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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F38ADE3F it is the complementary color #0C75213F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F38ADE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F38ADE3F shade: #F88AD93F, #FF9CEC3F, #FFAEFF3F, #FFC0FF3F and #FFD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F38ADE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F38ADE3F shade: #F38ADE3F, #E278CB3F, #D166B83F, #C054A53F and #AF42923F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F38ADE3F shade: #F38CDE, #F38CC2, #F38CA7 and #F38C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F38ADE3F shade: #F38CDE, #EC8CF3, #D08CF3, #B48CF3 and #988CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F38ADE3F shade matches the following richer shades: #F38CDE and #FD81E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F38ADE3F shade: #F38CDE, #E996D8, #DEA0D2, #D4ABCC and #CAB5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F38ADE3F shade: #D08CF3, #EC8CF3, #F38CDE, #F38CC3 and #F38CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F38ADE3F shade: #EB41C9, #EF66D4, #F38CDE, #F7B1E9 and #FBD6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F38ADE3F shade: #F38ADE, #F3B58C and #8CF3DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F38ADE3F shade: #F38ADE, #DEF38C and #8CDEF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F38ADE3F shade: #F38ADE, #F3B58C, #8CF3A0 and #8CCAF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F38ADE3F shade: #F38ADE, #F3D48C, #8CF3A0 and #8CABF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 2 / 1

HEX #F38ADE3F

RGBA 243 138 222 0.25

HSLA 312, 0.81%, 0.75%, 0.25

LABA 71.22, 51.15, -25.62, 0.25

 

Complementary color

CMYK 22 / 0 / 18 / 14

HEX #0C75213F

RGBA 12 117 33 0.25

HSLA 132, 0.81%, 0.25%, 0.25

LABA 42.63, -45.27, 37.05, 0.25

 

CMYK 0 / 11 / 3 / 1

HEX #F88AD93F

RGBA 248 138 217 0.25

HSLA 316.91, 0.89%, 0.76%, 0.25

LABA 71.65, 51.88, -22.14, 0.25

 

CMYK 0 / 10 / 2 / 0

HEX #FF9CEC3F

RGBA 255 156 236 0.25

HSLA 311.52, 1%, 0.81%, 0.25

LABA 76.74, 48.06, -24.71, 0.25

 

CMYK 0 / 8 / 0 / 0

HEX #FFAEFF3F

RGBA 255 174 255 0.25

HSLA 300, 1%, 0.84%, 0.25

LABA 81.16, 42.08, -28.2, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FF3F

RGBA 255 192 255 0.25

HSLA 300, 1%, 0.88%, 0.25

LABA 85.09, 32.67, -22.21, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 11 / 2 / 1

HEX #F38ADE3F

RGBA 243 138 222 0.25

HSLA 312, 0.81%, 0.75%, 0.25

LABA 71.22, 51.15, -25.62, 0.25

 

CMYK 0 / 12 / 3 / 3

HEX #E278CB3F

RGBA 226 120 203 0.25

HSLA 313.02, 0.65%, 0.68%, 0.25

LABA 64.89, 51.86, -24.92, 0.25

 

CMYK 0 / 13 / 3 / 5

HEX #D166B83F

RGBA 209 102 184 0.25

HSLA 314.02, 0.54%, 0.61%, 0.25

LABA 58.53, 52.51, -24.12, 0.25

 

CMYK 0 / 14 / 4 / 6

HEX #C054A53F

RGBA 192 84 165 0.25

HSLA 315, 0.46%, 0.54%, 0.25

LABA 52.13, 53.06, -23.14, 0.25

 

CMYK 0 / 16 / 4 / 8

HEX #AF42923F

RGBA 175 66 146 0.25

HSLA 315.96, 0.45%, 0.47%, 0.25

LABA 45.75, 53.4, -21.91, 0.25

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 0 / 42 / 20 / 5

HEX #F38CC2

RGB 243 140 194

HSL 328.54, 0.81%, 0.75%

LAB 70.67, 45.79, -10.94

 

CMYK 0 / 42 / 31 / 5

HEX #F38CA7

RGB 243 140 167

HSL 344.27, 0.81%, 0.75%

LAB 69.9, 42.12, 2.99

 

CMYK 0 / 42 / 42 / 5

HEX #F38C8C

RGB 243 140 140

HSL 0, 0.81%, 0.75%

LAB 69.26, 39, 17.17

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 3 / 42 / 0 / 5

HEX #EC8CF3

RGB 236 140 243

HSL 295.92, 0.81%, 0.75%

LAB 71.6, 51.7, -36.62

 

CMYK 14 / 42 / 0 / 5

HEX #D08CF3

RGB 208 140 243

HSL 279.61, 0.81%, 0.75%

LAB 68.49, 43.63, -41.7

 

CMYK 26 / 42 / 0 / 5

HEX #B48CF3

RGB 180 140 243

HSL 263.3, 0.81%, 0.75%

LAB 65.69, 35.76, -46.28

 

CMYK 37 / 42 / 0 / 5

HEX #988CF3

RGB 152 140 243

HSL 246.99, 0.81%, 0.75%

LAB 63.26, 28.32, -50.29

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 0 / 49 / 10 / 1

HEX #FD81E4

RGB 253 129 228

HSL 312.1, 0.97%, 0.75%

LAB 71, 59.48, -29.15

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 0 / 36 / 7 / 9

HEX #E996D8

RGB 233 150 216

HSL 312.29, 0.65%, 0.75%

LAB 72.29, 40.85, -20.78

 

