250 239 225

HSL 33.6, 0.71%, 0.93%

LAB 94.95, 1.38, 8.08

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 9 / 23 / 5

HEX #F3DCBC

RGB 243 220 188

HSL 34.91, 0.7%, 0.85%

LAB 88.86, 3.03, 18.61

 

CMYK 17 / 0 / 22 / 4

HEX #CAF4BE

RGB 202 244 190

HSL 106.67, 0.71%, 0.85%

LAB 92.12, -23.27, 21.66

 

CMYK 18 / 22 / 0 / 4

HEX #C7BEF4

RGB 199 190 244

HSL 250, 0.71%, 0.85%

LAB 79.33, 13.92, -25.55

 

CMYK 0 / 9 / 23 / 5

HEX #F3DCBC

RGB 243 220 188

HSL 34.91, 0.7%, 0.85%

LAB 88.86, 3.03, 18.61

 

CMYK 22 / 0 / 10 / 4

HEX #BEF4DC

RGB 190 244 220

HSL 153.33, 0.71%, 0.85%

LAB 92.05, -21.84, 5.97

 

CMYK 10 / 22 / 0 / 4

HEX #DCBEF4

RGB 220 190 244

HSL 273.33, 0.71%, 0.85%

LAB 81.06, 20.48, -22.76

 

CMYK 0 / 9 / 23 / 5

HEX #F3DCBC

RGB 243 220 188

HSL 34.91, 0.7%, 0.85%

LAB 88.86, 3.03, 18.61

 

CMYK 17 / 0 / 22 / 4

HEX #CAF4BE

RGB 202 244 190

HSL 106.67, 0.71%, 0.85%

LAB 92.12, -23.27, 21.66

 

CMYK 22 / 13 / 0 / 4

HEX #BED5F4

RGB 190 213 244

HSL 214.44, 0.71%, 0.85%

LAB 84.52, -1.14, -17.74

 

CMYK 5 / 22 / 0 / 4

HEX #E7BEF4

RGB 231 190 244

HSL 285.56, 0.71%, 0.85%

LAB 82.03, 24, -21.2

 

CMYK 0 / 9 / 23 / 5

HEX #F3DCBC

RGB 243 220 188

HSL 34.91, 0.7%, 0.85%

LAB 88.86, 3.03, 18.61

 

CMYK 22 / 0 / 20 / 4

HEX #BEF4C2

RGB 190 244 194

HSL 124.44, 0.71%, 0.85%

LAB 91.48, -26.58, 18.6

 

CMYK 22 / 13 / 0 / 4

HEX #BED5F4

RGB 190 213 244

HSL 214.44, 0.71%, 0.85%

LAB 84.52, -1.14, -17.74

 

CMYK 0 / 22 / 2 / 4

HEX #F4BEF0

RGB 244 190 240

HSL 304.44, 0.71%, 0.85%

LAB 83.1, 27.47, -17.33

 

Description

Color code: HEX #F3DCBCCE | qconv.com Color code: HEX #F3DCBCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 220 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 220 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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