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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A94F it is the complementary color #0C56B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A94F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3A94F shade: #F8A94A, #FFBB5D, #FFCD70, #FFDF83 and #FFF196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A94F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3A94F shade: #F3A94F, #E2973C, #D18529, #C07316 and #AF6103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3A94F shade: #F3A94F, #F37C4F, #F3504F and #F34F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3A94F shade: #F3A94F, #F3D54F, #E4F34F, #B8F34F and #8CF34F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3A94F shade matches the following richer shades: #F3A94F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3A94F shade: #F3A94F, #E3A75E, #D4A66D, #C5A47C and #B6A38C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3A94F shade: #F34F4F, #F37A4F, #F3A64F, #F3D24F and #E8F34F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3A94F shade: #DF8210, #F09628, #F3A94F, #F5BC75 and #F8CE9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3A94F shade: #F3A94F, #7AF34F and #644FF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3A94F shade: #F3A94F, #4FF3A6 and #A64FF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3A94F shade: #F3A94F, #7AF34F, #4F9BF3 and #C74FF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3A94F shade: #F3A94F, #4FF354, #4F9BF3 and #F34FED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

Complementary color

CMYK 93 / 51 / 0 / 31

HEX #0C56B0

RGB 12 86 176

HSL 212.93, 0.87%, 0.37%

LAB 37.61, 14.92, -53.61

 

CMYK 0 / 32 / 70 / 3

HEX #F8A94A

RGB 248 169 74

HSL 32.76, 0.93%, 0.63%

LAB 75.34, 20.74, 58.88

 

CMYK 0 / 27 / 64 / 0

HEX #FFBB5D

RGB 255 187 93

HSL 34.81, 1%, 0.68%

LAB 80.51, 15.26, 56.11

 

CMYK 0 / 20 / 56 / 0

HEX #FFCD70

RGB 255 205 112

HSL 39.02, 1%, 0.72%

LAB 85.04, 7.22, 52.39

 

CMYK 0 / 13 / 49 / 0

HEX #FFDF83

RGB 255 223 131

HSL 44.52, 1%, 0.76%

LAB 89.71, -0.43, 48.87

 

CMYK 0 / 5 / 41 / 0

HEX #FFF196

RGB 255 241 150

HSL 52, 1%, 0.79%

LAB 94.47, -7.65, 45.57

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 33 / 73 / 11

HEX #E2973C

RGB 226 151 60

HSL 32.89, 0.74%, 0.56%

LAB 68.48, 20.43, 57.1

 

CMYK 0 / 36 / 80 / 18

HEX #D18529

RGB 209 133 41

HSL 32.86, 0.67%, 0.49%

LAB 62.08, 22.13, 57.94

 

CMYK 0 / 40 / 89 / 25

HEX #C07316

RGB 192 115 22

HSL 32.82, 0.79%, 0.42%

LAB 55.61, 24.08, 57.97

 

CMYK 0 / 45 / 98 / 31

HEX #AF6103

RGB 175 97 3

HSL 32.79, 0.97%, 0.35%

LAB 49.09, 26.28, 56.63

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 49 / 67 / 5

HEX #F37C4F

RGB 243 124 79

HSL 16.46, 0.87%, 0.63%

LAB 64.99, 42.27, 44.92

 

CMYK 0 / 67 / 67 / 5

HEX #F3504F

RGB 243 80 79

HSL 0.37, 0.87%, 0.63%

LAB 57.42, 62.06, 36

 

CMYK 0 / 67 / 67 / 5

HEX #F34F4F

RGB 243 79 79

HSL 0, 0.87%, 0.63%

LAB 57.28, 62.45, 35.83

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 12 / 67 / 5

HEX #F3D54F

RGB 243 213 79

HSL 49.02, 0.87%, 0.63%

LAB 85.61, -3.95, 67.3

 

CMYK 6 / 0 / 67 / 5

HEX #E4F34F

RGB 228 243 79

HSL 65.49, 0.87%, 0.63%

LAB 92.2, -24.85, 73.61

 

CMYK 24 / 0 / 67 / 5

HEX #B8F34F

RGB 184 243 79

HSL 81.59, 0.87%, 0.63%

LAB 89.33, -41.85, 69.75

 

CMYK 42 / 0 / 67 / 5

HEX #8CF34F

RGB 140 243 79

HSL 97.68, 0.87%, 0.63%

LAB 87.12, -56.86, 66.77

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 26 / 59 / 11

HEX #E3A75E

RGB 227 167 94

HSL 32.93, 0.7%, 0.63%

LAB 72.74, 14.31, 45.89

 

