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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F39CA6 it is the complementary color #0C6359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F39CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F39CA6 shade: #F89CA1, #FFAEB4, #FFC0C7, #FFD2DA and #FFE4ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F39CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F39CA6 shade: #F39CA6, #E28A93, #D17880, #C0666D and #AF545A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F39CA6 shade: #F39BA5 and #F39B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F39CA6 shade: #F39BA5, #F39BBD, #F39BD4, #F39BEC and #E29BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F39CA6 shade matches the following richer shades: #F39BA5 and #FC929E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F39CA6 shade: #F39BA5, #EAA4AC, #E1ADB3, #D7B6BA and #CEBFC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F39CA6 shade: #F39BD4, #F39BBD, #F39BA5, #F3A89B and #F3C09B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F39CA6 shade: #EA5263, #EE7684, #F39BA5, #F7C0C6 and #FCE5E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F39CA6 shade: #F39CA6, #EBF39B and #9BC8F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F39CA6 shade: #F39CA6, #A5F39B and #9BA5F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F39CA6 shade: #F39CA6, #EBF39B, #9BF3E8 and #A29BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F39CA6 shade: #F39CA6, #D1F39B, #9BF3E8 and #BD9BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

Complementary color

CMYK 88 / 0 / 10 / 61

HEX #0C6359

RGB 12 99 89

HSL 173.1, 0.78%, 0.22%

LAB 37.34, -26.33, -1.15

 

CMYK 0 / 37 / 35 / 3

HEX #F89CA1

RGB 248 156 161

HSL 356.74, 0.87%, 0.79%

LAB 73.74, 34.9, 11.91

 

CMYK 0 / 32 / 29 / 0

HEX #FFAEB4

RGB 255 174 180

HSL 355.56, 1%, 0.84%

LAB 78.94, 30.41, 9.03

 

CMYK 0 / 25 / 22 / 0

HEX #FFC0C7

RGB 255 192 199

HSL 353.33, 1%, 0.88%

LAB 83.49, 23.57, 5.31

 

CMYK 0 / 18 / 15 / 0

HEX #FFD2DA

RGB 255 210 218

HSL 349.33, 1%, 0.91%

LAB 88.17, 16.99, 1.99

 

CMYK 0 / 11 / 7 / 0

HEX #FFE4ED

RGB 255 228 237

HSL 340, 1%, 0.95%

LAB 92.95, 10.71, -1

 

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

CMYK 0 / 39 / 35 / 11

HEX #E28A93

RGB 226 138 147

HSL 353.86, 0.6%, 0.71%

LAB 66.86, 34.59, 9.58

 

CMYK 0 / 43 / 39 / 18

HEX #D17880

RGB 209 120 128

HSL 354.61, 0.49%, 0.65%

LAB 60.38, 35.56, 10.9

 

CMYK 0 / 47 / 43 / 25

HEX #C0666D

RGB 192 102 109

HSL 355.33, 0.42%, 0.58%

LAB 53.83, 36.59, 12.41

 

CMYK 0 / 52 / 49 / 31

HEX #AF545A

RGB 175 84 90

HSL 356.04, 0.36%, 0.51%

LAB 47.23, 37.67, 14.19

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 36 / 36 / 5

HEX #F39B9B

RGB 243 155 155

HSL 0, 0.79%, 0.78%

LAB 72.8, 32.88, 13.8

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 36 / 22 / 5

HEX #F39BBD

RGB 243 155 189

HSL 336.82, 0.79%, 0.78%

LAB 73.66, 37.33, -3.74

 

CMYK 0 / 36 / 13 / 5

HEX #F39BD4

RGB 243 155 212

HSL 321.14, 0.79%, 0.78%

LAB 74.35, 40.83, -15.36

 

CMYK 0 / 36 / 3 / 5

HEX #F39BEC

RGB 243 155 236

HSL 304.77, 0.79%, 0.78%

LAB 75.17, 44.86, -27.22

 

CMYK 7 / 36 / 0 / 5

HEX #E29BF3

RGB 226 155 243

HSL 288.41, 0.79%, 0.78%

LAB 73.6, 40.95, -33.61

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 42 / 37 / 1

HEX #FC929E

RGB 252 146 158

HSL 353.21, 0.95%, 0.78%

LAB 72.04, 41.15, 11.23

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 30 / 26 / 8

HEX #EAA4AC

RGB 234 164 172

HSL 353.14, 0.63%, 0.78%

LAB 74.2, 26.97, 6.3

 

