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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37EC2CE it is the complementary color #0C813DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37EC2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37EC2CE shade: #F87EBDCE, #FF90D0CE, #FFA2E3CE, #FFB4F6CE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37EC2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37EC2CE shade: #F37EC2CE, #E26CAFCE, #D15A9CCE, #C04889CE and #AF3676CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37EC2CE shade: #F37CC1, #F37CA1, #F37C81 and #F37C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37EC2CE shade: #F37CC1, #F37CE1, #E57CF3, #C57CF3 and #A57CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37EC2CE shade matches the following richer shades: #F37CC1 and #FE71C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37EC2CE shade: #F37CC1, #E788BF, #DC93BD, #D09FBC and #C5ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37EC2CE shade: #E57CF3, #F37CE1, #F37CC1, #F37CA2 and #F37C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37EC2CE shade: #EC319E, #EF57AF, #F37CC1, #F6A2D3 and #FAC8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37EC2CE shade: #F37EC2, #F3C57C and #7CF1F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37EC2CE shade: #F37EC2, #C1F37C and #7CC1F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37EC2CE shade: #F37EC2, #F3C57C, #7CF3AE and #7CAAF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37EC2CE shade: #F37EC2, #F3E97C, #7CF3AE and #7C86F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 16 / 4

HEX #F37EC2CE

RGBA 243 126 194 0.81

HSLA 325.13, 0.83%, 0.72%, 0.81

LABA 67.93, 52.78, -15.06, 0.81

 

Complementary color

CMYK 73 / 0 / 43 / 40

HEX #0C813DCE

RGBA 12 129 61 0.81

HSLA 145.13, 0.83%, 0.28%, 0.81

LABA 47.13, -45.52, 28.49, 0.81

 

CMYK 0 / 40 / 19 / 2

HEX #F87EBDCE

RGBA 248 126 189 0.81

HSLA 329.02, 0.9%, 0.73%, 0.81

LABA 68.43, 53.65, -11.44, 0.81

 

CMYK 0 / 35 / 15 / 0

HEX #FF90D0CE

RGBA 255 144 208 0.81

HSLA 325.41, 1%, 0.78%, 0.81

LABA 73.39, 49.72, -14.46, 0.81

 

CMYK 0 / 30 / 9 / 0

HEX #FFA2E3CE

RGBA 255 162 227 0.81

HSLA 318.06, 1%, 0.82%, 0.81

LABA 77.67, 43.51, -18.41, 0.81

 

CMYK 0 / 24 / 3 / 0

HEX #FFB4F6CE

RGBA 255 180 246 0.81

HSLA 307.2, 1%, 0.85%, 0.81

LABA 82.14, 37.36, -21.88, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 39 / 16 / 4

HEX #F37EC2CE

RGBA 243 126 194 0.81

HSLA 325.13, 0.83%, 0.72%, 0.81

LABA 67.93, 52.78, -15.06, 0.81

 

CMYK 0 / 42 / 18 / 9

HEX #E26CAFCE

RGBA 226 108 175 0.81

HSLA 325.93, 0.67%, 0.65%, 0.81

LABA 61.64, 53.47, -14, 0.81

 

CMYK 0 / 46 / 21 / 15

HEX #D15A9CCE

RGBA 209 90 156 0.81

HSLA 326.72, 0.56%, 0.59%, 0.81

LABA 55.35, 54.07, -12.74, 0.81

 

CMYK 0 / 51 / 23 / 20

HEX #C04889CE

RGBA 192 72 137 0.81

HSLA 327.5, 0.49%, 0.52%, 0.81

LABA 49.07, 54.48, -11.21, 0.81

 

CMYK 0 / 56 / 26 / 25

HEX #AF3676CE

RGBA 175 54 118 0.81

HSLA 328.26, 0.53%, 0.45%, 0.81

LABA 42.85, 54.56, -9.27, 0.81

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 49 / 34 / 5

HEX #F37CA1

RGB 243 124 161

HSL 341.34, 0.83%, 0.72%

LAB 66.55, 49.41, 1.51

 

CMYK 0 / 49 / 47 / 5

HEX #F37C81

RGB 243 124 129

HSL 357.48, 0.83%, 0.72%

LAB 65.79, 45.99, 18.55

 

CMYK 0 / 49 / 49 / 5

HEX #F37C7C

RGB 243 124 124

HSL 0, 0.83%, 0.72%

LAB 65.69, 45.53, 21.24

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 49 / 7 / 5

HEX #F37CE1

RGB 243 124 225

HSL 309.08, 0.83%, 0.72%

LAB 68.68, 58.5, -31.17

 

CMYK 6 / 49 / 0 / 5

HEX #E57CF3

RGB 229 124 243

HSL 292.94, 0.83%, 0.72%

LAB 67.68, 57.71, -42.79

 

CMYK 19 / 49 / 0 / 5

HEX #C57CF3

RGB 197 124 243

HSL 276.81, 0.83%, 0.72%

LAB 63.96, 49.06, -48.9

 

CMYK 32 / 49 / 0 / 5

HEX #A57CF3

RGB 165 124 243

HSL 260.67, 0.83%, 0.72%

LAB 60.68, 40.72, -54.31

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 56 / 23 / 0

HEX #FE71C3

RGB 254 113 195

HSL 325.11, 0.99%, 0.72%

LAB 67.14, 62.36, -16.65

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 41 / 17 / 9

HEX #E788BF

RGB 231 136 191

HSL 325.26, 0.66%, 0.72%

LAB 68.28, 43.44, -12.99

 

