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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AE393F it is the complementary color #0C51C63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AE393F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AE393F shade: #F8AE343F, #FFC0473F, #FFD25A3F, #FFE46D3F and #FFF6803F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AE393F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AE393F shade: #F3AE393F, #E29C263F, #D18A133F, #C078003F and #AF66003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AE393F shade: #F3AE39, #F37C39, #F34A39 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AE393F shade: #F3AE39, #F3E139, #D4F339, #A2F339 and #70F339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AE393F shade matches the following richer shades: #F3AE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AE393F shade: #F3AE39, #E3AA4A, #D2A65B, #C1A16C and #B09D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AE393F shade: #F34939, #F37B39, #F3AC39, #F3DE39 and #D8F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AE393F shade: #CE860C, #F19F12, #F3AE39, #F6BE60 and #F8CE87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AE393F shade: #F3AE39, #5CF339 and #6239F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AE393F shade: #F3AE39, #39F3AC and #AC39F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AE393F shade: #F3AE39, #5CF339, #3981F3 and #D139F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AE393F shade: #F3AE39, #39F34F, #3981F3 and #F339DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 19 / 1

HEX #F3AE393F

RGBA 243 174 57 0.25

HSLA 37.74, 0.89%, 0.59%, 0.25

LABA 75.84, 15.27, 66.15, 0.25

 

Complementary color

CMYK 23 / 15 / 0 / 6

HEX #0C51C63F

RGBA 12 81 198 0.25

HSLA 217.74, 0.89%, 0.41%, 0.25

LABA 37.91, 27.11, -66, 0.25

 

CMYK 0 / 7 / 20 / 1

HEX #F8AE343F

RGBA 248 174 52 0.25

HSLA 37.35, 0.93%, 0.59%, 0.25

LABA 76.36, 17.2, 68.64, 0.25

 

CMYK 0 / 6 / 18 / 0

HEX #FFC0473F

RGBA 255 192 71 0.25

HSLA 39.46, 1%, 0.64%, 0.25

LABA 81.52, 11.48, 66.71, 0.25

 

CMYK 0 / 4 / 16 / 0

HEX #FFD25A3F

RGBA 255 210 90 0.25

HSLA 43.64, 1%, 0.68%, 0.25

LABA 86.05, 3.18, 63.55, 0.25

 

CMYK 0 / 3 / 14 / 0

HEX #FFE46D3F

RGBA 255 228 109 0.25

HSLA 48.9, 1%, 0.71%, 0.25

LABA 90.71, -4.71, 60.36, 0.25

 

CMYK 0 / 1 / 12 / 0

HEX #FFF6803F

RGBA 255 246 128 0.25

HSLA 55.75, 1%, 0.75%, 0.25

LABA 95.47, -12.16, 57.26, 0.25

 

CMYK 0 / 7 / 19 / 1

HEX #F3AE393F

RGBA 243 174 57 0.25

HSLA 37.74, 0.89%, 0.59%, 0.25

LABA 75.84, 15.27, 66.15, 0.25

 

CMYK 0 / 8 / 21 / 3

HEX #E29C263F

RGBA 226 156 38 0.25

HSLA 37.66, 0.76%, 0.52%, 0.25

LABA 69.53, 16.96, 66.32, 0.25

 

CMYK 0 / 8 / 23 / 5

HEX #D18A133F

RGBA 209 138 19 0.25

HSLA 37.58, 0.83%, 0.45%, 0.25

LABA 63.16, 18.88, 65.45, 0.25

 

CMYK 0 / 9 / 25 / 6

HEX #C078003F

RGBA 192 120 0 0.25

HSLA 37.5, 1%, 0.38%, 0.25

LABA 56.72, 21.03, 63.3, 0.25

 

CMYK 0 / 10 / 25 / 8

HEX #AF66003F

RGBA 175 102 0 0.25

HSLA 34.97, 1%, 0.34%, 0.25

LABA 50.24, 23.49, 58.04, 0.25

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 49 / 77 / 5

HEX #F37C39

RGB 243 124 57

HSL 21.61, 0.89%, 0.59%

LAB 64.78, 41.26, 55.43

 

CMYK 0 / 70 / 77 / 5

HEX #F34A39

RGB 243 74 57

HSL 5.48, 0.89%, 0.59%

LAB 56.33, 63.37, 46.81

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 7 / 77 / 5

HEX #F3E139

RGB 243 225 57

HSL 54.19, 0.89%, 0.59%

LAB 88.54, -10.95, 77.89

 

CMYK 13 / 0 / 77 / 5

HEX #D4F339

RGB 212 243 57

HSL 70, 0.89%, 0.59%

LAB 90.96, -32.26, 79.22

 

CMYK 33 / 0 / 77 / 5

HEX #A2F339

RGB 162 243 57

HSL 86.13, 0.89%, 0.59%

LAB 88.01, -50.99, 75.41

 

