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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F393CACE it is the complementary color #0C6C35CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F393CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F393CACE shade: #F893C5CE, #FFA5D8CE, #FFB7EBCE, #FFC9FECE and #FFDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F393CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F393CACE shade: #F393CACE, #E281B7CE, #D16FA4CE, #C05D91CE and #AF4B7ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F393CACE shade: #F391C9, #F391AF, #F39194 and #F39191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F393CACE shade: #F391C9, #F391E3, #E891F3, #CD91F3 and #B391F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F393CACE shade matches the following richer shades: #F391C9 and #FD87CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F393CACE shade: #F391C9, #E99BC7, #DFA5C6, #D5AFC5 and #CBB8C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F393CACE shade: #E791F3, #F391E4, #F391CA, #F391B0 and #F39196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F393CACE shade: #EB47A4, #EF6CB7, #F391C9, #F7B6DB and #FBDBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F393CACE shade: #F393CA, #F3CD91 and #91F1F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F393CACE shade: #F393CA, #CAF391 and #91CAF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F393CACE shade: #F393CA, #F3CD91, #91F3BA and #91B6F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F393CACE shade: #F393CA, #F3EB91, #91F3BA and #9199F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 14 / 4

HEX #F393CACE

RGBA 243 147 202 0.81

HSLA 325.63, 0.8%, 0.76%, 0.81

LABA 72.35, 43.4, -12.85, 0.81

 

Complementary color

CMYK 72 / 0 / 41 / 47

HEX #0C6C35CE

RGBA 12 108 53 0.81

HSLA 145.63, 0.8%, 0.24%, 0.81

LABA 39.68, -39.2, 23.54, 0.81

 

CMYK 0 / 33 / 17 / 2

HEX #F893C5CE

RGBA 248 147 197 0.81

HSLA 330.3, 0.88%, 0.77%, 0.81

LABA 72.8, 44.32, -9.36, 0.81

 

CMYK 0 / 29 / 12 / 0

HEX #FFA5D8CE

RGBA 255 165 216 0.81

HSLA 326, 1%, 0.82%, 0.81

LABA 77.95, 40.23, -12, 0.81

 

CMYK 0 / 23 / 6 / 0

HEX #FFB7EBCE

RGBA 255 183 235 0.81

HSLA 316.67, 1%, 0.86%, 0.81

LABA 82.45, 33.91, -15.53, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFC9FECE

RGBA 255 201 254 0.81

HSLA 301.11, 1%, 0.89%, 0.81

LABA 87.09, 27.77, -18.65, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFCE

RGBA 255 219 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.3, 18.51, -12.86, 0.81

 

CMYK 0 / 32 / 14 / 4

HEX #F393CACE

RGBA 243 147 202 0.81

HSLA 325.63, 0.8%, 0.76%, 0.81

LABA 72.35, 43.4, -12.85, 0.81

 

CMYK 0 / 35 / 15 / 9

HEX #E281B7CE

RGBA 226 129 183 0.81

HSLA 326.6, 0.63%, 0.7%, 0.81

LABA 65.97, 44.18, -12.03, 0.81

 

CMYK 0 / 38 / 17 / 15

HEX #D16FA4CE

RGBA 209 111 164 0.81

HSLA 327.55, 0.52%, 0.63%, 0.81

LABA 59.53, 44.97, -11.09, 0.81

 

CMYK 0 / 42 / 20 / 20

HEX #C05D91CE

RGBA 192 93 145 0.81

HSLA 328.48, 0.44%, 0.56%, 0.81

LABA 53.04, 45.73, -10, 0.81

 

CMYK 0 / 46 / 23 / 25

HEX #AF4B7ECE

RGBA 175 75 126 0.81

HSLA 329.4, 0.4%, 0.49%, 0.81

LABA 46.52, 46.4, -8.67, 0.81

 

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 0 / 40 / 28 / 5

HEX #F391AF

RGB 243 145 175

HSL 341.63, 0.8%, 0.76%

LAB 71.15, 40.58, 0.34

 

CMYK 0 / 40 / 39 / 5

HEX #F39194

RGB 243 145 148

HSL 358.16, 0.8%, 0.76%

LAB 70.49, 37.29, 14.43

 

CMYK 0 / 40 / 40 / 5

HEX #F39191

RGB 243 145 145

HSL 0, 0.8%, 0.76%

LAB 70.42, 36.96, 16

 

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 0 / 40 / 7 / 5

HEX #F391E3

RGB 243 145 227

HSL 309.8, 0.8%, 0.76%

LAB 72.79, 48.44, -25.95

 

CMYK 5 / 40 / 0 / 5

HEX #E891F3

RGB 232 145 243

HSL 293.27, 0.8%, 0.76%

LAB 72.15, 47.98, -35.81

 

CMYK 16 / 40 / 0 / 5

HEX #CD91F3

RGB 205 145 243

HSL 276.73, 0.8%, 0.76%

LAB 69.26, 40.09, -40.53

 

CMYK 26 / 40 / 0 / 5

HEX #B391F3

RGB 179 145 243

HSL 260.82, 0.8%, 0.76%

LAB 66.75, 32.7, -44.63

 

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 0 / 47 / 20 / 1

HEX #FD87CA

RGB 253 135 202

HSL 325.93, 0.97%, 0.76%

LAB 71.2, 52.67, -14.46

 