CMYK 0 / 33 / 14 / 14

HEX #DC93BD

RGB 220 147 189

HSL 325.48, 0.51%, 0.72%

LAB 69.3, 33.63, -10.49

 

CMYK 0 / 24 / 10 / 18

HEX #D09FBC

RGB 208 159 188

HSL 324.49, 0.34%, 0.72%

LAB 70.76, 22.79, -7.89

 

CMYK 0 / 13 / 6 / 23

HEX #C5ABBA

RGB 197 171 186

HSL 325.38, 0.18%, 0.72%

LAB 72.59, 12, -4.19

 

CMYK 6 / 49 / 0 / 5

HEX #E57CF3

RGB 229 124 243

HSL 292.94, 0.83%, 0.72%

LAB 67.68, 57.71, -42.79

 

CMYK 0 / 49 / 7 / 5

HEX #F37CE1

RGB 243 124 225

HSL 309.08, 0.83%, 0.72%

LAB 68.68, 58.5, -31.17

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 49 / 33 / 5

HEX #F37CA2

RGB 243 124 162

HSL 340.84, 0.83%, 0.72%

LAB 66.58, 49.53, 0.98

 

CMYK 0 / 49 / 47 / 5

HEX #F37C82

RGB 243 124 130

HSL 356.97, 0.83%, 0.72%

LAB 65.81, 46.08, 18.02

 

CMYK 0 / 79 / 33 / 7

HEX #EC319E

RGB 236 49 158

HSL 325.03, 0.83%, 0.56%

LAB 54.55, 76.32, -14.69

 

CMYK 0 / 64 / 27 / 6

HEX #EF57AF

RGB 239 87 175

HSL 325.26, 0.83%, 0.64%

LAB 60.12, 66.54, -16.11

 

CMYK 0 / 49 / 21 / 5

HEX #F37CC1

RGB 243 124 193

HSL 325.21, 0.83%, 0.72%

LAB 67.52, 53.61, -15.11

 

CMYK 0 / 34 / 14 / 4

HEX #F6A2D3

RGB 246 162 211

HSL 325, 0.82%, 0.8%

LAB 76.15, 38.01, -12.07

 

CMYK 0 / 20 / 8 / 2

HEX #FAC8E5

RGB 250 200 229

HSL 325.2, 0.83%, 0.88%

LAB 85.65, 22.29, -7.59

 

CMYK 0 / 48 / 20 / 5

HEX #F37EC2

RGB 243 126 194

HSL 325.13, 0.83%, 0.72%

LAB 67.93, 52.78, -15.06

 

CMYK 0 / 19 / 49 / 5

HEX #F3C57C

RGB 243 197 124

HSL 36.81, 0.83%, 0.72%

LAB 82.08, 7.51, 42.61

 

CMYK 49 / 1 / 0 / 5

HEX #7CF1F3

RGB 124 241 243

HSL 181.01, 0.83%, 0.72%

LAB 88.76, -32.54, -11.19

 

CMYK 0 / 48 / 20 / 5

HEX #F37EC2

RGB 243 126 194

HSL 325.13, 0.83%, 0.72%

LAB 67.93, 52.78, -15.06

 

CMYK 21 / 0 / 49 / 5

HEX #C1F37C

RGB 193 243 124

HSL 85.21, 0.83%, 0.72%

LAB 90.27, -34.75, 51.84

 

CMYK 49 / 21 / 0 / 5

HEX #7CC1F3

RGB 124 193 243

HSL 205.21, 0.83%, 0.72%

LAB 75.39, -8.41, -31.47

 

CMYK 0 / 48 / 20 / 5

HEX #F37EC2

RGB 243 126 194

HSL 325.13, 0.83%, 0.72%

LAB 67.93, 52.78, -15.06

 

CMYK 0 / 19 / 49 / 5

HEX #F3C57C

RGB 243 197 124

HSL 36.81, 0.83%, 0.72%

LAB 82.08, 7.51, 42.61

 

CMYK 49 / 0 / 28 / 5

HEX #7CF3AE

RGB 124 243 174

HSL 145.21, 0.83%, 0.72%

LAB 87.7, -48.8, 23.16

 

CMYK 49 / 30 / 0 / 5

HEX #7CAAF3

RGB 124 170 243

HSL 216.81, 0.83%, 0.72%

LAB 69.12, 4.24, -41.2

 

CMYK 0 / 48 / 20 / 5

HEX #F37EC2

RGB 243 126 194

HSL 325.13, 0.83%, 0.72%

LAB 67.93, 52.78, -15.06

 

CMYK 0 / 4 / 49 / 5

HEX #F3E97C

RGB 243 233 124

HSL 54.96, 0.83%, 0.72%

LAB 91.14, -10.83, 53.72

 

CMYK 49 / 0 / 28 / 5

HEX #7CF3AE

RGB 124 243 174

HSL 145.21, 0.83%, 0.72%

LAB 87.7, -48.8, 23.16

 

CMYK 49 / 45 / 0 / 5

HEX #7C86F3

RGB 124 134 243

HSL 234.96, 0.83%, 0.72%

LAB 59.71, 25.12, -56.05

 

Description

Color code: HEX #F37EC2CE | qconv.com Color code: HEX #F37EC2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 126 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 126 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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