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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3810ACE it is the complementary color #0C7EF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3810ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3810ACE shade: #F88105CE, #FF9318CE, #FFA52BCE, #FFB73ECE and #FFC951CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3810ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3810ACE shade: #F3810ACE, #E26F00CE, #D15D00CE, #C04B00CE and #AF3900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3810ACE shade: #F5820A, #F5430A and #F50A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3810ACE shade: #F5820A, #F5C10A, #E9F50A, #AAF50A and #6BF50A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3810ACE shade matches the following richer shades: #F5820A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3810ACE shade: #F5820A, #E0821F, #CC8133, #B78148 and #A2805D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3810ACE shade: #F50A12, #F5410A, #F5800A, #F5BE0A and #EDF50A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3810ACE shade: #A65807, #CD6D09, #F5820A, #F69632 and #F8AA59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3810ACE shade: #F3810A, #51F50A and #220AF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3810ACE shade: #F3810A, #0AF580 and #800AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3810ACE shade: #F3810A, #51F50A, #0A80F5 and #AE0AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3810ACE shade: #F3810A, #0AF50A, #0A80F5 and #F50AF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 78 / 4

HEX #F3810ACE

RGBA 243 129 10 0.81

HSLA 30.64, 0.92%, 0.5%, 0.81

LABA 65.57, 37.7, 70.81, 0.81

 

Complementary color

CMYK 77 / 39 / 0 / 3

HEX #0C7EF5CE

RGBA 12 126 245 0.81

HSLA 210.64, 0.92%, 0.5%, 0.81

LABA 53.59, 16.48, -67.21, 0.81

 

CMYK 0 / 39 / 79 / 2

HEX #F88105CE

RGBA 248 129 5 0.81

HSLA 30.62, 0.96%, 0.5%, 0.81

LABA 66.27, 39.64, 72.32, 0.81

 

CMYK 0 / 34 / 73 / 0

HEX #FF9318CE

RGBA 255 147 24 0.81

HSLA 31.95, 1%, 0.55%, 0.81

LABA 71, 33.5, 72.75, 0.81

 

CMYK 0 / 29 / 67 / 0

HEX #FFA52BCE

RGBA 255 165 43 0.81

HSLA 34.53, 1%, 0.58%, 0.81

LABA 75.04, 24.57, 70.79, 0.81

 

CMYK 0 / 23 / 61 / 0

HEX #FFB73ECE

RGBA 255 183 62 0.81

HSLA 37.62, 1%, 0.62%, 0.81

LABA 79.31, 15.79, 68.04, 0.81

 

CMYK 0 / 17 / 55 / 0

HEX #FFC951CE

RGBA 255 201 81 0.81

HSLA 41.38, 1%, 0.66%, 0.81

LABA 83.77, 7.31, 64.93, 0.81

 

CMYK 0 / 38 / 78 / 4

HEX #F3810ACE

RGBA 243 129 10 0.81

HSLA 30.64, 0.92%, 0.5%, 0.81

LABA 65.57, 37.7, 70.81, 0.81

 

CMYK 0 / 41 / 81 / 9

HEX #E26F00CE

RGBA 226 111 0 0.81

HSLA 29.47, 1%, 0.44%, 0.81

LABA 59.47, 39.95, 67.37, 0.81

 

CMYK 0 / 45 / 81 / 15

HEX #D15D00CE

RGBA 209 93 0 0.81

HSLA 26.7, 1%, 0.41%, 0.81

LABA 53.37, 42.22, 62.49, 0.81

 

CMYK 0 / 49 / 81 / 20

HEX #C04B00CE

RGBA 192 75 0 0.81

HSLA 23.44, 1%, 0.38%, 0.81

LABA 47.29, 44.36, 57.64, 0.81

 

CMYK 0 / 55 / 81 / 25

HEX #AF3900CE

RGBA 175 57 0 0.81

HSLA 19.54, 1%, 0.34%, 0.81

LABA 41.28, 46.19, 52.87, 0.81

 

CMYK 0 / 47 / 96 / 4

HEX #F5820A

RGB 245 130 10

HSL 30.64, 0.92%, 0.5%

LAB 66.06, 37.99, 71.26

 

CMYK 0 / 73 / 96 / 4

HEX #F5430A

RGB 245 67 10

HSL 14.55, 0.92%, 0.5%

LAB 55.53, 65.49, 64.87

 

CMYK 0 / 96 / 96 / 4

HEX #F50A0A

RGB 245 10 10

HSL 0, 0.92%, 0.5%

LAB 51.44, 77.07, 62.75

 

CMYK 0 / 47 / 96 / 4

HEX #F5820A

RGB 245 130 10

HSL 30.64, 0.92%, 0.5%

LAB 66.06, 37.99, 71.26

 

CMYK 0 / 21 / 96 / 4

HEX #F5C10A

RGB 245 193 10

HSL 46.72, 0.92%, 0.5%

LAB 80.5, 5.15, 81.22

 

CMYK 5 / 0 / 96 / 4

HEX #E9F50A

RGB 233 245 10

HSL 63.06, 0.92%, 0.5%

LAB 92.86, -25.77, 89.86

 

CMYK 31 / 0 / 96 / 4

HEX #AAF50A

RGB 170 245 10

HSL 79.15, 0.92%, 0.5%

LAB 88.86, -50.3, 85.05

 

CMYK 56 / 0 / 96 / 4

HEX #6BF50A

RGB 107 245 10

HSL 95.23, 0.92%, 0.5%

LAB 86.23, -69.84, 81.84

 

CMYK 0 / 47 / 96 / 4

HEX #F5820A

RGB 245 130 10

HSL 30.64, 0.92%, 0.5%

LAB 66.06, 37.99, 71.26

 

