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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3C50ACE it is the complementary color #0C3AF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3C50ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3C50ACE shade: #F8C505CE, #FFD718CE, #FFE92BCE, #FFFB3ECE and #FFFF51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3C50ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3C50ACE shade: #F3C50ACE, #E2B300CE, #D1A100CE, #C08F00CE and #AF7D00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3C50ACE shade: #F5C60A, #F5870A, #F5480A and #F50A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3C50ACE shade: #F5C60A, #E4F50A, #A5F50A, #65F50A and #26F50A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3C50ACE shade matches the following richer shades: #F5C60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3C50ACE shade: #F5C60A, #E0BA1F, #CCAE33, #B7A148 and #A2955D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3C50ACE shade: #F5490A, #F5870A, #F5C60A, #E5F50A and #A7F50A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3C50ACE shade: #A68607, #CDA609, #F5C60A, #F6D032 and #F8D959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3C50ACE shade: #F3C50A, #0AF50A and #680AF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3C50ACE shade: #F3C50A, #0AF5C6 and #C60AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3C50ACE shade: #F3C50A, #0AF50A, #0A39F5 and #F50AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3C50ACE shade: #F3C50A, #0AF551, #0A39F5 and #F50AAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 78 / 4

HEX #F3C50ACE

RGBA 243 197 10 0.81

HSLA 48.15, 0.92%, 0.5%, 0.81

LABA 81.3, 2.22, 81.7, 0.81

 

Complementary color

CMYK 77 / 62 / 0 / 3

HEX #0C3AF5CE

RGBA 12 58 245 0.81

HSLA 228.15, 0.92%, 0.5%, 0.81

LABA 37.29, 58.2, -93.92, 0.81

 

CMYK 0 / 17 / 79 / 2

HEX #F8C505CE

RGBA 248 197 5 0.81

HSLA 47.41, 0.96%, 0.5%, 0.81

LABA 81.78, 4.33, 82.74, 0.81

 

CMYK 0 / 13 / 73 / 0

HEX #FFD718CE

RGBA 255 215 24 0.81

HSLA 49.61, 1%, 0.55%, 0.81

LABA 86.96, -1.69, 84.66, 0.81

 

CMYK 0 / 7 / 67 / 0

HEX #FFE92BCE

RGBA 255 233 43 0.81

HSLA 53.77, 1%, 0.58%, 0.81

LABA 91.56, -10.32, 84.64, 0.81

 

CMYK 0 / 1 / 61 / 0

HEX #FFFB3ECE

RGBA 255 251 62 0.81

HSLA 58.76, 1%, 0.62%, 0.81

LABA 96.25, -18.5, 83.75, 0.81

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF51CE

RGBA 255 255 81 0.81

HSLA 60, 1%, 0.66%, 0.81

LABA 97.38, -19.62, 78.71, 0.81

 

CMYK 0 / 15 / 78 / 4

HEX #F3C50ACE

RGBA 243 197 10 0.81

HSLA 48.15, 0.92%, 0.5%, 0.81

LABA 81.3, 2.22, 81.7, 0.81

 

CMYK 0 / 17 / 81 / 9

HEX #E2B300CE

RGBA 226 179 0 0.81

HSLA 47.52, 1%, 0.44%, 0.81

LABA 75.08, 4.15, 77.53, 0.81

 

CMYK 0 / 19 / 81 / 15

HEX #D1A100CE

RGBA 209 161 0 0.81

HSLA 46.22, 1%, 0.41%, 0.81

LABA 68.78, 6.22, 72.34, 0.81

 

CMYK 0 / 21 / 81 / 20

HEX #C08F00CE

RGBA 192 143 0 0.81

HSLA 44.69, 1%, 0.38%, 0.81

LABA 62.38, 8.38, 67.08, 0.81

 

CMYK 0 / 23 / 81 / 25

HEX #AF7D00CE

RGBA 175 125 0 0.81

HSLA 42.86, 1%, 0.34%, 0.81

LABA 55.87, 10.64, 61.73, 0.81

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 0 / 45 / 96 / 4

HEX #F5870A

RGB 245 135 10

HSL 31.91, 0.92%, 0.5%

LAB 67.1, 35.44, 71.95

 

CMYK 0 / 71 / 96 / 4

HEX #F5480A

RGB 245 72 10

HSL 15.83, 0.92%, 0.5%

LAB 56.16, 63.76, 65.21

 

CMYK 0 / 96 / 96 / 4

HEX #F50A0A

RGB 245 10 10

HSL 0, 0.92%, 0.5%

LAB 51.44, 77.07, 62.75

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 7 / 0 / 96 / 4

HEX #E4F50A

RGB 228 245 10

HSL 64.34, 0.92%, 0.5%

LAB 92.5, -27.81, 89.42

 

CMYK 33 / 0 / 96 / 4

HEX #A5F50A

RGB 165 245 10

HSL 80.43, 0.92%, 0.5%

LAB 88.6, -52.08, 84.73

 

CMYK 59 / 0 / 96 / 4

HEX #65F50A

RGB 101 245 10

HSL 96.77, 0.92%, 0.5%

LAB 86.05, -71.3, 81.62

 

CMYK 84 / 0 / 96 / 4

HEX #26F50A

RGB 38 245 10

HSL 112.85, 0.92%, 0.5%

LAB 84.86, -81.54, 80.16

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 0 / 17 / 86 / 12

HEX #E0BA1F

RGB 224 186 31

HSL 48.19, 0.76%, 0.5%

LAB 76.72, 0.03, 74.07

 

