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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F375233F it is the complementary color #0C8ADC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F375233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F375233F shade: #F8751E3F, #FF87313F, #FF99443F, #FFAB573F and #FFBD6A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F375233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F375233F shade: #F375233F, #E263103F, #D151003F, #C03F003F and #AF2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F375233F shade: #F47625, #F43F25 and #F42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F375233F shade: #F47625, #F4AE25, #F4E625, #CAF425 and #92F425

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F375233F shade matches the following richer shades: #F47625

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F375233F shade: #F47625, #E17A38, #CE7E4A, #BC825D and #A9866F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F375233F shade: #F42544, #F43D25, #F47425, #F4AB25 and #F4E225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F375233F shade: #BC500A, #E3610C, #F47625, #F68F4C and #F8A873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F375233F shade: #F37523, #7BF425 and #2528F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F375233F shade: #F37523, #25F474 and #7425F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F375233F shade: #F37523, #7BF425, #25A4F4 and #9D25F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F375233F shade: #F37523, #3DF425, #25A4F4 and #DB25F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 21 / 1

HEX #F375233F

RGBA 243 117 35 0.25

HSLA 23.65, 0.9%, 0.55%, 0.25

LABA 63.26, 44.06, 62.96, 0.25

 

Complementary color

CMYK 24 / 9 / 0 / 3

HEX #0C8ADC3F

RGBA 12 138 220 0.25

HSLA 203.65, 0.9%, 0.45%, 0.25

LABA 55.5, -0.48, -50.2, 0.25

 

CMYK 0 / 13 / 22 / 1

HEX #F8751E3F

RGBA 248 117 30 0.25

HSLA 23.94, 0.94%, 0.55%, 0.25

LABA 63.98, 45.86, 65.49, 0.25

 

CMYK 0 / 12 / 20 / 0

HEX #FF87313F

RGBA 255 135 49 0.25

HSLA 25.05, 1%, 0.6%, 0.25

LABA 68.61, 40.14, 63.04, 0.25

 

CMYK 0 / 10 / 18 / 0

HEX #FF99443F

RGBA 255 153 68 0.25

HSLA 27.27, 1%, 0.63%, 0.25

LABA 72.53, 31.67, 58.88, 0.25

 

CMYK 0 / 8 / 16 / 0

HEX #FFAB573F

RGBA 255 171 87 0.25

HSLA 30, 1%, 0.67%, 0.25

LABA 76.72, 23.26, 54.67, 0.25

 

CMYK 0 / 6 / 15 / 0

HEX #FFBD6A3F

RGBA 255 189 106 0.25

HSLA 33.42, 1%, 0.71%, 0.25

LABA 81.12, 15.08, 50.64, 0.25

 

CMYK 0 / 13 / 21 / 1

HEX #F375233F

RGBA 243 117 35 0.25

HSLA 23.65, 0.9%, 0.55%, 0.25

LABA 63.26, 44.06, 62.96, 0.25

 

CMYK 0 / 14 / 23 / 3

HEX #E263103F

RGBA 226 99 16 0.25

HSLA 23.71, 0.87%, 0.47%, 0.25

LABA 57.2, 45.97, 62.94, 0.25

 

CMYK 0 / 15 / 25 / 5

HEX #D151003F

RGBA 209 81 0 0.25

HSLA 23.25, 1%, 0.41%, 0.25

LABA 51.2, 47.87, 61.29, 0.25

 

CMYK 0 / 17 / 25 / 6

HEX #C03F003F

RGBA 192 63 0 0.25

HSLA 19.69, 1%, 0.38%, 0.25

LABA 45.31, 49.64, 56.61, 0.25

 

CMYK 0 / 19 / 25 / 8

HEX #AF2D003F

RGBA 175 45 0 0.25

HSLA 15.43, 1%, 0.34%, 0.25

LABA 39.56, 50.88, 52.05, 0.25

 

CMYK 0 / 52 / 85 / 4

HEX #F47625

RGB 244 118 37

HSL 23.48, 0.9%, 0.55%

LAB 63.61, 44, 62.6

 

CMYK 0 / 74 / 85 / 4

HEX #F43F25

RGB 244 63 37

HSL 7.54, 0.9%, 0.55%

LAB 54.99, 66.88, 55.38

 

CMYK 0 / 85 / 85 / 4

HEX #F42525

RGB 244 37 37

HSL 0, 0.9%, 0.55%

LAB 52.61, 73.6, 53.36

 

CMYK 0 / 52 / 85 / 4

HEX #F47625

RGB 244 118 37

HSL 23.48, 0.9%, 0.55%

LAB 63.61, 44, 62.6

 

CMYK 0 / 29 / 85 / 4

HEX #F4AE25

RGB 244 174 37

HSL 39.71, 0.9%, 0.55%

LAB 75.85, 15.08, 72.71

 

CMYK 0 / 6 / 85 / 4

HEX #F4E625

RGB 244 230 37

HSL 55.94, 0.9%, 0.55%

LAB 89.84, -13.58, 84.16

 

CMYK 17 / 0 / 85 / 4

HEX #CAF425

RGB 202 244 37

HSL 72.17, 0.9%, 0.55%

LAB 90.5, -37.31, 83.45

 

CMYK 40 / 0 / 85 / 4

HEX #92F425

RGB 146 244 37

HSL 88.41, 0.9%, 0.55%

LAB 87.46, -57.58, 79.65

 

CMYK 0 / 52 / 85 / 4

HEX #F47625

RGB 244 118 37

HSL 23.48, 0.9%, 0.55%

LAB 63.61, 44, 62.6

 