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 0 / 33 / 15 / 9

HEX #E99BC7

RGB 233 155 199

HSL 326.15, 0.64%, 0.76%

LAB 72.82, 35.41, -10.62

 

CMYK 0 / 26 / 11 / 13

HEX #DFA5C6

RGB 223 165 198

HSL 325.86, 0.48%, 0.76%

LAB 73.98, 26.47, -8.45

 

CMYK 0 / 18 / 8 / 16

HEX #D5AFC5

RGB 213 175 197

HSL 325.26, 0.31%, 0.76%

LAB 75.35, 17.4, -5.98

 

CMYK 0 / 9 / 4 / 20

HEX #CBB8C3

RGB 203 184 195

HSL 325.26, 0.15%, 0.76%

LAB 76.63, 8.68, -3.1

 

CMYK 5 / 40 / 0 / 5

HEX #E791F3

RGB 231 145 243

HSL 292.65, 0.8%, 0.76%

LAB 72.03, 47.68, -35.99

 

CMYK 0 / 40 / 6 / 5

HEX #F391E4

RGB 243 145 228

HSL 309.18, 0.8%, 0.76%

LAB 72.83, 48.61, -26.44

 

CMYK 0 / 40 / 17 / 5

HEX #F391CA

RGB 243 145 202

HSL 325.1, 0.8%, 0.76%

LAB 71.94, 44.43, -13.47

 

CMYK 0 / 40 / 28 / 5

HEX #F391B0

RGB 243 145 176

HSL 341.02, 0.8%, 0.76%

LAB 71.17, 40.72, -0.17

 

CMYK 0 / 40 / 38 / 5

HEX #F39196

RGB 243 145 150

HSL 356.94, 0.8%, 0.76%

LAB 70.53, 37.51, 13.38

 

CMYK 0 / 70 / 30 / 8

HEX #EB47A4

RGB 235 71 164

HSL 325.98, 0.8%, 0.6%

LAB 56.93, 70.13, -14.63

 

CMYK 0 / 55 / 23 / 6

HEX #EF6CB7

RGB 239 108 183

HSL 325.65, 0.8%, 0.68%

LAB 63.75, 58.55, -15.2

 

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 0 / 26 / 11 / 3

HEX #F7B6DB

RGB 247 182 219

HSL 325.85, 0.8%, 0.84%

LAB 80.93, 29.11, -9.27

 

CMYK 0 / 13 / 6 / 2

HEX #FBDBED

RGB 251 219 237

HSL 326.25, 0.8%, 0.92%

LAB 90.45, 14.02, -4.71

 

CMYK 0 / 40 / 17 / 5

HEX #F393CA

RGB 243 147 202

HSL 325.63, 0.8%, 0.76%

LAB 72.35, 43.4, -12.85

 

CMYK 0 / 16 / 40 / 5

HEX #F3CD91

RGB 243 205 145

HSL 36.73, 0.8%, 0.76%

LAB 84.36, 5.44, 34.84

 

CMYK 40 / 1 / 0 / 5

HEX #91F1F3

RGB 145 241 243

HSL 181.22, 0.8%, 0.76%

LAB 89.58, -27.82, -9.89

 

CMYK 0 / 40 / 17 / 5

HEX #F393CA

RGB 243 147 202

HSL 325.63, 0.8%, 0.76%

LAB 72.35, 43.4, -12.85

 

CMYK 17 / 0 / 40 / 5

HEX #CAF391

RGB 202 243 145

HSL 85.1, 0.8%, 0.76%

LAB 91.1, -29.13, 42.94

 

CMYK 40 / 17 / 0 / 5

HEX #91CAF3

RGB 145 202 243

HSL 205.1, 0.8%, 0.76%

LAB 78.89, -8.14, -26.01

 

CMYK 0 / 40 / 17 / 5

HEX #F393CA

RGB 243 147 202

HSL 325.63, 0.8%, 0.76%

LAB 72.35, 43.4, -12.85

 

CMYK 0 / 16 / 40 / 5

HEX #F3CD91

RGB 243 205 145

HSL 36.73, 0.8%, 0.76%

LAB 84.36, 5.44, 34.84

 

CMYK 40 / 0 / 23 / 5

HEX #91F3BA

RGB 145 243 186

HSL 145.1, 0.8%, 0.76%

LAB 88.76, -41.09, 18.59

 

CMYK 40 / 25 / 0 / 5

HEX #91B6F3

RGB 145 182 243

HSL 217.35, 0.8%, 0.76%

LAB 73.51, 2.67, -34.28

 

CMYK 0 / 40 / 17 / 5

HEX #F393CA

RGB 243 147 202

HSL 325.63, 0.8%, 0.76%

LAB 72.35, 43.4, -12.85

 

CMYK 0 / 3 / 40 / 5

HEX #F3EB91

RGB 243 235 145

HSL 55.1, 0.8%, 0.76%

LAB 91.92, -9.82, 44.58

 

CMYK 40 / 0 / 23 / 5

HEX #91F3BA

RGB 145 243 186

HSL 145.1, 0.8%, 0.76%

LAB 88.76, -41.09, 18.59

 

CMYK 40 / 37 / 0 / 5

HEX #9199F3

RGB 145 153 243

HSL 235.1, 0.8%, 0.76%

LAB 65.96, 19.05, -46.06

 

Description

Color code: HEX #F393CACE | qconv.com Color code: HEX #F393CACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 147 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 147 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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