CMYK 0 / 47 / 96 / 4

HEX #F5820A

RGB 245 130 10

HSL 30.64, 0.92%, 0.5%

LAB 66.06, 37.99, 71.26

 

CMYK 0 / 42 / 86 / 12

HEX #E0821F

RGB 224 130 31

HSL 30.78, 0.76%, 0.5%

LAB 63.27, 29.77, 63.18

 

CMYK 0 / 37 / 75 / 20

HEX #CC8133

RGB 204 129 51

HSL 30.59, 0.6%, 0.5%

LAB 60.58, 22.55, 52.19

 

CMYK 0 / 30 / 61 / 28

HEX #B78148

RGB 183 129 72

HSL 30.81, 0.44%, 0.5%

LAB 58.26, 14.76, 38.74

 

CMYK 0 / 21 / 43 / 36

HEX #A2805D

RGB 162 128 93

HSL 30.43, 0.27%, 0.5%

LAB 56, 8.29, 23.98

 

CMYK 0 / 96 / 93 / 4

HEX #F50A12

RGB 245 10 18

HSL 357.96, 0.92%, 0.5%

LAB 51.47, 77.13, 60.45

 

CMYK 0 / 73 / 96 / 4

HEX #F5410A

RGB 245 65 10

HSL 14.04, 0.92%, 0.5%

LAB 55.29, 66.15, 64.74

 

CMYK 0 / 48 / 96 / 4

HEX #F5800A

RGB 245 128 10

HSL 30.13, 0.92%, 0.5%

LAB 65.65, 39, 71

 

CMYK 0 / 22 / 96 / 4

HEX #F5BE0A

RGB 245 190 10

HSL 45.96, 0.92%, 0.5%

LAB 79.76, 6.71, 80.69

 

CMYK 3 / 0 / 96 / 4

HEX #EDF50A

RGB 237 245 10

HSL 62.04, 0.92%, 0.5%

LAB 93.16, -24.13, 90.21

 

CMYK 0 / 47 / 96 / 35

HEX #A65807

RGB 166 88 7

HSL 30.57, 0.92%, 0.34%

LAB 45.77, 27.39, 52.86

 

CMYK 0 / 47 / 96 / 20

HEX #CD6D09

RGB 205 109 9

HSL 30.61, 0.92%, 0.42%

LAB 56.02, 32.59, 62.07

 

CMYK 0 / 47 / 96 / 4

HEX #F5820A

RGB 245 130 10

HSL 30.64, 0.92%, 0.5%

LAB 66.06, 37.99, 71.26

 

CMYK 0 / 39 / 80 / 4

HEX #F69632

RGB 246 150 50

HSL 30.61, 0.92%, 0.58%

LAB 70.62, 28.89, 64.05

 

CMYK 0 / 31 / 64 / 3

HEX #F8AA59

RGB 248 170 89

HSL 30.57, 0.92%, 0.66%

LAB 75.72, 21.05, 52.38

 

CMYK 0 / 47 / 96 / 5

HEX #F3810A

RGB 243 129 10

HSL 30.64, 0.92%, 0.5%

LAB 65.57, 37.7, 70.81

 

CMYK 67 / 0 / 96 / 4

HEX #51F50A

RGB 81 245 10

HSL 101.87, 0.92%, 0.5%

LAB 85.54, -75.58, 81

 

CMYK 86 / 96 / 0 / 4

HEX #220AF5

RGB 34 10 245

HSL 246.13, 0.92%, 0.5%

LAB 32.15, 75.56, -102.48

 

CMYK 0 / 47 / 96 / 5

HEX #F3810A

RGB 243 129 10

HSL 30.64, 0.92%, 0.5%

LAB 65.57, 37.7, 70.81

 

CMYK 96 / 0 / 48 / 4

HEX #0AF580

RGB 10 245 128

HSL 150.13, 0.92%, 0.5%

LAB 85.47, -73.35, 42.8

 

CMYK 48 / 96 / 0 / 4

HEX #800AF5

RGB 128 10 245

HSL 270.13, 0.92%, 0.5%

LAB 40.24, 80.02, -88.79

 

CMYK 0 / 47 / 96 / 5

HEX #F3810A

RGB 243 129 10

HSL 30.64, 0.92%, 0.5%

LAB 65.57, 37.7, 70.81

 

CMYK 67 / 0 / 96 / 4

HEX #51F50A

RGB 81 245 10

HSL 101.87, 0.92%, 0.5%

LAB 85.54, -75.58, 81

 

CMYK 96 / 48 / 0 / 4

HEX #0A80F5

RGB 10 128 245

HSL 209.87, 0.92%, 0.5%

LAB 54.13, 15.18, -66.35

 

CMYK 29 / 96 / 0 / 4

HEX #AE0AF5

RGB 174 10 245

HSL 281.87, 0.92%, 0.5%

LAB 46.72, 84.74, -77.9

 

CMYK 0 / 47 / 96 / 5

HEX #F3810A

RGB 243 129 10

HSL 30.64, 0.92%, 0.5%

LAB 65.57, 37.7, 70.81

 

CMYK 96 / 0 / 96 / 4

HEX #0AF50A

RGB 10 245 10

HSL 120, 0.92%, 0.5%

LAB 84.68, -83.16, 79.95

 

CMYK 96 / 48 / 0 / 4

HEX #0A80F5

RGB 10 128 245

HSL 209.87, 0.92%, 0.5%

LAB 54.13, 15.18, -66.35

 

CMYK 0 / 96 / 0 / 4

HEX #F50AF5

RGB 245 10 245

HSL 300, 0.92%, 0.5%

LAB 58.25, 94.71, -58.7

 

Description

Color code: HEX #F3810ACE | qconv.com Color code: HEX #F3810ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 129 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 129 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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