CMYK 0 / 23 / 20 / 12

HEX #E1ADB3

RGB 225 173 179

HSL 353.08, 0.46%, 0.78%

LAB 75.54, 19.87, 4.28

 

CMYK 0 / 15 / 13 / 16

HEX #D7B6BA

RGB 215 182 186

HSL 352.73, 0.29%, 0.78%

LAB 76.95, 12.48, 2.38

 

CMYK 0 / 7 / 6 / 19

HEX #CEBFC1

RGB 206 191 193

HSL 352, 0.13%, 0.78%

LAB 78.6, 5.62, 0.89

 

CMYK 0 / 36 / 13 / 5

HEX #F39BD4

RGB 243 155 212

HSL 321.14, 0.79%, 0.78%

LAB 74.35, 40.83, -15.36

 

CMYK 0 / 36 / 22 / 5

HEX #F39BBD

RGB 243 155 189

HSL 336.82, 0.79%, 0.78%

LAB 73.66, 37.33, -3.74

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 31 / 36 / 5

HEX #F3A89B

RGB 243 168 155

HSL 8.86, 0.79%, 0.78%

LAB 75.72, 26.03, 17.87

 

CMYK 0 / 21 / 36 / 5

HEX #F3C09B

RGB 243 192 155

HSL 25.23, 0.79%, 0.78%

LAB 81.36, 13.35, 25.62

 

CMYK 0 / 65 / 58 / 8

HEX #EA5263

RGB 234 82 99

HSL 353.29, 0.78%, 0.62%

LAB 56.51, 59.62, 23

 

CMYK 0 / 50 / 45 / 7

HEX #EE7684

RGB 238 118 132

HSL 353, 0.78%, 0.7%

LAB 64, 47.47, 14.26

 

CMYK 0 / 36 / 32 / 5

HEX #F39BA5

RGB 243 155 165

HSL 353.18, 0.79%, 0.78%

LAB 73.03, 34.09, 8.61

 

CMYK 0 / 22 / 20 / 3

HEX #F7C0C6

RGB 247 192 198

HSL 353.45, 0.77%, 0.86%

LAB 82.67, 20.55, 4.58

 

CMYK 0 / 9 / 8 / 1

HEX #FCE5E7

RGB 252 229 231

HSL 354.78, 0.79%, 0.94%

LAB 92.8, 8.17, 1.87

 

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

CMYK 3 / 0 / 36 / 5

HEX #EBF39B

RGB 235 243 155

HSL 65.45, 0.79%, 0.78%

LAB 93.51, -15.74, 41.57

 

CMYK 36 / 18 / 0 / 5

HEX #9BC8F3

RGB 155 200 243

HSL 209.32, 0.79%, 0.78%

LAB 78.9, -4.47, -25.95

 

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

CMYK 32 / 0 / 36 / 5

HEX #A5F39B

RGB 165 243 155

HSL 113.18, 0.79%, 0.78%

LAB 89.14, -40.41, 35.04

 

CMYK 36 / 32 / 0 / 5

HEX #9BA5F3

RGB 155 165 243

HSL 233.18, 0.79%, 0.78%

LAB 69.72, 14.81, -40.12

 

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

CMYK 3 / 0 / 36 / 5

HEX #EBF39B

RGB 235 243 155

HSL 65.45, 0.79%, 0.78%

LAB 93.51, -15.74, 41.57

 

CMYK 36 / 0 / 5 / 5

HEX #9BF3E8

RGB 155 243 232

HSL 172.5, 0.79%, 0.78%

LAB 90.27, -28.84, -3.08

 

CMYK 33 / 36 / 0 / 5

HEX #A29BF3

RGB 162 155 243

HSL 244.77, 0.79%, 0.78%

LAB 67.72, 22.37, -43.21

 

CMYK 0 / 36 / 32 / 5

HEX #F39CA6

RGB 243 156 166

HSL 353.1, 0.78%, 0.78%

LAB 73.28, 33.69, 8.41

 

CMYK 14 / 0 / 36 / 5

HEX #D1F39B

RGB 209 243 155

HSL 83.18, 0.79%, 0.78%

LAB 91.7, -25.36, 38.87

 

CMYK 36 / 0 / 5 / 5

HEX #9BF3E8

RGB 155 243 232

HSL 172.5, 0.79%, 0.78%

LAB 90.27, -28.84, -3.08

 

CMYK 22 / 36 / 0 / 5

HEX #BD9BF3

RGB 189 155 243

HSL 263.18, 0.79%, 0.78%

LAB 69.99, 29.97, -39.5

 

Description

Color code: HEX #F39CA6 | qconv.com Color code: HEX #F39CA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 156 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 156 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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