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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37EC5CE it is the complementary color #0C813ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37EC5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37EC5CE shade: #F87EC0CE, #FF90D3CE, #FFA2E6CE, #FFB4F9CE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37EC5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37EC5CE shade: #F37EC5CE, #E26CB2CE, #D15A9FCE, #C0488CCE and #AF3679CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37EC5CE shade: #F37CC4, #F37CA4, #F37C84 and #F37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37EC5CE shade: #F37CC4, #F37CE4, #E27CF3, #C27CF3 and #A27CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37EC5CE shade matches the following richer shades: #F37CC4 and #FE71C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37EC5CE shade: #F37CC4, #E788C2, #DC93BF, #D09FBD and #C5ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37EC5CE shade: #E17CF3, #F37CE5, #F37CC5, #F37CA6 and #F37C86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37EC5CE shade: #EC31A2, #EF57B3, #F37CC4, #F6A2D5 and #FAC8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37EC5CE shade: #F37EC5, #F3C17C and #7CF3F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37EC5CE shade: #F37EC5, #C5F37C and #7CC5F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37EC5CE shade: #F37EC5, #F3C17C, #7CF3AA and #7CAEF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37EC5CE shade: #F37EC5, #F3E57C, #7CF3AA and #7C8AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 15 / 4

HEX #F37EC5CE

RGBA 243 126 197 0.81

HSLA 323.59, 0.83%, 0.72%, 0.81

LABA 68.03, 53.21, -16.59, 0.81

 

Complementary color

CMYK 73 / 0 / 45 / 40

HEX #0C813ACE

RGBA 12 129 58 0.81

HSLA 143.59, 0.83%, 0.28%, 0.81

LABA 47.08, -46.02, 30.02, 0.81

 

CMYK 0 / 40 / 18 / 2

HEX #F87EC0CE

RGBA 248 126 192 0.81

HSLA 327.54, 0.9%, 0.73%, 0.81

LABA 68.52, 54.07, -12.97, 0.81

 

CMYK 0 / 35 / 14 / 0

HEX #FF90D3CE

RGBA 255 144 211 0.81

HSLA 323.78, 1%, 0.78%, 0.81

LABA 73.49, 50.16, -15.97, 0.81

 

CMYK 0 / 30 / 8 / 0

HEX #FFA2E6CE

RGBA 255 162 230 0.81

HSLA 316.13, 1%, 0.82%, 0.81

LABA 77.76, 44, -19.89, 0.81

 

CMYK 0 / 24 / 2 / 0

HEX #FFB4F9CE

RGBA 255 180 249 0.81

HSLA 304.8, 1%, 0.85%, 0.81

LABA 82.24, 37.89, -23.34, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 39 / 15 / 4

HEX #F37EC5CE

RGBA 243 126 197 0.81

HSLA 323.59, 0.83%, 0.72%, 0.81

LABA 68.03, 53.21, -16.59, 0.81

 

CMYK 0 / 42 / 17 / 9

HEX #E26CB2CE

RGBA 226 108 178 0.81

HSLA 324.41, 0.67%, 0.65%, 0.81

LABA 61.75, 53.89, -15.56, 0.81

 

CMYK 0 / 46 / 19 / 15

HEX #D15A9FCE

RGBA 209 90 159 0.81

HSLA 325.21, 0.56%, 0.59%, 0.81

LABA 55.45, 54.48, -14.33, 0.81

 

CMYK 0 / 51 / 22 / 20

HEX #C0488CCE

RGBA 192 72 140 0.81

HSLA 326, 0.49%, 0.52%, 0.81

LABA 49.17, 54.87, -12.84, 0.81

 

CMYK 0 / 56 / 25 / 25

HEX #AF3679CE

RGBA 175 54 121 0.81

HSLA 326.78, 0.53%, 0.45%, 0.81

LABA 42.96, 54.92, -10.96, 0.81

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC4

RGB 243 124 196

HSL 323.7, 0.83%, 0.72%

LAB 67.62, 54.04, -16.64

 