CMYK 0 / 22 / 49 / 17

HEX #D4A66D

RGB 212 166 109

HSL 33.2, 0.54%, 0.63%

LAB 71.13, 9.91, 35.87

 

CMYK 0 / 17 / 37 / 23

HEX #C5A47C

RGB 197 164 124

HSL 32.88, 0.39%, 0.63%

LAB 69.38, 6.48, 25.3

 

CMYK 0 / 10 / 23 / 29

HEX #B6A38C

RGB 182 163 140

HSL 32.86, 0.22%, 0.63%

LAB 68.04, 3.22, 14.48

 

CMYK 0 / 67 / 67 / 5

HEX #F34F4F

RGB 243 79 79

HSL 0, 0.87%, 0.63%

LAB 57.28, 62.45, 35.83

 

CMYK 0 / 50 / 67 / 5

HEX #F37A4F

RGB 243 122 79

HSL 15.73, 0.87%, 0.63%

LAB 64.59, 43.27, 44.47

 

CMYK 0 / 32 / 67 / 5

HEX #F3A64F

RGB 243 166 79

HSL 31.83, 0.87%, 0.63%

LAB 74.12, 20.51, 55.14

 

CMYK 0 / 14 / 67 / 5

HEX #F3D24F

RGB 243 210 79

HSL 47.93, 0.87%, 0.63%

LAB 84.85, -2.42, 66.52

 

CMYK 5 / 0 / 67 / 5

HEX #E8F34F

RGB 232 243 79

HSL 64.02, 0.87%, 0.63%

LAB 92.5, -23.24, 74

 

CMYK 0 / 42 / 93 / 13

HEX #DF8210

RGB 223 130 16

HSL 33.04, 0.87%, 0.47%

LAB 63.09, 29.09, 66.81

 

CMYK 0 / 38 / 83 / 6

HEX #F09628

RGB 240 150 40

HSL 33, 0.87%, 0.55%

LAB 69.82, 26.11, 66.59

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 0 / 23 / 52 / 4

HEX #F5BC75

RGB 245 188 117

HSL 33.28, 0.86%, 0.71%

LAB 79.99, 12.41, 43.58

 

CMYK 0 / 17 / 37 / 3

HEX #F8CE9C

RGB 248 206 156

HSL 32.61, 0.87%, 0.79%

LAB 85.25, 8.08, 30.42

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 50 / 0 / 67 / 5

HEX #7AF34F

RGB 122 243 79

HSL 104.27, 0.87%, 0.63%

LAB 86.41, -62.12, 65.81

 

CMYK 59 / 67 / 0 / 5

HEX #644FF3

RGB 100 79 243

HSL 247.68, 0.87%, 0.63%

LAB 45.32, 52.72, -79.41

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 67 / 0 / 32 / 5

HEX #4FF3A6

RGB 79 243 166

HSL 151.83, 0.87%, 0.63%

LAB 86.26, -59.48, 25.08

 

CMYK 32 / 67 / 0 / 5

HEX #A64FF3

RGB 166 79 243

HSL 271.83, 0.87%, 0.63%

LAB 52.03, 64.13, -68.2

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 50 / 0 / 67 / 5

HEX #7AF34F

RGB 122 243 79

HSL 104.27, 0.87%, 0.63%

LAB 86.41, -62.12, 65.81

 

CMYK 67 / 36 / 0 / 5

HEX #4F9BF3

RGB 79 155 243

HSL 212.2, 0.87%, 0.63%

LAB 62.99, 4.15, -50.98

 

CMYK 18 / 67 / 0 / 5

HEX #C74FF3

RGB 199 79 243

HSL 283.9, 0.87%, 0.63%

LAB 56.29, 70.82, -61.11

 

CMYK 0 / 30 / 67 / 5

HEX #F3A94F

RGB 243 169 79

HSL 32.93, 0.87%, 0.63%

LAB 74.82, 18.93, 55.91

 

CMYK 67 / 0 / 65 / 5

HEX #4FF354

RGB 79 243 84

HSL 121.83, 0.87%, 0.63%

LAB 85.2, -71.54, 62.21

 

CMYK 67 / 36 / 0 / 5

HEX #4F9BF3

RGB 79 155 243

HSL 212.2, 0.87%, 0.63%

LAB 62.99, 4.15, -50.98

 

CMYK 0 / 67 / 2 / 5

HEX #F34FED

RGB 243 79 237

HSL 302.2, 0.87%, 0.63%

LAB 62.31, 79.24, -47.8

 

Description

Color code: HEX #F3A94F | qconv.com Color code: HEX #F3A94F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 169 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 169 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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