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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3ADEF it is the complementary color #0C5210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3ADEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3ADEF shade: #F8ADEA, #FFBFFD, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3ADEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3ADEF shade: #F3ADEF, #E29BDC, #D189C9, #C077B6 and #AF65A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3ADEF shade: #F3AFEF, #F3AFDD, #F3AFCB, #F3AFB8 and #F3AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3ADEF shade: #F3AFEF, #E5AFF3, #D2AFF3, #C0AFF3 and #AFAFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3ADEF shade matches the following richer shades: #F3AFEF and #FAA8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3ADEF shade: #F3AFEF, #ECB7E9, #E4BEE2, #DDC5DB and #D5CDD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3ADEF shade: #D2AFF3, #E4AFF3, #F3AFF0, #F3AFDE and #F3AFCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3ADEF shade: #E867E1, #EE8BE8, #F3AFEF, #F8D3F6 and #FEF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3ADEF shade: #F3ADEF, #F3C0AF and #AFF3DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3ADEF shade: #F3ADEF, #F0F3AF and #AFF0F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3ADEF shade: #F3ADEF, #F3C0AF, #AFF3B3 and #AFE2F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3ADEF shade: #F3ADEF, #F3D4AF, #AFF3B3 and #AFCEF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

Complementary color

CMYK 85 / 0 / 80 / 68

HEX #0C5210

RGB 12 82 16

HSL 123.43, 0.74%, 0.18%

LAB 29.79, -34.87, 30.94

 

CMYK 0 / 30 / 6 / 3

HEX #F8ADEA

RGB 248 173 234

HSL 311.2, 0.84%, 0.83%

LAB 79.49, 36.7, -19.51

 

CMYK 0 / 25 / 1 / 0

HEX #FFBFFD

RGB 255 191 253

HSL 301.88, 1%, 0.87%

LAB 84.8, 32.84, -21.58

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

CMYK 0 / 31 / 3 / 11

HEX #E29BDC

RGB 226 155 220

HSL 305.07, 0.55%, 0.75%

LAB 72.75, 36.65, -22.36

 

CMYK 0 / 34 / 4 / 18

HEX #D189C9

RGB 209 137 201

HSL 306.67, 0.44%, 0.68%

LAB 66.26, 37.37, -21.89

 

CMYK 0 / 38 / 5 / 25

HEX #C077B6

RGB 192 119 182

HSL 308.22, 0.37%, 0.61%

LAB 59.69, 38.11, -21.38

 

CMYK 0 / 42 / 7 / 31

HEX #AF65A3

RGB 175 101 163

HSL 309.73, 0.32%, 0.54%

LAB 53.02, 38.88, -20.8

 

CMYK 0 / 28 / 2 / 5

HEX #F3AFEF

RGB 243 175 239

HSL 303.53, 0.74%, 0.82%

LAB 79.58, 34.91, -22.12

 

CMYK 0 / 28 / 9 / 5

HEX #F3AFDD

RGB 243 175 221

HSL 319.41, 0.74%, 0.82%

LAB 79, 31.79, -13.27

 

CMYK 0 / 28 / 16 / 5

HEX #F3AFCB

RGB 243 175 203

HSL 335.29, 0.74%, 0.82%

LAB 78.48, 28.89, -4.3

 

CMYK 0 / 28 / 24 / 5

HEX #F3AFB8

RGB 243 175 184

HSL 352.06, 0.74%, 0.82%

LAB 77.98, 26.08, 5.3

 

CMYK 0 / 28 / 28 / 5

HEX #F3AFAF

RGB 243 175 175

HSL 0, 0.74%, 0.82%

LAB 77.76, 24.84, 9.88

 

CMYK 0 / 28 / 2 / 5

HEX #F3AFEF

RGB 243 175 239

HSL 303.53, 0.74%, 0.82%

LAB 79.58, 34.91, -22.12

 

CMYK 6 / 28 / 0 / 5

HEX #E5AFF3

RGB 229 175 243

HSL 287.65, 0.74%, 0.82%

LAB 78.34, 31.2, -26.3

 

CMYK 14 / 28 / 0 / 5

HEX #D2AFF3

RGB 210 175 243

HSL 270.88, 0.74%, 0.82%

LAB 76.58, 25.27, -29.15

 

CMYK 21 / 28 / 0 / 5

HEX #C0AFF3

RGB 192 175 243

HSL 255, 0.74%, 0.82%

LAB 75.04, 19.78, -31.65

 

CMYK 28 / 28 / 0 / 5

HEX #AFAFF3

RGB 175 175 243

HSL 240, 0.74%, 0.82%

LAB 73.7, 14.77, -33.82

 

CMYK 0 / 28 / 2 / 5

HEX #F3AFEF

RGB 243 175 239

HSL 303.53, 0.74%, 0.82%

LAB 79.58, 34.91, -22.12

 

CMYK 0 / 33 / 2 / 2

HEX #FAA8F6

RGB 250 168 246

HSL 302.93, 0.89%, 0.82%

LAB 79.03, 42.05, -26.66

 

CMYK 0 / 28 / 2 / 5

HEX #F3AFEF

RGB 243 175 239

HSL 303.53, 0.74%, 0.82%

LAB 79.58, 34.91, -22.12

 