CMYK 0 / 15 / 75 / 20

HEX #CCAE33

RGB 204 174 51

HSL 48.24, 0.6%, 0.5%

LAB 71.79, -1.74, 63.1

 

CMYK 0 / 12 / 61 / 28

HEX #B7A148

RGB 183 161 72

HSL 48.11, 0.44%, 0.5%

LAB 66.54, -2.78, 48.26

 

CMYK 0 / 8 / 43 / 36

HEX #A2955D

RGB 162 149 93

HSL 48.7, 0.27%, 0.5%

LAB 61.63, -3.4, 31.27

 

CMYK 0 / 70 / 96 / 4

HEX #F5490A

RGB 245 73 10

HSL 16.09, 0.92%, 0.5%

LAB 56.29, 63.4, 65.29

 

CMYK 0 / 45 / 96 / 4

HEX #F5870A

RGB 245 135 10

HSL 31.91, 0.92%, 0.5%

LAB 67.1, 35.44, 71.95

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 7 / 0 / 96 / 4

HEX #E5F50A

RGB 229 245 10

HSL 64.09, 0.92%, 0.5%

LAB 92.57, -27.4, 89.51

 

CMYK 32 / 0 / 96 / 4

HEX #A7F50A

RGB 167 245 10

HSL 79.91, 0.92%, 0.5%

LAB 88.71, -51.37, 84.86

 

CMYK 0 / 19 / 96 / 35

HEX #A68607

RGB 166 134 7

HSL 47.92, 0.92%, 0.34%

LAB 57.24, 1.59, 61.04

 

CMYK 0 / 19 / 96 / 20

HEX #CDA609

RGB 205 166 9

HSL 48.06, 0.92%, 0.42%

LAB 69.66, 1.87, 71.66

 

CMYK 0 / 19 / 96 / 4

HEX #F5C60A

RGB 245 198 10

HSL 48, 0.92%, 0.5%

LAB 81.74, 2.57, 82.11

 

CMYK 0 / 15 / 80 / 4

HEX #F6D032

RGB 246 208 50

HSL 48.37, 0.92%, 0.58%

LAB 84.45, -1.36, 76.43

 

CMYK 0 / 13 / 64 / 3

HEX #F8D959

RGB 248 217 89

HSL 48.3, 0.92%, 0.66%

LAB 87.15, -3.34, 64.95

 

CMYK 0 / 19 / 96 / 5

HEX #F3C50A

RGB 243 197 10

HSL 48.15, 0.92%, 0.5%

LAB 81.3, 2.22, 81.7

 

CMYK 96 / 0 / 96 / 4

HEX #0AF50A

RGB 10 245 10

HSL 120, 0.92%, 0.5%

LAB 84.68, -83.16, 79.95

 

CMYK 58 / 96 / 0 / 4

HEX #680AF5

RGB 104 10 245

HSL 264, 0.92%, 0.5%

LAB 37.39, 78.23, -93.59

 

CMYK 0 / 19 / 96 / 5

HEX #F3C50A

RGB 243 197 10

HSL 48.15, 0.92%, 0.5%

LAB 81.3, 2.22, 81.7

 

CMYK 96 / 0 / 19 / 4

HEX #0AF5C6

RGB 10 245 198

HSL 168, 0.92%, 0.5%

LAB 86.72, -59.03, 9.09

 

CMYK 19 / 96 / 0 / 4

HEX #C60AF5

RGB 198 10 245

HSL 288, 0.92%, 0.5%

LAB 50.47, 87.8, -71.63

 

CMYK 0 / 19 / 96 / 5

HEX #F3C50A

RGB 243 197 10

HSL 48.15, 0.92%, 0.5%

LAB 81.3, 2.22, 81.7

 

CMYK 96 / 0 / 96 / 4

HEX #0AF50A

RGB 10 245 10

HSL 120, 0.92%, 0.5%

LAB 84.68, -83.16, 79.95

 

CMYK 96 / 77 / 0 / 4

HEX #0A39F5

RGB 10 57 245

HSL 228, 0.92%, 0.5%

LAB 37.08, 58.69, -94.27

 

CMYK 0 / 96 / 0 / 4

HEX #F50AF5

RGB 245 10 245

HSL 300, 0.92%, 0.5%

LAB 58.25, 94.71, -58.7

 

CMYK 0 / 19 / 96 / 5

HEX #F3C50A

RGB 243 197 10

HSL 48.15, 0.92%, 0.5%

LAB 81.3, 2.22, 81.7

 

CMYK 96 / 0 / 67 / 4

HEX #0AF551

RGB 10 245 81

HSL 138.13, 0.92%, 0.5%

LAB 84.98, -79.4, 62.91

 

CMYK 96 / 77 / 0 / 4

HEX #0A39F5

RGB 10 57 245

HSL 228, 0.92%, 0.5%

LAB 37.08, 58.69, -94.27

 

CMYK 0 / 96 / 29 / 4

HEX #F50AAE

RGB 245 10 174

HSL 318.13, 0.92%, 0.5%

LAB 54.75, 85.92, -23.65

 

Description

Color code: HEX #F3C50ACE | qconv.com Color code: HEX #F3C50ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 197 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 197 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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