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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3D870 it is the complementary color #0C278F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3D870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3D870 shade: #F8D86B, #FFEA7E, #FFFC91, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3D870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3D870 shade: #F3D870, #E2C65D, #D1B44A, #C0A237 and #AF9024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3D870 shade: #F4D971, #F4B671, #F49371 and #F47171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3D870 shade: #F4D971, #EBF471, #C8F471, #A5F471 and #82F471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3D870 shade matches the following richer shades: #F4D971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3D870 shade: #F4D971, #E7D17E, #DBCA8A, #CEC397 and #C2BCA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3D870 shade: #F49271, #F4B571, #F4D771, #EDF471 and #CAF471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3D870 shade: #EDC425, #F0CE4B, #F4D971, #F7E398 and #FAEDBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3D870 shade: #F3D870, #74F471 and #A371F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3D870 shade: #F3D870, #71F4D7 and #D771F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3D870 shade: #F3D870, #74F471, #718EF4 and #F171F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3D870 shade: #F3D870, #71F496, #718EF4 and #F471CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

Complementary color

CMYK 92 / 73 / 0 / 44

HEX #0C278F

RGB 12 39 143

HSL 227.63, 0.85%, 0.3%

LAB 21.99, 33.5, -59.15

 

CMYK 0 / 13 / 57 / 3

HEX #F8D86B

RGB 248 216 107

HSL 46.38, 0.91%, 0.7%

LAB 87.06, -1.64, 56.92

 

CMYK 0 / 8 / 51 / 0

HEX #FFEA7E

RGB 255 234 126

HSL 50.23, 1%, 0.75%

LAB 92.4, -6.39, 54.53

 

CMYK 0 / 1 / 43 / 0

HEX #FFFC91

RGB 255 252 145

HSL 58.36, 1%, 0.78%

LAB 97.2, -13.56, 51.4

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

CMYK 0 / 12 / 59 / 11

HEX #E2C65D

RGB 226 198 93

HSL 47.37, 0.7%, 0.63%

LAB 80.37, -2.49, 55.18

 

CMYK 0 / 14 / 65 / 18

HEX #D1B44A

RGB 209 180 74

HSL 47.11, 0.59%, 0.55%

LAB 73.99, -1.54, 56.23

 

CMYK 0 / 16 / 71 / 25

HEX #C0A237

RGB 192 162 55

HSL 46.86, 0.55%, 0.48%

LAB 67.52, -0.43, 57.02

 

CMYK 0 / 18 / 79 / 31

HEX #AF9024

RGB 175 144 36

HSL 46.62, 0.66%, 0.41%

LAB 60.95, 0.91, 57.29

 

CMYK 0 / 11 / 54 / 4

HEX #F4D971

RGB 244 217 113

HSL 47.63, 0.86%, 0.7%

LAB 87.02, -3.31, 54

 

CMYK 0 / 25 / 54 / 4

HEX #F4B671

RGB 244 182 113

HSL 31.6, 0.86%, 0.7%

LAB 78.39, 14.82, 43.6

 

CMYK 0 / 40 / 54 / 4

HEX #F49371

RGB 244 147 113

HSL 15.57, 0.86%, 0.7%

LAB 70.38, 33.23, 33.53

 

CMYK 0 / 54 / 54 / 4

HEX #F47171

RGB 244 113 113

HSL 0, 0.86%, 0.7%

LAB 63.54, 50.28, 24.57

 

CMYK 0 / 11 / 54 / 4

HEX #F4D971

RGB 244 217 113

HSL 47.63, 0.86%, 0.7%

LAB 87.02, -3.31, 54

 

CMYK 4 / 0 / 54 / 4

HEX #EBF471

RGB 235 244 113

HSL 64.12, 0.86%, 0.7%

LAB 93.26, -20.28, 61.07

 

CMYK 18 / 0 / 54 / 4

HEX #C8F471

RGB 200 244 113

HSL 80.15, 0.86%, 0.7%

LAB 90.86, -33.71, 57.67

 

CMYK 32 / 0 / 54 / 4

HEX #A5F471

RGB 165 244 113

HSL 96.18, 0.86%, 0.7%

LAB 88.87, -46.14, 54.84

 

CMYK 47 / 0 / 54 / 4

HEX #82F471

RGB 130 244 113

HSL 112.21, 0.86%, 0.7%

LAB 87.31, -56.94, 52.61

 

CMYK 0 / 11 / 54 / 4

HEX #F4D971

RGB 244 217 113

HSL 47.63, 0.86%, 0.7%

LAB 87.02, -3.31, 54

 

CMYK 0 / 11 / 54 / 4

HEX #F4D971

RGB 244 217 113

HSL 47.63, 0.86%, 0.7%

LAB 87.02, -3.31, 54

 

CMYK 0 / 10 / 45 / 9

HEX #E7D17E

RGB 231 209 126

HSL 47.43, 0.69%, 0.7%

LAB 84.02, -3.33, 43.8

 

