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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BA6D it is the complementary color #0C4592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BA6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BA6D shade: #F8BA68, #FFCC7B, #FFDE8E, #FFF0A1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BA6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BA6D shade: #F3BA6D, #E2A85A, #D19647, #C08434 and #AF7221

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BA6D shade: #F3BA6D, #F3966D, #F3726D and #F36D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BA6D shade: #F3BA6D, #F3DE6D, #E4F36D, #C0F36D and #9BF36D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BA6D shade matches the following richer shades: #F3BA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BA6D shade: #F3BA6D, #E6B87A, #DAB686, #CDB493 and #C0B2A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BA6D shade: #F3716D, #F3956D, #F3B96D, #F3DD6D and #E6F36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BA6D shade: #ED9620, #F0A847, #F3BA6D, #F6CC93 and #F9DEB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BA6D shade: #F3BA6D, #8CF36D and #836DF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BA6D shade: #F3BA6D, #6DF3B9 and #B96DF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BA6D shade: #F3BA6D, #8CF36D, #6DA7F3 and #D46DF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BA6D shade: #F3BA6D, #6DF376, #6DA7F3 and #F36DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

Complementary color

CMYK 92 / 53 / 0 / 43

HEX #0C4592

RGB 12 69 146

HSL 214.48, 0.85%, 0.31%

LAB 30.42, 14.05, -47.2

 

CMYK 0 / 25 / 58 / 3

HEX #F8BA68

RGB 248 186 104

HSL 34.17, 0.91%, 0.69%

LAB 79.66, 13.66, 49.7

 

CMYK 0 / 20 / 52 / 0

HEX #FFCC7B

RGB 255 204 123

HSL 36.82, 1%, 0.74%

LAB 84.93, 8.62, 46.91

 

CMYK 0 / 13 / 44 / 0

HEX #FFDE8E

RGB 255 222 142

HSL 42.48, 1%, 0.78%

LAB 89.61, 1.11, 43.34

 

CMYK 0 / 6 / 37 / 0

HEX #FFF0A1

RGB 255 240 161

HSL 50.43, 1%, 0.82%

LAB 94.38, -5.99, 40.03

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 26 / 60 / 11

HEX #E2A85A

RGB 226 168 90

HSL 34.41, 0.7%, 0.62%

LAB 72.83, 13.08, 47.95

 

CMYK 0 / 28 / 66 / 18

HEX #D19647

RGB 209 150 71

HSL 34.35, 0.6%, 0.55%

LAB 66.38, 14.33, 49.3

 

CMYK 0 / 31 / 73 / 25

HEX #C08434

RGB 192 132 52

HSL 34.29, 0.57%, 0.48%

LAB 59.85, 15.78, 50.53

 

CMYK 0 / 35 / 81 / 31

HEX #AF7221

RGB 175 114 33

HSL 34.23, 0.68%, 0.41%

LAB 53.23, 17.49, 51.37

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 38 / 55 / 5

HEX #F3966D

RGB 243 150 109

HSL 18.36, 0.85%, 0.69%

LAB 70.85, 30.95, 36.24

 

CMYK 0 / 53 / 55 / 5

HEX #F3726D

RGB 243 114 109

HSL 2.24, 0.85%, 0.69%

LAB 63.5, 49.14, 26.76

 

CMYK 0 / 55 / 55 / 5

HEX #F36D6D

RGB 243 109 109

HSL 0, 0.85%, 0.69%

LAB 62.59, 51.5, 25.55

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 9 / 55 / 5

HEX #F3DE6D

RGB 243 222 109

HSL 50.6, 0.85%, 0.69%

LAB 88.16, -6.56, 57.17

 

CMYK 6 / 0 / 55 / 5

HEX #E4F36D

RGB 228 243 109

HSL 66.72, 0.85%, 0.69%

LAB 92.44, -22.86, 61.76

 

CMYK 21 / 0 / 55 / 5

HEX #C0F36D

RGB 192 243 109

HSL 82.84, 0.85%, 0.69%

LAB 90.05, -36.58, 58.39

 

CMYK 36 / 0 / 55 / 5

HEX #9BF36D

RGB 155 243 109

HSL 99.4, 0.85%, 0.69%

LAB 88.05, -49.42, 55.56

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 20 / 47 / 10

HEX #E6B87A

RGB 230 184 122

HSL 34.44, 0.68%, 0.69%

LAB 77.58, 8.9, 37.69

 

CMYK 0 / 17 / 39 / 15

HEX #DAB686

RGB 218 182 134

HSL 34.29, 0.53%, 0.69%

LAB 76.12, 6.41, 29.28

 

