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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3AB223F it is the complementary color #0C54DD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3AB223F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3AB223F shade: #F8AB1D3F, #FFBD303F, #FFCF433F, #FFE1563F and #FFF3693F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3AB223F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3AB223F shade: #F3AB223F, #E2990F3F, #D187003F, #C075003F and #AF63003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3AB223F shade: #F3AB20, #F37220, #F33920 and #F32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3AB223F shade: #F3AB20, #F3E320, #CAF320, #91F320 and #58F320

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3AB223F shade matches the following richer shades: #F3AB20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3AB223F shade: #F3AB20, #E0A533, #CD9F46, #BA9959 and #A7936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3AB223F shade: #F33920, #F37120, #F3A920, #F3E220 and #CDF320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3AB223F shade: #B77B0A, #DE960C, #F3AB20, #F5B947 and #F7C86F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3AB223F shade: #F3AB22, #40F320 and #5520F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3AB223F shade: #F3AB22, #20F3A9 and #A920F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3AB223F shade: #F3AB22, #40F320, #206AF3 and #D420F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3AB223F shade: #F3AB22, #20F340, #206AF3 and #F320D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 22 / 1

HEX #F3AB223F

RGBA 243 171 34 0.25

HSLA 39.33, 0.9%, 0.54%, 0.25

LABA 75.01, 16.16, 72.79, 0.25

 

Complementary color

CMYK 24 / 15 / 0 / 3

HEX #0C54DD3F

RGBA 12 84 221 0.25

HSLA 219.33, 0.9%, 0.46%, 0.25

LABA 40.64, 34.08, -74.79, 0.25

 

CMYK 0 / 8 / 22 / 1

HEX #F8AB1D3F

RGBA 248 171 29 0.25

HSLA 38.9, 0.94%, 0.54%, 0.25

LABA 75.56, 18.18, 74.67, 0.25

 

CMYK 0 / 6 / 20 / 0

HEX #FFBD303F

RGBA 255 189 48 0.25

HSLA 40.87, 1%, 0.59%, 0.25

LABA 80.67, 12.19, 74.07, 0.25

 

CMYK 0 / 5 / 18 / 0

HEX #FFCF433F

RGBA 255 207 67 0.25

HSLA 44.68, 1%, 0.63%, 0.25

LABA 85.14, 3.57, 71.78, 0.25

 

CMYK 0 / 3 / 17 / 0

HEX #FFE1563F

RGBA 255 225 86 0.25

HSLA 49.35, 1%, 0.67%, 0.25

LABA 89.76, -4.65, 69.13, 0.25

 

CMYK 0 / 1 / 15 / 0

HEX #FFF3693F

RGBA 255 243 105 0.25

HSLA 55.2, 1%, 0.71%, 0.25

LABA 94.48, -12.43, 66.33, 0.25

 

CMYK 0 / 7 / 22 / 1

HEX #F3AB223F

RGBA 243 171 34 0.25

HSLA 39.33, 0.9%, 0.54%, 0.25

LABA 75.01, 16.16, 72.79, 0.25

 

CMYK 0 / 8 / 23 / 3

HEX #E2990F3F

RGBA 226 153 15 0.25

HSLA 39.24, 0.88%, 0.47%, 0.25

LABA 68.74, 18.1, 71.21, 0.25

 

CMYK 0 / 9 / 25 / 5

HEX #D187003F

RGBA 209 135 0 0.25

HSLA 38.76, 1%, 0.41%, 0.25

LABA 62.41, 20.27, 68.05, 0.25

 

CMYK 0 / 10 / 25 / 6

HEX #C075003F

RGBA 192 117 0 0.25

HSLA 36.56, 1%, 0.38%, 0.25

LABA 56.02, 22.67, 62.85, 0.25

 

CMYK 0 / 11 / 25 / 8

HEX #AF63003F

RGBA 175 99 0 0.25

HSLA 33.94, 1%, 0.34%, 0.25

LABA 49.54, 25.14, 57.6, 0.25

 

