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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3B714CE it is the complementary color #0C48EBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3B714CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3B714CE shade: #F8B70FCE, #FFC922CE, #FFDB35CE, #FFED48CE and #FFFF5BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3B714CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3B714CE shade: #F3B714CE, #E2A501CE, #D19300CE, #C08100CE and #AF6F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3B714CE shade: #F3B716, #F37C16, #F34116 and #F31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3B714CE shade: #F3B716, #F3F316, #B7F316, #7CF316 and #40F316

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3B714CE shade matches the following richer shades: #F3B716

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3B714CE shade: #F3B716, #DFAE2A, #CBA53E, #B79C52 and #A49366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3B714CE shade: #F33F16, #F37A16, #F3B416, #F3EF16 and #BCF316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3B714CE shade: #AE8109, #D59F0B, #F3B716, #F5C43E and #F7D065

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3B714CE shade: #F3B714, #29F316 and #5C16F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3B714CE shade: #F3B714, #16F3B4 and #B416F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3B714CE shade: #F3B714, #29F316, #1655F3 and #E016F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3B714CE shade: #F3B714, #16F346, #1655F3 and #F316C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 74 / 4

HEX #F3B714CE

RGBA 243 183 20 0.81

HSLA 43.86, 0.9%, 0.52%, 0.81

LABA 77.86, 9.61, 77.92, 0.81

 

Complementary color

CMYK 77 / 56 / 0 / 6

HEX #0C48EBCE

RGBA 12 72 235 0.81

HSLA 223.86, 0.9%, 0.48%, 0.81

LABA 39.09, 46.8, -85.3, 0.81

 

CMYK 0 / 21 / 76 / 2

HEX #F8B70FCE

RGBA 248 183 15 0.81

HSLA 43.26, 0.94%, 0.52%, 0.81

LABA 78.38, 11.69, 79.27, 0.81

 

CMYK 0 / 17 / 70 / 0

HEX #FFC922CE

RGBA 255 201 34 0.81

HSLA 45.34, 1%, 0.57%, 0.81

LABA 83.52, 5.63, 80.13, 0.81

 

CMYK 0 / 11 / 64 / 0

HEX #FFDB35CE

RGBA 255 219 53 0.81

HSLA 49.31, 1%, 0.6%, 0.81

LABA 88.06, -3.05, 79.05, 0.81

 

CMYK 0 / 6 / 58 / 0

HEX #FFED48CE

RGBA 255 237 72 0.81

HSLA 54.1, 1%, 0.64%, 0.81

LABA 92.71, -11.31, 77.28, 0.81

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF5BCE

RGBA 255 255 91 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.44, -19.1, 75.13, 0.81

 

CMYK 0 / 20 / 74 / 4

HEX #F3B714CE

RGBA 243 183 20 0.81

HSLA 43.86, 0.9%, 0.52%, 0.81

LABA 77.86, 9.61, 77.92, 0.81

 

CMYK 0 / 22 / 81 / 9

HEX #E2A501CE

RGBA 226 165 1 0.81

HSLA 43.73, 0.99%, 0.45%, 0.81

LABA 71.61, 11.56, 75.02, 0.81

 

CMYK 0 / 24 / 81 / 15

HEX #D19300CE

RGBA 209 147 0 0.81

HSLA 42.2, 1%, 0.41%, 0.81

LABA 65.3, 13.77, 69.97, 0.81

 

CMYK 0 / 27 / 81 / 20

HEX #C08100CE

RGBA 192 129 0 0.81

HSLA 40.31, 1%, 0.38%, 0.81

LABA 58.89, 16.08, 64.72, 0.81

 

CMYK 0 / 30 / 81 / 25

HEX #AF6F00CE

RGBA 175 111 0 0.81

HSLA 38.06, 1%, 0.34%, 0.81

LABA 52.38, 18.48, 59.41, 0.81

 

