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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3A058 it is the complementary color #0C5FA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3A058. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3A058 shade: #F8A053, #FFB266, #FFC479, #FFD68C and #FFE89F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3A058. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3A058 shade: #F3A058, #E28E45, #D17C32, #C06A1F and #AF580C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3A058 shade: #F3A058, #F37658 and #F35858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3A058 shade: #F3A058, #F3CA58, #F3F358, #C9F358 and #9FF358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3A058 shade matches the following richer shades: #F3A058

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3A058 shade: #F3A058, #E5A167, #D7A275, #C8A383 and #BAA492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3A058 shade: #F35865, #F37558, #F39E58, #F3C758 and #F3F158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3A058 shade: #E97510, #F18A32, #F3A058, #F6B67F and #F9CCA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3A058 shade: #F3A058, #8EF358 and #6058F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3A058 shade: #F3A058, #58F39E and #9E58F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3A058 shade: #F3A058, #8EF358, #58AEF3 and #BD58F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3A058 shade: #F3A058, #60F358, #58AEF3 and #EC58F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

Complementary color

CMYK 93 / 43 / 0 / 35

HEX #0C5FA7

RGB 12 95 167

HSL 207.87, 0.87%, 0.35%

LAB 39.67, 5.32, -44.96

 

CMYK 0 / 35 / 67 / 3

HEX #F8A053

RGB 248 160 83

HSL 28, 0.92%, 0.65%

LAB 73.37, 25.94, 52.6

 

CMYK 0 / 30 / 60 / 0

HEX #FFB266

RGB 255 178 102

HSL 29.8, 1%, 0.7%

LAB 78.5, 20.55, 49.49

 

CMYK 0 / 23 / 53 / 0

HEX #FFC479

RGB 255 196 121

HSL 33.58, 1%, 0.74%

LAB 82.98, 12.6, 45.49

 

CMYK 0 / 16 / 45 / 0

HEX #FFD68C

RGB 255 214 140

HSL 38.61, 1%, 0.77%

LAB 87.6, 5, 41.79

 

CMYK 0 / 9 / 38 / 0

HEX #FFE89F

RGB 255 232 159

HSL 45.63, 1%, 0.81%

LAB 92.34, -2.19, 38.37

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 37 / 69 / 11

HEX #E28E45

RGB 226 142 69

HSL 27.9, 0.73%, 0.58%

LAB 66.48, 25.67, 50.93

 

CMYK 0 / 41 / 76 / 18

HEX #D17C32

RGB 209 124 50

HSL 27.92, 0.63%, 0.51%

LAB 60.07, 27.32, 52.33

 

CMYK 0 / 45 / 84 / 25

HEX #C06A1F

RGB 192 106 31

HSL 27.95, 0.72%, 0.44%

LAB 53.61, 29.19, 53.33

 

CMYK 0 / 50 / 93 / 31

HEX #AF580C

RGB 175 88 12

HSL 27.98, 0.87%, 0.37%

LAB 47.13, 31.28, 53.24

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 51 / 64 / 5

HEX #F37658

RGB 243 118 88

HSL 11.61, 0.87%, 0.65%

LAB 63.93, 45.75, 38.91

 

CMYK 0 / 64 / 64 / 5

HEX #F35858

RGB 243 88 88

HSL 0, 0.87%, 0.65%

LAB 58.73, 59.36, 32.51

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 17 / 64 / 5

HEX #F3CA58

RGB 243 202 88

HSL 44.13, 0.87%, 0.65%

LAB 82.91, 2.19, 60.68

 

CMYK 0 / 0 / 64 / 5

HEX #F3F358

RGB 243 243 88

HSL 60, 0.87%, 0.65%

LAB 93.39, -18.32, 71.8

 

CMYK 17 / 0 / 64 / 5

HEX #C9F358

RGB 201 243 88

HSL 76.26, 0.87%, 0.65%

LAB 90.42, -34.87, 67.78

 

CMYK 35 / 0 / 64 / 5

HEX #9FF358

RGB 159 243 88

HSL 92.52, 0.87%, 0.65%

LAB 88.05, -50.03, 64.53

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 30 / 55 / 10

HEX #E5A167

RGB 229 161 103

HSL 27.62, 0.71%, 0.65%

LAB 71.64, 19.04, 40.03

 

CMYK 0 / 25 / 46 / 16

HEX #D7A275

RGB 215 162 117

HSL 27.55, 0.55%, 0.65%

LAB 70.57, 14.08, 30.98

 

