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Color name
HEX #F3C47E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3C47E it is the complementary color #0C3B81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3C47E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3C47E shade: #F8C479, #FFD68C, #FFE89F, #FFFAB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3C47E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3C47E shade: #F3C47E, #E2B26B, #D1A058, #C08E45 and #AF7C32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3C47E shade: #F3C37C, #F3A37C, #F3837C and #F37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3C47E shade: #F3C37C, #F3E37C, #E3F37C, #C3F37C and #A3F37C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3C47E shade matches the following richer shades: #F3C37C and #FEC671

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3C47E shade: #F3C37C, #E7C188, #DCBF93, #D0BC9F and #C5BAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3C47E shade: #F3827C, #F3A27C, #F3C17C, #F3E17C and #E5F37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3C47E shade: #ECA131, #EFB257, #F3C37C, #F6D5A2 and #FAE6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3C47E shade: #F3C47E, #96F37C and #927CF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3C47E shade: #F3C47E, #7CF3C1 and #C17CF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3C47E shade: #F3C47E, #96F37C, #7CAEF3 and #D97CF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3C47E shade: #F3C47E, #7CF386, #7CAEF3 and #F37CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

Complementary color

CMYK 91 / 54 / 0 / 49

HEX #0C3B81

RGB 12 59 129

HSL 215.9, 0.83%, 0.28%

LAB 26.13, 13.86, -43.63

 

CMYK 0 / 21 / 51 / 3

HEX #F8C479

RGB 248 196 121

HSL 35.43, 0.9%, 0.72%

LAB 82.28, 9.78, 44.48

 

CMYK 0 / 16 / 45 / 0

HEX #FFD68C

RGB 255 214 140

HSL 38.61, 1%, 0.77%

LAB 87.6, 5, 41.79

 

CMYK 0 / 9 / 38 / 0

HEX #FFE89F

RGB 255 232 159

HSL 45.63, 1%, 0.81%

LAB 92.34, -2.19, 38.37

 

CMYK 0 / 2 / 30 / 0

HEX #FFFAB2

RGB 255 250 178

HSL 56.1, 1%, 0.85%

LAB 97.16, -8.98, 35.21

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

CMYK 0 / 21 / 53 / 11

HEX #E2B26B

RGB 226 178 107

HSL 35.8, 0.67%, 0.65%

LAB 75.5, 9.08, 42.66

 

CMYK 0 / 23 / 58 / 18

HEX #D1A058

RGB 209 160 88

HSL 35.7, 0.57%, 0.58%

LAB 69.04, 10.08, 44.03

 

CMYK 0 / 26 / 64 / 25

HEX #C08E45

RGB 192 142 69

HSL 35.61, 0.49%, 0.51%

LAB 62.49, 11.26, 45.4

 

CMYK 0 / 29 / 71 / 31

HEX #AF7C32

RGB 175 124 50

HSL 35.52, 0.56%, 0.44%

LAB 55.85, 12.64, 46.67

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 0 / 33 / 49 / 5

HEX #F3A37C

RGB 243 163 124

HSL 19.66, 0.83%, 0.72%

LAB 74, 25.41, 32.29

 

CMYK 0 / 46 / 49 / 5

HEX #F3837C

RGB 243 131 124

HSL 3.53, 0.83%, 0.72%

LAB 67.08, 42.03, 23.12

 

CMYK 0 / 49 / 49 / 5

HEX #F37C7C

RGB 243 124 124

HSL 0, 0.83%, 0.72%

LAB 65.69, 45.53, 21.24

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 0 / 7 / 49 / 5

HEX #F3E37C

RGB 243 227 124

HSL 51.93, 0.83%, 0.72%

LAB 89.6, -7.84, 51.87

 

CMYK 7 / 0 / 49 / 5

HEX #E3F37C

RGB 227 243 124

HSL 68.07, 0.83%, 0.72%

LAB 92.53, -21.98, 55.08

 

CMYK 20 / 0 / 49 / 5

HEX #C3F37C

RGB 195 243 124

HSL 84.2, 0.83%, 0.72%

LAB 90.39, -34.03, 52.02

 

CMYK 33 / 0 / 49 / 5

HEX #A3F37C

RGB 163 243 124

HSL 100.34, 0.83%, 0.72%

LAB 88.61, -45.16, 49.43

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 0 / 22 / 56 / 0

HEX #FEC671

RGB 254 198 113

HSL 36.17, 0.99%, 0.72%

LAB 83.26, 10.52, 49.75

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 0 / 16 / 41 / 9

HEX #E7C188

RGB 231 193 136

HSL 36, 0.66%, 0.72%

LAB 80.13, 5.99, 33.74

 

CMYK 0 / 13 / 33 / 14

HEX #DCBF93

RGB 220 191 147

HSL 36.16, 0.51%, 0.72%

LAB 78.8, 3.98, 26.02

 