CMYK 0 / 25 / 91 / 5

HEX #F3B716

RGB 243 183 22

HSL 43.71, 0.9%, 0.52%

LAB 77.86, 9.64, 77.59

 

CMYK 0 / 49 / 91 / 5

HEX #F37C16

RGB 243 124 22

HSL 27.69, 0.9%, 0.52%

LAB 64.59, 40.36, 67.83

 

CMYK 0 / 73 / 91 / 5

HEX #F34116

RGB 243 65 22

HSL 11.67, 0.9%, 0.52%

LAB 54.96, 65.67, 61.13

 

CMYK 0 / 91 / 91 / 5

HEX #F31616

RGB 243 22 22

HSL 0, 0.9%, 0.52%

LAB 51.48, 75.51, 58.84

 

CMYK 0 / 25 / 91 / 5

HEX #F3B716

RGB 243 183 22

HSL 43.71, 0.9%, 0.52%

LAB 77.86, 9.64, 77.59

 

CMYK 0 / 0 / 91 / 5

HEX #F3F316

RGB 243 243 22

HSL 60, 0.9%, 0.52%

LAB 93.11, -20.58, 89.19

 

CMYK 25 / 0 / 91 / 5

HEX #B7F316

RGB 183 243 22

HSL 76.29, 0.9%, 0.52%

LAB 89.03, -44.5, 84.25

 

CMYK 49 / 0 / 91 / 5

HEX #7CF316

RGB 124 243 22

HSL 92.31, 0.9%, 0.52%

LAB 86.23, -64.37, 80.81

 

CMYK 74 / 0 / 91 / 5

HEX #40F316

RGB 64 243 22

HSL 108.6, 0.9%, 0.52%

LAB 84.61, -77.66, 78.81

 

CMYK 0 / 25 / 91 / 5

HEX #F3B716

RGB 243 183 22

HSL 43.71, 0.9%, 0.52%

LAB 77.86, 9.64, 77.59

 

CMYK 0 / 25 / 91 / 5

HEX #F3B716

RGB 243 183 22

HSL 43.71, 0.9%, 0.52%

LAB 77.86, 9.64, 77.59

 

CMYK 0 / 22 / 81 / 13

HEX #DFAE2A

RGB 223 174 42

HSL 43.76, 0.74%, 0.52%

LAB 73.63, 6.19, 68.49

 

CMYK 0 / 19 / 69 / 20

HEX #CBA53E

RGB 203 165 62

HSL 43.83, 0.58%, 0.52%

LAB 69.44, 3.13, 56.42

 

CMYK 0 / 15 / 55 / 28

HEX #B79C52

RGB 183 156 82

HSL 43.96, 0.41%, 0.52%

LAB 65.32, 0.69, 41.99

 

CMYK 0 / 10 / 38 / 36

HEX #A49366

RGB 164 147 102

HSL 43.55, 0.25%, 0.52%

LAB 61.41, -0.42, 26.15

 

CMYK 0 / 74 / 91 / 5

HEX #F33F16

RGB 243 63 22

HSL 11.13, 0.9%, 0.52%

LAB 54.73, 66.31, 60.97

 

CMYK 0 / 50 / 91 / 5

HEX #F37A16

RGB 243 122 22

HSL 27.15, 0.9%, 0.52%

LAB 64.19, 41.35, 67.54

 

CMYK 0 / 26 / 91 / 5

HEX #F3B416

RGB 243 180 22

HSL 42.9, 0.9%, 0.52%

LAB 77.13, 11.21, 77.04

 

CMYK 0 / 2 / 91 / 5

HEX #F3EF16

RGB 243 239 22

HSL 58.91, 0.9%, 0.52%

LAB 92.06, -18.66, 88.39

 

CMYK 23 / 0 / 91 / 5

HEX #BCF316

RGB 188 243 22

HSL 74.93, 0.9%, 0.52%

LAB 89.32, -42.6, 84.6

 

