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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BE7C it is the complementary color #0C4183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BE7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BE7C shade: #F8BE77, #FFD08A, #FFE29D, #FFF4B0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BE7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BE7C shade: #F3BE7C, #E2AC69, #D19A56, #C08843 and #AF7630

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BE7C shade: #F3BE7C, #F39E7C, #F37E7C and #F37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BE7C shade: #F3BE7C, #F3DE7C, #E8F37C, #C8F37C and #A8F37C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BE7C shade matches the following richer shades: #F3BE7C and #FEBF71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BE7C shade: #F3BE7C, #E7BD88, #DCBC93, #D0BA9F and #C5B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BE7C shade: #F37E7C, #F39E7C, #F3BE7C, #F3DD7C and #E9F37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BE7C shade: #EC9931, #EFAB57, #F3BE7C, #F6D1A2 and #FAE4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BE7C shade: #F3BE7C, #9AF37C and #8E7CF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BE7C shade: #F3BE7C, #7CF3BE and #BE7CF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BE7C shade: #F3BE7C, #9AF37C, #7CB2F3 and #D57CF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BE7C shade: #F3BE7C, #7CF382, #7CB2F3 and #F37CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

Complementary color

CMYK 91 / 50 / 0 / 49

HEX #0C4183

RGB 12 65 131

HSL 213.28, 0.83%, 0.28%

LAB 28.11, 10.49, -41.68

 

CMYK 0 / 23 / 52 / 3

HEX #F8BE77

RGB 248 190 119

HSL 33.02, 0.9%, 0.72%

LAB 80.8, 12.74, 43.65

 

CMYK 0 / 18 / 46 / 0

HEX #FFD08A

RGB 255 208 138

HSL 35.9, 1%, 0.77%

LAB 86.11, 7.9, 40.89

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29D

RGB 255 226 157

HSL 42.24, 1%, 0.81%

LAB 90.82, 0.63, 37.39

 

CMYK 0 / 4 / 31 / 0

HEX #FFF4B0

RGB 255 244 176

HSL 51.65, 1%, 0.85%

LAB 95.62, -6.25, 34.16

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 24 / 54 / 11

HEX #E2AC69

RGB 226 172 105

HSL 33.22, 0.68%, 0.65%

LAB 73.99, 12.1, 41.83

 

CMYK 0 / 26 / 59 / 18

HEX #D19A56

RGB 209 154 86

HSL 33.17, 0.57%, 0.58%

LAB 67.53, 13.18, 43.25

 

CMYK 0 / 29 / 65 / 25

HEX #C08843

RGB 192 136 67

HSL 33.12, 0.5%, 0.51%

LAB 60.98, 14.43, 44.68

 

CMYK 0 / 33 / 73 / 31

HEX #AF7630

RGB 175 118 48

HSL 33.07, 0.57%, 0.44%

LAB 54.33, 15.9, 46.02

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 35 / 49 / 5

HEX #F39E7C

RGB 243 158 124

HSL 17.14, 0.83%, 0.72%

LAB 72.87, 28.04, 30.81

 

CMYK 0 / 48 / 49 / 5

HEX #F37E7C

RGB 243 126 124

HSL 1.01, 0.83%, 0.72%

LAB 66.08, 44.53, 21.77

 

CMYK 0 / 49 / 49 / 5

HEX #F37C7C

RGB 243 124 124

HSL 0, 0.83%, 0.72%

LAB 65.69, 45.53, 21.24

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 9 / 49 / 5

HEX #F3DE7C

RGB 243 222 124

HSL 49.41, 0.83%, 0.72%

LAB 88.33, -5.33, 50.33

 

CMYK 5 / 0 / 49 / 5

HEX #E8F37C

RGB 232 243 124

HSL 65.55, 0.83%, 0.72%

LAB 92.89, -20.04, 55.6

 

CMYK 18 / 0 / 49 / 5

HEX #C8F37C

RGB 200 243 124

HSL 81.68, 0.83%, 0.72%

LAB 90.7, -32.19, 52.46

 

CMYK 31 / 0 / 49 / 5

HEX #A8F37C

RGB 168 243 124

HSL 97.82, 0.83%, 0.72%

LAB 88.87, -43.5, 49.8

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 25 / 56 / 0

HEX #FEBF71

RGB 254 191 113

HSL 33.19, 0.99%, 0.72%

LAB 81.58, 14.16, 47.73

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 18 / 41 / 9

HEX #E7BD88

RGB 231 189 136

HSL 33.47, 0.66%, 0.72%

LAB 79.13, 8.1, 32.44

 