CMYK 0 / 30 / 87 / 5

HEX #F3AB20

RGB 243 171 32

HSL 39.53, 0.9%, 0.54%

LAB 75, 16.12, 73.29

 

CMYK 0 / 53 / 87 / 5

HEX #F37220

RGB 243 114 32

HSL 23.32, 0.9%, 0.54%

LAB 62.67, 45.45, 63.51

 

CMYK 0 / 77 / 87 / 5

HEX #F33920

RGB 243 57 32

HSL 7.11, 0.9%, 0.54%

LAB 54.12, 68.32, 56.76

 

CMYK 0 / 87 / 87 / 5

HEX #F32020

RGB 243 32 32

HSL 0, 0.9%, 0.54%

LAB 52.05, 74.16, 55.14

 

CMYK 0 / 30 / 87 / 5

HEX #F3AB20

RGB 243 171 32

HSL 39.53, 0.9%, 0.54%

LAB 75, 16.12, 73.29

 

CMYK 0 / 7 / 87 / 5

HEX #F3E320

RGB 243 227 32

HSL 55.45, 0.9%, 0.54%

LAB 88.97, -12.63, 84.41

 

CMYK 17 / 0 / 87 / 5

HEX #CAF320

RGB 202 243 32

HSL 71.66, 0.9%, 0.54%

LAB 90.21, -36.98, 84.15

 

CMYK 40 / 0 / 87 / 5

HEX #91F320

RGB 145 243 32

HSL 87.87, 0.9%, 0.54%

LAB 87.11, -57.67, 80.3

 

CMYK 64 / 0 / 87 / 5

HEX #58F320

RGB 88 243 32

HSL 104.08, 0.9%, 0.54%

LAB 85.14, -73.06, 77.84

 

CMYK 0 / 30 / 87 / 5

HEX #F3AB20

RGB 243 171 32

HSL 39.53, 0.9%, 0.54%

LAB 75, 16.12, 73.29

 

CMYK 0 / 30 / 87 / 5

HEX #F3AB20

RGB 243 171 32

HSL 39.53, 0.9%, 0.54%

LAB 75, 16.12, 73.29

 

CMYK 0 / 26 / 77 / 12

HEX #E0A533

RGB 224 165 51

HSL 39.54, 0.74%, 0.54%

LAB 71.55, 11.72, 63.61

 

CMYK 0 / 22 / 66 / 20

HEX #CD9F46

RGB 205 159 70

HSL 39.56, 0.57%, 0.54%

LAB 68.18, 7.68, 51.62

 

CMYK 0 / 18 / 52 / 27

HEX #BA9959

RGB 186 153 89

HSL 39.59, 0.41%, 0.54%

LAB 64.92, 4.21, 37.99

 

CMYK 0 / 12 / 35 / 35

HEX #A7936C

RGB 167 147 108

HSL 39.66, 0.25%, 0.54%

LAB 61.8, 1.57, 23.4

 

CMYK 0 / 77 / 87 / 5

HEX #F33920

RGB 243 57 32

HSL 7.11, 0.9%, 0.54%

LAB 54.12, 68.32, 56.76

 

CMYK 0 / 53 / 87 / 5

HEX #F37120

RGB 243 113 32

HSL 23.03, 0.9%, 0.54%

LAB 62.48, 45.93, 63.36

 

CMYK 0 / 30 / 87 / 5

HEX #F3A920

RGB 243 169 32

HSL 38.96, 0.9%, 0.54%

LAB 74.53, 17.17, 72.91

 

CMYK 0 / 7 / 87 / 5

HEX #F3E220

RGB 243 226 32

HSL 55.17, 0.9%, 0.54%

LAB 88.71, -12.14, 84.2

 

CMYK 16 / 0 / 87 / 5

HEX #CDF320

RGB 205 243 32

HSL 70.81, 0.9%, 0.54%

LAB 90.41, -35.8, 84.39

 

