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Color name
HEX #F3B82ACE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3B82ACE it is the complementary color #0C47D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #F3B82ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3B82ACE shade: #F8B825CE, #FFCA38CE, #FFDC4BCE, #FFEE5ECE and #FFFF71CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #F3B82ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3B82ACE shade: #F3B82ACE, #E2A617CE, #D19404CE, #C08200CE and #AF7000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3B82ACE shade: #F3B82B, #F3822B, #F34C2B and #F32B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3B82ACE shade: #F3B82B, #F3EE2B, #C2F32B, #8CF32B and #56F32B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3B82ACE shade matches the following richer shades: #F3B82B

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3B82ACE shade: #F3B82B, #E1B13D, #CEA94F, #BCA261 and #AA9A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3B82ACE shade: #F34C2B, #F3812B, #F3B72B, #F3EC2B and #C4F32B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3B82ACE shade: #C08B0B, #E7A70D, #F3B82B, #F5C552 and #F7D279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3B82ACE shade: #F3B82A, #3FF32B and #672BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3B82ACE shade: #F3B82A, #2BF3B7 and #B72BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3B82ACE shade: #F3B82A, #3FF32B, #2B67F3 and #DF2BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3B82ACE shade: #F3B82A, #2BF353, #2B67F3 and #F32BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 67 / 4

RGBA 243 184 42 0.81

HSLA 42.39, 0.89%, 0.56%, 0.81

LABA 78.17, 9.53, 73.21, 0.81

Complementary color

CMYK 76 / 54 / 0 / 13

RGBA 12 71 213 0.81

HSLA 222.39, 0.89%, 0.44%, 0.81

LABA 36.72, 39.39, -76.64, 0.81

Lighter colors

CMYK 0 / 21 / 69 / 2

RGBA 248 184 37 0.81

HSLA 41.8, 0.94%, 0.56%, 0.81

LABA 78.68, 11.54, 75.21, 0.81

CMYK 0 / 17 / 63 / 0

RGBA 255 202 56 0.81

HSLA 44.02, 1%, 0.61%, 0.81

LABA 83.85, 5.71, 74.37, 0.81

CMYK 0 / 11 / 57 / 0

RGBA 255 220 75 0.81

HSLA 48.33, 1%, 0.65%, 0.81

LABA 88.43, -2.69, 72.04, 0.81

CMYK 0 / 5 / 51 / 0

RGBA 255 238 94 0.81

HSLA 53.66, 1%, 0.68%, 0.81

LABA 93.11, -10.67, 69.42, 0.81

CMYK 0 / 0 / 45 / 0

RGBA 255 255 113 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.62, -17.7, 66.42, 0.81