CMYK 0 / 28 / 5 / 13

HEX #DEA0D2

RGB 222 160 210

HSL 311.61, 0.48%, 0.75%

LAB 73.1, 30.88, -16.36

 

CMYK 0 / 19 / 4 / 17

HEX #D4ABCC

RGB 212 171 204

HSL 311.71, 0.32%, 0.75%

LAB 74.5, 20.47, -11.08

 

CMYK 0 / 10 / 2 / 21

HEX #CAB5C5

RGB 202 181 197

HSL 314.29, 0.17%, 0.75%

LAB 75.84, 10.31, -5.36

 

CMYK 14 / 42 / 0 / 5

HEX #D08CF3

RGB 208 140 243

HSL 279.61, 0.81%, 0.75%

LAB 68.49, 43.63, -41.7

 

CMYK 3 / 42 / 0 / 5

HEX #EC8CF3

RGB 236 140 243

HSL 295.92, 0.81%, 0.75%

LAB 71.6, 51.7, -36.62

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 0 / 42 / 20 / 5

HEX #F38CC3

RGB 243 140 195

HSL 327.96, 0.81%, 0.75%

LAB 70.7, 45.94, -11.45

 

CMYK 0 / 42 / 31 / 5

HEX #F38CA7

RGB 243 140 167

HSL 344.27, 0.81%, 0.75%

LAB 69.9, 42.12, 2.99

 

CMYK 0 / 72 / 14 / 8

HEX #EB41C9

RGB 235 65 201

HSL 312, 0.81%, 0.59%

LAB 57.71, 76.8, -34.8

 

CMYK 0 / 57 / 11 / 6

HEX #EF66D4

RGB 239 102 212

HSL 311.82, 0.81%, 0.67%

LAB 63.84, 65.4, -31.46

 

CMYK 0 / 42 / 9 / 5

HEX #F38CDE

RGB 243 140 222

HSL 312.23, 0.81%, 0.75%

LAB 71.61, 50.14, -25.01

 

CMYK 0 / 28 / 6 / 3

HEX #F7B1E9

RGB 247 177 233

HSL 312, 0.81%, 0.83%

LAB 80.24, 34.1, -17.86

 

CMYK 0 / 15 / 3 / 2

HEX #FBD6F3

RGB 251 214 243

HSL 312.97, 0.82%, 0.91%

LAB 89.43, 17.67, -9.38

 

CMYK 0 / 43 / 9 / 5

HEX #F38ADE

RGB 243 138 222

HSL 312, 0.81%, 0.75%

LAB 71.22, 51.15, -25.62

 

CMYK 0 / 26 / 42 / 5

HEX #F3B58C

RGB 243 181 140

HSL 23.88, 0.81%, 0.75%

LAB 78.46, 17.48, 29.66

 

CMYK 42 / 0 / 9 / 5

HEX #8CF3DE

RGB 140 243 222

HSL 167.77, 0.81%, 0.75%

LAB 89.37, -34.89, 0.74

 

CMYK 0 / 43 / 9 / 5

HEX #F38ADE

RGB 243 138 222

HSL 312, 0.81%, 0.75%

LAB 71.22, 51.15, -25.62

 

CMYK 9 / 0 / 42 / 5

HEX #DEF38C

RGB 222 243 140

HSL 72.23, 0.81%, 0.75%

LAB 92.36, -22.3, 47.24

 

CMYK 42 / 9 / 0 / 5

HEX #8CDEF3

RGB 140 222 243

HSL 192.23, 0.81%, 0.75%

LAB 84.12, -19.7, -18.1

 

CMYK 0 / 43 / 9 / 5

HEX #F38ADE

RGB 243 138 222

HSL 312, 0.81%, 0.75%

LAB 71.22, 51.15, -25.62

 

CMYK 0 / 26 / 42 / 5

HEX #F3B58C

RGB 243 181 140

HSL 23.88, 0.81%, 0.75%

LAB 78.46, 17.48, 29.66

 

CMYK 42 / 0 / 34 / 5

HEX #8CF3A0

RGB 140 243 160

HSL 131.65, 0.81%, 0.75%

LAB 88.07, -47.09, 30.9

 

CMYK 42 / 17 / 0 / 5

HEX #8CCAF3

RGB 140 202 243

HSL 203.88, 0.81%, 0.75%

LAB 78.63, -9.4, -26.43

 

CMYK 0 / 43 / 9 / 5

HEX #F38ADE

RGB 243 138 222

HSL 312, 0.81%, 0.75%

LAB 71.22, 51.15, -25.62

 

CMYK 0 / 13 / 42 / 5

HEX #F3D48C

RGB 243 212 140

HSL 41.94, 0.81%, 0.75%

LAB 86.02, 1.3, 39.55

 

CMYK 42 / 0 / 34 / 5

HEX #8CF3A0

RGB 140 243 160

HSL 131.65, 0.81%, 0.75%

LAB 88.07, -47.09, 30.9

 

CMYK 42 / 30 / 0 / 5

HEX #8CABF3

RGB 140 171 243

HSL 221.94, 0.81%, 0.75%

LAB 70.3, 7.52, -39.29

 

Description

Color code: HEX #F38ADE3F | qconv.com Color code: HEX #F38ADE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 138 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 138 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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