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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3935ACE it is the complementary color #0C6CA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3935ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3935ACE shade: #F89355CE, #FFA568CE, #FFB77BCE, #FFC98ECE and #FFDBA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3935ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3935ACE shade: #F3935ACE, #E28147CE, #D16F34CE, #C05D21CE and #AF4B0ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3935ACE shade: #F39259, #F36959 and #F35959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3935ACE shade: #F39259, #F3BC59, #F3E559, #D7F359 and #ADF359

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3935ACE shade matches the following richer shades: #F39259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3935ACE shade: #F39259, #E49667, #D69A76, #C79D84 and #B9A193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3935ACE shade: #F35973, #F36859, #F39159, #F3BA59 and #F3E359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3935ACE shade: #E86111, #F07933, #F39259, #F5AB7F and #F8C4A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3935ACE shade: #F3935A, #9CF359 and #595EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3935ACE shade: #F3935A, #59F391 and #9159F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3935ACE shade: #F3935A, #9CF359, #59BAF3 and #B059F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3935ACE shade: #F3935A, #6DF359, #59BAF3 and #DE59F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 51 / 4

HEX #F3935ACE

RGBA 243 147 90 0.81

HSLA 22.35, 0.86%, 0.65%, 0.81

LABA 69.94, 31.16, 45.04, 0.81

 

Complementary color

CMYK 75 / 28 / 0 / 29

HEX #0C6CA5CE

RGBA 12 108 165 0.81

HSLA 202.35, 0.86%, 0.35%, 0.81

LABA 43.54, -3.68, -37.61, 0.81

 

CMYK 0 / 33 / 53 / 2

HEX #F89355CE

RGBA 248 147 85 0.81

HSLA 22.82, 0.92%, 0.65%, 0.81

LABA 70.51, 32.84, 48.39, 0.81

 

CMYK 0 / 29 / 48 / 0

HEX #FFA568CE

RGBA 255 165 104 0.81

HSLA 24.24, 1%, 0.7%, 0.81

LABA 75.56, 27.48, 44.98, 0.81

 

CMYK 0 / 23 / 42 / 0

HEX #FFB77BCE

RGBA 255 183 123 0.81

HSLA 27.27, 1%, 0.74%, 0.81

LABA 79.93, 19.55, 40.68, 0.81

 

CMYK 0 / 17 / 36 / 0

HEX #FFC98ECE

RGBA 255 201 142 0.81

HSLA 31.33, 1%, 0.78%, 0.81

LABA 84.48, 11.92, 36.75, 0.81

 

CMYK 0 / 11 / 30 / 0

HEX #FFDBA1CE

RGBA 255 219 161 0.81

HSLA 37.02, 1%, 0.82%, 0.81

LABA 89.16, 4.64, 33.16, 0.81

 

CMYK 0 / 32 / 51 / 4

HEX #F3935ACE

RGBA 243 147 90 0.81

HSLA 22.35, 0.86%, 0.65%, 0.81

LABA 69.94, 31.16, 45.04, 0.81

 

CMYK 0 / 35 / 56 / 9

HEX #E28147CE

RGBA 226 129 71 0.81

HSLA 22.45, 0.73%, 0.58%, 0.81

LABA 63.61, 32.64, 46.8, 0.81

 

CMYK 0 / 38 / 61 / 15

HEX #D16F34CE

RGBA 209 111 52 0.81

HSLA 22.55, 0.63%, 0.51%, 0.81

LABA 57.24, 34.29, 48.56, 0.81

 

CMYK 0 / 42 / 67 / 20

HEX #C05D21CE

RGBA 192 93 33 0.81

HSLA 22.64, 0.71%, 0.44%, 0.81

LABA 50.86, 36.1, 50.1, 0.81

 

CMYK 0 / 46 / 75 / 25

HEX #AF4B0ECE

RGBA 175 75 14 0.81

HSLA 22.73, 0.85%, 0.37%, 0.81

LABA 44.49, 38.03, 50.79, 0.81

 

CMYK 0 / 40 / 63 / 5

HEX #F39259

RGB 243 146 89

HSL 22.21, 0.87%, 0.65%

LAB 69.71, 31.61, 45.28

 

CMYK 0 / 57 / 63 / 5

HEX #F36959

RGB 243 105 89

HSL 6.23, 0.87%, 0.65%

LAB 61.55, 51.99, 35.45

 

CMYK 0 / 63 / 63 / 5

HEX #F35959

RGB 243 89 89

HSL 0, 0.87%, 0.65%

LAB 58.9, 59.01, 32.15

 

CMYK 0 / 40 / 63 / 5

HEX #F39259

RGB 243 146 89

HSL 22.21, 0.87%, 0.65%

LAB 69.71, 31.61, 45.28

 

CMYK 0 / 23 / 63 / 5

HEX #F3BC59

RGB 243 188 89

HSL 38.57, 0.87%, 0.65%

LAB 79.47, 9.53, 56.44

 

CMYK 0 / 6 / 63 / 5

HEX #F3E559

RGB 243 229 89

HSL 54.55, 0.87%, 0.65%

LAB 89.77, -11.41, 67.62

 

CMYK 12 / 0 / 63 / 5

HEX #D7F359

RGB 215 243 89

HSL 70.91, 0.87%, 0.65%

LAB 91.36, -29.39, 68.65

 

CMYK 29 / 0 / 63 / 5

HEX #ADF359

RGB 173 243 89

HSL 87.27, 0.87%, 0.65%

LAB 88.78, -45.12, 65.13

 

CMYK 0 / 40 / 63 / 5

HEX #F39259

RGB 243 146 89

HSL 22.21, 0.87%, 0.65%

LAB 69.71, 31.61, 45.28

 

