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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3B35ACE it is the complementary color #0C4CA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3B35ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3B35ACE shade: #F8B355CE, #FFC568CE, #FFD77BCE, #FFE98ECE and #FFFBA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3B35ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3B35ACE shade: #F3B35ACE, #E2A147CE, #D18F34CE, #C07D21CE and #AF6B0ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3B35ACE shade: #F3B259, #F38959, #F35F59 and #F35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3B35ACE shade: #F3B259, #F3DC59, #E0F359, #B7F359 and #8DF359

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3B35ACE shade matches the following richer shades: #F3B259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3B35ACE shade: #F3B259, #E4B067, #D6AE76, #C7AB84 and #B9A993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3B35ACE shade: #F35E59, #F38759, #F3B059, #F3D959 and #E3F359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3B35ACE shade: #E88E11, #F0A133, #F3B259, #F5C47F and #F8D6A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3B35ACE shade: #F3B35A, #7DF359 and #7359F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3B35ACE shade: #F3B35A, #59F3B0 and #B059F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3B35ACE shade: #F3B35A, #7DF359, #599CF3 and #CF59F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3B35ACE shade: #F3B35A, #59F363, #599CF3 and #F359E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 51 / 4

HEX #F3B35ACE

RGBA 243 179 90 0.81

HSLA 34.9, 0.86%, 0.65%, 0.81

LABA 77.3, 14.32, 53.55, 0.81

 

Complementary color

CMYK 75 / 44 / 0 / 29

HEX #0C4CA5CE

RGBA 12 76 165 0.81

HSLA 214.9, 0.86%, 0.35%, 0.81

LABA 33.91, 17.15, -53.05, 0.81

 

CMYK 0 / 23 / 53 / 2

HEX #F8B355CE

RGBA 248 179 85 0.81

HSLA 34.6, 0.92%, 0.65%, 0.81

LABA 77.79, 16.08, 56.56, 0.81

 

CMYK 0 / 18 / 48 / 0

HEX #FFC568CE

RGBA 255 197 104 0.81

HSLA 36.95, 1%, 0.7%, 0.81

LABA 83.02, 10.78, 53.82, 0.81

 

CMYK 0 / 13 / 42 / 0

HEX #FFD77BCE

RGBA 255 215 123 0.81

HSLA 41.82, 1%, 0.74%, 0.81

LABA 87.63, 2.96, 50.2, 0.81

 

CMYK 0 / 7 / 36 / 0

HEX #FFE98ECE

RGBA 255 233 142 0.81

HSLA 48.32, 1%, 0.78%, 0.81

LABA 92.35, -4.45, 46.8, 0.81

 

CMYK 0 / 1 / 30 / 0

HEX #FFFBA1CE

RGBA 255 251 161 0.81

HSLA 57.45, 1%, 0.82%, 0.81

LABA 97.16, -11.43, 43.62, 0.81

 

CMYK 0 / 21 / 51 / 4

HEX #F3B35ACE

RGBA 243 179 90 0.81

HSLA 34.9, 0.86%, 0.65%, 0.81

LABA 77.3, 14.32, 53.55, 0.81

 

CMYK 0 / 23 / 56 / 9

HEX #E2A147CE

RGBA 226 161 71 0.81

HSLA 34.84, 0.73%, 0.58%, 0.81

LABA 70.95, 15.63, 54.81, 0.81

 

CMYK 0 / 26 / 61 / 15

HEX #D18F34CE

RGBA 209 143 52 0.81

HSLA 34.78, 0.63%, 0.51%, 0.81

LABA 64.52, 17.14, 55.88, 0.81

 

CMYK 0 / 28 / 67 / 20

HEX #C07D21CE

RGBA 192 125 33 0.81

HSLA 34.72, 0.71%, 0.44%, 0.81

LABA 58.02, 18.88, 56.45, 0.81

 