CMYK 0 / 22 / 1 / 7

HEX #ECB7E9

RGB 236 183 233

HSL 303.4, 0.58%, 0.82%

LAB 80.51, 27.31, -17.56

 

CMYK 0 / 17 / 1 / 11

HEX #E4BEE2

RGB 228 190 226

HSL 303.16, 0.41%, 0.82%

LAB 81.19, 19.64, -12.85

 

CMYK 0 / 11 / 1 / 13

HEX #DDC5DB

RGB 221 197 219

HSL 305, 0.26%, 0.82%

LAB 82.07, 12.26, -7.85

 

CMYK 0 / 4 / 0 / 16

HEX #D5CDD5

RGB 213 205 213

HSL 300, 0.09%, 0.82%

LAB 83.24, 4.2, -2.99

 

CMYK 14 / 28 / 0 / 5

HEX #D2AFF3

RGB 210 175 243

HSL 270.88, 0.74%, 0.82%

LAB 76.58, 25.27, -29.15

 

CMYK 6 / 28 / 0 / 5

HEX #E4AFF3

RGB 228 175 243

HSL 286.76, 0.74%, 0.82%

LAB 78.24, 30.89, -26.45

 

CMYK 0 / 28 / 1 / 5

HEX #F3AFF0

RGB 243 175 240

HSL 302.65, 0.74%, 0.82%

LAB 79.62, 35.09, -22.61

 

CMYK 0 / 28 / 9 / 5

HEX #F3AFDE

RGB 243 175 222

HSL 318.53, 0.74%, 0.82%

LAB 79.03, 31.96, -13.77

 

CMYK 0 / 28 / 16 / 5

HEX #F3AFCB

RGB 243 175 203

HSL 335.29, 0.74%, 0.82%

LAB 78.48, 28.89, -4.3

 

CMYK 0 / 56 / 3 / 9

HEX #E867E1

RGB 232 103 225

HSL 303.26, 0.74%, 0.66%

LAB 63.58, 65.17, -39.21

 

CMYK 0 / 42 / 3 / 7

HEX #EE8BE8

RGB 238 139 232

HSL 303.64, 0.74%, 0.74%

LAB 71.19, 50.83, -31.21

 

CMYK 0 / 28 / 2 / 5

HEX #F3AFEF

RGB 243 175 239

HSL 303.53, 0.74%, 0.82%

LAB 79.58, 34.91, -22.12

 

CMYK 0 / 15 / 1 / 3

HEX #F8D3F6

RGB 248 211 246

HSL 303.24, 0.73%, 0.9%

LAB 88.54, 18.78, -12.31

 

CMYK 0 / 3 / 0 / 0

HEX #FEF7FD

RGB 254 247 253

HSL 308.57, 0.78%, 0.98%

LAB 97.91, 3.38, -2.05

 

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

CMYK 0 / 21 / 28 / 5

HEX #F3C0AF

RGB 243 192 175

HSL 15, 0.74%, 0.82%

LAB 81.76, 15.85, 15.53

 

CMYK 28 / 0 / 10 / 5

HEX #AFF3DB

RGB 175 243 219

HSL 158.82, 0.74%, 0.82%

LAB 90.93, -26.07, 4.77

 

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

CMYK 1 / 0 / 28 / 5

HEX #F0F3AF

RGB 240 243 175

HSL 62.65, 0.74%, 0.82%

LAB 94.19, -11.45, 32.55

 

CMYK 28 / 1 / 0 / 5

HEX #AFF0F3

RGB 175 240 243

HSL 182.65, 0.74%, 0.82%

LAB 90.74, -19.52, -8.02

 

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

CMYK 0 / 21 / 28 / 5

HEX #F3C0AF

RGB 243 192 175

HSL 15, 0.74%, 0.82%

LAB 81.76, 15.85, 15.53

 

CMYK 28 / 0 / 26 / 5

HEX #AFF3B3

RGB 175 243 179

HSL 123.53, 0.74%, 0.82%

LAB 90.08, -33.46, 24.23

 

CMYK 28 / 7 / 0 / 5

HEX #AFE2F3

RGB 175 226 243

HSL 195, 0.74%, 0.82%

LAB 86.99, -12.49, -13.6

 

CMYK 0 / 29 / 2 / 5

HEX #F3ADEF

RGB 243 173 239

HSL 303.43, 0.74%, 0.82%

LAB 79.14, 35.97, -22.79

 

CMYK 0 / 13 / 28 / 5

HEX #F3D4AF

RGB 243 212 175

HSL 32.65, 0.74%, 0.82%

LAB 86.62, 5.39, 22.3

 

CMYK 28 / 0 / 26 / 5

HEX #AFF3B3

RGB 175 243 179

HSL 123.53, 0.74%, 0.82%

LAB 90.08, -33.46, 24.23

 

CMYK 28 / 15 / 0 / 5

HEX #AFCEF3

RGB 175 206 243

HSL 212.65, 0.74%, 0.82%

LAB 81.69, -2.09, -21.58

 

Description

Color code: HEX #F3ADEF | qconv.com Color code: HEX #F3ADEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 173 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 173 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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