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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AFF6 it is the complementary color #0C5009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AFF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AFF6 shade: #F8AFF1, #FFC1FF, #FFD3FF, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AFF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AFF6 shade: #F3AFF6, #E29DE3, #D18BD0, #C079BD and #AF67AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AFF6 shade: #F3B1F6, #F6B1E7, #F6B1D4, #F6B1C1 and #F6B1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AFF6 shade: #F3B1F6, #E1B1F6, #CEB1F6, #BBB1F6 and #B1B1F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AFF6 shade matches the following richer shades: #F3B1F6 and #FAAAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AFF6 shade: #F3B1F6, #EDB8EF, #E7BFE8, #E0C6E1 and #DACDDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AFF6 shade: #CEB1F6, #E0B1F6, #F3B1F6, #F6B1E7 and #F6B1D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AFF6 shade: #E867EE, #EE8CF2, #F3B1F6, #F9D6FA and #FEFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AFF6 shade: #F3AFF6, #F6BBB1 and #B1F6D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AFF6 shade: #F3AFF6, #F6F3B1 and #B1F6F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AFF6 shade: #F3AFF6, #F6BBB1, #B4F6B1 and #B1ECF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AFF6 shade: #F3AFF6, #F6D0B1, #B4F6B1 and #B1D7F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

Complementary color

CMYK 85 / 0 / 89 / 69

HEX #0C5009

RGB 12 80 9

HSL 117.46, 0.8%, 0.17%

LAB 28.99, -34.71, 32.78

 

CMYK 0 / 29 / 3 / 3

HEX #F8AFF1

RGB 248 175 241

HSL 305.75, 0.84%, 0.83%

LAB 80.16, 36.87, -22.27

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

CMYK 0 / 31 / 0 / 11

HEX #E29DE3

RGB 226 157 227

HSL 299.14, 0.56%, 0.75%

LAB 73.43, 36.86, -25.14

 

CMYK 0 / 33 / 0 / 18

HEX #D18BD0

RGB 209 139 208

HSL 300.86, 0.43%, 0.68%

LAB 66.96, 37.57, -24.73

 

CMYK 0 / 37 / 2 / 25

HEX #C079BD

RGB 192 121 189

HSL 302.54, 0.36%, 0.61%

LAB 60.39, 38.31, -24.29

 

CMYK 0 / 41 / 3 / 31

HEX #AF67AA

RGB 175 103 170

HSL 304.17, 0.31%, 0.55%

LAB 53.73, 39.08, -23.8

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 0 / 28 / 6 / 4

HEX #F6B1E7

RGB 246 177 231

HSL 313.04, 0.79%, 0.83%

LAB 80.07, 33.43, -17.04

 

CMYK 0 / 28 / 14 / 4

HEX #F6B1D4

RGB 246 177 212

HSL 329.57, 0.79%, 0.83%

LAB 79.49, 30.28, -7.64

 

CMYK 0 / 28 / 22 / 4

HEX #F6B1C1

RGB 246 177 193

HSL 346.09, 0.79%, 0.83%

LAB 78.98, 27.38, 1.9

 

CMYK 0 / 28 / 28 / 4

HEX #F6B1B1

RGB 246 177 177

HSL 0, 0.79%, 0.83%

LAB 78.58, 25.15, 10.01

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 9 / 28 / 0 / 4

HEX #E1B1F6

RGB 225 177 246

HSL 281.74, 0.79%, 0.83%

LAB 78.52, 29.46, -27.66

 

CMYK 16 / 28 / 0 / 4

HEX #CEB1F6

RGB 206 177 246

HSL 265.22, 0.79%, 0.83%

LAB 76.81, 23.58, -30.44

 

CMYK 24 / 28 / 0 / 4

HEX #BBB1F6

RGB 187 177 246

HSL 248.7, 0.79%, 0.83%

LAB 75.24, 17.87, -32.99

 

CMYK 28 / 28 / 0 / 4

HEX #B1B1F6

RGB 177 177 246

HSL 240, 0.79%, 0.83%

LAB 74.47, 14.96, -34.24

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 1 / 33 / 0 / 1

HEX #FAAAFD

RGB 250 170 253

HSL 297.83, 0.95%, 0.83%

LAB 79.71, 42.26, -29.39

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 1 / 23 / 0 / 6

HEX #EDB8EF

RGB 237 184 239

HSL 297.82, 0.63%, 0.83%

LAB 81.03, 28.2, -19.99

 

CMYK 0 / 18 / 0 / 9

HEX #E7BFE8

RGB 231 191 232

HSL 298.54, 0.47%, 0.83%

LAB 81.88, 21.21, -15

 