CMYK 0 / 33 / 95 / 28

HEX #B77B0A

RGB 183 123 10

HSL 39.19, 0.9%, 0.38%

LAB 56.34, 15.5, 60.75

 

CMYK 0 / 32 / 95 / 13

HEX #DE960C

RGB 222 150 12

HSL 39.43, 0.9%, 0.46%

LAB 67.55, 17.95, 70.6

 

CMYK 0 / 30 / 87 / 5

HEX #F3AB20

RGB 243 171 32

HSL 39.53, 0.9%, 0.54%

LAB 75, 16.12, 73.29

 

CMYK 0 / 24 / 71 / 4

HEX #F5B947

RGB 245 185 71

HSL 39.31, 0.9%, 0.62%

LAB 78.79, 10.94, 63.62

 

CMYK 0 / 19 / 55 / 3

HEX #F7C86F

RGB 247 200 111

HSL 39.26, 0.89%, 0.7%

LAB 83.04, 6.48, 50.29

 

CMYK 0 / 30 / 86 / 5

HEX #F3AB22

RGB 243 171 34

HSL 39.33, 0.9%, 0.54%

LAB 75.01, 16.16, 72.79

 

CMYK 74 / 0 / 87 / 5

HEX #40F320

RGB 64 243 32

HSL 110.9, 0.9%, 0.54%

LAB 84.64, -77.36, 77.21

 

CMYK 65 / 87 / 0 / 5

HEX #5520F3

RGB 85 32 243

HSL 255.07, 0.9%, 0.54%

LAB 36.81, 71.94, -93.49

 

CMYK 0 / 30 / 86 / 5

HEX #F3AB22

RGB 243 171 34

HSL 39.33, 0.9%, 0.54%

LAB 75.01, 16.16, 72.79

 

CMYK 87 / 0 / 30 / 5

HEX #20F3A9

RGB 32 243 169

HSL 158.96, 0.9%, 0.54%

LAB 85.64, -64.02, 22.58

 

CMYK 30 / 87 / 0 / 5

HEX #A920F3

RGB 169 32 243

HSL 278.96, 0.9%, 0.54%

LAB 46.89, 80.52, -76.53

 

CMYK 0 / 30 / 86 / 5

HEX #F3AB22

RGB 243 171 34

HSL 39.33, 0.9%, 0.54%

LAB 75.01, 16.16, 72.79

 

CMYK 74 / 0 / 87 / 5

HEX #40F320

RGB 64 243 32

HSL 110.9, 0.9%, 0.54%

LAB 84.64, -77.36, 77.21

 

CMYK 87 / 56 / 0 / 5

HEX #206AF3

RGB 32 106 243

HSL 218.96, 0.9%, 0.54%

LAB 48.37, 29.21, -74.56

 

CMYK 13 / 87 / 0 / 5

HEX #D420F3

RGB 212 32 243

HSL 291.18, 0.9%, 0.54%

LAB 53.49, 86.79, -65.51

 

CMYK 0 / 30 / 86 / 5

HEX #F3AB22

RGB 243 171 34

HSL 39.33, 0.9%, 0.54%

LAB 75.01, 16.16, 72.79

 

CMYK 87 / 0 / 74 / 5

HEX #20F340

RGB 32 243 64

HSL 129.1, 0.9%, 0.54%

LAB 84.37, -79.19, 68.43

 

CMYK 87 / 56 / 0 / 5

HEX #206AF3

RGB 32 106 243

HSL 218.96, 0.9%, 0.54%

LAB 48.37, 29.21, -74.56

 

CMYK 0 / 87 / 13 / 5

HEX #F320D4

RGB 243 32 212

HSL 308.82, 0.9%, 0.54%

LAB 56.92, 87.59, -42.23

 

Description

Color code: HEX #F3AB223F | qconv.com Color code: HEX #F3AB223F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 171 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 171 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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