CMYK 0 / 12 / 28 / 20

HEX #CDB493

RGB 205 180 147

HSL 34.14, 0.37%, 0.69%

LAB 74.65, 3.98, 20.15

 

CMYK 0 / 7 / 17 / 25

HEX #C0B2A0

RGB 192 178 160

HSL 33.75, 0.2%, 0.69%

LAB 73.28, 1.99, 11

 

CMYK 0 / 53 / 55 / 5

HEX #F3716D

RGB 243 113 109

HSL 1.79, 0.85%, 0.69%

LAB 63.32, 49.62, 26.51

 

CMYK 0 / 39 / 55 / 5

HEX #F3956D

RGB 243 149 109

HSL 17.91, 0.85%, 0.69%

LAB 70.63, 31.48, 35.96

 

CMYK 0 / 24 / 55 / 5

HEX #F3B96D

RGB 243 185 109

HSL 34.03, 0.85%, 0.69%

LAB 78.96, 12.52, 46.28

 

CMYK 0 / 9 / 55 / 5

HEX #F3DD6D

RGB 243 221 109

HSL 50.15, 0.85%, 0.69%

LAB 87.91, -6.05, 56.87

HEX #F3DD6D

CMYK 5 / 0 / 55 / 5

HEX #E6F36D

RGB 230 243 109

HSL 65.82, 0.85%, 0.69%

LAB 92.59, -22.08, 61.96

HEX #E6F36D

CMYK 0 / 37 / 86 / 7

HEX #ED9620

RGB 237 150 32

HSL 34.54, 0.85%, 0.53%

LAB 69.41, 24.66, 68.53

 

CMYK 0 / 30 / 70 / 6

HEX #F0A847

RGB 240 168 71

HSL 34.44, 0.85%, 0.61%

LAB 74.18, 17.79, 58.7

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 0 / 17 / 40 / 4

HEX #F6CC93

RGB 246 204 147

HSL 34.55, 0.85%, 0.77%

LAB 84.42, 7.35, 33.95

 

CMYK 0 / 11 / 26 / 2

HEX #F9DEB9

RGB 249 222 185

HSL 34.69, 0.84%, 0.85%

LAB 89.81, 3.8, 21.57

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 42 / 0 / 55 / 5

HEX #8CF36D

RGB 140 243 109

HSL 106.12, 0.85%, 0.69%

LAB 87.38, -54.1, 54.6

 

CMYK 46 / 55 / 0 / 5

HEX #836DF3

RGB 131 109 243

HSL 249.85, 0.85%, 0.69%

LAB 54.27, 41.29, -64.75

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 55 / 0 / 24 / 5

HEX #6DF3B9

RGB 109 243 185

HSL 154.03, 0.85%, 0.69%

LAB 87.41, -50.04, 17.03

 

CMYK 24 / 55 / 0 / 5

HEX #B96DF3

RGB 185 109 243

HSL 274.03, 0.85%, 0.69%

LAB 59.64, 53.77, -55.85

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 42 / 0 / 55 / 5

HEX #8CF36D

RGB 140 243 109

HSL 106.12, 0.85%, 0.69%

LAB 87.38, -54.1, 54.6

 

CMYK 55 / 31 / 0 / 5

HEX #6DA7F3

RGB 109 167 243

HSL 214.03, 0.85%, 0.69%

LAB 67.55, 2.66, -43.72

 

CMYK 13 / 55 / 0 / 5

HEX #D46DF3

RGB 212 109 243

HSL 286.12, 0.85%, 0.69%

LAB 62.85, 60.5, -50.55

 

CMYK 0 / 23 / 55 / 5

HEX #F3BA6D

RGB 243 186 109

HSL 34.48, 0.85%, 0.69%

LAB 79.2, 11.99, 46.57

 

CMYK 55 / 0 / 51 / 5

HEX #6DF376

RGB 109 243 118

HSL 124.03, 0.85%, 0.69%

LAB 86.34, -61.39, 48.96

 

CMYK 55 / 31 / 0 / 5

HEX #6DA7F3

RGB 109 167 243

HSL 214.03, 0.85%, 0.69%

LAB 67.55, 2.66, -43.72

 

CMYK 0 / 55 / 4 / 5

HEX #F36DEA

RGB 243 109 234

HSL 304.03, 0.85%, 0.69%

LAB 66.47, 66.87, -39.6

 

Description

Color code: HEX #F3BA6D | qconv.com Color code: HEX #F3BA6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 186 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 186 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 55% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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