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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3841D it is the complementary color #0C7BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3841D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3841D shade: #F88418, #FF962B, #FFA83E, #FFBA51 and #FFCC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3841D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3841D shade: #F3841D, #E2720A, #D16000, #C04E00 and #AF3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3841D shade: #F3831B, #F3491B and #F31B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3841D shade: #F3831B, #F3BD1B, #EFF31B, #B4F31B and #7AF31B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3841D shade matches the following richer shades: #F3831B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3841D shade: #F3831B, #E0842F, #CC8542, #B98555 and #A58669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3841D shade: #F31B2A, #F3461B, #F3801B, #F3B91B and #F3F31B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3841D shade: #B25B09, #DA6F0B, #F3831B, #F59842 and #F7AE6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3841D shade: #F3841D, #63F31B and #2A1BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3841D shade: #F3841D, #1BF380 and #801BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3841D shade: #F3841D, #63F31B, #1B8EF3 and #AB1BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3841D shade: #F3841D, #22F31B, #1B8EF3 and #EC1BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

Complementary color

CMYK 95 / 46 / 0 / 11

HEX #0C7BE2

RGB 12 123 226

HSL 208.88, 0.9%, 0.47%

LAB 51.54, 10.98, -59.92

 

CMYK 0 / 47 / 90 / 3

HEX #F88418

RGB 248 132 24

HSL 28.93, 0.94%, 0.53%

LAB 66.92, 38.34, 69.35

 

CMYK 0 / 41 / 83 / 0

HEX #FF962B

RGB 255 150 43

HSL 30.28, 1%, 0.58%

LAB 71.72, 32.35, 67.96

 

CMYK 0 / 34 / 76 / 0

HEX #FFA83E

RGB 255 168 62

HSL 32.95, 1%, 0.62%

LAB 75.83, 23.62, 64.69

 

CMYK 0 / 27 / 68 / 0

HEX #FFBA51

RGB 255 186 81

HSL 36.21, 1%, 0.66%

LAB 80.16, 15.09, 61.14

 

CMYK 0 / 20 / 61 / 0

HEX #FFCC64

RGB 255 204 100

HSL 40.26, 1%, 0.7%

LAB 84.67, 6.89, 57.58

 

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

CMYK 0 / 50 / 96 / 11

HEX #E2720A

RGB 226 114 10

HSL 28.89, 0.92%, 0.46%

LAB 60.09, 38.53, 66.05

 

CMYK 0 / 54 / 100 / 18

HEX #D16000

RGB 209 96 0

HSL 27.56, 1%, 0.41%

LAB 53.94, 40.75, 62.82

 

CMYK 0 / 59 / 100 / 25

HEX #C04E00

RGB 192 78 0

HSL 24.38, 1%, 0.38%

LAB 47.82, 42.95, 57.93

 

CMYK 0 / 66 / 100 / 31

HEX #AF3C00

RGB 175 60 0

HSL 20.57, 1%, 0.34%

LAB 41.76, 44.89, 53.11

 

CMYK 0 / 46 / 89 / 5

HEX #F3831B

RGB 243 131 27

HSL 28.89, 0.9%, 0.53%

LAB 66.03, 36.9, 67.61

 

CMYK 0 / 70 / 89 / 5

HEX #F3491B

RGB 243 73 27

HSL 12.78, 0.9%, 0.53%

LAB 55.99, 62.97, 60.13

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 46 / 89 / 5

HEX #F3831B

RGB 243 131 27

HSL 28.89, 0.9%, 0.53%

LAB 66.03, 36.9, 67.61

 

CMYK 0 / 22 / 89 / 5

HEX #F3BD1B

RGB 243 189 27

HSL 45, 0.9%, 0.53%

LAB 79.35, 6.59, 77.79

 

CMYK 2 / 0 / 89 / 5

HEX #EFF31B

RGB 239 243 27

HSL 61.11, 0.9%, 0.53%

LAB 92.81, -22.15, 88.14

 

CMYK 26 / 0 / 89 / 5

HEX #B4F31B

RGB 180 243 27

HSL 77.5, 0.9%, 0.53%

LAB 88.87, -45.53, 83.33

 

CMYK 50 / 0 / 89 / 5

HEX #7AF31B

RGB 122 243 27

HSL 93.61, 0.9%, 0.53%

LAB 86.17, -64.82, 79.99

 

CMYK 0 / 46 / 89 / 5

HEX #F3831B

RGB 243 131 27

HSL 28.89, 0.9%, 0.53%

LAB 66.03, 36.9, 67.61

 

CMYK 0 / 46 / 89 / 5

HEX #F3831B

RGB 243 131 27

HSL 28.89, 0.9%, 0.53%

LAB 66.03, 36.9, 67.61

 

CMYK 0 / 41 / 79 / 12

HEX #E0842F

RGB 224 132 47

HSL 28.81, 0.74%, 0.53%

LAB 63.8, 29.18, 57.88

 

