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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37FAB it is the complementary color #0C8054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37FAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37FAB shade: #F87FA6, #FF91B9, #FFA3CC, #FFB5DF and #FFC7F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37FAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37FAB shade: #F37FAB, #E26D98, #D15B85, #C04972 and #AF375F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37FAB shade: #F381AC, #F3818E and #F38181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37FAB shade: #F381AC, #F381CB, #F381EA, #DE81F3 and #BF81F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37FAB shade matches the following richer shades: #F381AC and #FE76AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37FAB shade: #F381AC, #E88CAF, #DD97B2, #D2A2B4 and #C7AEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37FAB shade: #F381EA, #F381CB, #F381AD, #F3818E and #F39281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37FAB shade: #EC367B, #F05B94, #F381AC, #F7A7C5 and #FACDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37FAB shade: #F37FAB, #F3DE81 and #81DBF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37FAB shade: #F37FAB, #ADF381 and #81ADF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37FAB shade: #F37FAB, #F3DE81, #81F3C7 and #8196F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37FAB shade: #F37FAB, #E6F381, #81F3C7 and #8E81F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

Complementary color

CMYK 91 / 0 / 34 / 50

HEX #0C8054

RGB 12 128 84

HSL 157.24, 0.83%, 0.27%

LAB 47.18, -40.52, 15.76

 

CMYK 0 / 49 / 33 / 3

HEX #F87FA6

RGB 248 127 166

HSL 340.66, 0.9%, 0.74%

LAB 67.94, 50.22, 0.78

 

CMYK 0 / 43 / 27 / 0

HEX #FF91B9

RGB 255 145 185

HSL 338.18, 1%, 0.78%

LAB 72.9, 46.02, -2.47

 

CMYK 0 / 36 / 20 / 0

HEX #FFA3CC

RGB 255 163 204

HSL 333.26, 1%, 0.82%

LAB 77.17, 39.46, -6.63

 

CMYK 0 / 29 / 13 / 0

HEX #FFB5DF

RGB 255 181 223

HSL 325.95, 1%, 0.85%

LAB 81.64, 32.99, -10.29

 

CMYK 0 / 22 / 5 / 0

HEX #FFC7F2

RGB 255 199 242

HSL 313.93, 1%, 0.89%

LAB 86.26, 26.7, -13.53

 

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

CMYK 0 / 52 / 33 / 11

HEX #E26D98

RGB 226 109 152

HSL 337.95, 0.67%, 0.66%

LAB 61.11, 49.98, -1.58

 

CMYK 0 / 56 / 36 / 18

HEX #D15B85

RGB 209 91 133

HSL 338.64, 0.56%, 0.59%

LAB 54.79, 50.72, -0.04

 

CMYK 0 / 62 / 41 / 25

HEX #C04972

RGB 192 73 114

HSL 339.33, 0.49%, 0.52%

LAB 48.49, 51.33, 1.83

 

CMYK 0 / 69 / 46 / 31

HEX #AF375F

RGB 175 55 95

HSL 340, 0.52%, 0.45%

LAB 42.27, 51.66, 4.14

 

CMYK 0 / 47 / 29 / 5

HEX #F381AC

RGB 243 129 172

HSL 337.37, 0.83%, 0.73%

LAB 67.82, 48.31, -2.84

 

CMYK 0 / 47 / 42 / 5

HEX #F3818E

RGB 243 129 142

HSL 353.16, 0.83%, 0.73%

LAB 67.06, 44.8, 12.98

 

CMYK 0 / 47 / 47 / 5

HEX #F38181

RGB 243 129 129

HSL 0, 0.83%, 0.73%

LAB 66.78, 43.5, 19.91

 

CMYK 0 / 47 / 29 / 5

HEX #F381AC

RGB 243 129 172

HSL 337.37, 0.83%, 0.73%

LAB 67.82, 48.31, -2.84

 

CMYK 0 / 47 / 16 / 5

HEX #F381CB

RGB 243 129 203

HSL 321.05, 0.83%, 0.73%

LAB 68.8, 52.63, -18.77

 

CMYK 0 / 47 / 4 / 5

HEX #F381EA

RGB 243 129 234

HSL 304.74, 0.83%, 0.73%

LAB 69.96, 57.59, -34.16

 

CMYK 9 / 47 / 0 / 5

HEX #DE81F3

RGB 222 129 243

HSL 288.95, 0.83%, 0.73%

LAB 67.8, 53.3, -42.67

 

CMYK 21 / 47 / 0 / 5

HEX #BF81F3

RGB 191 129 243

HSL 272.63, 0.83%, 0.73%

LAB 64.36, 44.79, -48.31

 

CMYK 0 / 47 / 29 / 5

HEX #F381AC

RGB 243 129 172

HSL 337.37, 0.83%, 0.73%

LAB 67.82, 48.31, -2.84

 

CMYK 0 / 54 / 33 / 0

HEX #FE76AA

RGB 254 118 170

HSL 337.06, 0.99%, 0.73%

LAB 67.22, 56.94, -2.42

 

CMYK 0 / 47 / 29 / 5

HEX #F381AC

RGB 243 129 172

HSL 337.37, 0.83%, 0.73%

LAB 67.82, 48.31, -2.84

 