CMYK 0 / 52 / 85 / 4

HEX #F47625

RGB 244 118 37

HSL 23.48, 0.9%, 0.55%

LAB 63.61, 44, 62.6

 

CMYK 0 / 46 / 75 / 12

HEX #E17A38

RGB 225 122 56

HSL 23.43, 0.74%, 0.55%

LAB 61.84, 35.17, 52.1

 

CMYK 0 / 39 / 64 / 19

HEX #CE7E4A

RGB 206 126 74

HSL 23.64, 0.57%, 0.55%

LAB 60.37, 26.27, 40.88

 

CMYK 0 / 31 / 51 / 26

HEX #BC825D

RGB 188 130 93

HSL 23.37, 0.41%, 0.55%

LAB 59.39, 18.11, 28.94

 

CMYK 0 / 21 / 34 / 34

HEX #A9866F

RGB 169 134 111

HSL 23.79, 0.25%, 0.55%

LAB 58.63, 10.03, 17.47

 

CMYK 0 / 85 / 72 / 4

HEX #F42544

RGB 244 37 68

HSL 351.01, 0.9%, 0.55%

LAB 52.92, 74.52, 36.99

 

CMYK 0 / 75 / 85 / 4

HEX #F43D25

RGB 244 61 37

HSL 6.96, 0.9%, 0.55%

LAB 54.77, 67.5, 55.19

 

CMYK 0 / 52 / 85 / 4

HEX #F47425

RGB 244 116 37

HSL 22.9, 0.9%, 0.55%

LAB 63.22, 44.97, 62.28

 

CMYK 0 / 30 / 85 / 4

HEX #F4AB25

RGB 244 171 37

HSL 38.84, 0.9%, 0.55%

LAB 75.13, 16.65, 72.13

 

CMYK 0 / 7 / 85 / 4

HEX #F4E225

RGB 244 226 37

HSL 54.78, 0.9%, 0.55%

LAB 88.81, -11.61, 83.32

 

CMYK 0 / 57 / 95 / 26

HEX #BC500A

RGB 188 80 10

HSL 23.6, 0.9%, 0.39%

LAB 47.56, 40.57, 54.99

 

CMYK 0 / 57 / 95 / 11

HEX #E3610C

RGB 227 97 12

HSL 23.72, 0.9%, 0.47%

LAB 56.98, 47.24, 63.75

 

CMYK 0 / 52 / 85 / 4

HEX #F47625

RGB 244 118 37

HSL 23.48, 0.9%, 0.55%

LAB 63.61, 44, 62.6

 

CMYK 0 / 42 / 69 / 4

HEX #F68F4C

RGB 246 143 76

HSL 23.65, 0.9%, 0.63%

LAB 69.3, 33.62, 51.38

 

CMYK 0 / 32 / 54 / 3

HEX #F8A873

RGB 248 168 115

HSL 23.91, 0.9%, 0.71%

LAB 75.58, 23.97, 39.17

 

CMYK 0 / 52 / 86 / 5

HEX #F37523

RGB 243 117 35

HSL 23.65, 0.9%, 0.55%

LAB 63.26, 44.06, 62.96

 

CMYK 50 / 0 / 85 / 4

HEX #7BF425

RGB 123 244 37

HSL 95.07, 0.9%, 0.55%

LAB 86.53, -64.59, 78.48

 

CMYK 85 / 84 / 0 / 4

HEX #2528F4

RGB 37 40 244

HSL 239.13, 0.9%, 0.55%

LAB 34.89, 66.99, -97.33

 

CMYK 0 / 52 / 86 / 5

HEX #F37523

RGB 243 117 35

HSL 23.65, 0.9%, 0.55%

LAB 63.26, 44.06, 62.96

 

CMYK 85 / 0 / 52 / 4

HEX #25F474

RGB 37 244 116

HSL 142.9, 0.9%, 0.55%

LAB 85.18, -73.46, 48.15

 

CMYK 52 / 85 / 0 / 4

HEX #7425F4

RGB 116 37 244

HSL 262.9, 0.9%, 0.55%

LAB 40.52, 73.25, -87.81

 

CMYK 0 / 52 / 86 / 5

HEX #F37523

RGB 243 117 35

HSL 23.65, 0.9%, 0.55%

LAB 63.26, 44.06, 62.96

 

CMYK 50 / 0 / 85 / 4

HEX #7BF425

RGB 123 244 37

HSL 95.07, 0.9%, 0.55%

LAB 86.53, -64.59, 78.48

 

CMYK 85 / 33 / 0 / 4

HEX #25A4F4

RGB 37 164 244

HSL 203.19, 0.9%, 0.55%

LAB 64.54, -5.36, -49.14

 

CMYK 36 / 85 / 0 / 4

HEX #9D25F4

RGB 157 37 244

HSL 274.78, 0.9%, 0.55%

LAB 45.67, 77.99, -79.17

 

CMYK 0 / 52 / 86 / 5

HEX #F37523

RGB 243 117 35

HSL 23.65, 0.9%, 0.55%

LAB 63.26, 44.06, 62.96

 

CMYK 75 / 0 / 85 / 4

HEX #3DF425

RGB 61 244 37

HSL 113.04, 0.9%, 0.55%

LAB 84.91, -77.91, 76.44

 

CMYK 85 / 33 / 0 / 4

HEX #25A4F4

RGB 37 164 244

HSL 203.19, 0.9%, 0.55%

LAB 64.54, -5.36, -49.14

 

CMYK 10 / 85 / 0 / 4

HEX #DB25F4

RGB 219 37 244

HSL 292.75, 0.9%, 0.55%

LAB 54.98, 87.18, -63.61

 

Description

Color code: HEX #F375233F | qconv.com Color code: HEX #F375233F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 117 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 117 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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