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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3CF76 it is the complementary color #0C3089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3CF76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3CF76 shade: #F8CF71, #FFE184, #FFF397, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3CF76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3CF76 shade: #F3CF76, #E2BD63, #D1AB50, #C0993D and #AF872A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3CF76 shade: #F3CF77, #F3AE77, #F38C77 and #F37777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3CF76 shade: #F3CF77, #F3F177, #D4F377, #B2F377 and #91F377

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3CF76 shade matches the following richer shades: #F3CF77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3CF76 shade: #F3CF77, #E7CA83, #DBC58F, #CFC09B and #C3BBA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3CF76 shade: #F38C77, #F3AD77, #F3CE77, #F3EF77 and #D6F377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3CF76 shade: #EDB52B, #F0C251, #F3CF77, #F6DD9D and #FAEAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3CF76 shade: #F3CF76, #83F377 and #9C77F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3CF76 shade: #F3CF76, #77F3CE and #CE77F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3CF76 shade: #F3CF76, #83F377, #779CF3 and #E777F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3CF76 shade: #F3CF76, #77F390, #779CF3 and #F377DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

Complementary color

CMYK 91 / 65 / 0 / 46

HEX #0C3089

RGB 12 48 137

HSL 222.72, 0.84%, 0.29%

LAB 23.67, 25.01, -52.65

 

CMYK 0 / 17 / 54 / 3

HEX #F8CF71

RGB 248 207 113

HSL 41.78, 0.91%, 0.71%

LAB 84.88, 3.42, 51.55

 

CMYK 0 / 12 / 48 / 0

HEX #FFE184

RGB 255 225 132

HSL 45.37, 1%, 0.76%

LAB 90.22, -1.35, 49.01

 

CMYK 0 / 5 / 41 / 0

HEX #FFF397

RGB 255 243 151

HSL 53.08, 1%, 0.8%

LAB 94.99, -8.54, 45.74

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

CMYK 0 / 16 / 56 / 11

HEX #E2BD63

RGB 226 189 99

HSL 42.52, 0.69%, 0.64%

LAB 78.15, 2.64, 49.8

 

CMYK 0 / 18 / 62 / 18

HEX #D1AB50

RGB 209 171 80

HSL 42.33, 0.58%, 0.57%

LAB 71.73, 3.61, 51.02

 

CMYK 0 / 20 / 68 / 25

HEX #C0993D

RGB 192 153 61

HSL 42.14, 0.52%, 0.5%

LAB 65.22, 4.75, 52.11

 

CMYK 0 / 23 / 76 / 31

HEX #AF872A

RGB 175 135 42

HSL 41.95, 0.61%, 0.43%

LAB 58.61, 6.11, 52.89

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 28 / 51 / 5

HEX #F3AE77

RGB 243 174 119

HSL 26.61, 0.84%, 0.71%

LAB 76.47, 19.15, 38.1

 

CMYK 0 / 42 / 51 / 5

HEX #F38C77

RGB 243 140 119

HSL 10.16, 0.84%, 0.71%

LAB 68.85, 36.98, 28.25

 

CMYK 0 / 51 / 51 / 5

HEX #F37777

RGB 243 119 119

HSL 0, 0.84%, 0.71%

LAB 64.63, 47.54, 22.62

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 1 / 51 / 5

HEX #F3F177

RGB 243 241 119

HSL 59.03, 0.84%, 0.71%

LAB 93.14, -15.19, 58.4

 

CMYK 13 / 0 / 51 / 5

HEX #D4F377

RGB 212 243 119

HSL 75, 0.84%, 0.71%

LAB 91.43, -28.19, 55.82

 

CMYK 27 / 0 / 51 / 5

HEX #B2F377

RGB 178 243 119

HSL 91.45, 0.84%, 0.71%

LAB 89.35, -40.62, 52.84

 

CMYK 40 / 0 / 51 / 5

HEX #91F377

RGB 145 243 119

HSL 107.42, 0.84%, 0.71%

LAB 87.7, -51.45, 50.47

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 13 / 43 / 9

HEX #E7CA83

RGB 231 202 131

HSL 42.6, 0.68%, 0.71%

LAB 82.31, 0.78, 39.13

 

CMYK 0 / 10 / 35 / 14

HEX #DBC58F

RGB 219 197 143

HSL 42.63, 0.51%, 0.71%

LAB 80.17, -0.04, 29.94

 