CMYK 0 / 31 / 75 / 25

HEX #AF6B0ECE

RGBA 175 107 14 0.81

HSLA 34.66, 0.85%, 0.37%, 0.81

LABA 51.45, 20.91, 55.91, 0.81

 

CMYK 0 / 27 / 63 / 5

HEX #F3B259

RGB 243 178 89

HSL 34.68, 0.87%, 0.65%

LAB 77.05, 14.78, 53.74

 

CMYK 0 / 44 / 63 / 5

HEX #F38959

RGB 243 137 89

HSL 18.7, 0.87%, 0.65%

LAB 67.77, 36.27, 43

 

CMYK 0 / 61 / 63 / 5

HEX #F35F59

RGB 243 95 89

HSL 2.34, 0.87%, 0.65%

LAB 59.85, 56.46, 33.35

 

CMYK 0 / 63 / 63 / 5

HEX #F35959

RGB 243 89 89

HSL 0, 0.87%, 0.65%

LAB 58.9, 59.01, 32.15

 

CMYK 0 / 27 / 63 / 5

HEX #F3B259

RGB 243 178 89

HSL 34.68, 0.87%, 0.65%

LAB 77.05, 14.78, 53.74

 

CMYK 0 / 9 / 63 / 5

HEX #F3DC59

RGB 243 220 89

HSL 51.04, 0.87%, 0.65%

LAB 87.47, -6.92, 65.17

 

CMYK 8 / 0 / 63 / 5

HEX #E0F359

RGB 224 243 89

HSL 67.4, 0.87%, 0.65%

LAB 91.98, -25.85, 69.5

 

CMYK 25 / 0 / 63 / 5

HEX #B7F359

RGB 183 243 89

HSL 83.38, 0.87%, 0.65%

LAB 89.34, -41.53, 65.9

 

CMYK 42 / 0 / 63 / 5

HEX #8DF359

RGB 141 243 89

HSL 99.74, 0.87%, 0.65%

LAB 87.23, -55.74, 63

 

CMYK 0 / 27 / 63 / 5

HEX #F3B259

RGB 243 178 89

HSL 34.68, 0.87%, 0.65%

LAB 77.05, 14.78, 53.74

 

CMYK 0 / 27 / 63 / 5

HEX #F3B259

RGB 243 178 89

HSL 34.68, 0.87%, 0.65%

LAB 77.05, 14.78, 53.74

 

CMYK 0 / 23 / 55 / 11

HEX #E4B067

RGB 228 176 103

HSL 35.04, 0.7%, 0.65%

LAB 75.15, 10.64, 44.3

 

CMYK 0 / 19 / 45 / 16

HEX #D6AE76

RGB 214 174 118

HSL 35, 0.54%, 0.65%

LAB 73.47, 7.33, 34.18

 

CMYK 0 / 14 / 34 / 22

HEX #C7AB84

RGB 199 171 132

HSL 34.93, 0.37%, 0.65%

LAB 71.51, 4.49, 23.87

 

CMYK 0 / 9 / 21 / 27

HEX #B9A993

RGB 185 169 147

HSL 34.74, 0.21%, 0.65%

LAB 70.03, 2.17, 13.45

 

CMYK 0 / 61 / 63 / 5

HEX #F35E59

RGB 243 94 89

HSL 1.95, 0.87%, 0.65%

LAB 59.69, 56.89, 33.14

 

CMYK 0 / 44 / 63 / 5

HEX #F38759

RGB 243 135 89

HSL 17.92, 0.87%, 0.65%

LAB 67.35, 37.3, 42.5

 

CMYK 0 / 28 / 63 / 5

HEX #F3B059

RGB 243 176 89

HSL 33.9, 0.87%, 0.65%

LAB 76.57, 15.83, 53.2

 

CMYK 0 / 11 / 63 / 5

HEX #F3D959

RGB 243 217 89

HSL 49.87, 0.87%, 0.65%

LAB 86.7, -5.4, 64.35

 

CMYK 7 / 0 / 63 / 5

HEX #E3F359

RGB 227 243 89

HSL 66.23, 0.87%, 0.65%

LAB 92.2, -24.66, 69.8

 