Darker colors

CMYK 0 / 20 / 67 / 4

RGBA 243 184 42 0.81

HSLA 42.39, 0.89%, 0.56%, 0.81

LABA 78.17, 9.53, 73.21, 0.81

CMYK 0 / 22 / 73 / 9

RGBA 226 166 23 0.81

HSLA 42.27, 0.82%, 0.49%, 0.81

LABA 71.9, 11.29, 72.09, 0.81

CMYK 0 / 24 / 79 / 15

RGBA 209 148 4 0.81

HSLA 42.15, 0.96%, 0.42%, 0.81

LABA 65.55, 13.27, 69.58, 0.81

CMYK 0 / 26 / 81 / 20

RGBA 192 130 0 0.81

HSLA 40.63, 1%, 0.38%, 0.81

LABA 59.13, 15.52, 64.89, 0.81

CMYK 0 / 29 / 81 / 25

RGBA 175 112 0 0.81

HSLA 38.4, 1%, 0.34%, 0.81

LABA 52.62, 17.92, 59.57, 0.81

Warmer colors

CMYK 0 / 24 / 82 / 5

HSL 42.3, 0.89%, 0.56%

LAB 78.18, 9.56, 72.93

CMYK 0 / 47 / 82 / 5

HSL 26.1, 0.89%, 0.56%

LAB 65.9, 37.78, 62.3

CMYK 0 / 69 / 82 / 5

HSL 9.9, 0.89%, 0.56%

LAB 56.48, 62.21, 53.89

CMYK 0 / 82 / 82 / 5

HSL 0, 0.89%, 0.56%

LAB 52.9, 72.19, 50.62

Colder colors

CMYK 0 / 24 / 82 / 5

HSL 42.3, 0.89%, 0.56%

LAB 78.18, 9.56, 72.93

CMYK 0 / 2 / 82 / 5

HSL 58.5, 0.89%, 0.56%

LAB 91.85, -17.76, 84.49

CMYK 20 / 0 / 82 / 5

HSL 74.7, 0.89%, 0.56%

LAB 89.74, -39.79, 81.32

CMYK 42 / 0 / 82 / 5

HSL 90.9, 0.89%, 0.56%

LAB 86.92, -58.9, 77.76

CMYK 65 / 0 / 82 / 5

HSL 107.1, 0.89%, 0.56%

LAB 85.13, -73.04, 75.47

Richer colors

CMYK 0 / 24 / 82 / 5

HSL 42.3, 0.89%, 0.56%

LAB 78.18, 9.56, 72.93

Paler colors

CMYK 0 / 24 / 82 / 5

HSL 42.3, 0.89%, 0.56%

LAB 78.18, 9.56, 72.93

CMYK 0 / 21 / 73 / 12

HSL 42.44, 0.73%, 0.56%

LAB 74.69, 6.2, 62.85

CMYK 0 / 18 / 62 / 19

HSL 42.52, 0.56%, 0.56%

LAB 70.91, 3.32, 50.49

CMYK 0 / 14 / 48 / 26

HSL 42.86, 0.4%, 0.56%

LAB 67.57, 0.92, 37.16

CMYK 0 / 9 / 32 / 33

RGB 170 154 116

HSL 42.22, 0.24%, 0.56%

LAB 64.09, -0.01, 22.12

Analogue colors

CMYK 0 / 69 / 82 / 5

HSL 9.9, 0.89%, 0.56%

LAB 56.48, 62.21, 53.89

CMYK 0 / 47 / 82 / 5

HSL 25.8, 0.89%, 0.56%

LAB 65.69, 38.29, 62.12

CMYK 0 / 25 / 82 / 5

HSL 42, 0.89%, 0.56%

LAB 77.93, 10.08, 72.72

CMYK 0 / 3 / 82 / 5

HSL 57.9, 0.89%, 0.56%

LAB 91.33, -16.79, 84.05

CMYK 19 / 0 / 82 / 5

HSL 74.1, 0.89%, 0.56%

LAB 89.86, -39.02, 81.47

Monochromatic colors

CMYK 0 / 28 / 94 / 25

HSL 42.43, 0.89%, 0.4%

LAB 61.39, 10.71, 64.73

CMYK 0 / 28 / 94 / 9

HSL 42.39, 0.89%, 0.48%

LAB 72.66, 12.78, 74.58

CMYK 0 / 24 / 82 / 5

HSL 42.3, 0.89%, 0.56%

LAB 78.18, 9.56, 72.93

CMYK 0 / 20 / 67 / 4

HSL 42.33, 0.89%, 0.64%

LAB 81.81, 5.26, 62.15

CMYK 0 / 15 / 51 / 3

RGB 247 210 121

HSL 42.38, 0.89%, 0.72%

LAB 85.63, 2.13, 48.57

Partial complementary colors

CMYK 0 / 24 / 83 / 5

HSL 42.39, 0.89%, 0.56%

LAB 78.17, 9.53, 73.21

CMYK 74 / 0 / 82 / 5

HSL 114, 0.89%, 0.56%

LAB 84.65, -77.06, 74.87

CMYK 58 / 82 / 0 / 5

HSL 258, 0.89%, 0.56%

LAB 39.72, 69.75, -88.62

Triadic colors

CMYK 0 / 24 / 83 / 5

HSL 42.39, 0.89%, 0.56%

LAB 78.17, 9.53, 73.21

CMYK 82 / 0 / 25 / 5

HSL 162, 0.89%, 0.56%

LAB 86.02, -60.15, 15.91

CMYK 25 / 82 / 0 / 5

HSL 282, 0.89%, 0.56%

LAB 49.82, 79.97, -71.68

Rectangular (tetradic) colors

CMYK 0 / 24 / 83 / 5

HSL 42.39, 0.89%, 0.56%

LAB 78.17, 9.53, 73.21

CMYK 74 / 0 / 82 / 5

HSL 114, 0.89%, 0.56%

LAB 84.65, -77.06, 74.87

CMYK 82 / 58 / 0 / 5

HSL 222, 0.89%, 0.56%

LAB 47.86, 31.85, -75.38

CMYK 8 / 82 / 0 / 5

HSL 294, 0.89%, 0.56%

LAB 55.97, 86.48, -61.43

Square colors

CMYK 0 / 24 / 83 / 5

HSL 42.39, 0.89%, 0.56%

LAB 78.17, 9.53, 73.21

CMYK 82 / 0 / 66 / 5

HSL 132, 0.89%, 0.56%

LAB 84.61, -76.61, 61.79

CMYK 82 / 58 / 0 / 5

HSL 222, 0.89%, 0.56%

LAB 47.86, 31.85, -75.38

CMYK 0 / 82 / 16 / 5

HSL 312, 0.89%, 0.56%

LAB 57.17, 84.46, -36.7

Description

Color code: HEX #F3B82ACE | qconv.com

Color code: HEX #F3B82ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 184 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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