CMYK 0 / 49 / 33 / 5

HEX #F37CA4

RGB 243 124 164

HSL 339.83, 0.83%, 0.72%

LAB 66.63, 49.77, -0.07

 

CMYK 0 / 49 / 46 / 5

HEX #F37C84

RGB 243 124 132

HSL 355.97, 0.83%, 0.72%

LAB 65.85, 46.27, 16.95

 

CMYK 0 / 49 / 49 / 5

HEX #F37C7C

RGB 243 124 124

HSL 0, 0.83%, 0.72%

LAB 65.69, 45.53, 21.24

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC4

RGB 243 124 196

HSL 323.7, 0.83%, 0.72%

LAB 67.62, 54.04, -16.64

 

CMYK 0 / 49 / 6 / 5

HEX #F37CE4

RGB 243 124 228

HSL 307.56, 0.83%, 0.72%

LAB 68.8, 58.99, -32.65

 

CMYK 7 / 49 / 0 / 5

HEX #E27CF3

RGB 226 124 243

HSL 291.43, 0.83%, 0.72%

LAB 67.32, 56.89, -43.39

 

CMYK 20 / 49 / 0 / 5

HEX #C27CF3

RGB 194 124 243

HSL 275.29, 0.83%, 0.72%

LAB 63.64, 48.26, -49.44

 

CMYK 33 / 49 / 0 / 5

HEX #A27CF3

RGB 162 124 243

HSL 259.16, 0.83%, 0.72%

LAB 60.4, 39.96, -54.78

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC4

RGB 243 124 196

HSL 323.7, 0.83%, 0.72%

LAB 67.62, 54.04, -16.64

 

CMYK 0 / 56 / 22 / 0

HEX #FE71C7

RGB 254 113 199

HSL 323.4, 0.99%, 0.72%

LAB 67.28, 62.89, -18.69

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC4

RGB 243 124 196

HSL 323.7, 0.83%, 0.72%

LAB 67.62, 54.04, -16.64

 

CMYK 0 / 41 / 16 / 9

HEX #E788C2

RGB 231 136 194

HSL 323.37, 0.66%, 0.72%

LAB 68.38, 43.9, -14.52

 

CMYK 0 / 33 / 13 / 14

HEX #DC93BF

RGB 220 147 191

HSL 323.84, 0.51%, 0.72%

LAB 69.36, 33.95, -11.51

 

CMYK 0 / 24 / 9 / 18

HEX #D09FBD

RGB 208 159 189

HSL 323.27, 0.34%, 0.72%

LAB 70.79, 22.96, -8.4

 

CMYK 0 / 13 / 6 / 23

HEX #C5ABBA

RGB 197 171 186

HSL 325.38, 0.18%, 0.72%

LAB 72.59, 12, -4.19

 

CMYK 7 / 49 / 0 / 5

HEX #E17CF3

RGB 225 124 243

HSL 290.92, 0.83%, 0.72%

LAB 67.2, 56.62, -43.59

 

CMYK 0 / 49 / 6 / 5

HEX #F37CE5

RGB 243 124 229

HSL 307.06, 0.83%, 0.72%

LAB 68.84, 59.16, -33.14

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC5

RGB 243 124 197

HSL 323.19, 0.83%, 0.72%

LAB 67.65, 54.18, -17.15

 

CMYK 0 / 49 / 32 / 5

HEX #F37CA6

RGB 243 124 166

HSL 338.82, 0.83%, 0.72%

LAB 66.69, 50.02, -1.12

 

CMYK 0 / 49 / 45 / 5

HEX #F37C86

RGB 243 124 134

HSL 354.96, 0.83%, 0.72%

LAB 65.9, 46.47, 15.88

 

