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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37EF0 it is the complementary color #0C810F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37EF0 shade: #F87EEB, #FF90FE, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37EF0 shade: #F37EF0, #E26CDD, #D15ACA, #C048B7 and #AF36A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37EF0 shade: #F37CF0, #F37CD0, #F37CB0, #F37C90 and #F37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37EF0 shade: #F37CF0, #D67CF3, #B67CF3, #967CF3 and #7C7CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37EF0 shade matches the following richer shades: #F37CF0 and #FE71FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37EF0 shade: #F37CF0, #E788E5, #DC93DA, #D09FCF and #C5ABC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37EF0 shade: #B67CF3, #D57CF3, #F37CF1, #F37CD1 and #F37CB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37EF0 shade: #EC31E7, #EF57EB, #F37CF0, #F6A2F4 and #FAC8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37EF0 shade: #F37EF0, #F3967C and #7CF3C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37EF0 shade: #F37EF0, #F1F37C and #7CF1F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37EF0 shade: #F37EF0, #F3967C, #7CF37E and #7CD9F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37EF0 shade: #F37EF0, #F3BA7C, #7CF37E and #7CB6F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

Complementary color

CMYK 91 / 0 / 88 / 49

HEX #0C810F

RGB 12 129 15

HSL 121.54, 0.83%, 0.28%

LAB 46.73, -50.46, 47.23

 

CMYK 0 / 49 / 5 / 3

HEX #F87EEB

RGB 248 126 235

HSL 306.39, 0.9%, 0.73%

LAB 70.09, 60.61, -34.46

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FE

RGB 255 144 254

HSL 300.54, 1%, 0.78%

LAB 75.05, 57.13, -37.07

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

CMYK 0 / 52 / 2 / 11

HEX #E26CDD

RGB 226 108 221

HSL 302.54, 0.67%, 0.65%

LAB 63.44, 60.63, -37.27

 

CMYK 0 / 57 / 3 / 18

HEX #D15ACA

RGB 209 90 202

HSL 303.53, 0.56%, 0.59%

LAB 57.2, 61.06, -36.46

 

CMYK 0 / 63 / 5 / 25

HEX #C048B7

RGB 192 72 183

HSL 304.5, 0.49%, 0.52%

LAB 50.99, 61.26, -35.43

 

CMYK 0 / 69 / 6 / 31

HEX #AF36A4

RGB 175 54 164

HSL 305.45, 0.53%, 0.45%

LAB 44.85, 61.05, -34.09

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF0

RGB 243 124 240

HSL 301.51, 0.83%, 0.72%

LAB 69.3, 61.01, -38.49

 

CMYK 0 / 49 / 14 / 5

HEX #F37CD0

RGB 243 124 208

HSL 317.65, 0.83%, 0.72%

LAB 68.04, 55.82, -22.72

 

CMYK 0 / 49 / 28 / 5

HEX #F37CB0

RGB 243 124 176

HSL 333.78, 0.83%, 0.72%

LAB 66.98, 51.29, -6.35

 

CMYK 0 / 49 / 41 / 5

HEX #F37C90

RGB 243 124 144

HSL 349.92, 0.83%, 0.72%

LAB 66.12, 47.49, 10.53

 

CMYK 0 / 49 / 49 / 5

HEX #F37C7C

RGB 243 124 124

HSL 0, 0.83%, 0.72%

LAB 65.69, 45.53, 21.24

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF0

RGB 243 124 240

HSL 301.51, 0.83%, 0.72%

LAB 69.3, 61.01, -38.49

 

CMYK 12 / 49 / 0 / 5

HEX #D67CF3

RGB 214 124 243

HSL 285.38, 0.83%, 0.72%

LAB 65.89, 53.63, -45.73

 

CMYK 25 / 49 / 0 / 5

HEX #B67CF3

RGB 182 124 243

HSL 269.24, 0.83%, 0.72%

LAB 62.37, 45.09, -51.53

 

CMYK 38 / 49 / 0 / 5

HEX #967CF3

RGB 150 124 243

HSL 253.11, 0.83%, 0.72%

LAB 59.32, 37, -56.57

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF3

RGB 124 124 243

HSL 240, 0.83%, 0.72%

LAB 57.24, 31.04, -60

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF0

RGB 243 124 240

HSL 301.51, 0.83%, 0.72%

LAB 69.3, 61.01, -38.49

 

CMYK 0 / 56 / 1 / 0

HEX #FE71FB

RGB 254 113 251

HSL 301.28, 0.99%, 0.72%

LAB 69.36, 70.75, -44.32

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF0

RGB 243 124 240

HSL 301.51, 0.83%, 0.72%

LAB 69.3, 61.01, -38.49

 

CMYK 0 / 41 / 1 / 9

HEX #E788E5

RGB 231 136 229

HSL 301.26, 0.66%, 0.72%

LAB 69.65, 49.74, -32.01

 

