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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AB9D it is the complementary color #0C5462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AB9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AB9D shade: #F8AB98, #FFBDAB, #FFCFBE, #FFE1D1 and #FFF3E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AB9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AB9D shade: #F3AB9D, #E2998A, #D18777, #C07564 and #AF6351

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AB9D shade: #F3A99B and #F39B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AB9D shade: #F3A99B, #F3C19B, #F3D99B, #F3F09B and #DEF39B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AB9D shade matches the following richer shades: #F3A99B and #FCA392

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AB9D shade: #F3A99B, #EAB0A4, #E1B6AD, #D7BCB6 and #CEC2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AB9D shade: #F39BBD, #F39BA5, #F3A89B, #F3C09B and #F3D79B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AB9D shade: #EA6A52, #EE8A76, #F3A99B, #F7C9C0 and #FCE8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AB9D shade: #F3AB9D, #D4F39B and #9BB1F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AB9D shade: #F3AB9D, #9BF3A8 and #A89BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AB9D shade: #F3AB9D, #D4F39B, #9BE6F3 and #BA9BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AB9D shade: #F3AB9D, #BAF39B, #9BE6F3 and #D49BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

Complementary color

CMYK 88 / 14 / 0 / 62

HEX #0C5462

RGB 12 84 98

HSL 189.77, 0.78%, 0.22%

LAB 32.48, -15.27, -14.06

 

CMYK 0 / 31 / 39 / 3

HEX #F8AB98

RGB 248 171 152

HSL 11.88, 0.87%, 0.78%

LAB 76.89, 25.99, 21.21

 

CMYK 0 / 26 / 33 / 0

HEX #FFBDAB

RGB 255 189 171

HSL 12.86, 1%, 0.84%

LAB 82.16, 21.41, 18.41

 

CMYK 0 / 19 / 25 / 0

HEX #FFCFBE

RGB 255 207 190

HSL 15.69, 1%, 0.87%

LAB 86.8, 14.46, 14.83

 

CMYK 0 / 12 / 18 / 0

HEX #FFE1D1

RGB 255 225 209

HSL 20.87, 1%, 0.91%

LAB 91.56, 7.84, 11.6

 

CMYK 0 / 5 / 11 / 0

HEX #FFF3E4

RGB 255 243 228

HSL 33.33, 1%, 0.95%

LAB 96.39, 1.56, 8.66

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

CMYK 0 / 32 / 39 / 11

HEX #E2998A

RGB 226 153 138

HSL 10.23, 0.6%, 0.71%

LAB 70.03, 25.55, 19.02

 

CMYK 0 / 35 / 43 / 18

HEX #D18777

RGB 209 135 119

HSL 10.67, 0.49%, 0.64%

LAB 63.52, 26.51, 20.37

 

CMYK 0 / 39 / 48 / 25

HEX #C07564

RGB 192 117 100

HSL 11.09, 0.42%, 0.57%

LAB 56.93, 27.59, 21.87

 

CMYK 0 / 43 / 54 / 31

HEX #AF6351

RGB 175 99 81

HSL 11.49, 0.37%, 0.5%

LAB 50.25, 28.8, 23.59

 

CMYK 0 / 30 / 36 / 5

HEX #F3A99B

RGB 243 169 155

HSL 9.55, 0.79%, 0.78%

LAB 75.94, 25.5, 18.19

 

CMYK 0 / 36 / 36 / 5

HEX #F39B9B

RGB 243 155 155

HSL 0, 0.79%, 0.78%

LAB 72.8, 32.88, 13.8

 

CMYK 0 / 30 / 36 / 5

HEX #F3A99B

RGB 243 169 155

HSL 9.55, 0.79%, 0.78%

LAB 75.94, 25.5, 18.19

 

CMYK 0 / 21 / 36 / 5

HEX #F3C19B

RGB 243 193 155

HSL 25.91, 0.79%, 0.78%

LAB 81.6, 12.83, 25.95

 

CMYK 0 / 11 / 36 / 5

HEX #F3D99B

RGB 243 217 155

HSL 42.27, 0.79%, 0.78%

LAB 87.51, 0.36, 33.86

 

CMYK 0 / 1 / 36 / 5

HEX #F3F09B

RGB 243 240 155

HSL 57.95, 0.79%, 0.78%

LAB 93.34, -11.23, 41.47

 

CMYK 9 / 0 / 36 / 5

HEX #DEF39B

RGB 222 243 155

HSL 74.32, 0.79%, 0.78%

LAB 92.57, -20.6, 40.18

 

CMYK 0 / 30 / 36 / 5

HEX #F3A99B

RGB 243 169 155

HSL 9.55, 0.79%, 0.78%

LAB 75.94, 25.5, 18.19

 

CMYK 0 / 35 / 42 / 1

HEX #FCA392

RGB 252 163 146

HSL 9.62, 0.95%, 0.78%

LAB 75.43, 31.05, 22.53

 