CMYK 0 / 79 / 31 / 7

HEX #EC31A2

RGB 236 49 162

HSL 323.74, 0.83%, 0.56%

LAB 54.7, 76.75, -16.82

 

CMYK 0 / 64 / 25 / 6

HEX #EF57B3

RGB 239 87 179

HSL 323.68, 0.83%, 0.64%

LAB 60.27, 67.04, -18.19

 

CMYK 0 / 49 / 19 / 5

HEX #F37CC4

RGB 243 124 196

HSL 323.7, 0.83%, 0.72%

LAB 67.62, 54.04, -16.64

 

CMYK 0 / 34 / 13 / 4

HEX #F6A2D5

RGB 246 162 213

HSL 323.57, 0.82%, 0.8%

LAB 76.21, 38.33, -13.07

 

CMYK 0 / 20 / 8 / 2

HEX #FAC8E6

RGB 250 200 230

HSL 324, 0.83%, 0.88%

LAB 85.68, 22.45, -8.08

 

CMYK 0 / 48 / 19 / 5

HEX #F37EC5

RGB 243 126 197

HSL 323.59, 0.83%, 0.72%

LAB 68.03, 53.21, -16.59

 

CMYK 0 / 21 / 49 / 5

HEX #F3C17C

RGB 243 193 124

HSL 34.79, 0.83%, 0.72%

LAB 81.1, 9.6, 41.38

 

CMYK 49 / 0 / 1 / 5

HEX #7CF3F1

RGB 124 243 241

HSL 178.99, 0.83%, 0.72%

LAB 89.27, -33.98, -9.4

 

CMYK 0 / 48 / 19 / 5

HEX #F37EC5

RGB 243 126 197

HSL 323.59, 0.83%, 0.72%

LAB 68.03, 53.21, -16.59

 

CMYK 19 / 0 / 49 / 5

HEX #C5F37C

RGB 197 243 124

HSL 83.19, 0.83%, 0.72%

LAB 90.52, -33.29, 52.19

 

CMYK 49 / 19 / 0 / 5

HEX #7CC5F3

RGB 124 197 243

HSL 203.19, 0.83%, 0.72%

LAB 76.49, -10.54, -29.77

 

CMYK 0 / 48 / 19 / 5

HEX #F37EC5

RGB 243 126 197

HSL 323.59, 0.83%, 0.72%

LAB 68.03, 53.21, -16.59

 

CMYK 0 / 21 / 49 / 5

HEX #F3C17C

RGB 243 193 124

HSL 34.79, 0.83%, 0.72%

LAB 81.1, 9.6, 41.38

 

CMYK 49 / 0 / 30 / 5

HEX #7CF3AA

RGB 124 243 170

HSL 143.19, 0.83%, 0.72%

LAB 87.63, -49.55, 25.11

 

CMYK 49 / 28 / 0 / 5

HEX #7CAEF3

RGB 124 174 243

HSL 214.79, 0.83%, 0.72%

LAB 70.2, 1.99, -39.52

 

CMYK 0 / 48 / 19 / 5

HEX #F37EC5

RGB 243 126 197

HSL 323.59, 0.83%, 0.72%

LAB 68.03, 53.21, -16.59

 

CMYK 0 / 6 / 49 / 5

HEX #F3E57C

RGB 243 229 124

HSL 52.94, 0.83%, 0.72%

LAB 90.11, -8.84, 52.48

 

CMYK 49 / 0 / 30 / 5

HEX #7CF3AA

RGB 124 243 170

HSL 143.19, 0.83%, 0.72%

LAB 87.63, -49.55, 25.11

 

CMYK 49 / 43 / 0 / 5

HEX #7C8AF3

RGB 124 138 243

HSL 232.94, 0.83%, 0.72%

LAB 60.72, 22.76, -54.44

 

Description

Color code: HEX #F37EC5CE | qconv.com Color code: HEX #F37EC5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 126 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 126 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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