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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F378803F it is the complementary color #0C877F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F378803F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F378803F shade: #F8787B3F, #FF8A8E3F, #FF9CA13F, #FFAEB43F and #FFC0C73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F378803F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F378803F shade: #F378803F, #E2666D3F, #D1545A3F, #C042473F and #AF30343F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F378803F shade: #F3777F and #F37777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F378803F shade: #F3777F, #F377A1, #F377C2, #F377E4 and #E177F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F378803F shade matches the following richer shades: #F3777F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F378803F shade: #F3777F, #E78389, #DB8F94, #CF9B9E and #C3A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F378803F shade: #F377C1, #F377A0, #F3777F, #F39077 and #F3B177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F378803F shade: #ED2B38, #F0515B, #F3777F, #F69DA3 and #FAC3C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F378803F shade: #F37880, #E3F377 and #77B1F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F378803F shade: #F37880, #7FF377 and #777FF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F378803F shade: #F37880, #E3F377, #77F3EB and #8777F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F378803F shade: #F37880, #BDF377, #77F3EB and #AD77F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 12 / 1

HEX #F378803F

RGBA 243 120 128 0.25

HSLA 356.1, 0.84%, 0.71%, 0.25

LABA 65, 47.86, 18.03, 0.25

 

Complementary color

CMYK 23 / 0 / 1 / 12

HEX #0C877F3F

RGBA 12 135 127 0.25

HSLA 176.1, 0.84%, 0.29%, 0.25

LABA 50.62, -31.88, -4.37, 0.25

 

CMYK 0 / 13 / 13 / 1

HEX #F8787B3F

RGBA 248 120 123 0.25

HSLA 358.59, 0.9%, 0.72%, 0.25

LABA 65.61, 49.17, 21.8, 0.25

 

CMYK 0 / 11 / 11 / 0

HEX #FF8A8E3F

RGBA 255 138 142 0.25

HSLA 357.95, 1%, 0.77%, 0.25

LABA 70.45, 44.57, 17.94, 0.25

 

CMYK 0 / 10 / 9 / 0

HEX #FF9CA13F

RGBA 255 156 161 0.25

HSLA 356.97, 1%, 0.81%, 0.25

LABA 74.58, 37.45, 13.21, 0.25

 

CMYK 0 / 8 / 7 / 0

HEX #FFAEB43F

RGBA 255 174 180 0.25

HSLA 355.56, 1%, 0.84%, 0.25

LABA 78.94, 30.41, 9.03, 0.25

 

CMYK 0 / 6 / 5 / 0

HEX #FFC0C73F

RGBA 255 192 199 0.25

HSLA 353.33, 1%, 0.88%, 0.25

LABA 83.49, 23.57, 5.31, 0.25

 

CMYK 0 / 13 / 12 / 1

HEX #F378803F

RGBA 243 120 128 0.25

HSLA 356.1, 0.84%, 0.71%, 0.25

LABA 65, 47.86, 18.03, 0.25

 

CMYK 0 / 14 / 13 / 3

HEX #E2666D3F

RGBA 226 102 109 0.25

HSLA 356.61, 0.68%, 0.64%, 0.25

LABA 58.77, 48.88, 19.99, 0.25

 

CMYK 0 / 15 / 14 / 5

HEX #D1545A3F

RGBA 209 84 90 0.25

HSLA 357.12, 0.58%, 0.57%, 0.25

LABA 52.55, 49.86, 22.28, 0.25

 

CMYK 0 / 16 / 16 / 6

HEX #C042473F

RGBA 192 66 71 0.25

HSLA 357.62, 0.5%, 0.51%, 0.25

LABA 46.39, 50.69, 25.02, 0.25

 

CMYK 0 / 18 / 18 / 8

HEX #AF30343F

RGBA 175 48 52 0.25

HSLA 358.11, 0.57%, 0.44%, 0.25

LABA 40.37, 51.19, 28.33, 0.25

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 51 / 51 / 5

HEX #F37777

RGB 243 119 119

HSL 0, 0.84%, 0.71%

LAB 64.63, 47.54, 22.62

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 51 / 34 / 5

HEX #F377A1

RGB 243 119 161

HSL 339.68, 0.84%, 0.71%

LAB 65.61, 51.84, 0.14

 

CMYK 0 / 51 / 20 / 5

HEX #F377C2

RGB 243 119 194

HSL 323.71, 0.84%, 0.71%

LAB 66.63, 56.15, -17.02

 

CMYK 0 / 51 / 6 / 5

HEX #F377E4

RGB 243 119 228

HSL 307.26, 0.84%, 0.71%

LAB 67.91, 61.35, -34.03

 

CMYK 7 / 51 / 0 / 5

HEX #E177F3

RGB 225 119 243

HSL 291.29, 0.84%, 0.71%

LAB 66.27, 59.06, -45.05

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 43 / 41 / 9

HEX #E78389

RGB 231 131 137

HSL 356.4, 0.68%, 0.71%

LAB 65.77, 38.93, 13.76

 