CMYK 0 / 40 / 25 / 9

HEX #E88CAF

RGB 232 140 175

HSL 337.17, 0.67%, 0.73%

LAB 68.76, 39.36, -3.32

 

CMYK 0 / 32 / 19 / 13

HEX #DD97B2

RGB 221 151 178

HSL 336.86, 0.51%, 0.73%

LAB 69.98, 30.1, -3.34

 

CMYK 0 / 23 / 14 / 18

HEX #D2A2B4

RGB 210 162 180

HSL 337.5, 0.35%, 0.73%

LAB 71.44, 20.53, -2.43

 

CMYK 0 / 13 / 8 / 22

HEX #C7AEB7

RGB 199 174 183

HSL 338.4, 0.18%, 0.73%

LAB 73.44, 10.54, -1.28

 

CMYK 0 / 47 / 4 / 5

HEX #F381EA

RGB 243 129 234

HSL 304.74, 0.83%, 0.73%

LAB 69.96, 57.59, -34.16

 

CMYK 0 / 47 / 16 / 5

HEX #F381CB

RGB 243 129 203

HSL 321.05, 0.83%, 0.73%

LAB 68.8, 52.63, -18.77

 

CMYK 0 / 47 / 29 / 5

HEX #F381AD

RGB 243 129 173

HSL 336.84, 0.83%, 0.73%

LAB 67.85, 48.43, -3.36

 

CMYK 0 / 47 / 42 / 5

HEX #F3818E

RGB 243 129 142

HSL 353.16, 0.83%, 0.73%

LAB 67.06, 44.8, 12.98

 

CMYK 0 / 40 / 47 / 5

HEX #F39281

RGB 243 146 129

HSL 8.95, 0.83%, 0.73%

LAB 70.31, 34.8, 24.7

 

CMYK 0 / 77 / 48 / 7

HEX #EC367B

RGB 236 54 123

HSL 337.25, 0.83%, 0.57%

LAB 53.92, 71.7, 5.21

 

CMYK 0 / 62 / 38 / 6

HEX #F05B94

RGB 240 91 148

HSL 337.05, 0.83%, 0.65%

LAB 60.02, 62.09, -0.61

 

CMYK 0 / 47 / 29 / 5

HEX #F381AC

RGB 243 129 172

HSL 337.37, 0.83%, 0.73%

LAB 67.82, 48.31, -2.84

 

CMYK 0 / 32 / 20 / 3

HEX #F7A7C5

RGB 247 167 197

HSL 337.5, 0.83%, 0.81%

LAB 76.95, 33.59, -3.23

 

CMYK 0 / 18 / 11 / 2

HEX #FACDDE

RGB 250 205 222

HSL 337.33, 0.82%, 0.89%

LAB 86.63, 18.5, -2.42

 

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

CMYK 0 / 9 / 47 / 5

HEX #F3DE81

RGB 243 222 129

HSL 48.95, 0.83%, 0.73%

LAB 88.39, -4.87, 47.99

 

CMYK 47 / 10 / 0 / 5

HEX #81DBF3

RGB 129 219 243

HSL 192.63, 0.83%, 0.73%

LAB 82.81, -20.76, -20.12

 

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

CMYK 29 / 0 / 47 / 5

HEX #ADF381

RGB 173 243 129

HSL 96.84, 0.83%, 0.73%

LAB 89.19, -41.23, 47.9

 

CMYK 47 / 29 / 0 / 5

HEX #81ADF3

RGB 129 173 243

HSL 216.84, 0.83%, 0.73%

LAB 70.19, 3.71, -39.5

 

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

CMYK 0 / 9 / 47 / 5

HEX #F3DE81

RGB 243 222 129

HSL 48.95, 0.83%, 0.73%

LAB 88.39, -4.87, 47.99

 

CMYK 47 / 0 / 18 / 5

HEX #81F3C7

RGB 129 243 199

HSL 156.84, 0.83%, 0.73%

LAB 88.4, -42.59, 11.25

 

CMYK 47 / 38 / 0 / 5

HEX #8196F3

RGB 129 150 243

HSL 228.95, 0.83%, 0.73%

LAB 64.12, 16.87, -49.03

 

CMYK 0 / 48 / 30 / 5

HEX #F37FAB

RGB 243 127 171

HSL 337.24, 0.83%, 0.73%

LAB 67.41, 49.17, -2.89

 

CMYK 5 / 0 / 47 / 5

HEX #E6F381

RGB 230 243 129

HSL 66.84, 0.83%, 0.73%

LAB 92.8, -20.36, 53.14

 

CMYK 47 / 0 / 18 / 5

HEX #81F3C7

RGB 129 243 199

HSL 156.84, 0.83%, 0.73%

LAB 88.4, -42.59, 11.25

 

CMYK 42 / 47 / 0 / 5

HEX #8E81F3

RGB 142 129 243

HSL 246.84, 0.83%, 0.73%

LAB 59.82, 32.2, -55.81

 

Description

Color code: HEX #F37FAB | qconv.com Color code: HEX #F37FAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 127 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 127 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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