CMYK 0 / 33 / 1 / 14

HEX #DC93DA

RGB 220 147 218

HSL 301.64, 0.51%, 0.72%

LAB 70.28, 38.63, -25.08

 

CMYK 0 / 24 / 0 / 18

HEX #D09FCF

RGB 208 159 207

HSL 301.22, 0.34%, 0.72%

LAB 71.36, 26.2, -17.49

 

CMYK 0 / 13 / 1 / 23

HEX #C5ABC4

RGB 197 171 196

HSL 302.31, 0.18%, 0.72%

LAB 72.88, 13.83, -9.26

 

CMYK 25 / 49 / 0 / 5

HEX #B67CF3

RGB 182 124 243

HSL 269.24, 0.83%, 0.72%

LAB 62.37, 45.09, -51.53

 

CMYK 12 / 49 / 0 / 5

HEX #D57CF3

RGB 213 124 243

HSL 284.87, 0.83%, 0.72%

LAB 65.77, 53.36, -45.92

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF1

RGB 243 124 241

HSL 301.01, 0.83%, 0.72%

LAB 69.34, 61.18, -38.97

 

CMYK 0 / 49 / 14 / 5

HEX #F37CD1

RGB 243 124 209

HSL 317.14, 0.83%, 0.72%

LAB 68.07, 55.97, -23.22

 

CMYK 0 / 49 / 27 / 5

HEX #F37CB2

RGB 243 124 178

HSL 332.77, 0.83%, 0.72%

LAB 67.04, 51.55, -7.39

 

CMYK 0 / 79 / 2 / 7

HEX #EC31E7

RGB 236 49 231

HSL 301.6, 0.83%, 0.56%

LAB 57.85, 85.63, -51.59

 

CMYK 0 / 64 / 2 / 6

HEX #EF57EB

RGB 239 87 235

HSL 301.58, 0.83%, 0.64%

LAB 62.65, 75.12, -46.19

 

CMYK 0 / 49 / 1 / 5

HEX #F37CF0

RGB 243 124 240

HSL 301.51, 0.83%, 0.72%

LAB 69.3, 61.01, -38.49

 

CMYK 0 / 34 / 1 / 4

HEX #F6A2F4

RGB 246 162 244

HSL 301.43, 0.82%, 0.8%

LAB 77.26, 43.57, -28.33

 

CMYK 0 / 20 / 0 / 2

HEX #FAC8F9

RGB 250 200 249

HSL 301.2, 0.83%, 0.88%

LAB 86.24, 25.77, -17.33

 

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

CMYK 0 / 38 / 49 / 5

HEX #F3967C

RGB 243 150 124

HSL 13.11, 0.83%, 0.72%

LAB 71.09, 32.24, 28.48

 

CMYK 49 / 0 / 19 / 5

HEX #7CF3C5

RGB 124 243 197

HSL 156.81, 0.83%, 0.72%

LAB 88.17, -44.19, 11.94

 

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

CMYK 1 / 0 / 49 / 5

HEX #F1F37C

RGB 241 243 124

HSL 61.01, 0.83%, 0.72%

LAB 93.56, -16.53, 56.57

 

CMYK 49 / 1 / 0 / 5

HEX #7CF1F3

RGB 124 241 243

HSL 181.01, 0.83%, 0.72%

LAB 88.76, -32.54, -11.19

 

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

CMYK 0 / 38 / 49 / 5

HEX #F3967C

RGB 243 150 124

HSL 13.11, 0.83%, 0.72%

LAB 71.09, 32.24, 28.48

 

CMYK 49 / 0 / 48 / 5

HEX #7CF37E

RGB 124 243 126

HSL 121.01, 0.83%, 0.72%

LAB 86.94, -56.56, 46.05

 

CMYK 49 / 11 / 0 / 5

HEX #7CD9F3

RGB 124 217 243

HSL 193.11, 0.83%, 0.72%

LAB 82.05, -20.87, -21.29

 

CMYK 0 / 48 / 1 / 5

HEX #F37EF0

RGB 243 126 240

HSL 301.54, 0.83%, 0.72%

LAB 69.66, 60.05, -37.93

 

CMYK 0 / 23 / 49 / 5

HEX #F3BA7C

RGB 243 186 124

HSL 31.26, 0.83%, 0.72%

LAB 79.4, 13.27, 39.24

 

CMYK 49 / 0 / 48 / 5

HEX #7CF37E

RGB 124 243 126

HSL 121.01, 0.83%, 0.72%

LAB 86.94, -56.56, 46.05

 

CMYK 49 / 25 / 0 / 5

HEX #7CB6F3

RGB 124 182 243

HSL 210.76, 0.83%, 0.72%

LAB 72.37, -2.45, -36.13

 

Description

Color code: HEX #F37EF0 | qconv.com Color code: HEX #F37EF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 126 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 126 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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