CMYK 0 / 30 / 36 / 5

HEX #F3A99B

RGB 243 169 155

HSL 9.55, 0.79%, 0.78%

LAB 75.94, 25.5, 18.19

 

CMYK 0 / 25 / 30 / 8

HEX #EAB0A4

RGB 234 176 164

HSL 10.29, 0.63%, 0.78%

LAB 76.81, 19.5, 14.38

 

CMYK 0 / 19 / 23 / 12

HEX #E1B6AD

RGB 225 182 173

HSL 10.38, 0.46%, 0.78%

LAB 77.57, 14.16, 10.44

 

CMYK 0 / 13 / 15 / 16

HEX #D7BCB6

RGB 215 188 182

HSL 10.91, 0.29%, 0.78%

LAB 78.34, 8.63, 6.56

 

CMYK 0 / 6 / 7 / 19

HEX #CEC2BF

RGB 206 194 191

HSL 12, 0.13%, 0.78%

LAB 79.31, 3.68, 3

 

CMYK 0 / 36 / 22 / 5

HEX #F39BBD

RGB 243 155 189

HSL 336.82, 0.79%, 0.78%

LAB 73.66, 37.33, -3.74

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 31 / 36 / 5

HEX #F3A89B

RGB 243 168 155

HSL 8.86, 0.79%, 0.78%

LAB 75.72, 26.03, 17.87

 

CMYK 0 / 21 / 36 / 5

HEX #F3C09B

RGB 243 192 155

HSL 25.23, 0.79%, 0.78%

LAB 81.36, 13.35, 25.62

 

CMYK 0 / 12 / 36 / 5

HEX #F3D79B

RGB 243 215 155

HSL 40.91, 0.79%, 0.78%

LAB 87.01, 1.39, 33.19

 

CMYK 0 / 55 / 65 / 8

HEX #EA6A52

RGB 234 106 82

HSL 9.47, 0.78%, 0.62%

LAB 60.26, 47.89, 37.42

 

CMYK 0 / 42 / 50 / 7

HEX #EE8A76

RGB 238 138 118

HSL 10, 0.78%, 0.7%

LAB 67.77, 36.03, 27.25

 

CMYK 0 / 30 / 36 / 5

HEX #F3A99B

RGB 243 169 155

HSL 9.55, 0.79%, 0.78%

LAB 75.94, 25.5, 18.19

 

CMYK 0 / 19 / 22 / 3

HEX #F7C9C0

RGB 247 201 192

HSL 9.82, 0.77%, 0.86%

LAB 84.67, 14.95, 10.64

 

CMYK 0 / 8 / 9 / 1

HEX #FCE8E5

RGB 252 232 229

HSL 7.83, 0.79%, 0.94%

LAB 93.48, 6.3, 3.9

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

CMYK 13 / 0 / 36 / 5

HEX #D4F39B

RGB 212 243 155

HSL 81.14, 0.79%, 0.78%

LAB 91.89, -24.27, 39.16

 

CMYK 36 / 27 / 0 / 5

HEX #9BB1F3

RGB 155 177 243

HSL 225, 0.79%, 0.78%

LAB 72.82, 8.07, -35.3

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

CMYK 36 / 0 / 31 / 5

HEX #9BF3A8

RGB 155 243 168

HSL 128.86, 0.79%, 0.78%

LAB 88.87, -41.44, 28.04

 

CMYK 31 / 36 / 0 / 5

HEX #A89BF3

RGB 168 155 243

HSL 248.86, 0.79%, 0.78%

LAB 68.2, 24.01, -42.43

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

CMYK 13 / 0 / 36 / 5

HEX #D4F39B

RGB 212 243 155

HSL 81.14, 0.79%, 0.78%

LAB 91.89, -24.27, 39.16

 

CMYK 36 / 5 / 0 / 5

HEX #9BE6F3

RGB 155 230 243

HSL 188.86, 0.79%, 0.78%

LAB 87.01, -19.94, -13.67

 

CMYK 23 / 36 / 0 / 5

HEX #BA9BF3

RGB 186 155 243

HSL 261.14, 0.79%, 0.78%

LAB 69.72, 29.1, -39.94

 

CMYK 0 / 30 / 35 / 5

HEX #F3AB9D

RGB 243 171 157

HSL 9.77, 0.78%, 0.78%

LAB 76.45, 24.68, 17.8

 

CMYK 23 / 0 / 36 / 5

HEX #BAF39B

RGB 186 243 155

HSL 98.86, 0.79%, 0.78%

LAB 90.28, -33.47, 36.75

 

CMYK 36 / 5 / 0 / 5

HEX #9BE6F3

RGB 155 230 243

HSL 188.86, 0.79%, 0.78%

LAB 87.01, -19.94, -13.67

 

CMYK 13 / 36 / 0 / 5

HEX #D49BF3

RGB 212 155 243

HSL 278.86, 0.79%, 0.78%

LAB 72.17, 36.75, -35.94

 

Description

Color code: HEX #F3AB9D | qconv.com Color code: HEX #F3AB9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 171 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 171 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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