CMYK 0 / 39 / 93 / 9

HEX #E88E11

RGB 232 142 17

HSL 34.88, 0.86%, 0.49%

LAB 66.93, 26.53, 69.9

 

CMYK 0 / 33 / 79 / 6

HEX #F0A133

RGB 240 161 51

HSL 34.92, 0.86%, 0.57%

LAB 72.4, 20.65, 65.04

 

CMYK 0 / 27 / 63 / 5

HEX #F3B259

RGB 243 178 89

HSL 34.68, 0.87%, 0.65%

LAB 77.05, 14.78, 53.74

 

CMYK 0 / 20 / 48 / 4

HEX #F5C47F

RGB 245 196 127

HSL 35.08, 0.86%, 0.73%

LAB 82.07, 9.11, 41.13

 

CMYK 0 / 14 / 33 / 3

HEX #F8D6A6

RGB 248 214 166

HSL 35.12, 0.85%, 0.81%

LAB 87.39, 5.12, 28.11

 

CMYK 0 / 26 / 63 / 5

HEX #F3B35A

RGB 243 179 90

HSL 34.9, 0.86%, 0.65%

LAB 77.3, 14.32, 53.55

 

CMYK 49 / 0 / 63 / 5

HEX #7DF359

RGB 125 243 89

HSL 105.97, 0.87%, 0.65%

LAB 86.59, -60.44, 62.12

 

CMYK 53 / 63 / 0 / 5

HEX #7359F3

RGB 115 89 243

HSL 250.13, 0.87%, 0.65%

LAB 48.59, 49.56, -74.03

 

CMYK 0 / 26 / 63 / 5

HEX #F3B35A

RGB 243 179 90

HSL 34.9, 0.86%, 0.65%

LAB 77.3, 14.32, 53.55

 

CMYK 63 / 0 / 28 / 5

HEX #59F3B0

RGB 89 243 176

HSL 153.9, 0.87%, 0.65%

LAB 86.68, -55.78, 20.56

 

CMYK 28 / 63 / 0 / 5

HEX #B059F3

RGB 176 89 243

HSL 273.9, 0.87%, 0.65%

LAB 54.91, 61.56, -63.48

 

CMYK 0 / 26 / 63 / 5

HEX #F3B35A

RGB 243 179 90

HSL 34.9, 0.86%, 0.65%

LAB 77.3, 14.32, 53.55

 

CMYK 49 / 0 / 63 / 5

HEX #7DF359

RGB 125 243 89

HSL 105.97, 0.87%, 0.65%

LAB 86.59, -60.44, 62.12

 

CMYK 63 / 36 / 0 / 5

HEX #599CF3

RGB 89 156 243

HSL 213.9, 0.87%, 0.65%

LAB 63.65, 5.19, -49.92

 

CMYK 15 / 63 / 0 / 5

HEX #CF59F3

RGB 207 89 243

HSL 285.97, 0.87%, 0.65%

LAB 58.86, 68.39, -56.93

 

CMYK 0 / 26 / 63 / 5

HEX #F3B35A

RGB 243 179 90

HSL 34.9, 0.86%, 0.65%

LAB 77.3, 14.32, 53.55

 

CMYK 63 / 0 / 59 / 5

HEX #59F363

RGB 89 243 99

HSL 123.9, 0.87%, 0.65%

LAB 85.57, -68.09, 56.46

 

CMYK 63 / 36 / 0 / 5

HEX #599CF3

RGB 89 156 243

HSL 213.9, 0.87%, 0.65%

LAB 63.65, 5.19, -49.92

 

CMYK 0 / 63 / 5 / 5

HEX #F359E8

RGB 243 89 232

HSL 304.29, 0.87%, 0.65%

LAB 63.36, 74.82, -43.35

 

Description

Color code: HEX #F3B35ACE | qconv.com Color code: HEX #F3B35ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 179 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 179 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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