CMYK 0 / 7 / 25 / 19

HEX #CFC09B

RGB 207 192 155

HSL 42.69, 0.35%, 0.71%

LAB 78.07, -0.51, 20.59

 

CMYK 0 / 4 / 14 / 24

HEX #C3BBA7

RGB 195 187 167

HSL 42.86, 0.19%, 0.71%

LAB 76.03, -0.58, 11.13

 

CMYK 0 / 42 / 51 / 5

HEX #F38C77

RGB 243 140 119

HSL 10.16, 0.84%, 0.71%

LAB 68.85, 36.98, 28.25

 

CMYK 0 / 29 / 51 / 5

HEX #F3AD77

RGB 243 173 119

HSL 26.13, 0.84%, 0.71%

LAB 76.24, 19.68, 37.81

 

CMYK 0 / 15 / 51 / 5

HEX #F3CE77

RGB 243 206 119

HSL 42.1, 0.84%, 0.71%

LAB 84.24, 2.41, 47.77

 

CMYK 0 / 2 / 51 / 5

HEX #F3EF77

RGB 243 239 119

HSL 58.06, 0.84%, 0.71%

LAB 92.63, -14.21, 57.8

 

CMYK 12 / 0 / 51 / 5

HEX #D6F377

RGB 214 243 119

HSL 74.03, 0.84%, 0.71%

LAB 91.56, -27.43, 56.02

 

CMYK 0 / 24 / 82 / 7

HEX #EDB52B

RGB 237 181 43

HSL 42.68, 0.84%, 0.55%

LAB 76.82, 8.57, 71.51

 

CMYK 0 / 19 / 66 / 6

HEX #F0C251

RGB 240 194 81

HSL 42.64, 0.84%, 0.63%

LAB 80.57, 4.67, 61.11

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 10 / 36 / 4

HEX #F6DD9D

RGB 246 221 157

HSL 43.15, 0.83%, 0.79%

LAB 88.8, -0.3, 34.59

 

CMYK 0 / 6 / 22 / 2

HEX #FAEAC3

RGB 250 234 195

HSL 42.55, 0.85%, 0.87%

LAB 93.06, -0.59, 20.92

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

CMYK 46 / 0 / 51 / 5

HEX #83F377

RGB 131 243 119

HSL 114.19, 0.84%, 0.71%

LAB 87.12, -55.55, 49.63

 

CMYK 36 / 51 / 0 / 5

HEX #9C77F3

RGB 156 119 243

HSL 257.9, 0.84%, 0.71%

LAB 58.73, 41.29, -57.48

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

CMYK 51 / 0 / 15 / 5

HEX #77F3CE

RGB 119 243 206

HSL 162.1, 0.84%, 0.71%

LAB 88.2, -43.37, 7.28

 

CMYK 15 / 51 / 0 / 5

HEX #CE77F3

RGB 206 119 243

HSL 282.1, 0.84%, 0.71%

LAB 63.99, 54.03, -48.8

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

CMYK 46 / 0 / 51 / 5

HEX #83F377

RGB 131 243 119

HSL 114.19, 0.84%, 0.71%

LAB 87.12, -55.55, 49.63

 

CMYK 51 / 36 / 0 / 5

HEX #779CF3

RGB 119 156 243

HSL 222.1, 0.84%, 0.71%

LAB 65.1, 11.11, -47.53

 

CMYK 5 / 51 / 0 / 5

HEX #E777F3

RGB 231 119 243

HSL 294.19, 0.84%, 0.71%

LAB 67.02, 60.66, -43.82

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF76

RGB 243 207 118

HSL 42.72, 0.84%, 0.71%

LAB 84.48, 1.8, 48.54

 

CMYK 51 / 0 / 41 / 5

HEX #77F390

RGB 119 243 144

HSL 132.1, 0.84%, 0.71%

LAB 87.01, -55.22, 37.36

 

CMYK 51 / 36 / 0 / 5

HEX #779CF3

RGB 119 156 243

HSL 222.1, 0.84%, 0.71%

LAB 65.1, 11.11, -47.53

 

CMYK 0 / 51 / 10 / 5

HEX #F377DA

RGB 243 119 218

HSL 312.1, 0.84%, 0.71%

LAB 67.51, 59.75, -29.1

 

Description

Color code: HEX #F3CF76 | qconv.com Color code: HEX #F3CF76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 207 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 207 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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