CMYK 0 / 35 / 32 / 14

HEX #DB8F94

RGB 219 143 148

HSL 356.05, 0.51%, 0.71%

LAB 67.16, 29.46, 9.32

 

CMYK 0 / 25 / 24 / 19

HEX #CF9B9E

RGB 207 155 158

HSL 356.54, 0.35%, 0.71%

LAB 68.88, 19.83, 6.01

 

CMYK 0 / 14 / 13 / 24

HEX #C3A7A9

RGB 195 167 169

HSL 355.71, 0.19%, 0.71%

LAB 70.94, 10.52, 2.75

 

CMYK 0 / 51 / 21 / 5

HEX #F377C1

RGB 243 119 193

HSL 324.19, 0.84%, 0.71%

LAB 66.6, 56.01, -16.5

 

CMYK 0 / 51 / 34 / 5

HEX #F377A0

RGB 243 119 160

HSL 340.16, 0.84%, 0.71%

LAB 65.58, 51.72, 0.66

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 41 / 51 / 5

HEX #F39077

RGB 243 144 119

HSL 12.1, 0.84%, 0.71%

LAB 69.71, 34.92, 29.37

 

CMYK 0 / 27 / 51 / 5

HEX #F3B177

RGB 243 177 119

HSL 28.06, 0.84%, 0.71%

LAB 77.18, 17.57, 39

 

CMYK 0 / 82 / 76 / 7

HEX #ED2B38

RGB 237 43 56

HSL 355.98, 0.84%, 0.55%

LAB 51.86, 70.95, 42.26

 

CMYK 0 / 66 / 62 / 6

HEX #F0515B

RGB 240 81 91

HSL 356.23, 0.84%, 0.63%

LAB 57.24, 61.4, 28.79

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 0 / 36 / 34 / 4

HEX #F69DA3

RGB 246 157 163

HSL 355.96, 0.83%, 0.79%

LAB 73.77, 33.89, 10.82

 

CMYK 0 / 22 / 21 / 2

HEX #FAC3C6

RGB 250 195 198

HSL 356.73, 0.85%, 0.87%

LAB 83.67, 20.05, 6.05

 

CMYK 0 / 51 / 47 / 5

HEX #F37880

RGB 243 120 128

HSL 356.1, 0.84%, 0.71%

LAB 65, 47.86, 18.03

 

CMYK 7 / 0 / 51 / 5

HEX #E3F377

RGB 227 243 119

HSL 67.74, 0.84%, 0.71%

LAB 92.47, -22.43, 57.31

 

CMYK 51 / 27 / 0 / 5

HEX #77B1F3

RGB 119 177 243

HSL 211.94, 0.84%, 0.71%

LAB 70.76, -0.81, -38.66

 

CMYK 0 / 51 / 47 / 5

HEX #F37880

RGB 243 120 128

HSL 356.1, 0.84%, 0.71%

LAB 65, 47.86, 18.03

 

CMYK 48 / 0 / 51 / 5

HEX #7FF377

RGB 127 243 119

HSL 116.13, 0.84%, 0.71%

LAB 86.97, -56.66, 49.41

 

CMYK 51 / 48 / 0 / 5

HEX #777FF3

RGB 119 127 243

HSL 236.13, 0.84%, 0.71%

LAB 57.63, 28.19, -59.4

 

CMYK 0 / 51 / 47 / 5

HEX #F37880

RGB 243 120 128

HSL 356.1, 0.84%, 0.71%

LAB 65, 47.86, 18.03

 

CMYK 7 / 0 / 51 / 5

HEX #E3F377

RGB 227 243 119

HSL 67.74, 0.84%, 0.71%

LAB 92.47, -22.43, 57.31

 

CMYK 51 / 0 / 3 / 5

HEX #77F3EB

RGB 119 243 235

HSL 176.13, 0.84%, 0.71%

LAB 88.93, -36.52, -6.78

 

CMYK 44 / 51 / 0 / 5

HEX #8777F3

RGB 135 119 243

HSL 247.74, 0.84%, 0.71%

LAB 56.9, 36.39, -60.51

 

CMYK 0 / 51 / 47 / 5

HEX #F37880

RGB 243 120 128

HSL 356.1, 0.84%, 0.71%

LAB 65, 47.86, 18.03

 

CMYK 22 / 0 / 51 / 5

HEX #BDF377

RGB 189 243 119

HSL 86.13, 0.84%, 0.71%

LAB 89.98, -36.71, 53.74

 

CMYK 51 / 0 / 3 / 5

HEX #77F3EB

RGB 119 243 235

HSL 176.13, 0.84%, 0.71%

LAB 88.93, -36.52, -6.78

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

Description

Color code: HEX #F378803F | qconv.com Color code: HEX #F378803F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 120 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 120 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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