CMYK 0 / 40 / 63 / 5

HEX #F39259

RGB 243 146 89

HSL 22.21, 0.87%, 0.65%

LAB 69.71, 31.61, 45.28

 

CMYK 0 / 34 / 55 / 11

HEX #E49667

RGB 228 150 103

HSL 22.56, 0.7%, 0.65%

LAB 68.96, 24.51, 36.66

 

CMYK 0 / 28 / 45 / 16

HEX #D69A76

RGB 214 154 118

HSL 22.5, 0.54%, 0.65%

LAB 68.54, 18.1, 27.75

 

CMYK 0 / 21 / 34 / 22

HEX #C79D84

RGB 199 157 132

HSL 22.39, 0.37%, 0.65%

LAB 67.96, 12.08, 19.03

 

CMYK 0 / 13 / 21 / 27

HEX #B9A193

RGB 185 161 147

HSL 22.11, 0.21%, 0.65%

LAB 67.95, 6.53, 10.52

 

CMYK 0 / 63 / 53 / 5

HEX #F35973

RGB 243 89 115

HSL 349.87, 0.87%, 0.65%

LAB 59.38, 60.8, 17.78

 

CMYK 0 / 57 / 63 / 5

HEX #F36859

RGB 243 104 89

HSL 5.84, 0.87%, 0.65%

LAB 61.37, 52.45, 35.24

 

CMYK 0 / 40 / 63 / 5

HEX #F39159

RGB 243 145 89

HSL 21.82, 0.87%, 0.65%

LAB 69.49, 32.13, 45.03

 

CMYK 0 / 23 / 63 / 5

HEX #F3BA59

RGB 243 186 89

HSL 37.79, 0.87%, 0.65%

LAB 78.98, 10.58, 55.9

 

CMYK 0 / 7 / 63 / 5

HEX #F3E359

RGB 243 227 89

HSL 53.77, 0.87%, 0.65%

LAB 89.26, -10.42, 67.07

 

CMYK 0 / 58 / 93 / 9

HEX #E86111

RGB 232 97 17

HSL 22.33, 0.86%, 0.49%

LAB 57.79, 49.14, 63.55

 

CMYK 0 / 50 / 79 / 6

HEX #F07933

RGB 240 121 51

HSL 22.22, 0.86%, 0.57%

LAB 63.7, 41.38, 56.89

 

CMYK 0 / 40 / 63 / 5

HEX #F39259

RGB 243 146 89

HSL 22.21, 0.87%, 0.65%

LAB 69.71, 31.61, 45.28

 

CMYK 0 / 30 / 48 / 4

HEX #F5AB7F

RGB 245 171 127

HSL 22.37, 0.86%, 0.73%

LAB 76.11, 22.25, 33.49

 

CMYK 0 / 21 / 33 / 3

HEX #F8C4A6

RGB 248 196 166

HSL 21.95, 0.85%, 0.81%

LAB 83.01, 14.48, 22.14

 

CMYK 0 / 40 / 63 / 5

HEX #F3935A

RGB 243 147 90

HSL 22.35, 0.86%, 0.65%

LAB 69.94, 31.16, 45.04

 

CMYK 36 / 0 / 63 / 5

HEX #9CF359

RGB 156 243 89

HSL 93.9, 0.87%, 0.65%

LAB 87.92, -50.95, 63.94

 

CMYK 63 / 61 / 0 / 5

HEX #595EF3

RGB 89 94 243

HSL 238.05, 0.87%, 0.65%

LAB 47.75, 42.55, -75.47

 

CMYK 0 / 40 / 63 / 5

HEX #F3935A

RGB 243 147 90

HSL 22.35, 0.86%, 0.65%

LAB 69.94, 31.16, 45.04

 

CMYK 63 / 0 / 40 / 5

HEX #59F391

RGB 89 243 145

HSL 141.82, 0.87%, 0.65%

LAB 86.14, -61.61, 35.55

 

CMYK 40 / 63 / 0 / 5

HEX #9159F3

RGB 145 89 243

HSL 261.82, 0.87%, 0.65%

LAB 51.42, 55.13, -69.29

 

CMYK 0 / 40 / 63 / 5

HEX #F3935A

RGB 243 147 90

HSL 22.35, 0.86%, 0.65%

LAB 69.94, 31.16, 45.04

 

CMYK 36 / 0 / 63 / 5

HEX #9CF359

RGB 156 243 89

HSL 93.9, 0.87%, 0.65%

LAB 87.92, -50.95, 63.94

 

CMYK 63 / 23 / 0 / 5

HEX #59BAF3

RGB 89 186 243

HSL 202.21, 0.87%, 0.65%

LAB 72.04, -11.59, -36.77

 

CMYK 28 / 63 / 0 / 5

HEX #B059F3

RGB 176 89 243

HSL 273.9, 0.87%, 0.65%

LAB 54.91, 61.56, -63.48

 

CMYK 0 / 40 / 63 / 5

HEX #F3935A

RGB 243 147 90

HSL 22.35, 0.86%, 0.65%

LAB 69.94, 31.16, 45.04

 

CMYK 55 / 0 / 63 / 5

HEX #6DF359

RGB 109 243 89

HSL 112.21, 0.87%, 0.65%

LAB 86.04, -64.65, 61.36

 

CMYK 63 / 23 / 0 / 5

HEX #59BAF3

RGB 89 186 243

HSL 202.21, 0.87%, 0.65%

LAB 72.04, -11.59, -36.77

 

CMYK 9 / 63 / 0 / 5

HEX #DE59F3

RGB 222 89 243

HSL 291.82, 0.87%, 0.65%

LAB 60.91, 71.78, -53.55

 

Description

Color code: HEX #F3935ACE | qconv.com Color code: HEX #F3935ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 147 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 147 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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