CMYK 54 / 0 / 77 / 5

HEX #70F339

RGB 112 243 57

HSL 102.26, 0.89%, 0.59%

LAB 85.93, -66.3, 72.71

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 25 / 67 / 11

HEX #E3AA4A

RGB 227 170 74

HSL 37.65, 0.73%, 0.59%

LAB 73.27, 11.42, 55.98

 

CMYK 0 / 21 / 57 / 18

HEX #D2A65B

RGB 210 166 91

HSL 37.82, 0.57%, 0.59%

LAB 70.68, 7.51, 44.51

 

CMYK 0 / 17 / 44 / 24

HEX #C1A16C

RGB 193 161 108

HSL 37.41, 0.41%, 0.59%

LAB 67.95, 4.67, 31.95

 

CMYK 0 / 11 / 29 / 31

HEX #B09D7D

RGB 176 157 125

HSL 37.65, 0.24%, 0.59%

LAB 65.61, 1.98, 19.31

 

CMYK 0 / 70 / 77 / 5

HEX #F34939

RGB 243 73 57

HSL 5.16, 0.89%, 0.59%

LAB 56.2, 63.73, 46.67

 

CMYK 0 / 49 / 77 / 5

HEX #F37B39

RGB 243 123 57

HSL 21.29, 0.89%, 0.59%

LAB 64.58, 41.76, 55.23

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DE39

RGB 243 222 57

HSL 53.23, 0.89%, 0.59%

LAB 87.77, -9.46, 77.19

 

CMYK 11 / 0 / 77 / 5

HEX #D8F339

RGB 216 243 57

HSL 68.71, 0.89%, 0.59%

LAB 91.23, -30.67, 79.57

 

CMYK 0 / 35 / 94 / 19

HEX #CE860C

RGB 206 134 12

HSL 37.73, 0.89%, 0.43%

LAB 61.83, 19.64, 65.64

 

CMYK 0 / 34 / 93 / 5

HEX #F19F12

RGB 241 159 18

HSL 37.94, 0.89%, 0.51%

LAB 71.92, 21.36, 73.8

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 0 / 23 / 61 / 4

HEX #F6BE60

RGB 246 190 96

HSL 37.6, 0.89%, 0.67%

LAB 80.33, 10.18, 54.25

 

CMYK 0 / 17 / 46 / 3

HEX #F8CE87

RGB 248 206 135

HSL 37.7, 0.89%, 0.75%

LAB 84.92, 5.87, 40.75

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 62 / 0 / 77 / 5

HEX #5CF339

RGB 92 243 57

HSL 108.71, 0.89%, 0.59%

LAB 85.34, -71.05, 71.94

 

CMYK 60 / 77 / 0 / 5

HEX #6239F3

RGB 98 57 243

HSL 253.23, 0.89%, 0.59%

LAB 41.21, 63.54, -86.18

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 77 / 0 / 29 / 5

HEX #39F3AC

RGB 57 243 172

HSL 157.1, 0.89%, 0.59%

LAB 85.98, -61.22, 21.56

 

CMYK 29 / 77 / 0 / 5

HEX #AC39F3

RGB 172 57 243

HSL 277.1, 0.89%, 0.59%

LAB 49.7, 74.01, -71.94

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 62 / 0 / 77 / 5

HEX #5CF339

RGB 92 243 57

HSL 108.71, 0.89%, 0.59%

LAB 85.34, -71.05, 71.94

 

CMYK 77 / 47 / 0 / 5

HEX #3981F3

RGB 57 129 243

HSL 216.77, 0.89%, 0.59%

LAB 55.11, 16.86, -63.6

 

CMYK 14 / 77 / 0 / 5

HEX #D139F3

RGB 209 57 243

HSL 289.03, 0.89%, 0.59%

LAB 55.02, 80.46, -63.07

 

CMYK 0 / 28 / 77 / 5

HEX #F3AE39

RGB 243 174 57

HSL 37.74, 0.89%, 0.59%

LAB 75.84, 15.27, 66.15

 

CMYK 77 / 0 / 67 / 5

HEX #39F34F

RGB 57 243 79

HSL 127.1, 0.89%, 0.59%

LAB 84.76, -75.41, 63.56

 

CMYK 77 / 47 / 0 / 5

HEX #3981F3

RGB 57 129 243

HSL 216.77, 0.89%, 0.59%

LAB 55.11, 16.86, -63.6

 

CMYK 0 / 77 / 9 / 5

HEX #F339DE

RGB 243 57 222

HSL 306.77, 0.89%, 0.59%

LAB 59.21, 83.74, -44.29

 

Description

Color code: HEX #F3AE393F | qconv.com Color code: HEX #F3AE393F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 174 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 174 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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