CMYK 0 / 12 / 0 / 12

HEX #E0C6E1

RGB 224 198 225

HSL 297.78, 0.31%, 0.83%

LAB 82.74, 13.84, -10.03

 

CMYK 0 / 6 / 0 / 15

HEX #DACDDA

RGB 218 205 218

HSL 300, 0.15%, 0.83%

LAB 83.77, 6.82, -4.82

 

CMYK 16 / 28 / 0 / 4

HEX #CEB1F6

RGB 206 177 246

HSL 265.22, 0.79%, 0.83%

LAB 76.81, 23.58, -30.44

 

CMYK 9 / 28 / 0 / 4

HEX #E0B1F6

RGB 224 177 246

HSL 280.87, 0.79%, 0.83%

LAB 78.43, 29.15, -27.81

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 0 / 28 / 6 / 4

HEX #F6B1E7

RGB 246 177 231

HSL 313.04, 0.79%, 0.83%

LAB 80.07, 33.43, -17.04

 

CMYK 0 / 28 / 13 / 4

HEX #F6B1D5

RGB 246 177 213

HSL 328.7, 0.79%, 0.83%

LAB 79.52, 30.44, -8.14

 

CMYK 3 / 57 / 0 / 7

HEX #E867EE

RGB 232 103 238

HSL 297.33, 0.8%, 0.67%

LAB 64.18, 67.37, -45.5

 

CMYK 2 / 42 / 0 / 5

HEX #EE8CF2

RGB 238 140 242

HSL 297.65, 0.8%, 0.75%

LAB 71.79, 52.1, -35.76

 

CMYK 1 / 28 / 0 / 4

HEX #F3B1F6

RGB 243 177 246

HSL 297.39, 0.79%, 0.83%

LAB 80.27, 35.13, -24.84

 

CMYK 0 / 14 / 0 / 2

HEX #F9D6FA

RGB 249 214 250

HSL 298.33, 0.78%, 0.91%

LAB 89.46, 18.26, -13.04

 

CMYK 0 / 2 / 0 / 0

HEX #FEFBFF

RGB 254 251 255

HSL 285, 1%, 0.99%

LAB 98.94, 1.7, -1.57

 

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

CMYK 0 / 24 / 28 / 4

HEX #F6BBB1

RGB 246 187 177

HSL 8.7, 0.79%, 0.83%

LAB 80.91, 19.87, 13.31

 

CMYK 28 / 0 / 13 / 4

HEX #B1F6D7

RGB 177 246 215

HSL 153.04, 0.79%, 0.83%

LAB 91.76, -27.71, 8.05

 

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

CMYK 0 / 1 / 28 / 4

HEX #F6F3B1

RGB 246 243 177

HSL 57.39, 0.79%, 0.83%

LAB 94.68, -8.98, 32.28

 

CMYK 28 / 0 / 1 / 4

HEX #B1F6F3

RGB 177 246 243

HSL 177.39, 0.79%, 0.83%

LAB 92.46, -21.91, -5.47

 

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

CMYK 0 / 24 / 28 / 4

HEX #F6BBB1

RGB 246 187 177

HSL 8.7, 0.79%, 0.83%

LAB 80.91, 19.87, 13.31

 

CMYK 27 / 0 / 28 / 4

HEX #B4F6B1

RGB 180 246 177

HSL 117.39, 0.79%, 0.83%

LAB 91.14, -33.57, 26.75

 

CMYK 28 / 4 / 0 / 4

HEX #B1ECF6

RGB 177 236 246

HSL 188.7, 0.79%, 0.83%

LAB 89.86, -16.3, -10.88

 

CMYK 1 / 29 / 0 / 4

HEX #F3AFF6

RGB 243 175 246

HSL 297.46, 0.8%, 0.83%

LAB 79.82, 36.18, -25.52

 

CMYK 0 / 15 / 28 / 4

HEX #F6D0B1

RGB 246 208 177

HSL 26.96, 0.79%, 0.83%

LAB 85.95, 8.86, 20.36

 

CMYK 27 / 0 / 28 / 4

HEX #B4F6B1

RGB 180 246 177

HSL 117.39, 0.79%, 0.83%

LAB 91.14, -33.57, 26.75

 

CMYK 28 / 13 / 0 / 4

HEX #B1D7F6

RGB 177 215 246

HSL 206.96, 0.79%, 0.83%

LAB 84.28, -5.55, -19.25

 

Description

Color code: HEX #F3AFF6 | qconv.com Color code: HEX #F3AFF6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 175 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 175 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 29 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 29% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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