CMYK 0 / 19 / 35 / 22

HEX #C8A383

RGB 200 163 131

HSL 27.83, 0.39%, 0.65%

LAB 69.55, 9.08, 21.77

 

CMYK 0 / 12 / 22 / 27

HEX #BAA492

RGB 186 164 146

HSL 27, 0.22%, 0.65%

LAB 68.8, 5.12, 12.28

 

CMYK 0 / 64 / 58 / 5

HEX #F35865

RGB 243 88 101

HSL 354.97, 0.87%, 0.65%

LAB 58.95, 60.18, 25.33

 

CMYK 0 / 52 / 64 / 5

HEX #F37558

RGB 243 117 88

HSL 11.23, 0.87%, 0.65%

LAB 63.74, 46.24, 38.68

 

CMYK 0 / 35 / 64 / 5

HEX #F39E58

RGB 243 158 88

HSL 27.1, 0.87%, 0.65%

LAB 72.37, 25.26, 48.88

 

CMYK 0 / 18 / 64 / 5

HEX #F3C758

RGB 243 199 88

HSL 42.97, 0.87%, 0.65%

LAB 82.17, 3.74, 59.87

 

CMYK 0 / 1 / 64 / 5

HEX #F3F158

RGB 243 241 88

HSL 59.23, 0.87%, 0.65%

LAB 92.87, -17.35, 71.26

 

CMYK 0 / 50 / 93 / 9

HEX #E97510

RGB 233 117 16

HSL 27.93, 0.87%, 0.49%

LAB 61.73, 39.85, 66.51

 

CMYK 0 / 43 / 79 / 5

HEX #F18A32

RGB 241 138 50

HSL 27.64, 0.87%, 0.57%

LAB 67.36, 33.09, 60.8

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 0 / 26 / 48 / 4

HEX #F6B67F

RGB 246 182 127

HSL 27.73, 0.87%, 0.73%

LAB 78.8, 16.85, 36.98

 

CMYK 0 / 18 / 34 / 2

HEX #F9CCA5

RGB 249 204 165

HSL 27.86, 0.88%, 0.81%

LAB 85.02, 10.56, 25.43

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 42 / 0 / 64 / 5

HEX #8EF358

RGB 142 243 88

HSL 99.1, 0.87%, 0.65%

LAB 87.27, -55.52, 63.46

 

CMYK 60 / 64 / 0 / 5

HEX #6058F3

RGB 96 88 243

HSL 243.1, 0.87%, 0.65%

LAB 46.89, 47.08, -76.85

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 64 / 0 / 35 / 5

HEX #58F39E

RGB 88 243 158

HSL 147.1, 0.87%, 0.65%

LAB 86.33, -59.49, 29.27

 

CMYK 35 / 64 / 0 / 5

HEX #9E58F3

RGB 158 88 243

HSL 267.1, 0.87%, 0.65%

LAB 52.64, 58.26, -67.25

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 42 / 0 / 64 / 5

HEX #8EF358

RGB 142 243 88

HSL 99.1, 0.87%, 0.65%

LAB 87.27, -55.52, 63.46

 

CMYK 64 / 28 / 0 / 5

HEX #58AEF3

RGB 88 174 243

HSL 206.71, 0.87%, 0.65%

LAB 68.62, -5.2, -42.1

 

CMYK 22 / 64 / 0 / 5

HEX #BD58F3

RGB 189 88 243

HSL 279.1, 0.87%, 0.65%

LAB 56.36, 64.84, -61.07

 

CMYK 0 / 34 / 64 / 5

HEX #F3A058

RGB 243 160 88

HSL 27.87, 0.87%, 0.65%

LAB 72.83, 24.21, 49.41

 

CMYK 60 / 0 / 64 / 5

HEX #60F358

RGB 96 243 88

HSL 116.9, 0.87%, 0.65%

LAB 85.65, -67.77, 61.22

 

CMYK 64 / 28 / 0 / 5

HEX #58AEF3

RGB 88 174 243

HSL 206.71, 0.87%, 0.65%

LAB 68.62, -5.2, -42.1

 

CMYK 3 / 64 / 0 / 5

HEX #EC58F3

RGB 236 88 243

HSL 297.29, 0.87%, 0.65%

LAB 62.75, 75.36, -50.51

 

Description

Color code: HEX #F3A058 | qconv.com Color code: HEX #F3A058 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 160 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 160 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 64 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 64% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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