CMYK 0 / 26 / 95 / 32

HEX #AE8109

RGB 174 129 9

HSL 43.64, 0.9%, 0.36%

LAB 56.8, 8.07, 60.78

 

CMYK 0 / 25 / 95 / 16

HEX #D59F0B

RGB 213 159 11

HSL 43.96, 0.9%, 0.44%

LAB 68.73, 9.18, 71.11

 

CMYK 0 / 25 / 91 / 5

HEX #F3B716

RGB 243 183 22

HSL 43.71, 0.9%, 0.52%

LAB 77.86, 9.64, 77.59

 

CMYK 0 / 20 / 75 / 4

HEX #F5C43E

RGB 245 196 62

HSL 43.93, 0.9%, 0.6%

LAB 81.42, 4.82, 69.69

 

CMYK 0 / 16 / 59 / 3

HEX #F7D065

RGB 247 208 101

HSL 43.97, 0.9%, 0.68%

LAB 84.91, 1.61, 57.18

 

CMYK 0 / 25 / 92 / 5

HEX #F3B714

RGB 243 183 20

HSL 43.86, 0.9%, 0.52%

LAB 77.86, 9.61, 77.92

 

CMYK 83 / 0 / 91 / 5

HEX #29F316

RGB 41 243 22

HSL 114.84, 0.9%, 0.52%

LAB 84.29, -80.49, 78.41

 

CMYK 62 / 91 / 0 / 5

HEX #5C16F3

RGB 92 22 243

HSL 259, 0.9%, 0.52%

LAB 36.59, 74.99, -93.83

 

CMYK 0 / 25 / 92 / 5

HEX #F3B714

RGB 243 183 20

HSL 43.86, 0.9%, 0.52%

LAB 77.86, 9.61, 77.92

 

CMYK 91 / 0 / 26 / 5

HEX #16F3B4

RGB 22 243 180

HSL 162.9, 0.9%, 0.52%

LAB 85.79, -62.13, 17.11

 

CMYK 26 / 91 / 0 / 5

HEX #B416F3

RGB 180 22 243

HSL 282.9, 0.9%, 0.52%

LAB 47.94, 83.75, -74.75

 

CMYK 0 / 25 / 92 / 5

HEX #F3B714

RGB 243 183 20

HSL 43.86, 0.9%, 0.52%

LAB 77.86, 9.61, 77.92

 

CMYK 83 / 0 / 91 / 5

HEX #29F316

RGB 41 243 22

HSL 114.84, 0.9%, 0.52%

LAB 84.29, -80.49, 78.41

 

CMYK 91 / 65 / 0 / 5

HEX #1655F3

RGB 22 85 243

HSL 222.9, 0.9%, 0.52%

LAB 42.97, 42, -83.41

 

CMYK 8 / 91 / 0 / 5

HEX #E016F3

RGB 224 22 243

HSL 294.84, 0.9%, 0.52%

LAB 54.96, 90.1, -63.05

 

CMYK 0 / 25 / 92 / 5

HEX #F3B714

RGB 243 183 20

HSL 43.86, 0.9%, 0.52%

LAB 77.86, 9.61, 77.92

 

CMYK 91 / 0 / 71 / 5

HEX #16F346

RGB 22 243 70

HSL 133.03, 0.9%, 0.52%

LAB 84.34, -79.34, 66.32

 

CMYK 91 / 65 / 0 / 5

HEX #1655F3

RGB 22 85 243

HSL 222.9, 0.9%, 0.52%

LAB 42.97, 42, -83.41

 

CMYK 0 / 91 / 20 / 5

HEX #F316C3

RGB 243 22 195

HSL 313.03, 0.9%, 0.52%

LAB 55.65, 86.82, -34.47

 

Description

Color code: HEX #F3B714CE | qconv.com Color code: HEX #F3B714CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 183 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 183 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 74 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 74% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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