CMYK 0 / 8 / 37 / 14

HEX #DBCA8A

RGB 219 202 138

HSL 47.41, 0.53%, 0.7%

LAB 81.37, -3.22, 34.12

 

CMYK 0 / 5 / 27 / 19

HEX #CEC397

RGB 206 195 151

HSL 48, 0.36%, 0.7%

LAB 78.69, -3.02, 23.55

 

CMYK 0 / 3 / 16 / 24

HEX #C2BCA3

RGB 194 188 163

HSL 48.39, 0.2%, 0.7%

LAB 76.12, -2.12, 13.41

 

CMYK 0 / 40 / 54 / 4

HEX #F49271

RGB 244 146 113

HSL 15.11, 0.86%, 0.7%

LAB 70.16, 33.75, 33.25

 

CMYK 0 / 26 / 54 / 4

HEX #F4B571

RGB 244 181 113

HSL 31.15, 0.86%, 0.7%

LAB 78.15, 15.35, 43.31

 

CMYK 0 / 12 / 54 / 4

HEX #F4D771

RGB 244 215 113

HSL 46.72, 0.86%, 0.7%

LAB 86.52, -2.3, 53.41

 

CMYK 3 / 0 / 54 / 4

HEX #EDF471

RGB 237 244 113

HSL 63.21, 0.86%, 0.7%

LAB 93.41, -19.49, 61.28

 

CMYK 17 / 0 / 54 / 4

HEX #CAF471

RGB 202 244 113

HSL 79.24, 0.86%, 0.7%

LAB 90.98, -32.97, 57.85

 

CMYK 0 / 17 / 84 / 7

HEX #EDC425

RGB 237 196 37

HSL 47.7, 0.85%, 0.54%

LAB 80.53, 0.59, 76.27

 

CMYK 0 / 14 / 69 / 6

HEX #F0CE4B

RGB 240 206 75

HSL 47.64, 0.85%, 0.62%

LAB 83.53, -1.84, 66.68

 

CMYK 0 / 11 / 54 / 4

HEX #F4D971

RGB 244 217 113

HSL 47.63, 0.86%, 0.7%

LAB 87.02, -3.31, 54

 

CMYK 0 / 8 / 38 / 3

HEX #F7E398

RGB 247 227 152

HSL 47.37, 0.86%, 0.78%

LAB 90.31, -3.52, 39.11

 

CMYK 0 / 5 / 24 / 2

HEX #FAEDBE

RGB 250 237 190

HSL 47, 0.86%, 0.86%

LAB 93.71, -2.79, 24.39

 

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

CMYK 52 / 0 / 54 / 4

HEX #74F471

RGB 116 244 113

HSL 118.63, 0.86%, 0.7%

LAB 86.8, -60.67, 51.88

 

CMYK 33 / 54 / 0 / 4

HEX #A371F4

RGB 163 113 244

HSL 262.9, 0.86%, 0.7%

LAB 58.16, 46.54, -58.9

 

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

CMYK 54 / 0 / 12 / 4

HEX #71F4D7

RGB 113 244 215

HSL 166.72, 0.86%, 0.7%

LAB 88.5, -43.02, 3.01

 

CMYK 12 / 54 / 0 / 4

HEX #D771F4

RGB 215 113 244

HSL 286.72, 0.86%, 0.7%

LAB 63.99, 59.54, -49.27

 

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

CMYK 52 / 0 / 54 / 4

HEX #74F471

RGB 116 244 113

HSL 118.63, 0.86%, 0.7%

LAB 86.8, -60.67, 51.88

 

CMYK 54 / 42 / 0 / 4

HEX #718EF4

RGB 113 142 244

HSL 226.72, 0.86%, 0.7%

LAB 61.12, 18.33, -54.4

 

CMYK 1 / 54 / 0 / 4

HEX #F171F4

RGB 241 113 244

HSL 298.63, 0.86%, 0.7%

LAB 67.31, 66.25, -43.82

 

CMYK 0 / 11 / 54 / 5

HEX #F3D870

RGB 243 216 112

HSL 47.63, 0.85%, 0.7%

LAB 86.67, -3.29, 54.04

 

CMYK 54 / 0 / 39 / 4

HEX #71F496

RGB 113 244 150

HSL 136.95, 0.86%, 0.7%

LAB 87.2, -56.1, 34.58

 

CMYK 54 / 42 / 0 / 4

HEX #718EF4

RGB 113 142 244

HSL 226.72, 0.86%, 0.7%

LAB 61.12, 18.33, -54.4

 

CMYK 0 / 54 / 15 / 4

HEX #F471CF

RGB 244 113 207

HSL 316.95, 0.86%, 0.7%

LAB 66.17, 61.13, -25

 

Description

Color code: HEX #F3D870 | qconv.com Color code: HEX #F3D870 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 216 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 216 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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