CMYK 0 / 10 / 24 / 18

HEX #D0BC9F

RGB 208 188 159

HSL 35.51, 0.34%, 0.72%

LAB 77.21, 2.55, 17.27

 

CMYK 0 / 6 / 13 / 23

HEX #C5BAAB

RGB 197 186 171

HSL 34.62, 0.18%, 0.72%

LAB 76.03, 1.33, 8.99

 

CMYK 0 / 47 / 49 / 5

HEX #F3827C

RGB 243 130 124

HSL 3.03, 0.83%, 0.72%

LAB 66.88, 42.53, 22.85

 

CMYK 0 / 33 / 49 / 5

HEX #F3A27C

RGB 243 162 124

HSL 19.16, 0.83%, 0.72%

LAB 73.77, 25.94, 32

 

CMYK 0 / 21 / 49 / 5

HEX #F3C17C

RGB 243 193 124

HSL 34.79, 0.83%, 0.72%

LAB 81.1, 9.6, 41.38

 

CMYK 0 / 7 / 49 / 5

HEX #F3E17C

RGB 243 225 124

HSL 50.92, 0.83%, 0.72%

LAB 89.09, -6.84, 51.25

 

CMYK 6 / 0 / 49 / 5

HEX #E5F37C

RGB 229 243 124

HSL 67.06, 0.83%, 0.72%

LAB 92.67, -21.21, 55.29

 

CMYK 0 / 32 / 79 / 7

HEX #ECA131

RGB 236 161 49

HSL 35.94, 0.83%, 0.56%

LAB 71.92, 18.89, 65.16

 

CMYK 0 / 26 / 64 / 6

HEX #EFB257

RGB 239 178 87

HSL 35.92, 0.83%, 0.64%

LAB 76.61, 12.99, 54.06

 

CMYK 0 / 20 / 49 / 5

HEX #F3C37C

RGB 243 195 124

HSL 35.8, 0.83%, 0.72%

LAB 81.59, 8.56, 42

 

CMYK 0 / 13 / 34 / 4

HEX #F6D5A2

RGB 246 213 162

HSL 36.43, 0.82%, 0.8%

LAB 86.89, 4.39, 29.48

 

CMYK 0 / 8 / 20 / 2

HEX #FAE6C8

RGB 250 230 200

HSL 36, 0.83%, 0.88%

LAB 92.17, 2.16, 17.09

 

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

CMYK 38 / 0 / 49 / 5

HEX #96F37C

RGB 150 243 124

HSL 106.89, 0.83%, 0.72%

LAB 87.99, -49.32, 48.53

 

CMYK 40 / 49 / 0 / 5

HEX #927CF3

RGB 146 124 243

HSL 251.09, 0.83%, 0.72%

LAB 58.97, 36.04, -57.14

 

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

CMYK 49 / 0 / 21 / 5

HEX #7CF3C1

RGB 124 243 193

HSL 154.79, 0.83%, 0.72%

LAB 88.08, -45.03, 13.9

 

CMYK 21 / 49 / 0 / 5

HEX #C17CF3

RGB 193 124 243

HSL 274.79, 0.83%, 0.72%

LAB 63.53, 47.99, -49.62

 

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

CMYK 38 / 0 / 49 / 5

HEX #96F37C

RGB 150 243 124

HSL 106.89, 0.83%, 0.72%

LAB 87.99, -49.32, 48.53

 

CMYK 49 / 28 / 0 / 5

HEX #7CAEF3

RGB 124 174 243

HSL 214.79, 0.83%, 0.72%

LAB 70.2, 1.99, -39.52

 

CMYK 11 / 49 / 0 / 5

HEX #D97CF3

RGB 217 124 243

HSL 286.89, 0.83%, 0.72%

LAB 66.24, 54.45, -45.15

 

CMYK 0 / 19 / 48 / 5

HEX #F3C47E

RGB 243 196 126

HSL 35.9, 0.83%, 0.72%

LAB 81.86, 8.22, 41.33

 

CMYK 49 / 0 / 45 / 5

HEX #7CF386

RGB 124 243 134

HSL 125.04, 0.83%, 0.72%

LAB 87.05, -55.45, 42.34

 

CMYK 49 / 28 / 0 / 5

HEX #7CAEF3

RGB 124 174 243

HSL 214.79, 0.83%, 0.72%

LAB 70.2, 1.99, -39.52

 

CMYK 0 / 49 / 4 / 5

HEX #F37CE9

RGB 243 124 233

HSL 305.04, 0.83%, 0.72%

LAB 69.01, 59.82, -35.09

 

Description

Color code: HEX #F3C47E | qconv.com Color code: HEX #F3C47E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 196 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 196 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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