CMYK 0 / 15 / 33 / 14

HEX #DCBC93

RGB 220 188 147

HSL 33.7, 0.51%, 0.72%

LAB 78.05, 5.57, 25

 

CMYK 0 / 11 / 24 / 18

HEX #D0BA9F

RGB 208 186 159

HSL 33.06, 0.34%, 0.72%

LAB 76.7, 3.61, 16.55

 

CMYK 0 / 6 / 13 / 23

HEX #C5B9AB

RGB 197 185 171

HSL 32.31, 0.18%, 0.72%

LAB 75.77, 1.87, 8.62

 

CMYK 0 / 48 / 49 / 5

HEX #F37E7C

RGB 243 126 124

HSL 1.01, 0.83%, 0.72%

LAB 66.08, 44.53, 21.77

 

CMYK 0 / 35 / 49 / 5

HEX #F39E7C

RGB 243 158 124

HSL 17.14, 0.83%, 0.72%

LAB 72.87, 28.04, 30.81

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 9 / 49 / 5

HEX #F3DD7C

RGB 243 221 124

HSL 48.91, 0.83%, 0.72%

LAB 88.08, -4.82, 50.02

 

CMYK 4 / 0 / 49 / 5

HEX #E9F37C

RGB 233 243 124

HSL 65.04, 0.83%, 0.72%

LAB 92.96, -19.66, 55.71

 

CMYK 0 / 35 / 79 / 7

HEX #EC9931

RGB 236 153 49

HSL 33.37, 0.83%, 0.56%

LAB 70.06, 23.13, 63.46

 

CMYK 0 / 28 / 64 / 6

HEX #EFAB57

RGB 239 171 87

HSL 33.16, 0.83%, 0.64%

LAB 74.93, 16.69, 52.17

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 0 / 15 / 34 / 4

HEX #F6D1A2

RGB 246 209 162

HSL 33.57, 0.82%, 0.8%

LAB 85.91, 6.46, 28.15

 

CMYK 0 / 9 / 20 / 2

HEX #FAE4C8

RGB 250 228 200

HSL 33.6, 0.83%, 0.88%

LAB 91.68, 3.18, 16.39

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 37 / 0 / 49 / 5

HEX #9AF37C

RGB 154 243 124

HSL 104.87, 0.83%, 0.72%

LAB 88.17, -48.06, 48.8

 

CMYK 42 / 49 / 0 / 5

HEX #8E7CF3

RGB 142 124 243

HSL 249.08, 0.83%, 0.72%

LAB 58.64, 35.1, -57.69

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 49 / 0 / 22 / 5

HEX #7CF3BE

RGB 124 243 190

HSL 153.28, 0.83%, 0.72%

LAB 88.02, -45.65, 15.36

 

CMYK 22 / 49 / 0 / 5

HEX #BE7CF3

RGB 190 124 243

HSL 273.28, 0.83%, 0.72%

LAB 63.21, 47.2, -50.15

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 37 / 0 / 49 / 5

HEX #9AF37C

RGB 154 243 124

HSL 104.87, 0.83%, 0.72%

LAB 88.17, -48.06, 48.8

 

CMYK 49 / 27 / 0 / 5

HEX #7CB2F3

RGB 124 178 243

HSL 212.77, 0.83%, 0.72%

LAB 71.28, -0.24, -37.83

 

CMYK 12 / 49 / 0 / 5

HEX #D57CF3

RGB 213 124 243

HSL 284.87, 0.83%, 0.72%

LAB 65.77, 53.36, -45.92

 

CMYK 0 / 22 / 49 / 5

HEX #F3BE7C

RGB 243 190 124

HSL 33.28, 0.83%, 0.72%

LAB 80.37, 11.17, 40.46

 

CMYK 49 / 0 / 47 / 5

HEX #7CF382

RGB 124 243 130

HSL 123.03, 0.83%, 0.72%

LAB 87, -56.01, 44.21

 

CMYK 49 / 27 / 0 / 5

HEX #7CB2F3

RGB 124 178 243

HSL 212.77, 0.83%, 0.72%

LAB 71.28, -0.24, -37.83

 

CMYK 0 / 49 / 2 / 5

HEX #F37CED

RGB 243 124 237

HSL 303.03, 0.83%, 0.72%

LAB 69.17, 60.49, -37.04

 

Description

Color code: HEX #F3BE7C | qconv.com Color code: HEX #F3BE7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 190 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 190 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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