CMYK 0 / 35 / 68 / 20

HEX #CC8542

RGB 204 133 66

HSL 29.13, 0.58%, 0.53%

LAB 61.66, 21.14, 46.33

 

CMYK 0 / 28 / 54 / 27

HEX #B98555

RGB 185 133 85

HSL 28.8, 0.42%, 0.53%

LAB 59.66, 14.45, 33.59

 

CMYK 0 / 19 / 36 / 35

HEX #A58669

RGB 165 134 105

HSL 29, 0.25%, 0.53%

LAB 58.1, 7.61, 20.08

 

CMYK 0 / 89 / 83 / 5

HEX #F31B2A

RGB 243 27 42

HSL 355.83, 0.9%, 0.53%

LAB 51.84, 75.17, 50.15

 

CMYK 0 / 71 / 89 / 5

HEX #F3461B

RGB 243 70 27

HSL 11.94, 0.9%, 0.53%

LAB 55.6, 64.04, 59.84

 

CMYK 0 / 47 / 89 / 5

HEX #F3801B

RGB 243 128 27

HSL 28.06, 0.9%, 0.53%

LAB 65.41, 38.43, 67.14

 

CMYK 0 / 24 / 89 / 5

HEX #F3B91B

RGB 243 185 27

HSL 43.89, 0.9%, 0.53%

LAB 78.36, 8.67, 77.04

 

CMYK 0 / 0 / 89 / 5

HEX #F3F31B

RGB 243 243 27

HSL 60, 0.9%, 0.53%

LAB 93.12, -20.5, 88.51

 

CMYK 0 / 49 / 95 / 30

HEX #B25B09

RGB 178 91 9

HSL 29.11, 0.9%, 0.37%

LAB 48.22, 30.89, 54.91

 

CMYK 0 / 49 / 95 / 15

HEX #DA6F0B

RGB 218 111 11

HSL 28.99, 0.9%, 0.45%

LAB 58.32, 36.87, 64.15

 

CMYK 0 / 46 / 89 / 5

HEX #F3831B

RGB 243 131 27

HSL 28.89, 0.9%, 0.53%

LAB 66.03, 36.9, 67.61

 

CMYK 0 / 38 / 73 / 4

HEX #F59842

RGB 245 152 66

HSL 28.83, 0.9%, 0.61%

LAB 71.05, 28.05, 57.84

 

CMYK 0 / 30 / 57 / 3

HEX #F7AE6A

RGB 247 174 106

HSL 28.94, 0.9%, 0.69%

LAB 76.73, 19.7, 45.18

 

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

CMYK 59 / 0 / 89 / 5

HEX #63F31B

RGB 99 243 27

HSL 100, 0.9%, 0.53%

LAB 85.42, -70.78, 79.06

 

CMYK 83 / 89 / 0 / 5

HEX #2A1BF3

RGB 42 27 243

HSL 244.17, 0.9%, 0.53%

LAB 33.45, 71.43, -99.16

 

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

CMYK 89 / 0 / 47 / 5

HEX #1BF380

RGB 27 243 128

HSL 148.06, 0.9%, 0.53%

LAB 84.94, -72, 42.15

 

CMYK 47 / 89 / 0 / 5

HEX #801BF3

RGB 128 27 243

HSL 268.06, 0.9%, 0.53%

LAB 40.97, 76.81, -86.47

 

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

CMYK 59 / 0 / 89 / 5

HEX #63F31B

RGB 99 243 27

HSL 100, 0.9%, 0.53%

LAB 85.42, -70.78, 79.06

 

CMYK 89 / 42 / 0 / 5

HEX #1B8EF3

RGB 27 142 243

HSL 208.06, 0.9%, 0.53%

LAB 58.08, 6.5, -58.87

 

CMYK 30 / 89 / 0 / 5

HEX #AB1BF3

RGB 171 27 243

HSL 280, 0.9%, 0.53%

LAB 46.86, 81.76, -76.57

 

CMYK 0 / 46 / 88 / 5

HEX #F3841D

RGB 243 132 29

HSL 28.88, 0.9%, 0.53%

LAB 66.25, 36.43, 67.22

 

CMYK 86 / 0 / 89 / 5

HEX #22F31B

RGB 34 243 27

HSL 118.06, 0.9%, 0.53%

LAB 84.24, -80.96, 77.59

 

CMYK 89 / 42 / 0 / 5

HEX #1B8EF3

RGB 27 142 243

HSL 208.06, 0.9%, 0.53%

LAB 58.08, 6.5, -58.87

 

CMYK 3 / 89 / 0 / 5

HEX #EC1BF3

RGB 236 27 243

HSL 298.06, 0.9%, 0.53%

LAB 57.16, 91.38, -59.41

 

Description

Color code: HEX #F3841D | qconv.com Color code: HEX #F3841D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 132 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 132 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 88 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 88% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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